Malvern Books

Join us for a discussion with Daisy Hernández, co-editor of Colonize This! Young Women of Color on Today’s Feminism. Daisy will be interviewed by Chaitali Sen.

Newly revised and updated, this landmark anthology offers gripping portraits of American life as seen through the eyes of young women of color.

It has been decades since women of color first turned feminism upside down, exposing the feminist movement as exclusive, white, and unaware of the concerns and issues of women of color from around the globe. Since then, key social movements have risen, including Black Lives Matter, transgender rights, and the activism of young undocumented students. Social media has also changed how feminism reaches young women of color, generating connections in all corners of the country. And yet we remain a country divided by race and gender. Now, a new generation of outspoken women of color offer a much-needed fresh dimension to the shape of feminism of the future. In Colonize This!, Daisy Hernández and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing, Colonize This! will reach the hearts and minds of readers who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all races.

Daisy Hernández is the author of A Cup of Water under My Bed: A Memoir and the former editor of ColorLines magazine. She has written for National Geographic, The Atlantic, the New York Times, and NPR’s “All Things Considered,” and currently teaches creative writing at Miami University in Ohio.

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers and artists talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world. This month’s Borderless guest is Oscar Cásares.

Oscar Cásares is the author of Brownsville, a collection of stories that was an American Library Association Notable Book of 2004, and is now included in the curriculum at several American universities, and the novel Amigoland. He is the recipient of fellowships from the National Endowment for the Arts, the Copernicus Society of America, and the Texas Institute of Letters. A graduate of the Iowa Writers’ Workshop, he teaches creative writing at the University of Texas in Austin, where he lives. (Author photo credit: Joel Salcido.)

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

You’re invited to join us for another Austin edition of the Why There Are Words reading series! This month’s theme is “Silver Linings” and the guests are Kathryn Schwille, Kristen Staby Rembold, Mark Solomon, Marian Szczepanski, and musical duo Joanna Howerton and Michael Cross.

Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.

Kathryn Schwille (top left) is the author of the novel What Luck, This Life, set in East Texas around the time of the Columbia shuttle disaster. It was selected by the Atlanta Journal-Constitution as one of the best southern books of 2018. Her short stories have appeared in New Letters, Memorious, Crazyhorse, Literary Hub, and other journals, and have been cited twice for Special Mention in the Pushcart Prize. She lives in North Carolina and teaches at Charlotte Center for Literary Arts.

Kristen Staby Rembold’s (top center) most recent book is Music Lesson, poetry, published in 2019 by Future Cycle Press. She is also the author of two poetry chapbooks, Leaf and Tendril and Coming into This World, and a novel, Felicity, winner of Mid-List First Fiction Series Award. Her poems have appeared in many periodicals including Crab Orchard Review, Green Mountains Review, Literary Mama, Smartish Pace, and New Ohio Review. She has taught poetry and fiction writing at WriterHouse in Charlottesville, Virginia, and is former co-editor of IRIS: A Journal About Women. She holds degrees from Northwestern University and the Warren Wilson MFA Program for Writers.

Mark Solomon (top right) has lived in NYC since 1941. Since 1973 his poems have appeared in Broadway Boogie, TriQuarterly, Hanging Loose, BOMB, The Marlboro Review, The Beloit Poetry Journal, and Southern Poetry Review. A chapbook, Her Whom I Summoned, and My True Body, his first full-length collection, are available through Havel.Havulim@gmail.com

Marian Szczepanski (bottom left) is the author of the historical novel Playing St. Barbara (High Hill Press, 2013), which Huffington Post called “a stunning debut novel that shimmers with unforgettable characters while casting necessary light on a dark chapter in American history.” She has won awards for short fiction and magazine writing and holds an MFA in fiction from the Program for Writers at Warren Wilson College. She is a faculty member at Houston’s Writespace creative writing center and has also taught for the Texas Writers League (Austin), Gemini Ink (San Antonio), Village Writing School (Eureka Springs and Rogers, AR), University of Pittsburgh’s Writers Café, and St. Francis University (Loretto, PA). She divides her time between Houston and Hood River, Oregon.

Joanna Howerton grew up in a musical family in the beautiful hills of Kentucky. In the Blues, she found her true voice and style and honed her vocal skills and played with various R&B and jazz ensembles in New Orleans and Austin. Her partnership and duo with Michael Cross has been transformative, inspiring the creation of a sound that bridges their past and current influences.

