Malvern Books

Join us for a night of chaps and broads reading chap(book)s and broad(side)s! Featuring Julie Poole, Stephanie Goehring, Leticia Urieta, Katy Chrisler, Alfredo Aguilar, and C. Prudence Arceneaux.

Julie Poole (top row, left) received a MFA from the University of Texas at Austin. Her work has appeared or is forthcoming in Borderlands: Texas Poetry Review, CutBank, The Texas Observer, and Denver Quarterly. Her first book Bright Specimen was inspired by the Billie L. Turner Plant Resources center at UT and will be published by Deep Vellum in Spring 2021.

Stephanie Goehring (top row, middle) is the author of several poetry chapbooks. She earned an MFA from the Iowa Writers’ Workshop and works at Malvern Books in Austin, TX.

Leticia Urieta (top row, right) is proud Tejana writer from Austin, TX. She works as a teaching artist in the Austin community. She is a graduate of Agnes Scott College and holds an MFA in Fiction writing from Texas State University. Her chapbook, The Monster, is out now from LibroMobile Press.

Katy Chrisler (bottom row, left) received her MFA from the Iowa Writers’ Workshop and has held residencies with Land Arts of the American West and 100 West Corsicana. Recent work of hers has appeared in Tin House, Conflict of Interest, The Volta, and Black Warrior Review. She currently lives and works in Austin, Texas.

Alfredo Aguilar (bottom row, middle) is the son of Mexican immigrants. He is the author of the chapbook What Happens On Earth (BOAAT Press 2018). He is a winner of 92Y’s Discovery Poetry Contest and has been awarded fellowships from the MacDowell Colony, the Bread Loaf Writer’s Conference, and the Frost Place. His work has appeared in The Shallow Ends, Best New Poets 2017, The Adroit Journal, and elsewhere. Originally from North County San Diego, he now resides in Texas.

C. Prudence Arceneaux (bottom row, right), a native Texan, teaches English and Creative Writing at Austin Community College, in Austin, TX. Her poetry has appeared in various journals, including Limestone, New Texas, Whiskey Island Magazine, Hazmat Review and Inkwell. A chapbook of her work, DIRT (2017), was awarded the Jean Pedrick Prize.

Join us in celebrating the release of Wendy Barker’s seventh full-length collection of poems, GLOSS. With readings from Wendy, as well as special guests Van G. Garrett and Michael Anania.

Posing haunting questions about the background of Barker’s British mother, GLOSS  includes poems in a variety of forms that meditate on a Chinese scroll and on inherited pieces of silver. Other poems “gloss” family memories to reveal underlying meanings of inherited stories, as the book builds to reveal disturbing facts long hidden.

Wendy Barker’s sixth collection of poetry, One Blackbird at a Time, received the John Ciardi Prize for Poetry (BkMk Press, 2015). Her fifth chapbook is Shimmer (Glass Lyre Press, 2019). An anthology of poems about the 1960s, Far Out: Poems of the ’60s, co-edited with Dave Parsons, was released by Wings Press in 2016. Other books include a selection of poems with accompanying essays, Poems’ Progress (Absey & Co., 2002), and a selection of translations, Rabindranath Tagore: Final Poems, co-translated with Saranindranath Tagore, Braziller, 2001. Her poems have appeared in numerous journals and anthologies, including The Southern Review, Nimrod, New Letters, Poetry, Prairie Schooner, and Plume,as well as The Best American Poetry 2013. She is the author of Lunacy of Light: Emily Dickinson and the Experience of Metaphor (Southern Illinois University Press, 1987), as well as co-editor (with Sandra M. Gilbert) of The House is Made of Poetry: The Art of Ruth Stone (Southern Illinois University Press, 1996). Recipient of NEA and Rockefeller fellowships among other awards, she is the Pearl LeWinn Endowed Chair and Poet-in-Residence at the University of Texas at San Antonio, where she has taught since 1982. Wendy is married to the critic, biographer, essayist, and poet Steven G. Kellman.

