Malvern Books

Join us in celebrating the launch of a new book of poetry, Five Friends on Sunday Afternoons. With readings from David Jewell, John Lee, Bill Jeffers, John McElhenney, and Lyman Grant (left to right, below).

David Jewell is a poet, storyteller, author, actor and stream of consciousness visionary imagineer who chronicles the 21st century mind and its many idiosyncrasies. He and his writing have appeared in two Richard Linklater movies, Before Sunrise and Waking Life, and he’s shared shows with Laurie Anderson and Leon Redbone. His books are time bombs already detonating in another generation and hIs bio says he was “born in blank and lives in and.”

John Lee is the national best-selling author of The Flying Boy: Healing the Wounded Man and 20 other titles. He has taught Literature, Humanities, American Studies and Religious Studies at The University of Alabama, The University of Texas, Austin Community College, and Northeast Alabama Community College. While Lee is an internationally-recognized pioneer in The Men’s and Recovery Movements, thanks to his 22-year friendship and collaboration with the poet Robert Bly (audio On The Mountain of Tears and Laughter, poems by Robert Bly and John Lee), Lee has become a recognized poet in his own right giving readings in bookstores, online and at The Library of Congress. Lee has been published in several magazines and authored three chapbooks—Sleeping in Public, Too Much Talk and Too Little, and The Dragon’s Letters.

Bill Jeffers Has been writing words and reading them out loud in and around Austin for more than 40 years.

John McElhenney is an internationally recognized single-parent author and coach. His blog WholeParent.org has been syndicated widely and gets 15,000 reads a month. John lives in Austin, Texas with his two kids. Writer, coach, musician, tennis player, dad.

Lyman Grant teaches at Austin Community College as a adjunct online professor of English, Creative Writing, and Humanities. He also tutors and teaches at Eastern Mennonite University in Harrisonburg, Virginia. He is the author and editor of several books, including five volumes of poetry, the most recent being Old Men on Tuesday Mornings (Alamo Bay Press).

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Kenneth Fearing’s Clark Gifford’s Body, a paranoid tour de force of political noir.

Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions of the politicians, generals, businessmen, waiters, journalists, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the launch of Yuki Tanaka’s poetry collection Séance in Daylight, winner of the 2018 Frost Place Chapbook Competition. Featuring readings from Yuki, as well as Rachel Heng and Shangyang Fang.

Séance in Daylight is about desire, transformation, and dreams; it is also about intricate, yet light-footed sessions with the dead. The ever-present undertow of the poet’s sharp observations keeps these lush, yet lapidary lyrics from slipping into solipsism or sentimentality. ‘Back home, my body thin and healthy / cooling my feet on a crystal ball like a psychic out of business,’ says one speaker, returning from an imagined visitation. These poems remind us that at times, life’s very existence feels unbearably inexplicable, beautiful, perverse, moody, and touching. Yuki Tanaka connects these feelings with a spiritual intensity and a sweet wit. His images startle, ‘A bare white arm / disinfected. Plump, sizzling,’ and they pierce into our inwardness, ‘This pile of wood wished to be a stairway / but couldn’t. Will you pretend to climb it. —Sandra Lim

Yuki Tanaka is an MFA student at the Michener Center for Writers at the University of Texas-Austin. His poems have appeared or are forthcoming in American Poetry Review, Best New Poets, Kenyon Review, Poetry, and elsewhere. His chapbook Séance in Daylight was the winner of the 2018 Frost Place Chapbook Competition.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

Shangyang Fang grew up in Chengdu, China. He majored in Civil Engineering as an undergrad. After knowing there is a higher employment rate in the field of poetry, he decided to pursue an MFA. He writes both in English and Chinese. Sometimes he writes poems first in Chinese to structure their skeletons, then translate them into English to add flesh and blood. He is now a poetry fellow at the Michener Center for Writers.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the recent launch of Rachel Heng’s debut novel, Suicide Club: A Novel About Living. Featuring a reading from Rachel, as well as a Q & A hosted by Carrie Fountain.

Every month seems to bring some new health study promising an authoritative guide on how to get stronger, feel better, or live longer. Every month, we are left more confused than when we started. In Suicide Club: A Novel About Living, Heng’s characters live in a dystopian reality where immortality is possible, conforming to a shadowy health ministry is the new careerism, and no one seems to be happy. Along the lines of Emily St. John Mandel’s Station Eleven, Suicide Club takes place in a science fiction reality that feels more real than we would like to admit.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for an evening with visiting poet Valerie Wallace, who will be reading from her collection House of McQueen, released in March of this year. Valerie will be joined by Simone Muench and Katy Chrisler.

Selected by Vievee Francis for the Four Way Books Intro Prize, Valerie Wallace’s House of McQueen is a glittering debut by an assured new voice. Inhabiting the life and work of Alexander McQueen, Wallace builds a fantastical world using both original language and excerpts drawn from interviews, supermodels, Shakespeare, and more. At turns fierce and vulnerable, here is a collection that leaps from runway to fairytale to street with wild, brilliant grace.

Wallace conducts a literary seance in her transcendent debut, serving as a scholar of and medium for the late iconic fashion designer Alexander McQueen (1969–2010). Devising her poems using an extensive array of sources, Wallace manages to encapsulate the “monstrous and magical” visions that defined McQueen’s oeuvre. —Publishers Weekly, starred review

Valerie Wallace is the author of House of McQueen (Four Way Books, 2018) and the chapbook The Dictators’ Guide to Good Housekeeping (dancing girl press, 2011). Her work was chosen by Margaret Atwood for the 2012 Atty Award, and she has received an Illinois Arts Council Literary Award and the San Miguel de Allende Writers Conference Award in Poetry. Her work has been supported by various grants and fellowships. She earned her MFA from the School of the Art Institute of Chicago. She is Associate Director, Communications for the project Virtue, Happiness, & the Meaning of Life at the University of Chicago and teaches at Harold Washington College, the Newberry Library, and offers private workshops.

Simone Muench is the author of several books including Wolf Centos (Sarabande, 2014). Her recent, Suture, is a book of sonnets written with Dean Rader (Black Lawrence, 2017). She and Dean also edited They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (BLP, 2018). She is the recipient of an NEA Fellowship and the Meier Foundation for the Arts Achievement Award, and is professor of English at Lewis University where she teaches creative writing and film studies. She serves as a poetry editor for Tupelo Quarterly, the chief faculty advisor for Jet Fuel Review, and the organizer (with Beth McDermott) of the Danny’s Sunday Series.

Katy Chrisler received her MFA from the Iowa Writers’ Workshop and has held residencies with Land Arts of the American West and 100 West Corsicana. Recent work of hers has appeared in Tin House, Conflict of Interest, The Volta, The Seattle Review and Black Warrior Review. She currently lives and works in Austin, Texas.

BREAK FREE … and share words with us. Join us for an evening of enlightenment when Louisiana poets Bessie Senette and Clare L. Martin and Austin poet Robert Okaji share their work.

Louisiana native Bessie Senette has published her first book, Cutting the Clouds, a Bayou Mystic’s Poems, Musings, and Imaginings. Currently, she is finalizing Louisiana Pines, a chapbook manuscript. Senette is an author, healer, public speaker, and ordained interfaith minister. In September of 2018, she served as Artistic Director and featured performer of a multi-disciplined arts event celebrating the Sufi poet Rumi. Senette lives in Lafayette, Louisiana with her husband of 35 years. She has two sons, two daughters-in-law, four grand-pups and one cantankerous grand-cat.

The author of five chapbook collections, two micro-chapbooks and a mini-digital chapbook, Robert Okaji writes in his backyard shack in Texas. He once won a goat-catching contest, and his work has appeared or is forthcoming in Slippery Elm, Vox Populi, Panoply, Hamilton Stone Review, The New Reader and elsewhere.

Join us for an afternoon with authors A. R. Ashworth, K. P. Gresham, andHelen Currie Foster. All three will be sharing excerpts from recent novels.

A. R. Ashworth earned a degree in history and worked for over twenty years in high tech. Along the way he developed a lasting love for London, dark British-style mysteries and Scandinavian noir. Souls of Men, the first novel of the Elaine Hope series, was released in April 2017. Two Faced, the second Elaine Hope novel, was released in July 2018.

K.P. Gresham, author of the Pastor Matt Hayden Mystery series and Three Days at Wrigley Field, moved to Texas as quick as she could. Born Chicagoan, K.P. and her husband moved to Texas, fell in love with not shoveling snow and are 30+ year Lone Star State residents. She finds that her dual country citizenship, the Midwest and Texas, provide deep fodder for her award-winning novels. Her varied careers as a media librarian and technical director, middle school literature teacher and theatre playwright and director add humor and truth to her stories. A graduate of Houston’s Rice University Novels Writing Colloquium, K.P. now resides in Austin, Texas, where life with her tolerant but supportive husband and narcissistic Chihuahua is acceptably weird.