Michael Cross, a talented vocalist, lyricist, composer and seasoned recording artist, has toured nationally and internationally. Recording projects include TX Blues Voices, and his own album Blues Lovin’ Man. Michael’s latest collaboration with Joanna Howerton has inspired new material and their duo is steadily building an enthusiastic following.

Join us for an evening with Austin-based poet Usha Akella, who will be in conversation with Chaitali Sen.

Usha Akella has authored four books of poetry and one chapbook, and has scripted and produced one musical drama. Her latest poetry book was published by Sahitya Akademi, India’s highest literary authority, in 2019. She recently earned an 2018 MSt. in Creative Writing from Cambridge University, UK. Her work has been included in the Harper Collins’ Anthology of Indian English Poets. She was selected as a Creative Ambassador for the City of Austin for 2019 and 2015, and has been published in numerous literary journals. She is the founder of ‘Matwaala,’ the first South Asian Diaspora Poets Festival in the US. She has won literary prizes (Nazim Hikmet award, Open Road Review Prize, and Egan Memorial Prize), and earned finalist status in a few US based contests. She has written a few quixotic nonfiction prose pieces published in The Statesman and India Currents. She is the founder of the Poetry Caravan in New York and Austin, which takes poetry readings to the disadvantaged in women’s shelters, senior homes, and hospitals. Several hundreds of readings have reached these venues via this medium.

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

Join us for a conversation between visiting translator Rosalind Harvey and host Sean Manning as they discuss topics such as translating voices, particularly in regards to her latest work Juan Pablo Villalobos’ The Other Side, a collection of stories from Central American teen refugees crossing the U.S.-Mexico border. Their conversation will also be recorded for Adriana Pacheco’s Hablemos Escritoras podcast.

Rosalind Harvey (above left) is an award-winning literary translator, and has taught translation at undergraduate and postgraduate level at the universities of Roehampton, Bristol, and Warwick. Her translation of Juan Pablo Villalobos’ debut novel Down the Rabbit Hole was shortlisted for the 2011 Guardian First Book Award and the Oxford-Weidenfeld Prize, and her translation of his work I’ll Sell You A Dog was longlisted for the International Dublin Literary Award and commended for the 2018 Valle-Inclán prize. She has worked on books by Guadalupe Nettel, Elvira Navarro, Enrique Vila-Matas, Héctor Abad Faciolince, and Alberto Barrera Tyszka, amongst others. She is a founding member and chair of the Emerging Translators Network, an online community for early-career literary translators, and speaks regularly on the topic of getting into the profession and surviving. She is a 2016 Arts Foundation Fellow, and in 2018 was elected a Fellow of the Royal Society of Literature. She is currently working on a collection of Peruvian short stories and an Argentine play, and her latest publication is a YA title by Villalobos about the journeys made by teenage Central American immigrants when they cross over illegally to the United States. She lives in Coventry in the West Midlands.

Sean Manning (above center) is a Lecturer who teaches courses on language, literature, and writing in the Department of Spanish and Portuguese at the University of Texas at Austin, where he received his PhD in Spanish and Latin American Literature. He is also a literary translator and has translated numerous works including Eduardo Lalo’s The Elements, Azahara Palomeque’s American Poems, Carlos Pereda’s Lessons in Exile, and a collection of short stories from Lorenzo García Vega titled Falconry With Puppets. He is currently working on translations of Carlos Pereda’s latest book Destructions and Nomadic Thought and a novel by Argentine writer Diego Vecchio. He also co-edited No dicen nada, cantan, an anthology of poetry from the late Uruguayan poet and U.T. professor Enrique Fierro set to be published this year by Mexico’s Fondo de Cultura Económica.

Dr. Adriana Pacheco (above right) was born in Puebla, Mexico and is a naturalized American Citizen. She sits on and is former Chair at the International Board of Advisors at University of Texas-Austin. She is Affiliate Research Fellow at Llilas Benson, and co-founder of the Nineteenth-Century scholar section of LASA. Her research in the construction of feminine subjectivity from the nineteenth century onwards from the perspective of critical and postcolonial theories and cultural and historiographic studies has earned her multiple scholarships and grants. A Texas Book Festival Feature Author (2012), Dr. Pacheco has several publications in collective books and magazines like Revista de Estudios Hispánicos and Letras Libres, among others. Currently she is working on the book “Virile Angels,” Much More Than “Angels of the Home.” Female Education in Mexican Nineteenth-Century Catholic Newspapers and a collective Para seguir rompiendo con la palabra. Dramaturgas, cineastas, periodistas y ensayistas mexicanas contemporáneas. She is founder and producer of Hablemos Escritoras podcast and Proyecto Escritoras Mexicanas Contemporáneas.