Van G. Garrett is the winner of the 2017 Best Book of African American Poetry for his book, 49: Wings and Prayers, as announced by the Texas Association of Authors. Garrett is the author of Songs in Blue Negritude (poetry), The Iron Legs in the Trees (fiction), 49: Wings and Prayers (poetry), LENNOX IN TWELVE (poetry), HOG (poetry), ZURI: Love Songs (poetry), and Water Bodies (fall 2019).

Michael Anania is a poet, essayist, and fiction writer. His published work includes twelve collections of poetry, among them Selected Poems (1994), In Natural Light (1999), Heat Lines (2006), and Nightsongs and Clamors (2018). His work is widely anthologized and has been translated into Italian, German, French, Spanish and Czech. He has also published a novel, The Red Menace, and a collection of essays, In Plain Sight. He has received a number of awards and fellowships, including the Charles Angoff Award and the Aniello Lauri Award for poems in this collection. Anania was poetry editor of Audit, a quarterly, founder and co-editor of Audit/Poetry, poetry and literary editor of The Swallow Press, poetry editor of Partisan Review and a contributing editor to Tri-Quarterly, and has served as an advisory editor to a number of other magazines and presses. He is Professor Emeritus of English at the University of Illinois at Chicago and a member of the faculty in writing at Northwestern University. He also taught at SUNY at Buffalo and the University of Chicago. He lives in Austin, Texas, and on Lake Michigan.

Get your cones ready for another round of Malvern Books’ FREE reading series, I SCREAM SOCIAL, hosted by Malvern’s own Annar Veröld and Schandra Madha. Featuring women and nonbinary writers from the Austin community (and beyond!), this month’s I Screamers are Maritza De La Peña, Alisha Jilly Roff, and Dorienne Elston.

Maritza De La Peña is a poet native to Texas. She has recently returned after three years of living in a small mountain village in Ukraine, where she worked with educators and co-founded an annual writing and leadership camp for children and teens. She probably writes too many poems about snow and hanging out at the river and watching the village cows now. Her favorite flavor of ice cream is pistachio!

Alisha Jilly Roff: For Alisha, writing is an avocation. Her vocation, her craft, is walking into the darkness of someone else’s trauma and holding a hand, perhaps leading a soul back to the light. That is her hope for her legacy. She is a survivor, not a recognized writer. She has a rage, a passion that churns beneath her skin. It’s a passion that makes her want to scream so loud that buildings shake, trees bend, and stars tremble at the sound. Since that is not a possibility, she writes. Her favorite flavor of ice cream is pistachio, pure and simple!

Dorienne Elston: Like most writers, Dorienne has adored words for as long as she can remember. She first published a poem of hers at age 13, wrote scripts for a youth television series, composed short stories, wrote lyrics … and penned several long, dry, academic research papers in Grad School! The common thread, of course, is her love for words and how they are both the common and miraculous carriers of meaning from one mind to another, from one heart to another and, best of all, from one soul to another. In this new season of her life, Dorienne is returning to this first love and feels very privileged to share her recent work with you tonight. It is her hope that her words resonate with you and, of course, if she’s very lucky, touches your souls. Her favorite flavor of ice cream is vanilla Swiss almond!

~7pm – Ice cream & Open Mic for women-identified and non-binary writers. We want a chance to hear everyone’s wonderful work, so please try to keep readings under 3 minutes.

~The featured reading begins after the open mic and will be followed by even more ice cream.

Can’t make it this time around? No worries. I Scream Social is every month ’til the end of time.

Join us in celebrating the Austin launch of Sarah Rose Etter’s debut novel, The Book of X, which has received praise from Roxane Gay (“utterly unique and remarkable”), Carmen Maria Machado (“gorgeous…heartbreaking”), and the Minneapolis Star Tribune (“powerful”).

Sarah Rose Etter is the author of Tongue Party, selected by Deb Olin Unferth as the winner of the Caketrain Press award, and The Book of X, her first novel, which is available from Two Dollar Radio. Her work has appeared or is forthcoming in The Cut, Electric Literature, Guernica, VICE, New York Tyrant, Juked, Night Block, The Black Warrior Review, Salt Hill Journal, The Collagist, and more.

Join us for a reading to celebrate the launch of the latest issue of Borderlands: Texas Poetry Review. Bring friends—join the celebration! The event is free of charge and open to everyone. Copies will be available for purchase on-site.