Helen Currie Foster writes the Alice MacDonald Greer Mystery series. She earned a BA from Wellesley College, an MA from the University of Texas, and a JD from the University of Michigan. Having grown up in Texas surrounded by books and storytelling, Foster taught high school English and covered politics and wrote features (prize-winning) for a weekly newspaper. After practicing law for more than thirty years as an environmental lawyer, she found the character Alice and her stories had suddenly appeared in her life. Married with two children, Foster lives north of Dripping Springs, Texas, supervised by three burros. She’s deeply curious about human history and how, uninvited, the past keeps crashing the party. Foster works in Austin and is active with Hays County Master Naturalists and Austin Shakespeare. She currently serves as president of the local Heart of Texas chapter of the national organization Sisters in Crime. Foster enjoys meeting with readers in book groups and libraries in Colorado, New Mexico and Texas.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Pei Pei the Monkey King by Wawa.

Pei Pei the Monkey King, Wawa’s first book, is a playful book about painful subjects in contemporary Hong Kong, namely the Umbrella Revolution of 2014, the Fishball Revolution of 2016 and an on-going epidemic of suicides among young people. The author, who has recently moved to Honolulu, knows internal and external exile. The translator, Henry Wei Leung, has written a clear and perceptive introduction to the language and politics of Hong Kong. He also addresses the difficulties in translating Chinese poetry into English, noting that even people who speak ‘Chinese’ can often not understand each other. The book ends with an interview between poet and translator that elucidates the book’s private concerns.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Alisar Eido’s new novel, Night Bound. With readings from Alisar, as well as Victoria Champion and Brennan Utley.

Alisar Eido is an Austin author whose work spans multiple genres from psychological thrillers to dark fantasy. Her new release, Night Bound, is book two of three in The Soulfire Series. The author’s inspiration stems from her many experiences with strange coincidences and unexplainable events.

Brennan Utley is an emerging author based in Austin who blends realist, fabulist, science fiction, and satirical traditions into his unique and often darkly funny stories and aspiring novels. He is currently working late into the night on a handful of new projects and teaches in Bastrop, Texas.

Victoria Champion is an author of dark fiction, horror, and dark fantasy. She met Alisar while in a Creative Writing class while pursuing her Creative Writing degree. She has published multiple short stories and a novel, Zombie Flood: Disaster of the Dead.

Join Bat City Review and Malvern Books for SILKEN SAD UNCERTAIN: A Haunted Reading & Open Mic! Featuring Daniel Eduardo Ruiz, Michelle Dominique Burk, KING MTN, Sarah Matthes, and others. Bring your spookiest poems and ghost stories for an all-ages open mic.

Costumes highly encouraged.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Juniper Tree by Barbara Comyns, an enthralling and macabre fairy tale.

Through her reimagining of the wicked stepmother figure, Comyns speculates convincingly as to how damage escalates despite all conscious attempts to limit itself. —Helen Oyeyemi

Comyns’s world is weird and wonderful … there’s also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius. —The Observer

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the launch of the English translation of local Iranian poet Roja Chamankar’s poetry collection, Dying in a Mother Tongue, translated by Blake Atwood (UT Press).

Born in Borazjan in southern Iran in 1981, Roja Chamankar is a poet and filmmaker with an academic background in Dramatic Literature and Cinematography. She has published nine books of poetry in Iran, co-written three books for children, and translated two collection of poems from French into Persian. Her works have been translated into several other languages and have won a number of national and international awards, including the Greek Nikos Gatsos prize in 2016. Roja has participated in numerous poetry readings and festivals in Iran, France, Sweden, Austria, Malta, and the United States. A collection of her poems titled Dying in A Mother Tongue, translated by Blake Atwood, will be published in November 2018 by the University of Texas Press. She is currently residing in Austin, Texas.

Blake Atwood is an assistant professor in the Department of Middle Eastern Studies at the University of Texas at Austin. He is the author of Reform Cinema in Iran: Film and Political Change in the Islamic Republic.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Sara Bawany’s (W)holehearted: A collection of poetry and prose. Hosted by CAIR-Austin.

Sara Bawany is a social worker, a writer, and a poet with a passion for bringing to light some of the most taboo issues in the South Asian community. A graduate of The University of Texas at Austin, Sara received her Master’s degree in Social Work and her Bachelor’s degrees in Biology and Islamic Studies. She currently serves as a social worker at the Muslim Community Center for Human Services, providing free mental health counseling and mental health education to the community. She has been writing since she was very young and she recently published her first poetry book. Some of the themes you can find in her work include femininity, spirituality, social justice issues, identity, mental health, and domestic violence. When she is not writing or working, you can find her baking cookies, traveling somewhere new, or cuddling with her two pet rabbits.

Join us for a meet and greet with authors Jaycie Morrison and Barbara Ann Wright, hosted by the Sapphic Reading Group. Everyone is welcome!

Jaycie Morrison is a second generation native Dallasite who is also in love with Colorado and now splits her time between the two. She lives with her wife of over two decades and their spoiled dog. As a youngster, Jaycie and her friends entertained themselves making up and acting out stories featuring characters from popular TV shows or favorite bands. As a voracious reader, she always wondered what it would be like to write a book. Once she started, it was almost impossible to stop. Jaycie’s debut novel, Basic Training of the Heart, (Bold Strokes Books, fall, 2016) and its sequel, Heart’s Orders (2017), are the first two in a series that combine her love of the written word and her fascination with history. “Weather or Not,” in The Lone Star Collection, is her first short story.

Barbara Ann Wright pens fantasy and science fiction novels and short stories when not adding to her enormous book collection or ranting on her blog. She says that her writing career can be boiled down to two points: when her mother bought her a typewriter in the sixth grade, and when she took second place in the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy Writing in 2004. One gave her the means to write and the other gave her the confidence to keep going. Believing in oneself, in her opinion, is the most important thing a person can do. Barbara’s short fiction has appeared twice in Crossed Genres Magazine and once made Tangent Online’s recommended reading list. She’s published ten novels with Bold Strokes Books. Her first novel, The Pyramid Waltz, was one of Tor.com’s “Reviewer’s Choice” books. It was also a “Foreword Review Book of the Year” award finalist, as well as a GCLS Goldie finalist. In addition, The Pyramid Waltz won the 2013 Rainbow Award for Best Lesbian Fantasy and made Book Riot’s “100 Must-Read Sci-Fi Fantasy Novels By Female Authors.” Barbara has been the recipient of four other Rainbow Awards, and her novel, Coils, was a finalist in the 2017 Lambda Awards. Her latest novel is The Tattered Lands. Barbara lives in the Austin area with a small army of pets, and she’s not afraid to sic them on her critics.

The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.

Join us in celebrating the launch of Texas State University MFA professor Steve Wilson’s new poetry collection. With readings and book signings from Steve and fellow Finishing Line Press and MFA poetry graduate Prudence Arceneaux.

Steve Wilson’s poems have appeared in journals and anthologies nationwide. He is the author of four collections of poetry, and editor of The Anatomy of Water: A Sampling of Contemporary American Prose Poetry. He teaches in the MFA program at Texas State University.

C. Prudence Arceneaux, a native Texan, is a poet who has taught English and Creative Writing at Austin Community College, in Austin, TX, since 1998. She earned a BA in English/ Creative Writing from the University of New Mexico, but even before finishing the degree realized “there’s no place like home.” Upon her return to Texas, she began work on an MFA in Creative Writing, which she received from the University-formerly-known-as-Southwest-Texas-State in 1998. Her work has appeared in various journals, including Limestone, New Texas, Clark Street Review, and Inkwell. Her chapbook, Dirt, was published by Finishing Line Press in 2017.

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Ending Up by Kingsley Amis.

Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

“Ending Up is a sardonic little masterpiece which, with incredible economy and stylistic restraint, shows what old age is really like, and also—far, far better than any other writer I know—what contemporary England is like.”

—Anthony Burgess

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the Austin launch of Isabella Ides’ White Monkey Chronicles.

A rogue order of nuns are raising an undocumented deity on the down-low in this contemporary fable. Expect a plague of Cardinals. A feminist insurgency. And divine monkeyshines.

Born under the Hollywood Sign, Isabella was abducted by life, packed in a suitcase and dropped off in Texas. She launched as a poet in Austin, then a playwright in Dallas. Now with the launch of White Monkey Chronicles, she is relishing her latest reincarnation as a novelist.

Join us in celebrating the release of the Fall 2018 edition of Austin Community College’s journal, The Rio Review. Students featured in this issue will share their fiction, nonfiction, and poetry with us.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join over 25 nationally recognized Texas poets as they read their work from the 2019 Texas Poetry Calendar and celebrate the 21st Edition of this iconic journal / planner / calendar.