Hablemos Escritoras podcast is a weekly podcast that focuses on the work, influences, publications, awards, and trajectory of contemporary female writers and translators of Spanish, and explores topics related to literature, culture, and society. In its more than 70 episodes it has interviewed authors from around the world. It can be heard on Soundcloud, Applepodcast, Stitcher, and Spotify.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers and artists talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world. This month’s Borderless guest is Varian Johnson.

Varian Johnson is the author of nine novels, including The Parker Inheritance, which was named a Coretta Scott King Honor Book, an Odyssey Honor Audiobook and a Boston Globe-Horn Book Award Honor Book; and The Great Greene Heist, which was named to over twenty-five state reading and best-of lists. He received an MFA from Vermont College of Fine Arts, where he now serves as a member of the faculty. Varian lives outside of Austin, TX with his family.

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

Join us for a night with spoken word artists Joaquín Zihuatanejo and Taria Person.

Joaquín Zihuatanejo is a brilliant poet. His testimonials and songs and explorations are multilingual, structurally adventurous. The wide range of forms and dictions makes visible his ravenous curiosity and intellect. His language, rippling with the loss of a father and racial and cultural tensions, resists one-dimensional answers. His nouns and verbs wonder, croon, weep, question, and roar. The deep attention to language and to the shaping of language infuses the work with a riveting self-awareness of the self—in this case, a Mexican American man unafraid to remember, to love. Beautifully crafted and richly imagined, Arsonist is a remarkable debut. —Eduardo C. Corral, author of Slow Lightning

Joaquín Zihuatanejo received his MFA in creative writing with a concentration in Poetry from the Institute of American Indian Arts in Santa Fe, New Mexico. His work has been featured in Prairie Schooner, Sonora Review, and Huizache, among other journals and anthologies. His poetry has been featured on HBO, NBC, and on NPR in Historias and The National Teacher’s Initiative. He was the winner of the Anhinga-Robert Dana Prize for Poetry. His book, Arsonist, was published by Anhinga Press in September of 2018, and was short-listed as a Finalist for both the Writers’ League of Texas Best Book Poetry Prize and the International Latino Book Award Best Book Poetry Prize. Joaquín has two passions in his life, his wife Aída and poetry, always in that order.

Taria Person is an alumna of the University of Tennessee in Knoxville, where she received a dual B.A. in English Creative Writing: Poetry, and Interdisciplinary Studies: Africana Studies. She is the author of Rainbow Elephant and At the Summit, and her work has appeared in numerous anthologies, including: O’ Woman a Tapestry of Loving You, and Voices of Warriors: Poems of Hope & Healing. Taria Person won first place at the regional Big Ears: Spoken Word Expo/The 5th Woman Poetry Slam (2017), the Regional Southern Fried Hip-Hop Slam (2013), and Knoxville Poetry Slam (2012). Also, she has been an actress and Production Stage Manager for The Carpetbag Theatre Inc., during its original series of stage productions that have been funded by The Roy Cockrum Foundation, in celebration of (CBT’s) 50th Anniversary. Recently, Person has been commissioned to write a book of poetry by the Emily Hall Tremaine Foundation; won an Artistic Professional Development grant from Alternate Roots for her original stage play, Hangers; and became a member of the 5th Woman Touring Collective.

You’re invited to join us for another Austin edition of the Why There Are Words reading series! This month’s theme is Reconciliation and our guests are Sandra Sidi, Carrie Fountain, Josh Denslow, and The Flyin’ A’s (left to right, below).

Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.

Sandra Sidi writes fiction and nonfiction. She was a military analyst in Baghdad in 2007 and 2008. She is an MFA Candidate at Texas State University San Marcos, and holds a Master’s Degree in Political Science from Yale University. Her first piece, “Get A Weapon,” was published in The Atlantic and is forthcoming in Contemporary Creative Nonfiction: An Anthology by Kendall Hunt Publishing. She is working on a novel about Israeli soldiers.

Carrie Fountain is a poet and novelist, and serves as the 2019 Texas Poet Laureate. She is the author of two poetry collections, Instant Winner and Burn Lake, winner of the 2009 National Poetry Series Award, and the YA novel I’m Not Missing. Her first children’s book, The Poem Forest (Candlewick Press, 2020) tells the story of American poet W.S. Merwin and the palm forest he grew from scratch on the island of Maui. Her poems have appeared in Tin House, Poetry, and The New Yorker, among many others. She is the host of KUT’s This Is Just to Say, a radio show and podcast where she has intimate conversations on the writing life with other poets and writers. Fountain is writer-in-residence at St. Edward’s University, and lives in Austin, TX.