Borderlands is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Join us in celebrating the launch of Kiran Bhat’s new novel, we of the forsaken world…

In a distant corner of the globe, a man journeys to the birthplace of his mother, a tourist town destroyed by an industrial spill. In a nameless remote tribe, the chief’s second son is born, creating a scramble for succession as their jungles are being destroyed by loggers. In one of the world’s sprawling metropolises, a homeless one-armed woman sets out to take revenge upon the men who trafficked her. And, in a small village of shanty shacks connected only by a mud-and- concrete road, a milkmaid watches the girls she calls friends destroy her reputation.

In we of the forsaken world… Kiran Bhat tells the stories of four worlds falling apart, through the structure of four linguistic chains, comprised of the accounts of four people witnessing the decline of these worlds, in four acts. Like modern communication networks, these 16 stories connect along subtle lines, dispersing at the moments where another story is about to take place. Each story is a parable of its own, into the mind of a distinct human being. These are the tales of not just sixteen strangers, but many different lives, who live on this planet, at every second, everywhere.

Kiran Bhat is a global citizen formed in a suburb of Atlanta, Georgia, to parents from Southern Karnataka, in India. An avid world traveler, polyglot, and digital nomad, he has currently traveled to over 130 countries, lived in 18 different places, and speaks 12 languages. His list of homes is vast, but he considers Mumbai the only place of the moment worth settling down in. He currently lives in Melbourne.

Join us in celebrating the launch of Chad Bennett’s debut poetry collection, Your New Feeling Is the Artifact of a Bygone Era, selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. With readings from local poets, including Lisa Moore, Cindy St. John, Desiree Morales, Austin Rodenbiker, and Sequoia Maner.

Shirley Temple tap dancing at the Kiwanis Club, Stevie Nicks glaring at Lindsey Buckingham during a live version of “Silver Springs,” Frank Ocean lyrics staking new territory on the page: this is a taste of the cultural landscape sampled in Your New Feeling is the Artifact of a Bygone Era. Chad Bennett casually combines icons of the way we live now—GIFs, smartphones, YouTube—with a classical lover’s lament. The result is certainly a deeply personal account of loss, but more critically, a dismantling of an American history of queerness. “This is our sorrow. Once it seemed theirs, but now it’s ours. They still inhabit it, yet we say it’s ours.” All at once cerebral, physical, personal, and communal, Your New Feeling Is the Artifact of a Bygone Era constructs a future worth celebrating.

Chad Bennett’s poems have appeared in Colorado Review, Denver Quarterly, Fence, Gulf Coast, jubilat, The Offing, Poetry Daily, Verse Daily, The Volta, and elsewhere. He is the author of Word of Mouth: Gossip and American Poetry, a study of twentieth century poetry and the queer art of gossip. Your New Feeling Is the Artifact of a Bygone Era, his first book of poems, was selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. He lives in Austin, Texas, where he is an associate professor of English at the University of Texas at Austin.

Lisa L. Moore is the author of Sister Arts: The Erotics of Lesbian Landscapes, which won the Lambda Literary Award, and has published four other books of feminist and queer writing and criticism. In addition to her chapbook 24 Hours of Men, Lisa Moore’s poems have appeared in Nimrod International Journal, The Fourth River, Borderlands Texas Poetry Review, Sinister Wisdom, Lavender Review, and other periodicals. She is Archibald A. Hill Professor of English, Professor of Women’s and Gender Studies, and Director of the Program in LGBTQ Studies at The University of Texas at Austin.

Cindy St. John is the author of Dream Vacation, a collection of daybook entries and poems; I Wrote This Poem, a poetry chapbook illustrated by Michael Burkard; as well as three other chapbooks. She lives in Austin, TX.

Desiree Morales is a poet and educator in Austin, Texas. Her work has appeared in What Rough Beast, Conflict of Interest, and the forthcoming I Scream Social Anthology. She grew up in Southern California and plans to never stop talking about it.

Austin Rodenbiker’s poetry has appeared or is forthcoming in Tin House Online, Prelude, Narrative, and PRISM international. He received his MFA from the New Writers Project and he holds an MA in gender studies from the University of Texas at Austin.