Featured poets include Christine Boldt, Hugh Burke, Sandra Cobb, Diana Conces, Chip Dameron, Charles Darnell, Terry Dawson, Nancy Fierstien, Christine Gilbert, Amy Greenspan, Barbara Gregg, Laura Guli, Betsy Joseph, Carie Juettner, Lauren Kinzie, Kimberley Lambright, Jim LaVilla-Havelin, Wade Martin, Robert Okaji, Frank Pool, Tina Posner, Margi McCreless Roe, Carol Coffee Reposa, Shubh Schiesser, Mary Louise Shack, Rie Sheridan Rose, Jan Spence, Dee Susong, Claire Vogel-Camargo, Christine Wenk-Harrison, Allyson Whipple, Steve Wilson, with 2019 Calendar editor, Cindy Huyser and Kallisto Gaia Press managing editor, Tony Burnett.

This event is supported in part by the city of Austin Economic Development Department Cultural Arts Division.

Join us in celebrating the launch of Vanessa Couto Johnson’s first full-length poetry collection, Pungent dins concentric (Tolsun Books).

Pungent dins concentric . . . is bounteous and exhilarating, even as it aces the heavy lifting of the book’s real and often startling wisdom. In the delectable world of these poems, “the properties of bellies are what lead us” in a “life, not fare, but air-letting. We all lung for.” With lightning quick “voracity veracity velocity” this book invites us to “laugh until full, until body itself is a world.” “Elegant in the mathematical sense,” wry but confident pronouncements amount to a love song to the pleasure and puzzlement of sentient sensuality, onomatopoetically delivering the very delight and savor these “polylingual spoon nutrients, crave and carve and cave of / deepening morphemes” describe.
—Susan Lewis

Propelled by extraordinary imaginative force, the poems of Vanessa Couto Johnson’s dazzling pungent dins concentric unfold in a sequence of evocations, each one summoning into view a moment of bustle in a specific but overloaded social space. The works are built of sentences, swirling syntactic image structures that seem to be the outcome of critical attention to the strangeness of the world around us. Linguistic wit and sassy irreverence partially veil Johnson’s dismay, but they cannot veil the poet’s ebullient joie de vivre.
—Lyn Hejinian

Vanessa Couto Johnson has written a tantalizing book, full of quick moves, wild associations, and linguistic flair. In pungent dins concentric, our world of dailiness is in considerable disarray: language calls out differences: seams don’t quite match and words lose their constancy (“I said celibate, not celebrate,” “no wrestling matte today.”) With meaning unstuck and liberty to disconnect or form new connections, the poems arrive at new truths, moments of hilarity and insight.
—Maxine Chernoff

Vanessa Couto Johnson’s first full-length book is pungent dins concentric (Tolsun Books, 2018). “Try the yen relish,” a sixteen-page prose poem sequence, was released in a first BoxSet from Oxidant | Engine in March 2018. Her chapbooks are speech rinse, winner of Slope Editions’ 2016 Chapbook Contest; rotoscoping collage in Cork City (dancing girl press, 2016); and Life of Francis, winner of Gambling the Aisle’s 2014 Chapbook Contest. Softblow, Thrush, Field, Blackbird, Cheat River Review, Cream City Review, and other journals and anthologies have featured her poetry. Most recently, four constraint-based erasure poems appeared in Surrealists and Outsiders 2018: I Wagered Deep On the Run of Six Rats to See Which Would Catch the First Fire (Thrice Publishing). A Brazilian born in Texas (dual citizen) and two-time Pushcart Prize nominee, she is currently a Lecturer at Texas State University, where she earned her MFA.

Join us for an afternoon with Dorothy Ellis Barnett, who will read from her poetry and short stories.

Dorothy Ellis Barnett landed in Austin, Texas after a hardscrabble childhood growing up on the riverbeds, campgrounds and roads of the Southwest. While at The University of Texas she obtained a B.A. in Anthropology, an M.A. in English and was awarded a James A. Michener Fellowship. Together with her Fellows, she founded Borderlands: Texas Poetry Review, then went on to launch The Rio Review and Poetry at Round Top, leaving over 50 literary journals in print along the literary highway. These publications have promoted, encouraged, and inspired countless writers and artists. Dorothy subsequently earned her M.F.A. from Pacific Lutheran University. She is now Professor Emerita at Austin Community College where she founded and created the Creative Writing Department. She is a former Board Member of the Writers’ League of Texas and is currently on the organizational committee for Poetry at Round Top held at Festival Hill each Spring. While her path has left a legacy for the literary community that includes her own publications, it pales in comparison to her role as wife, mother, grandmother and friend.

Join us in celebrating the launch of Love&Wages, Jim Trainer’s fifth full-length collection of poetry and prose through Yellow Lark Press. With host Dave Julian and featured readers Nathan Hamilton, Christia Madacsi Hoffman, and Nicole Brissette.

Jim Trainer (above) publishes one collection of poetry and prose every year through Yellow Lark Press. Love&Wages is his 5th. He’s also a singer-songwriter, journalist and curator of Going For The Throat—a weekly publication of cynicism, outrage, correspondence and romance. Please visit his website for Love&Wages, his latest collection, and for music, film, and appearances. (Photo credit: Adam Glick Photography.)

Host Dave Julian, aka The Poetic Butcher was born and raised in the Big N.O. (Old New Orleans, Louisiana). He moved to Lexington, Kentucky a few days after Hurricane Katrina to live with his mother and stepfather. This formerly was his home aside from some occasional adventures, perhaps most notably his time in The Land of the Rising Sun, Japan. Now he resides in Austin, Texas.

Featured reader Nathan Hamilton (below, left) is a multidisciplinary artist based in Austin, Texas. As a singer/songwriter he has been performing professionally for more than 20 years. During that time he has released six albums on his own and two as a member of the Good Medicine Band (aka Sharecroppers). He was a winner of the 2000 Kerrville New Folk Award and a Top 5 Finalist in the 2008 Independent Music Awards. Nathan has toured internationally and in 2012 was selected as one of the official City of Austin Music Ambassadors to Oita, Japan as part of the Sister Cities Program. Nathan is a studied visual artist as well and has shown work in both group and solo shows. He employs a raw and loose-handed aesthetic along with a recycling sensibility. Using old doors, boards, dirt, rope, sticks, house paint, stones and other salvaged materials, Nathan turns these crudely textural elements into assemblages and paintings that take on a rough-hewn and contemplative elegance.

Featured reader Christia Madacsi Hoffman (below, center) grew up along the banks of the Mystic River in Mystic, Connecticut. Through her Austin-based company, CenterLight Media, Hoffman works as a marketing and editorial writer, graphic designer, and actor. Her early career adventures included antique furniture restoration and leading treks in the high Himalaya. With an accessible and insightful poetic voice, Hoffman’s poetry explores the universal themes of place, beauty, youth, and family. Her personal reflections reveal the depth in our everyday experiences and the significance of our intentions.

Featured reader Nicole Brissette (below, right) has a BFA in English. Her writing can be found in Austin Artmosphere Artists, Art World, and at Sybiljournal.com.

Join us for a poetry reading and birthday cake to celebrate the late, great poet laureate of Hyde Park, Albert Huffstickler.

Albert Huffstickler (December 17, 1927 – February 25, 2002) was born in Laredo, Texas, but he lived in Austin in his later years, and became a local literary legend. You could usually find him in a café in Hyde Park, decked out in suspenders, smoking, drinking coffee, and working on a poem. (Rumor has it he wrote a poem a day, and his impressive publication record—four full-length collections, plus hundreds of poems published in chapbooks and journals—lends veracity to the story.) He was a two-time winner of the Austin Book Awards, and in 1989 the state legislature formally honored him for his contribution to Texas poetry. In May 2013 a new Hyde Park green space at the corner of 38th and Duval Streets was named Huffstickler Green in his honor. Huff was a friend and inspiration to many, and everyone who knew him talks of his kindness, his honesty, and his passionate support for local literature. Austin Community College English professor W. Joe Hoppe describes his friend and mentor as “a great encourager of poetry.”

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is The Happy End / All Welcome by Mónica de la Torre.

The Happy End / All Welcome is set in a job fair inspired by the Nature Theater of Oklahoma from Kafka’s unfinished novel Amerika: the largest theater company in the world is recruiting all kinds of employees. De la Torre builds, fastens, cuts, pastes, performs, and extrudes a variety of poems to suit this most serious situation comedy: poems as job interviews, poems as postings, poems as questionnaires, reports, speeches, lyrical rants… At its heart, this playful bricolage explores the norms of the workplace and its notions of competence, while tackling office design, performativity, and skilled vs. deskilled creative labor.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Basic Black with Pearls by Helen Weinzweig.

Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.

 

“Celebrated in Canada as a feminist classic, Weinzweig’s searing 1980 novel captures a woman’s awakening to her lover’s exploitation….Weinzweig’s prose style is sharp, particularly her dialogue: strange and surprising, it knocks every character interaction askew.”
—Publishers Weekly

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the release of All That is Evident is Suspect, the first collection in English to offer a life-size picture of the OuLiPo in its historical and contemporary incarnations. Featuring a reading from Daniel Levin Becker (below, right).