Josh Denslow’s short stories have appeared in print and online in such fine places as Barrelhouse, Third Coast, Cutbank, Wigleaf, and Black Clock, among many others. NOT EVERYONE IS SPECIAL, his debut short story collection, will be published in 2019 by 7.13 Books. Along with his wife and his brother-in-law, he plays drums in the band Borrisokane. KUTX called us “synth-punk gloom-wonders” and the band was hailed by the Austin Chronicle as one of the Best New Local Acts of 2013. They are currently recording thier first full-length album.

The Flyin’ A’s perform Americana with a Texas Kick. This husband and wife duo hails from Austin, Texas. You can hear their Texas roots in all they do. The high energy duo is famous for their top-notch songwriting, breathtaking harmonies, and exceptional live performance. Their latest album You Drive Me Crazy was selected to be on the 2017 first round Grammy Ballot and has taken them on tour around the US, UK, and the EU, and now they are headed to NZ for the first time. From Stuart Adamson’s outstanding lead guitar work and gritty vocals to Hilary Claire Adamson’s powerhouse vocal gymnastics and lilting harmonies, it is no wonder this duo is quickly gaining momentum both at home and abroad. They combine the best of Texas country, southern blues, folk and gospel to create an original sound that is all their own.

Malvern Books is proud to present an evening (via Zoom; details to come) with Cotton Mather guitarist and prize-winning poet Harold Whit Williams, who will be reading from his new book and performing songs from his new solo album, both titled My Heavens.

Worth noting: All royalties from the download or stream of My Heavens goes to Color of Change.

Williams returns to form on this, his fifth poetry collection. The very idea of a paradise—beyond sky or upon earth or within each moment—is poked and prodded with both sharp cynicism and wide-eyed wonder alike. Addressing grief, the day in/day out depictions are deeply distilled, the lines sober yet also playful, loose and languid. Nostalgia without sentimentality. Dreamlike visions without surrealism. These poems settle down across the kitchen table from a reader for a little give and take, a little what’s it all about? “The transubstantiation, the utter mystery,” Williams writes, “I swallow it all/And expect nothing in return.”

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Five brown authors of Hispanic, Filipino, and South Asian origins discuss what it is like being brown in America, how that has shaped their writing, and informed their latest books. We’ll talk about growing up brown and the experience of finding a place (physical or state of mind) to be brown in America through our work, relationships, family, community, etc.

This discussion will take place via Zoom and will be moderated by Martha Anne Toll. The panelists are: Donna Miscolta (Living Color: Angie Rubio Stories); Grace Talusan (The Body Papers); Sejal Shah (This Is One Way to Dance); Sopan Deb (Missed Translations); and Jenny Bhatt (Each of Us Killers: Stories).

Martha Anne Toll (top left) is the 2020 Winner of the Petrichor Prize for Finely Crafted Fiction. Her debut novel, Three Muses, is forthcoming from Regal House Publishing, Fall 2022. Her fiction has appeared in Catapult, Vol. 1 Brooklyn, eMerge, Slush Pile Magazine, Yale’s Letters Journal, Inkapture Magazine, Referential Magazine, and Poetica E Magazine. Martha’s essays and reviews appear regularly on NPR and in The Millions; as well as in the Washington Post, Washington Post’s The Lily, The Rumpus, Bloom, Scoundrel Time, Music & Literature, Words Without Borders [forthcoming], After the Art, Narrative Magazine, [PANK] Magazine, Cargo Literary, Tin House blog, The Nervous Breakdown, Heck Magazine, and the Washington Independent Review of Books. Her personal essay, “Dayenu,” was selected for an anthology featuring a range of well-known writers such as Lidia Yuknavich, Kwame Alexander, Dani Shapiro, and Ada Limón.

Donna Miscolta’s (top middle) third book of fiction Living Color: Angie Rubio Stories, about lessons a young Mexican American girl learns in a world that favors neither her race nor gender, was published by Jaded Ibis Press in September 2020. Her story collection Hola and Goodbye, winner of the Doris Bakwin Award for Writing by a Woman and published by Carolina Wren Press (2016), won an Independent Publishers award for Best Regional Fiction and an International Latino Book Award for Best Latino Focused Fiction. She’s also the author of the novel When the de la Cruz Family Danced from Signal 8 Press (2011), which poet Rick Barot called “intricate, tender, and elegantly written – a necessary novel for our times.” Recent essays appear in pif, Los Angeles Review, and the anthology Alone Together: Love, Grief, and Comfort in the Time of COVID-19 and a short story is forthcoming in Latinx Subjectivities: A multi-genre anthology.