Sequoia Maner is a poet and Mellon Teaching Fellow of Feminist Studies at Southwestern University. She is coeditor of the book Revisiting the Elegy in the Black Lives Matter Era (Routledge, January 2020). Her poems, essays, and reviews have been published in venues such as The Feminist Wire, Meridians, Obsidian, The Langston Hughes Review, and elsewhere. Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the Gwendolyn Brooks Poetry Prize and she is at work on a critical manuscript about the history of African American Elegy.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Jeremy Garrett.

Jeremy Garrett is the writer-in-residence at the Katherine Anne Porter House in Kyle, TX. His fiction and essays have appeared in Gargoyle, The Susquehanna Review, and phati’tude, among others, and his story “The Exhausted Pose” won an Esoteric Award in LGBT fiction from Carve Magazine. He is currently at work on a novel.

Join us for another installment of Novel Night, a monthly celebration of all things prose! Here’s how it works: published authors will read from their books and there’ll be an audience Q & A. Also worth noting: we’re offering 20% OFF ALL FICTION TITLES during Novel Night (from 6pm till closing).

This month’s Novel Night authors are Tracey S. Phillips and Josephine Blacke.

Tracey S. Phillips will read from her debut thriller, Best Kept Secrets, and Josephine Blacke will read from her suspenseful second novel Tia.

When Fay Ramsey is found dead, Morgan Jewell’s entire world crumbles. Years later, Morgan, now a homicide detective, is still haunted by the abrupt end to her best friend’s life, but she has failed to put the crooked puzzle pieces together. Nothing makes sense. The leads have run dry. She requests access to the scene of a murder: a woman whose body is left mangled. It’s too similar to Fay’s to ignore. Now the old memories begin to surface. Fay held a secret in those final days. What got her killed? What was her secret?

Tracey S. Phillips is a serial artist. For the daughter of an artist and granddaughter of a pianist, playing music and creating art are a way of life. She entered college as a fashion model and musician. She married her best friend and became the mother of two grown children. She lives in Madison, Wisconsin with her husband and two dogs. Psychological thrillers are her love and female characters drive her stories. Best Kept Secrets is her debut novel released by Crooked Lane Books. The manuscript won a Hugh Holton award in 2018.

Josephine Blacke is an indie author and freelance writer living in Austin, Texas. Tia is her second novel. Her debut novel Mama’s Boy is available in paperback and e-book. Previous publications include Eat & Drink Austin, a local foodie magazine. Josephine is the proud mother of three adults, a cat named Princess Buttercup, and an old Rottweiler named Fat Hank.

Join us for something rather special: Austin Community College’s Creative Writing Department will be introducing us to the two winners of their 2018 Balcones Prize. Shena McAuliffe will read from The Good Echo (2018 Balcones Fiction Prize) and Margaree Little will read from her collection Rest (2018 Balcones Poetry Prize).

Shena McAuliffe’s debut novel, The Good Echo (Black Lawrence Press, 2018), won the Big Moose Prize and the Balcones Fiction Prize. Her essay collection, Glass, Light, Electricity, winner of the Permafrost Prize in nonfiction, is forthcoming from the University of Alaska Press in February 2020. She holds an MFA from Washington University in St. Louis and a Ph.D. in Literature and Creative Writing from the University of Utah. She grew up in Wisconsin and Colorado, and now lives in Schenectady, New York, where she is an assistant professor of fiction at Union College.

Margaree Little is the author of REST (Four Way Books, 2018), winner of the 2018 Balcones Poetry Prize and the 2019 Audre Lorde Award. She holds a BA in English Literature from Brown University and an MFA in Poetry from Warren Wilson College. Her poems and criticism have appeared in American Poetry Review, Kenyon Review Online, New England Review, and The Southern Review, among other journals; her translations from the Russian have appeared in Asymptote and The Brooklyn Rail and are forthcoming in APR. Little is the recipient of fellowships and awards including a Rona Jaffe Foundation Writers Award, a Bread Loaf Bakeless Camargo/ France Fellowship, a Kenyon Review Fellowship, and an Ohio Individual Excellence Award. She lives in Tucson and teaches at Pima Community College.