Since its inception in Paris in 1960, the OuLiPo—ouvroir de littérature potentielle, or workshop for potential literature—has continually expanded our sense of what writing can do. It’s produced, among many other marvels, a detective novel without the letter e (and a sequel of sorts without a, i, o, u, or y); an epic poem structured by the Parisian métro system; a story in the form of a tarot reading; a poetry book in the form of a game of go; and a suite of sonnets that would take almost 200 million years to read completely.

Lovers of literature are likely familiar with the novels of the best-known Oulipians—Italo Calvino, Georges Perec, Harry Mathews, Raymond Queneau—and perhaps even the small number of texts available in English on the group, including Warren Motte’s Oulipo: A Primer of Potential Literature and Daniel Levin Becker’s Many Subtle Channels: In Praise of Potential Literature. But the actual work of the group in its full, radiant collectivity has never before been showcased in English. (“The State of Constraint,” a dossier in issue 22 of McSweeney’s Quarterly Concern, comes closest.)

Enter All That is Evident is Suspect, the first collection in any language to represent all of its members (numbering 41 as of April 2018 ). Combining fiction, poetry, essays and lectures, and never-published internal correspondence—along with the acrobatically constrained writing and complexly structured narratives that have become synonymous with oulipian practice—this volume shows a unique group of thinkers and artists at work and at play, meditating on and subverting the facts of life, love, and the group itself. It’s an unprecedentedly intimate and comprehensive glimpse at the breadth and diversity of one of world literature’s most vital, adventurous presences.

Daniel Levin Becker is an American critic, editor, and translator who joined the Oulipo in 2009. He is the author of a book about the Oulipo, Many Subtle Channels: In Praise of Potential Literature, and has translated work by Georges Perec, Éric Chevillard, Thomas Clerc, and Paul Griffiths among others.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Autobiography of Death by Kim Hyesoon.

The title section of Kim Hyesoon’s powerful new book,  Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust  deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates death—how we die and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. 

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for an evening with Tatiana Ryckman and Adeena Reitberger.

Tatiana Ryckman (left) is the author of the novella, I Don’t Think of You (Until I Do) and two chapbooks of prose. She is the editor of Awst Press and has been a writer in residence at Yaddo, Arthub, and 100W. Her work has appeared in Tin House, Lithub, Paper Darts, Barrelhouse, and other publications. Tatiana can be found on airplanes or at tatianaryckman.com.

Adeena Reitberger’s fiction and nonfiction have been published in Black Warrior Review, Mississippi Review, Cimarron Review, Nimrod International Journal, Third Coast, NANO Fiction, SmokeLong Quarterly, Sierra Nevada Review, and other magazines, and her work has been listed as notable in the Best American Series. She teaches creative writing at Austin Community College and works the editor of American Short Fiction.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Anna Seghers’s Transit, an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight.

On its own, this story is an important untold story of the refugee situation in Second World War-era Europe, but in its own grappling with its allegorical nature, Segher transforms the book into a masterpiece. Seghers balances these two impulses in telling her story with an existential, theological layer. The situation of these refugees mimics the course of the human soul. —Vol 1.Brooklyn

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of the fourth issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

Featured reader Cynthia White (above right), winner of the Julia Darling Memorial Poetry Prize, will be flying in from Santa Cruz to share her poetry! Other readers include Diana Conces, Charles Darnell, Terry Dawson, Geoffrey Hall, Bobby Horecka, and Frank Pool, among others to be announced.

Cynthia White (Santa Cruz CA) has poems appearing in Poet Lore, ZYZZYVA, New Letters and CALYX, among others. She’s been both finalist and semi-finalist for Nimrod’s Pablo Neruda Prize.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Indecency by Justin Phillip Reed.

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful—the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for something rather special: Austin Community College’s Creative Writing Department will be introducing us to the two winners of their 2017 Balcones Prize. Alessandra Lynch will read from her poetry collection, Daylily Called it a Dangerous Moment, and Brian Van Reet will read from his novel, Spoils. Sponsored by the Creative Writing Department. This event is free and open to the public.

Alessandra Lynch’s latest book is Daylily Called It a Dangerous Moment. She has received several fellowships, including residencies at Yaddo and the Macdowell Colony. Her poems have appeared in the American Poetry Review, Kenyon Review, The Massachusetts Review, Ploughshares, and other journals. Currently, she is poet-in-residence at Butler University.

Brian Van Reet is the author of Spoils, a novel that was named one of the best books of 2017 by the Guardian, Military Times, the Wall Street Journal, and others. He lives in Austin and has twice won the Texas Institute of Letters short story award.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Captain’s Daughter by Alexander Pushkin, translated by Robert Chandler and Elizabeth Chandler.

Alexander Pushkin’s short novel is set during the reign of Catherine the Great, when the Cossacks rose up in rebellion against the Russian empress. Presented as the memoir of Pyotr Grinyov, a nobleman, The Captain’s Daughter tells how, as a feckless youth and fledgling officer, Grinyov was sent from St. Petersburg to serve in faraway southern Russia. At once a fairy tale and a thrilling historical novel, this singularly Russian work of the imagination is also a timeless, universal, and very winning story of how love and duty can summon pluck and luck to confront calamity.

The Captain’s Daughter is one of the stories in which Pushkin created Russian prose…. It is true poet’s prose, absolutely clear, objective, unpretentious and penetrating.
—The Spectator

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the release of Larry Mayfield’s second collection, Tributaries and Stepping Stones. Readers include Larry and special guests Teresa Y Roberson, Spirit Thom, Arden Knight, and Gia Scott-Heron. Reed Mayfield, a featured artist in the book, will also attend.

Tributaries and Stepping Stones is a book of free verse poetry, poetic prose, spoken word, and word flow for dreamers. The varied contents includes subjects on love, family, Daoist/Zen principles, nature, and the environment.

Join us in celebrating the launch of mónica teresa ortiz’s new chapbook of crónicas, autobiography of a semi romantic anarchist (Host Publications).

I was really influenced by Eduardo Galeano’s work and then began reading Cameroon scholar Achille Mbembe’s On the Postcolony. The cronicas reflect my exploration of necropolitics, of the state and sovereignty, of trying to exist and survive in a space where queerness is a disruption, against heteronormativity, against heterosexuality, against whiteness, against the state which controls our lives, even what happens to our bodies after we die. I think it hinges on the concept of an afterlife. When I came out to my parents, the person that they knew me to be, no longer existed. I was treated as if I had died. I began thinking, is my queerness my afterlife? Is it a rebirth?

This is how I perceive queer futurity. As Jose Esteban Muñoz says, it is imagining a future that doesn’t exist yet.

We live in a colonized space under capitalism. Our lives and deaths happen within these parameters. The settler colonial state attempts to control how we experience love and loss and grief but it doesn’t have to define it.

mónica teresa ortiz is a poet born and raised in Texas. Her first poetry collection, muted blood, was published by Black Radish Books in 2018. ortiz is the poetry editor for Raspa Magazine, a Queer Latinx literary and art journal.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

In association with CAIR Austin, join us in celebrating Muslim Women’s Day with a reading from popular Instagram cartoonist and American-Muslim writer Huda Fahmy, author of Yes, I’m Hot in This: The Hilarious Truth about Life in a Hijab.

At some point in our lives, we’ve all felt a little out of place. Huda Fahmy has found it’s a little more difficult to fade into the crowd when wearing a hijab.

In Yes, I’m Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims, Yes, I’m Hot in This tackles universal feelings from an point of view we don’t hear from nearly enough.

Every one of us have experienced love, misunderstanding, anger, and a deep desire for pizza. In Yes, I’m Hot in This, Huda’s clever comics demonstrate humor’s ability to bring us together, no matter how different we may appear on the surface.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Angel by Elizabeth Taylor. 

Perhaps every novelist harbors a monster at heart, an irrepressible and utterly irresponsible fantasist, not to mention a born and ingenious liar, without which all her art would go for naught. Angel, at any rate, is the story of such a monster. Angelica Deverell lives above her diligent, drab mother’s grocery shop in a dreary turn-of-the-century English neighborhood, but spends her days dreaming of handsome Paradise House, where her aunt is enthroned as a maid. But in Angel’s imagination, she is the mistress of the house, a realm of lavish opulence, of evening gowns and peacocks. Then she begins to write popular novels, and this fantasy becomes her life. And now that she has tasted success, Angel has no intention of letting anyone stand in her way—except, perhaps, herself.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Saturday, April 27th, is Independent Bookstore Day and we’re delighted to be taking part, with free cake (from 12pm until it runs out!) and 20% OFF EVERYTHING ALL DAY LONG! We’re also participating in the Austin Bookstore Crawl with a scavenger hunt! More info here.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Of Death. Minimal Odes by Hilda Hilst, translated by Laura Cesarco Eglin.