Grace Talusan’s memoir, The Body Papers, is a New York Times Editors’ Choice selection, a winner in nonfiction for the Massachusetts Book Awards, and winner of the Restless Books Prize for New Immigrant Writing. Her short story, The Book of Life and Death, was chosen for the 2020 Boston Book Festival’s One City One Story program and was translated into several languages, including Tagalog. Currently, Talusan is the Fannie Hurst Writer-in-Residence at Brandeis University.

Sejal Shah (bottom left) is the author of the debut essay collection, This Is One Way to Dance (University of Georgia Press, 2020). Her stories and essays have appeared in Brevity, Conjunctions, Guernica, the Kenyon Review Online, Literary Hub, Longreads, Poets & Writers, and The Rumpus. The recipient of a 2018 NYFA fellowship in fiction, Sejal recently completed a story collection and is at work on a memoir about mental health. She teaches in the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University and lives in Rochester, New York.

Sopan Deb (bottom middle) is a writer for the New York Times. Before joining the Times, he covered Donald J. Trump’s presidential campaign for CBS News. He is also a New York-city based comedian. He is the author of the memoir Missed Translations: Meeting The Immigrant Parents Who Raised Me.

Jenny Bhatt (bottom right) is a writer, literary translator, and book critic. She’s also the host of the Desi Books podcast. Her debut story collection, Each of Us Killers, launched last month in the US with 7.13 Books. Her literary translation, Ratno Dholi: Dhumketu’s Best Short Stories, from Gujarati to English, is out this month with HarperCollins India. Her non-fiction writing has appeared or will be coming soon in NPR, The Washington Post, BBC Culture, The Atlantic, Longreads, Literary Hub, Poets & Writers, and several more.

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Join us for a reading from Rachel Genn, whose second novel, What You Could Have Won, will be released by And Other Stories in early November.

This event will take place via Zoom; see details below. The novel can be purchased via our online store, or call us on 512-322-2097 to arrange curbside pick up.

“A captivating portrait of regret, addiction, and the will to survive.” —Publishers Weekly

Fame is the only thing worth having. Love is temporary brain damage. Or so thinks Henry Sinclair, a failing psychiatrist, whose career-breaking discovery has been pinched by a supervisor smelling of nipple grease and hot-dog brine. An emotional miser and manipulator par excellence, desperate for the recognition he’s certain his genius deserves, Henry claws his way into the limelight by transforming his girlfriend—a singer-in-ascendance, beloved for her cathartically raw performances—into a drug experiment. As he systematically works to reinforce feelings of worthlessness while at the same time feeding off Astrid’s fame, and as Astrid collapses deeper into dependence, what emerges is a two-sided toxic relationship: the bullying instincts of a man shrunk by an industry where bullying is currency, and the peculiar strength of a star more comfortable offloading her talent than owning her brilliance.

Pinging between their apartment in New York (where they watch endless episodes of The Sopranos), a nudist campsite in Greece (where the tantalizingly handsome Gigi thwacks octopuses into the sand), and a celebrity rehab facility in Paris (founded by the cassock-wearing and sex-scandal plagued ‘artist’ Hypno Ray), What You Could Have Won is a relationship born of regrettable events, and a novel about female resilience in the face of social control.

Rachel Genn is a neuroscientist, artist and writer who has written two novels: The Cure (2011) and What You Could Have Won (2020). She was a Leverhulme Artist-in-Residence (2016), creating The National Facility for the Regulation of Regret, which spanned installation art, VR and film (2016-17). She has written for Granta, 3:AM Magazine, and Hotel, and is working on Hurtling, a hybrid collection of essays about the neuroscience, art and abjection of artistic reverie. She’s also working on a binaural experience exploring paranoia, and a collection of non-fiction about fighting and addiction to regret. Genn works at the Manchester Writing School and the School of Digital Arts, both at Manchester Metropolitan University, and lives in Sheffield.

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We’ll be at the Texas Book Festival today, 10am – 5pm, booth #415. The festival is held in and around the State Capitol in downtown Austin. The Festival Weekend is FREE and open to the public, featuring nearly 300 authors of the year’s best books across all ages and genres. Hope to see you there!

We’ll be at the Texas Book Festival today, 11am – 5pm, booth #415. The festival is held in and around the State Capitol in downtown Austin. The Festival Weekend is FREE and open to the public, featuring nearly 300 authors of the year’s best books across all ages and genres. Hope to see you there!