Sponsored by the ACC Creative Writing  Department. This event is free and open to the public.

Join us in celebrating the launch of the 2020 winter issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

This event will also be celebrating the winner of the 2019 Julia Darling Memorial Poetry Prize.  John Blair is the 2019 winner for his poem, “The Shape of things To Come.” John and judge Natalia Treviño will be in attendance. Other featured readers include Wendy Goodman (Kingston, MD), Shelli Cornelison, Diana Conces, Ed O’Casey, Devin Guthrie, John Milkereit, Benjamin Nash, Margie McCreles Roe, Steve Wilson, and Sean Winn. Members of the Kallisto Gaia Press editorial staff and board of directors will be available for a Q&A after the event. Light fare will be served.

The South Austin Writers Workshop is a creative writing group of dedicated writers. Along with their current instructor, Shannon Perri, they meet monthly to read, write, and share their work amongst each other. Now, they’re excited to share some of their work with family, friends, and the local literary community. Join us for a reading of their wonderful writing!

Get your cones ready for another special edition of I Scream Social! Featuring women and non-binary writers from the Austin community (and beyond!), this month we have so much to celebrate, namely the launch of I Scream Social Anthology Vol. 2, a book showcasing writers from the past two years of the series! We’ll have copies to sell and tons of festivities planned for the evening.

Every single person that contributed to this anthology has graced our stage: edited by dream team Claire Bowman, Schandra Madha, and Annar Veröld, and with an introduction by mónica teresa ortiz and cover art by Tsz Kam!

Our 34 incredible contributors include: Kimberly Alidio, Sarah Renee Beach, Celia Bell, Maryan Nagy Captan, Claudia Delfina Cardona, Bev Chukwu, Elizabeth Clausen, Nicole Cortichiato, Maris Finn, Kendra Fortmeyer, Annelyse Gelman, Rachel Gray, Vivé Griffith, Meg E. Griffitts, Janalyn Guo, Jessica Hincapie, Vanessa Couto Johnson, Keona, KB, Taisia Kitaiskaia, Katherine Lamb, Kat Lewis, Meaghan Loraas, Aimée Mackovic, Lisa L. Moore, Desiree Morales, Aneesa Needel, Jourden V. Sander, Amanda Scott, Lily Someson, Citlalli Soto-Ferate, Itzel Soto-Ferate, Alana Torrez, and Kelsey Williams.

Stay tuned for our schedule for the evening!

Can’t make it this time around? No worries. I Scream Social is every month ’til the end of time.

Join us in celebrating the launch of Julie Howd’s chapbook, Threshold (Host Publications).

Host Publications is honored to award Julie Howd’s chapbook Threshold as the recipient of the Spring 2020 Host Publications Chapbook Prize. Our chapbook prize embodies our values as a small, community-oriented press by elevating the voices of women writers. The prize awards publication, $1000, 25 copies of the published chapbook, a book launch at Malvern Books, and national distribution with energetic publicity and promotion.

Julie Howd is a poet from Massachusetts. Her first chapbook, Talking from the Knees Up, was published by dancing girl press in 2018. She holds an MFA from the University of Texas at Austin, where she received the 2015 Roy Crane Award for Outstanding Achievement in the Creative Arts. Her work can be found in Deluge, The Spectacle, Sixth Finch, and elsewhere. She lives in Amherst, MA.

Join us in celebrating the launch of Sarah Harris Wallman’s story collection Senseless Women, winner of the 2019 Juniper Prize for Fiction. With readings from Sarah and guests Ashleigh Pedersen and Jaime DeBlanc-Knowles.

Exploring the darker side of optimism, Sarah Harris Wallman’s debut collection shows women attempting to build durable havens from reality, struggling to keep relationships intact, and reinventing themselves. A lonely music teacher at a Nashville Christian academy awaits the miracle of love; a Jane Doe recalls the affair that sustained—and ended—her; a new mother brings life into the world during a bleak election party; young girls are exploited by a nightclub owner in death, as in life. Alone or in weird sisterhood, some of these women are senseless because they refuse to feel, others because they’ve been deprived of stimuli and attention. As these twelve stories prove, there’s no sensible way to fall in love, raise children, or escape (even dead girls have to go on stage and sing for their supper). This is Senseless Women.