If life is no more than a prolonged flirtation with death, then Hilda Hilst’s Of Death. Minimal Odes is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration—the corporeal flesh fusing with death’s own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst’s odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst’s significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark Of Death. Minimal Odes as uniquely Hilstian.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of E.C. Belli’s Objects of Hunger, winner of the Crab Orchard Series in Poetry First Book Award. Featuring readings from E.C. Belli, Jay Deshpande, Marina Blitshteyn, and Diana Khoi Nguyen.

Objects of Hunger explores in reflective, raw lyrics the dread and beauty of our inner worlds as expressed through our struggles against the self and the other. Each poem is a slender organism that speaks its own mind, unafraid of pathos; the emotions here have been tried on and lived in, and the work accrues, lyric after lyric, page after page. In the second section, World War I poems are broken down and dismantled, as the voices of that era’s poets meld with that of a postpartum mother, exposing a shared vernacular among these disparate experiences. Other poems in the collection explore the unraveling and entrapments of the domestic, but with tenacity in place of softness, using a lexicon gathered from Virginia Woolf’s The Waves and Djuna Barnes’s Nightwood, among others.

E.C. Belli is a bilingual poet and translator. Her translation of I, Little Asylum, a short novel by Emmanuelle Guattari, was published in 2014, and The Nothing Bird, selected poems by Pierre Peuchmaurd, appeared in 2013. She is the recipient of a 2010 Paul and Daisy Soros Fellowship for New Americans. Her work has been published in Verse, AGNI, and FIELD, among others. Her work in French has appeared in Europe: revue littéraire mensuelle and  PO&SIE.

Jay Deshpande is the author of Love the Stranger and The Rest of the Body (both from YesYes Books). His poems have appeared in Boston Review, Denver Quarterly, Narrative, and elsewhere. He has received fellowships from Kundiman, Civitella Ranieri, Saltonstall Arts Colony, and the Key West Literary Seminar, and is currently a Stegner Fellow in Poetry at Stanford.

Marina Blitshteyn is the author of Two Hunters, her first full-length collection, published by Argos Books this year with a CLMP Face-Out grant. Prior chapbooks include Russian for Lovers, Nothing Personal, $kill$ (read ‘skills’), and most recently Sheet Music. She lives and works in NYC.

Diana Khoi Nguyen’s debut collection, Ghost Of (Omnidawn, 2018), was selected by Terrance Hayes for the Omnidawn Open Contest. In addition to winning the 92Y “Discovery” / Boston Review Poetry Contest and being shortlisted for the National Book Award, she is a PhD candidate in creative writing at the University of Denver.

This event features eight terrific authors: Ali Vali, Barbara Ann Wright, Del Robertson, Erin O’Reilly, Lacey Schmidt, Laydin Michaels, MJ Williamz, and JM Dragon. With readings, panel discussion, and book signing. Free admission, refreshments, and book drawing.

Ali Vali (top left) is the author of 6 romantic thrillers in the popular Cain Casey series, and 2 books in her Balance of Forces series: Toujours Ici and Sera Toujours. Ali has also penned numerous stand alone novels. Her most recent publication is Answering the Call, which is a sequel to Calling the Dead. Her next novel (available in May, 2019) is Stormy Seas, a sequel to Blue Skies. Originally from Cuba, Ali has retained much of her family’s culture and traditions that influence her stories. She now lives outside New Orleans with her partner of over 32 years. When she isn’t writing, Ali works in the non-profit sector.

Barbara Ann Wright (top row, second from left) writes fantasy and science fiction novels and short stories when not ranting on her blog. Of her fantasy series, The Pyramid Waltz was one of Tor.com’s Reviewer’s Choice books of 2012, was a Foreword Review Book of the Year Award Finalist and a Goldie finalist, and won the 2013 Rainbow Award for Best Lesbian Fantasy; and A Kingdom Lost was a Goldie finalist and won the 2014 Rainbow Award for Best Lesbian Fantasy Romance. She has also written Thrall: Beyond Gold and Glory, a Viking-themed fantasy, and Paladins of the Storm Lord, a science fantasy, all from Bold Strokes Books. Her latest novel is Inheritors of Chaos.

Del Robertson (top row, third from left) has always been an avid reader, particularly, fantasy, history, the unusual, the offbeat, and the simply odd. She enjoys mixing all these elements into the stories she writes. Thanks to the women in charge at Affinity Rainbow Publications, she’s found a place to tell her tales: From the swash-buckling pirate adventure in Taming the Wolff to the sword-wielding My Fair Maiden, to the real story of St. Nic in Thundersnow and Lightning.

Over a decade ago, Erin O’Reilly (top row, at right) moved to the Texas Hill Country where she resides on Lake LBJ. Her hobbies include rock collecting, bird watching, and gardening. Erin also enjoys reading, cooking, and crafts. She is an active member of the Austin Sapphic Readers’ Group. Erin has a dual literary role as both publisher and author. She is the CEO of Affinity Rainbow Publications, which she co-founded with JM Dragon. In addition, Erin has penned over fifteen novels and co-authored the popular When Hell Meets Heaven series with JM Dragon. Erin is best known for her gentle love stories sprinkled with intrigue and surprises. Her latest novel is Addicted To You.

By day, Dr. Lacey Schmidt (bottom row, at left) is a “corporate” suit. She runs her own company, Minerva Work Solutions, and serves as the Executive Director for Faculty Development at the University of Houston. When she sheds her daytime persona, Lacey morphs into other roles: poet, artist, adventurer, and novelist. In the latter instance, she has published three lesfic romances with Affinity Rainbow Publications: A Walk Away, Catch to Release, and Playing With Matches. Lacey has also penned several short stories. Two romances, “Love’s Luck” and “Peaches and Honey” are in anthologies published by Affinity. Lacey’s latest short story is a sci-fi adventure entitled “A Lone Star.” It’s part of The Lone Star Collection, an anthology which benefits lesfic literary events. Lacey is married and lives in Houston. She and Laura have several furry children: Oberon, the tabby terrorist, and his sidekick, Sabina, plus two couch loving canines, Misha and Nakita.

Laydin Michaels is from Houston, where she shares her home and her life with MJ Williamz. The wide blue skies and long empty roads of Texas have influenced her development as a writer. Being the thirteenth of sixteen children has influenced her desire to kill off characters. She is a mild mannered preschool teacher by day, and a writer of psychological thrillers by night. She has four published novels with Bold Strokes Books: Forsaken, Bitter Root, Buried Heart, and Captured Soul.

MJ Williamz (bottom row, third from left) is the author of seventeen novels, including three Goldie Award winners. She has also written over thirty short stories, most of them erotica with a few romance and horror thrown in for good measure. She lives in Houston with her wife and fur babies.

JM Dragon (bottom row, at right), originally from the UK, is now a New Zealand citizen living in the beautiful Canterbury countryside. She loves to garden and has over 140 chickens of various breeds to tend along with two alpacas, Cherokee and Comanche. She also has three adorable cats, her babies: Katie, Mr. Ginge, and Maxwell, aka Smarty Pants (because he is). When not taking care of the property, she has business interests in Affinity eBook Press, and of course, a love of writing. Published by Affinity Rainbow Publications, JM Dragon’s books include At Last, Breaking the Silence, the Promise, the best-selling Fix-it Girl, the Destiny series, and the 2015 GCLS winner, The One, plus many more. Her various collaborations with Erin O’Reilly include the popular When Hell Meets Heaven Series.

Come celebrate the release of chapbooks generated through a partnership between writers in the St. Edward’s University Poetry II class, designers in graphic design Junior Studio, and the Risograph Lab. Authors Emma Bernhoft, Jessica Enriquez, Melissa Gonzales, Morgan Hunicutt, Aleida Lopez, Kat McCollum, Madeleine McIlheran, Lizette Nava, Timothy Nguyen, Cielo Ontiveros, Gabriela Rendon, Madeline Smith, Daniela Urda Vazquez, and Taheera Washington will read from their work. Designers will be on hand to talk about the collaboration process with faculty mentors Sasha West and Jimmy Luu.

Join Hothouse Literary Journal for a reading from its spring publication. There will be copies of the free journal to pick up, a reading from some of the published writers, light refreshments, and conversation. Bring your friends! All are welcome.

Hothouse Literary Journal is the official journal for the UT English Department. They publish poetry, nonfiction, and fiction stories from multiple genres every year.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Seven Madmen by Roberto Arlt.

A weird wonder of Argentine and modern literature and a crucial work for Julio Cortázar, The Seven Madmen begins when its hapless and hopeless hero, Erdosain, is dismissed from his job as a bill collector for embezzlement. Then his wife leaves him and things only go downhill after that. Brutal, uncouth, and brilliantly colored, The Seven Madmen takes its bearings from Dostoyevsky while looking forward to Thomas Pynchon and Marvel Comics.