Sarah Harris Wallman grew up in Nashville, TN, though she has also lived in Arkansas, New York City, and Glastonbury, UK (that’s where King Arthur was buried). She has an MFA from the University of Pittsburgh and currently teaches in the MFA program at Albertus Magnus college in New Haven, CT. Her stories have received awards from the Tucson Festival of Books and Prada.

Ashleigh Pedersen’s fiction has been featured in New Stories from the South, The Kenyon Review, The Iowa Review, Design Observer, The Silent History, A Strange Object, and the New York Public Library’s Library Simplified app. Her story “Small and Heavy World” was a finalist for both Best American Short Stories and a Pushcart Prize. She holds an MFA in Creative Writing from the University of Pittsburgh, where she was the recipient of a full scholarship and teaching fellowship as well as the Turow-Kinder Award. She just completed her first novel and can occasionally be spotted in Austin theater and film projects.

Jaime deBlanc-Knowles holds an M.A. in creative writing from the University of Texas at Austin. Her work has been published in Post Road and Meridian, and she has been the recipient of a MacDowell Fellowship and a Lighthouse Works Fellowship. She currently teaches creative writing workshops through UT Informal Classes, the Writing Barn, and Fresh Ink.

Jojn us for a reading with Lisa Rosenberg and Adrienne Drobnies. Lisa and Adrienne will be on a panel of scientist-poets at the upcoming AWP Conference in San Antonio.

Lisa Rosenberg’s debut title, A Different Physics, draws on her years as an engineer in the space program. A former Wallace Stegner Fellow in Poetry at Stanford University, she served as the 2017/2018 Poet Laureate of San Mateo County, California, and has been awarded a 2020 Djerassi Residency for Scientist-Artists.

Adrienne Drobnies’ first book of poetry is Salt and Ashes (Signature Editions). She is an Austin native, who now lives in Vancouver, Canada, and she has been in residence at the Banff Centre. Her poetry won the 2017 Gwendolyn MacEwen Award and was a finalist for the CBC literary award. She has a PhD in chemistry.

Join us for an evening with Bonnar Spring, who will be reading from her debut novel, Toward the Light.

Bonnar Spring writes eclectic and stylish thrillers with an international flavor. A nomad at heart, she hitchhiked across Europe at sixteen and joined the Peace Corps after college. She lives in a tiny house on a New Hampshire salt marsh.

Join us for a reading with Arielle Greenberg, E.C. Belli, Julia Guez, LiAundra Grace, and Julie Kantor. We’ll be celebrating the recent release of Arielle Greenberg’s I Live in the Country & other dirty poems.

Arielle Greenberg’s I Live in the Country & other dirty poems exploits and undoes the stereotype of the “wholesome country life.” Here, the speaker moves to the country (“where the animals are”) in order to live a whole life, one in which she can live honestly and openly in a non-monogamous marriage. Her book is a visceral, erotic celebration of the cornucopia of sexual pleasures to be had in that rural life—in the muck of a pasture in spring or behind the bins of whole-wheat pastry flour at the local Co-op. Greenberg hauls out what has previously been stored under dark counters and labeled deviant—kink, fetish, and bondage—and moves it into the sunshine of sex-positivity and mutual consent. In doing so, she forges new literary territory—a feminist re-visioning of the Romantic pastoral poems of seduction. “I am trying to turn my eye toward joy,” she writes. “My heart toward bliss.”

Arielle Greenberg’s previous poetry collections are Come Along with Me to the Pasture Now, Slice, My Kafka Century and Given. She’s also the writer of the creative nonfiction book Locally Made Panties, the transgenre chapbooks Shake Her and Fa(r)ther Down, and co-author, with Rachel Zucker, of Home/Birth: A Poemic. She has co-edited three anthologies, including Gurlesque, forthcoming in an expanded digital edition co-edited with Becca Klaver. Arielle’s poems and essays have been featured in Best American Poetry, Labor Day: True Birth Stories by Today’s Best Women Writers and The Racial Imaginary, among other anthologies. She wrote a column on contemporary poetics for the American Poetry Review, and edited a series of essays called (K)ink: Writing While Deviant for The Rumpus. A former tenured professor in poetry at Columbia College Chicago, she lives with her family in Maine, where she writes, edits, teaches and works for a creative services agency.