“So firmly rooted was Arlt in the explosive urban society and political culture of his time that his book is able to illuminate what was actually to happen during the first Peronist era in the 1940s and in the country’s later descent into violence in the 1970s after Juan Peron had returned as President for the last time. It is one of the great books of the 20th century.” —The Guardian

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join journalist and author Asher Elbein for the inaugural reading and signing of his new book, Ghost Days. Spooky fun likely. Refreshments a certainty.

Southern Appalachia, 1900. Anna O’Brien had a home, a husband, and a future. Now, cast out by tragedy and strange magic, she wanders the countryside on her wooden leg: living by her wits, settling spirits for her work, and never, ever looking back.

There are plenty of horrors ahead. Ancient things stir in the woods, awakened by the belching locomotives and logging cuts. Dark things yearn for a terrible savior on a remote hill. A bank heist runs afoul of an undead curse. Two women find themselves tormented by a relentless suitor. An omen of death dogs Anna’s heels. And deep in the land beneath mountains, a forgotten god offers a difficult gift. Anna O’Brien’s got a lot to learn. If she’s going to survive, she’d better learn fast…

A collection of linked short stories illustrated by concept artist Tiffany Turrill, Ghost Days is road trip through a land on the brink of massive upheaval and ecological collapse, a world of old traditions and remnant powers.

Asher Elbein is a journalist and short fiction writer based in Austin, Texas. He began writing fiction in high school, briefly set it aside to focus on narrative journalism, and now makes time in his life for both. His work has previously appeared in the New York Times, The Texas Observer, The Atlantic, Bitter Southerner, Oxford American, and Audubon. He likes hats, folk music, wandering back roads and wild places, looking for snakes, and listening to stories.

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

The Rio Review Release party is a fun-filled gathering where students, writers, and creative minds alike come together to celebrate the publication of the newest anthology of ACC’s Student Literary and Arts Journal, The Rio Review!

The Rio Review is a student-run journal that showcases a collection of poetry, prose, and artwork submitted and published by talented ACC students every Fall and Spring semester.

This soirée is not only a party to celebrate the newest edition of The Rio Review, but it is also a perfect opportunity to meet and network with other writers and artists in the area while enjoying refreshments, artwork, and student readings!

artwork info: “No Traffic” by Makenna Hatter

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of Fernando A. Flores’ debut novel, Tears of the Trufflepig, one of Lit Hub and The Millions’s Most Anticipated Books of 2019 and one of Buzzfeed and Tor.com‘s Books to Read This Spring!

A parallel universe. South Texas. Narcotics are legal and there’s a new contraband on the market: ancient Olmec artifacts, shrunken indigenous heads, and filtered animals—species of animals brought back from extinction to clothe, feed, and generally amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet and avoid the dangerous syndicates who make their money through trafficking.

But his simple life starts to get complicated when the swashbuckling investigative journalist Paco Herbert invites him to come to an illegal underground dinner serving filtered animals. Bellacosa soon finds himself in the middle of an increasingly perilous, surreal, psychedelic journey, where he encounters legends of the long-disappeared Aranaña Indian tribe and their object of worship: the mysterious Trufflepig, said to possess strange powers.

Written with infectious verve, bold imagination, and oddball humor, Fernando A. Flores’s debut novel, Tears of the Trufflepig, is an absurdist take on life along the border, an ode to the myths of Mexican culture, a dire warning against the one percent’s determination to dictate society’s decline, and a nuanced investigation of loss. It’s also the perfect introduction for Flores: a wonderfully weird, staggeringly smart new voice in American fiction, and a mythmaker of the highest order.

Fernando A. Flores was born in Reynosa, Tamaulipas, Mexico, and raised in the U.S. In 2018 his short story collection Death to the Bullshit Artists of South Texas was released by Host Publications.

Join us in celebrating the launch of a new issue of Echo Literary Magazine.

Echo Literary Magazine is a publication of the University of Texas at Austin’s Liberal Arts Honors Program. It showcases the work of UT undergraduates from all majors and programs. Echo accepts submissions of poetry, prose, and visual art, including photography.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Rubén Degollado’s Throw, a literary crossover novel set in ‘90s Rio Grande Valley. Rubén will be joined by ire’ne lara silva, Natalia Sylvester, and Gerard Robledo.

Llorona is the only girl Güero has ever loved. A wounded soul, she has adopted the name of a ghost from Mexican folklore. True to her namesake, Llorona cast Güero away with the coldness of the apparition she has become. But Güero—though he would never admit it to his friends—still wants to get back together with her.

Güero spends time with his friends Ángel and Smiley—members of the HCP (Hispanics Causing Panic) gang—roaming the streets of the South Texas border towns they inhabit, trying to forget Llorona even as she seems to appear around every corner.

Over three days Güero’s increasingly violent confrontations with Llorona’s current boyfriend will jeopardize the lives of Ángel and Smiley and the love he hopes to regain.

As events begin to accelerate toward their conclusion—and gang signs are thrown as both threats and claims of identity—the question arises: will Güero throw the HCP sign, or will he throw off that life? Güero’s life will be irrevocably changed by violence and loss, but who will he lose, and will he—somewhere along the way—lose himself?

Rubén Degollado is from the Río Grande Valley. His work has been published in Beloit Fiction Journal, Gulf Coast, Hayden’s Ferry Review, Image, Relief, and the anthologies Juventud, Fantasmas and Bearing the Mystery. He has been a finalist in American Short Fiction’s annual contest, Glimmer Train’s Family Matters Contest, and Bellingham Review’s Tobias Wolff Award. Throw is his debut novel, and is set in the border towns where he grew up.

ire’ne lara silva (above left) is the author of two poetry collections, furia (Mouthfeel Press, 2010) and Blood Sugar Canto (Saddle Road Press, 2016), which were both finalists for the International Latino Book Award in Poetry, an e-chapbook, Enduring Azucares (Sibling Rivalry Press, 2015), as well as a short story collection, flesh to bone (Aunt Lute Books, 2013), which won the Premio Aztlán. She and poet Dan Vera are also the co-editors of Imaniman: Poets Writing in the Anzaldúan Borderlands (Aunt Lute Books, 2017), a collection of poetry and essays. ire’ne is the recipient of a 2017 NALAC Fund for the Arts Grant, the final recipient of the Alfredo Cisneros del Moral Award, the Fiction Finalist for AROHO’s 2013 Gift of Freedom Award, and the 2008 recipient of the Gloria Anzaldúa Milagro Award. ire’ne is currently working on her first novel, Naci. Her latest collection of poetry, CUICACALLI/House of Song, was published by Saddle Road in April 2019.

Natalia Sylvester (above center) is the author of the novels Chasing the Sun and Everyone Knows You Go Home, which was named a Best Book of 2018 by Real Simple. She studied Creative Writing at the University of Miami and is a faculty member of the low-res MFA program at Regis University in Denver, Colorado. Natalia’s articles have appeared in Latina Magazine, Writer’s Digest, The Austin American-Statesman, and NBCLatino.com. Born in Lima, Peru, she came to the U.S. at age four and spent time in South and Central Florida and the Rio Grande Valley in Texas before her family set roots in Miami. She now lives and works in Austin.

Gerard Robledo (above right) is a Latino social justice poet from San Antonio, Texas. He holds an MFA in Creative Writing from the University of Texas at El Paso, teaches creative writing at San Antonio College, and is the Associate Editor for Voices de la Luna: A Quarterly Poetry & Arts Magazine. His Spanish language poetry translations and poetry have appeared in Voices de la Luna, the Texas Poetry Calendar, Pilgrimage, The Thing Itself, Outrage: A Protest Anthology for Injustice in a post 9/11 World, and The Texas Observer. Robledo is also one of the first sixteen poets to be archived in the San Antonio Poetry Archive at Palo Alto College and is a Macondo Writers’ Workshop Fellow.

Join us in celebrating the launch of Hill Country Birds and Waters: Art and Poems, featuring poetry by Jim Blackburn and artwork by Isabelle Scurry Chapman.

Isabelle Scurry Chapman (a.k.a. Princie) makes art and looks for magic in life. Isabelle resides in Houston where she scours the landscape and old books for inspiration and spiritual connections. She has received a Mid-America National Endowment for the Arts individual grant and has shown her work across Texas, the US, and Mexico. Her art is visceral, from the heart and of the spirit.

Jim Blackburn is an environmental lawyer and planner who teaches at Rice University in Civil and Environmental Engineering. He has published two books—The Book of Texas Bays and A Texan Plan for the Texas Coast. He is President of the Trinity Edwards Springs Protection Association (TESPA) that is focused on Hill Country water issues. He was designated a Rice University distinguished alumni laureate in 2018.

Join us for a reading with Dimitris Lyacos and Nick Courtright, and Katy Chrisler.

Dimitris Lyacos is the author of the Poena Damni trilogy (Z213: EXIT, With The People From The Bridge, The First Death). So far translated into thirteen languages, Poena Damni developed as a work in progress over the course of thirty years with subsequent editions and excerpts appearing in journals around the world, as well as in dialogue with a diverse range of sister projects it inspired. Renowned for combining, in a genre-defying form, themes from literary tradition with elements from ritual, religion, philosophy and anthropology, the trilogy reexamines grand narratives in the context of some of the enduring motifs of the Western Canon, while, at the same time, being one of the most widely acclaimed avant-garde works published in the new millennium.

The long-time Co-Executive Editor of Gold Wake Press, Nick Courtright is Executive Editor of Atmosphere Press. He is the author of Let There Be Light, called “a continual surprise and a revelation” by Naomi Shihab Nye, and Punchline, a National Poetry Series finalist. His writing has appeared in Harvard Review, The Southern Review, AGNI, The Iowa Review, Boston Review, and The Kenyon Review, among many others. He is currently completing doctoral work at the University of Texas, and lives with his two children in East Austin.

Katy Chrisler received her MFA from the Iowa Writers’ Workshop and has held residencies with Land Arts of the American West and 100 West Corsicana. Recent work of hers has appeared in Tin House, Conflict of Interest, The Volta, and Black Warrior Review. She currently lives and works in Austin, Texas.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Barbie Chang by Victoria Chang.

In Barbie Chang, Victoria Chang explores racial prejudice, sexual privilege, and the disillusionment of love through a reimagining of Barbie – perfect in the cultural imagination yet repeatedly falling short as she pursues the American dream. By turns woeful and passionate, playful and incisive, these poems reveal a voice insisting that “even silence is not silent.”

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Penelope Mortimer’s The Pumpkin Eater, a surreal black comedy about the wages of adulthood.

A strange, fresh, gripping book. One of the the many achievements of The Pumpkin Eater is that it somehow manages to find universal truths in what was hardly an archetypal situation: Mortimer peels several layers of skin off the subjects of motherhood, marriage, and monogamy, so that what we’re asked to look at is frequently red-raw and painful without being remotely self-dramatizing. In fact, there’s a dreaminess to some of the prose that is particularly impressive, considering the tumult that the book describes. —Nick Hornby, The Believer

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us for a reading from members of Donna M. Johnson’s literary nonfiction workshop. Readers TBA.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of Lance Myers’s Why So Much?, the first publication of Austin-based publishing company Persistence of Vision. With readings from Lance and W. Joe Hoppe.

Debut author Lance Fever Myers paints the heartbreaking portrait of a teenage artist struggling to find her voice in a small refinery town off the Texas Gulf Coast. Why So Much? is an emotionally rich novel exploring sex, death, addiction, celebrity, and theme restaurants at the turn of the millennium. Think Vonnegut meets Jonathan Franzen.

Lance Myers has been a professional artist, writer, and animator for over twenty years. His traditional animation can be seen in the feature films Space Jam, Anastasia, Quest for Camelot, Prince of Egypt, and Richard Linklater’s A Scanner Darkly. His essays and comics have appeared in the Austin American-Statesman, The Austin Chronicle, JINX, and Powerball Magazine. He has also written and directed several short subject films which have shown on HBO, MTV, Adult Swim, PBS, and Canada’s Movieola. Myers was born in Lubbock but got to Austin as fast as he could. He currently teaches in the Communications Department at the University of Texas, and his debut novel, Why So Much? is now available through Persistence of Vision Publishing and in fine bookstores everywhere.

W. Joe Hoppe has taught Creative Writing and English at ACC since 1996. His poetry has appeared in numerous periodicals and anthologies, as well as two full-length poetry books:  Galvanized (2007, Dalton Publishing), and Diamond Plate (2012, Obsolete Publishing). His new collection Hotrod Golgotha will be coming out soon. Joe was named Best Mopar Poet in the Austin Chronicle’s 2016 Best of Austin Awards.

It’s Bloomsday! Named for Leopold Bloom, the protagonist of James Joyce’s Ulysses, Bloomsday is observed around the world on June 16th, as this is the date during which the events of Ulysses are relived (16th June, 1904). Join us for a celebration of the life of James Joyce, with short readings from Ulysses (sign up in store on the day if you’d like to read!) and suitably Irish snacks.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Lucy Negro, Redux: The Bard, a Book, and a Ballet by Caroline Randall Williams.

Part lyrical narrative, part bluesy riff, part schoolyard chant and part holy incantation, the book is an unflinching investigation of otherness and a dead-sexy exploration of the intersection of identity and desire. Above all it is a witty and audacious rejoinder to literary history and its systematic suppression of female voices. Especially black female voices.
—The New York Times

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the release of Michael Parker’s highly acclaimed new novel, Prairie Fever, a moving, funny, and often surprising story about the unique connection between sisters. Michael will be in conversation with Laura Furman.

In Prairie Fever, Parker takes his readers to the prairie of Oklahoma in the early 1900s and introduces two sisters, opposites in every way, as they grow up amongst the rugged landscape. 

“In the tradition of Katherine Ann Porter, Parker’s exceptional tale explores the power and strength of kinship on the harsh American frontier.” —Publishers Weekly

“A frontier tale of sibling rivalry. . . Parker’s novel isn’t as much about sisterhood as love, as the two struggle to reckon with their estrangement head-on; some of the novel’s most powerful sections are Elise’s letters to Lorena, addressed not directly to sis but to the horse she rode during the blizzard. . .the easygoing, sometimes-smirking nature of the prose (True Grit comes to mind) makes the novel a pleasant ride overall.” —Kirkus Reviews

Michael Parker’s work has appeared in the Washington Post, the New York Times Magazine, the Oxford American, Runner’s World, Men’s Journal, and elsewhere. His work has been anthologized in The O. Henry Prize Stories and The Pushcart Prize. He is the Nicholas and Nancy Vacc Distinguished Professor in the MFA Writing Program at the University of North Carolina at Greensboro, and divides his time between Saxapahaw, North Carolina, and Austin, Texas.

Laura Furman was born in Brooklyn, New York, and graduated from Bennington College. After college she worked at Grove Press and then as a freelance copy editor for various New York publishing houses and the Menil Foundation. Her first story appeared in The New Yorker in 1976, and since then work has appeared in Yale Review, Epoch, Southwest Review, Ploughshares, American Scholar, and other magazines. Her books include three collections of short stories, two novels, and a memoir. Her most recent collection is The Mother Who Stayed. She has received fellowships from the New York State Council on the Arts, Dobie Paisano Project, the John Simon Guggenheim Foundation, and the National Endowment for the Arts. Since 2002, she’s been Series Editor of The O. Henry Prize Stories. For many years, she taught at the University of Texas at Austin, where she is now professor emerita. Laura Furman lives in Austin with her husband Joel Warren Barna and their son.

Join us in celebrating the Austin launch of Matty Layne Glasgow’s debut poetry collection deciduous qween (Red Hen Press). With readings from Matty, as well as Esteban Rodriguez, Laura Villarreal, and Alfredo Aguilar.

Matty Layne Glasgow’s debut collection deciduous qween is the winner of the 2017 Benjamin Saltman Award with Red Hen Press. Selected by President Obama’s inaugural poet Richard Blanco, deciduous qween explores the queer world all around us through the creaking of bedazzled branches and the soft rustle of jeweled leaves, revealing how we, like our environment, wear and shed identities in our performance as human, as drag queen, as ancient tree.

Matty Layne Glasgow’s debut collection, deciduous qween (Red Hen Press, 2019), was selected by Richard Blanco for the Benjamin Saltman Award. His poems appear in the Missouri Review, Crazyhorse, Denver Quarterly, Ecotone, Poetry Daily, Houston Public Media, and elsewhere. He lives in Houston, Texas and teaches with Writers in the Schools.

Esteban Rodríguez is the author of Dusk & Dust, forthcoming from Hub City Press (September 2019) and the micro-chapbook Soledad (Ghost City Press, 2019). His poetry has appeared or is forthcoming in Arts & Letters, The Gettysburg Review, New England Review, Puerto del Sol, Shenandoah, TriQuarterly, The Rumpus, and elsewhere. His reviews have appeared in PANK and American Book Review. He lives with his family and teaches in Austin, Texas.

Laura Villareal earned her MFA from Rutgers University-Newark. She is a recipient of the 2018 Key West Literary Seminar Teacher and Librarian Scholarship, The Highlights Foundation’s 2018 Laurie Halse Anderson Scholarship and Poetry at Round Top’s 2019 Norma Pascusz Fellowship. Her first chapbook The Cartography of Sleep came out in 2018 with Nostrovia! Press. Her writing can be found in Black Warrior Review, Vinyl, Waxwing, and elsewhere.

Alfredo Aguilar is the son of Mexican immigrants. He is a winner of the 92Y’s Discovery Contest and author of the chapbook What Happens On Earth (BOAAT Press 2018). He has been awarded fellowships from the MacDowell Colony, the Bread Loaf Writer’s Conference, and the Frost Place. His work has appeared in The Iowa Review, Best New Poets 2017, The Adroit Journal and elsewhere. Originally from North County San Diego, he now resides in Texas.

Join us in celebrating the launch of Murder on the Third Try, the third installment in K.P. Gresham’s Pastor Matt Hayden mystery series.

Former undercover cop Mike Hogan wakes up in an Austin, Texas, hospital ICU. Not only is he missing part of his skull, he is missing four years of memories. In those four years he learns he has entered the Fed’s Witness Protection Program and become a pastor, taken a church in rural Texas, and fallen in love with the beguiling, red-headed owner of the town’s local bar.

He does remember why he’s on the run. Howard Rutledge, former Chief of Police in Miami, has killed Mike’s father and brother, and wants Mike dead too. Mike’s testimony could put Rutledge in jail for racketeering, smuggling, and murder. When Mike wakes up in that ICU, he can only assume that Rutledge has found him.

Mike is helpless with a broken body and an unsettled mind. Who are his friends and who are his foes? Can he trust the kindly sheriff who has hired security to guard him? Can he trust the woman whom his soul remembers but his brain does not? Who in this unfamiliar world is his assassin? Mike Hogan must stay alive to put Rutledge away, and the hole in his head and his piecemeal memory are not going to stop him.​

K.P. Gresham, author of the Pastor Matt Hayden mystery series and Three Days at Wrigley Field, moved to Texas as quick as she could. Born Chicagoan, K.P. and her husband moved to Texas, fell in love with not shoveling snow and are 30+ year Lone Star State residents. She finds that her dual country citizenship, the Midwest and Texas, provide deep fodder for her award-winning novels. Her varied careers as a media librarian and technical director, middle school literature teacher and theatre playwright and director add humor and truth to her stories. A graduate of Houston’s Rice University Novels Writing Colloquium, K.P. now resides in Austin, Texas, where life with her tolerant but supportive husband and narcissistic Chihuahua is acceptably weird.

We’ll be open from 10am – 5pm on July 4th. We’ll be eating cake and reading from The Constitution every hour—and we’re also offering 25% off all non-fiction from our “Other” section.

Join us for a homecoming reading from Austinite Dr. Walter Moore. His book of poetry, My Lungs Are a Dive Bar, a series of deadpan/gritty/neo-beat/punkish poems about rural Indiana and urban Washington (some Texas, too) was published by EMP Books in the Spring of 2019. Walter will be joined by Owen Egerton.

“Hilarious, painful, and outrageous—often in the same phrase. Drawing from overheard fist fights, willfully eschewed observations, and half-a-lifetime of wrong turns turned right, Walter Moore crafts nail-sharp poems and prose explosions with a kind of screaming, laughing brilliance that is not be missed. These pages will slap your eyes until everything you see shines.” —Owen Egerton

Dr. Walter Moore or “Walt” was born in Singapore and has lived in about twenty cities/towns around the world: from Jakarta, Indonesia; Houston and Austin, Texas; Oklahoma City; Brooklyn, New York, and Carmel, California, to Providence, Rhode Island; Seattle, Washington, and Perth, Australia, among other places. In a former life, he worked as a life guard, line cook, restaurant server, law clerk, and tennis teaching professional. More recently, he’s written reading passages for an education textbook company, worked as a journalist for a few newspapers, and published poems in various journals. His scholarly research interests include 20th-Century American Literature and Film and, specifically, how selected literary and cinematic texts “speak to” the narratives of gentrification in U.S. cities. Walt is also currently working on a novel about a drifter who returns to his hometown of Houston, Texas. Dr. Moore has taught courses in academic writing, creative writing, literature, and film in places as varied as Southwestern University, the University of Rhode Island, and the University of Washington Tacoma. 2018-2019 marks his second year of teaching at Oregon State University and his fifteenth year of teaching at the college level overall. He holds a BA in English from DePauw University, an MFA in Creative Writing from Texas State University, and a Ph.D. in American Studies (English) from Purdue University. His other joys include playing soccer and tennis, watching movies, seeing live music, and hanging out in the Pacific Northwest with his partner Erica and his 100-pound dog/beast Lloyd.

Owen Egerton, original Austin polymath, is one of the founders of the Alamo Drafthouse’s Master Pancake Theatre, has acted in several films, emcees the Fantastic Debates at the Fantastic Fest, and hosts public radio’s The Write Up. He’s written four books of fiction (the novel Hollow being the most recent) and directed three films. Mercy Black, his most recent film, was just released by Netflix.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Tatyana Tolstaya’s The Slynx, which reimagines dystopian fantasy as a wild amusement park ride.

Poised between Nabokov’s Pale Fire and Burgess’s A Clockwork Orange, The Slynx is a brilliantly inventive and shimmeringly ambiguous work of art: an account of a degraded world that is full of echoes of the sublime literature of Russia’s past; a grinning portrait of human inhumanity; a tribute to art in both its sovereignty and its helplessness; a vision of the past as the future in which the future is now.

“It is impossible to communicate adequately the richness, the exuberance, and the horrid inventiveness of The Slynx.” — John Banville, The New Republic

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of the 2019 summer issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Donna Dechen Birdwell’s new novel, Not Knowing, on July 20th, the 50th anniversary of the Apollo 11 moon walk—an event that is of some significance in this book!

Donna Dechen Birdwell is an anthropologist whose latest novel takes place in two locales she knows and loves—Belize and Texas. Stepping away from the dystopian future she created in Recall Chronicles, she writes in Not Knowing about two wings of our human quest for knowledge—archaeology and space exploration.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Lima :: Limón by Natalie Scenters-Zapico.

In her striking second collection, Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure. Her sharp verse and intense anecdotes brand her poems into the reader; images like the Virgin Mary crying glass tears and a border fence that leaves never-healing scars intertwine as she stares down femicide and gang violence alike. Lima :: Limón is grounding and urgent, a collection that speaks out against violence and works toward healing.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of C. S. Woolwine’s debut novel, Cyclic.

Cyclic is a new take on the integration of man and machine. Imagine being able to think of anything you desire, and instantly spawn it into existence. Imagine the good that could come from this, the wonder and excitement, the freedom of creation. Nothing is off limits! Now, imagine the bad. The purpose of this tale is to open your mind to the possibility, to explore what could be. This epic adventure is set in the distant future when society has already deemed this technology worthy. The story follows Cal, whose mediocre life can be best described as wanting. He’s thrown into a world he never knew existed when he discovers certain traits which make him particularly skilled with this technology. He must rebuild himself after tragedy, learn to master cyclic, and fight for what he believes in… even when it’s only him who believes it.

C. S. Woolwine, also known as “HaxDogma,” was born in the little border town of Yuma, Arizona. Growing up he lived in Pasadena, Maryland where he found his passion for technology. After high school, he decided to pursue cyber security and found his calling for Information Technology. Right after college, he moved down to Austin, TX with his girlfriend, now wife, and started climbing the corporate ladder. His quick rise in the IT field, and his YouTube channel dedicated to analytical discussion, gave him the confidence to continue pursuing a dream he’s had since he was a boy, writing. Inspired to create a better world for his wife and furry children, Mr. Woolwine finished the story he has been trying to tell his entire life… Cyclic.

Join us in celebrating the launch of Ron Seybold’s Stealing Home, a memoir about fatherhood, baseball, and an epic road trip with a Little Leaguer.

An epic road trip with my tween set me on a path to uncover perfection in fatherhood—and how my father’s suicide didn’t doom me to recreate his mistakes. Stealing Home is the story of an 11-day, 9-game road trip I took with my Little Leaguer—and how my plans for perfection delivered things much deeper than scores, miles, and smiles. You don’t have to drive 3,147 miles to find your way to fatherhood. When I did, something magical and rare appeared at the end of the journey, inside my heart as well as on a diamond. As a divorced dad, I was trying to redeem my fatherhood with a baseball road trip with my Little League son Nicky. Our odyssey of nine games in eleven days, crossing eight states in a rented convertible, was supposed to salvage my life as an unsure father. Custody Dad fatherhood demoted me to the second team. I was certain of that. One sign of salvation came unbidden in an unscheduled tenth ballgame. The adventures and revelations of the road led to a deeper reckoning of how my father had failed enough at his fatherhood to take his own life. Thousands of miles and dozens of innings delivered a discovery: a drive toward perfect fatherhood has a destination that cannot be found on any map.

Ron Seybold directs the Writer’s Workshop in Austin, a place for workshopping, books and weekly creativity groups. His debut novel is Viral Times, futuristic thriller about a pandemic that changes the way the world heals and loves. A two-time finalist in the Writer’s League of Texas manuscript contests for memoir and historical fiction, he’s reported over the radio, acted in Austin melodramas, and walks his standard poodle Tess Harding less often than she’d like. A teaching volunteer at the Austin Bat Cave literacy program in schools, he coaches writers, edits books, and plays a part in helping authors from inspiration to publication.