E.C. Belli is the author of Objects of Hunger (SIU Press, 2019). Her work has appeared in Verse, AGNI, and FIELD, among others. She is the translator of I, Little Asylum by Emmanuelle Guattari (Semiotext(e), 2014) and The Nothing Bird : Selected Poems by Pierre Peuchmaurd (Oberlin College Press, 2013).

Julia Guez is a poet, writer and translator. Her first collection of poetry, In an Invisible Glass Case Which Is Also a Frame, came out this fall from Four Way Books. For the last decade, Guez has been working with Teach For America. She also teaches creative writing at Rutgers. Guez lives in Brooklyn. (Photo credit: Wesley Mann.)

LiAundra Grace believes poetry is the gateway for those who have yet to find a connection to written words. Her work has been published in the 2014 Cave Canem Anthology, in Toe Good Poetry’s online journal, and in the 2008 Inprint Houston Poetry Compilation. Currently, Grace is working on her first collection of poems as well as her first children’s book, while teaching at Lone Star College. Grace received her MFA in Creative Writing from Columbia University and is a Cave Canem Fellow. She currently resides in Katy, Texas with her husband and two children.

Julie Kantor is an artist/scholar living in Austin, TX. Her chapbook, LAND, was published by Dikembe Press in 2015. Her poetry has appeared in the I Scream Social Anthology, Boston Review, Public Space, Los Angeles Quarterly Review of Books, elsewhere, and has been translated into Ukrainian. She is on the board of directors for Cuneiform Press. She is a PhD candidate in American Studies at University of Texas Austin, finishing her dissertation on reality television and political experience.

Join us for an afternoon with poets David Cavanagh, Sharon Webster, and Steven Ray Smith. We’ll be celebrating the launch of David’s new poetry collection, The Somnambulist and The Good Life.

David Cavanagh’s fifth book of poems, The Somnambulist and The Good Life, has just come out from Salmon Poetry of Ireland. His previous collections include Straddle, Falling Body, and The Middleman, all three from Salmon Poetry; and Cycling in Plato’s Cave from Fomite Press. He lives in Burlington, Vermont.

Sharon Webster is an interdisciplinary artist who works in any material she can get her hands on—including language—to create fresh renditions of vision and voice. Drawn to the intimate and the sensual, she is a frequent art exhibitor and was one of eight to recently represent Vermont in the Boston group show, Threaded: Contemporary Fiber Art in New England.
Sharon is also ensconced in the colorfully diverse work of helping developmentally challenged adults live normal lives, and has done so since the ’80s. Her book, Everyone Lives Here, is on sale today.

Steven Ray Smith’s poetry has been published in The Yale Review, Southwest Review, The Kenyon Review, Slice, Barrow Street, THINK, Tar River Poetry, Poet Lore and others. New work is forthcoming in The Hollins Critic. He lives in Austin.

Join us for a reading with Jenny Molberg, Roger Reeves, and Kathryn Nuernberger (left to right, below).

Refusal, Jenny Molberg’s second collection of poetry, draws on elements of the uncanny—invented hospitals, the Demogorgon of Dungeons and Dragons, an Ophelia character who refuses suicide—to investigate trauma, addiction, and patriarchal forces of oppression. A sequence of epistolary poems looks to friendship as a safe haven from violent romantic relationships, and a series of poems that address a mother’s struggle with addiction looks at the complicated nature of a parent-child relationship affected by alcoholism. Refusal seeks to break silences in the wake of the #metoo movement, and to interrogate a cultural misogyny that weighs on a woman’s position in the world.

Jenny Molberg is the author of Marvels of the Invisible (winner of the 2014 Berkshire Prize, Tupelo Press, 2017) and Refusal (forthcoming, LSU Press). She is the recipient of a 2019-2020 Creative Writing Fellowship from the National Endowment and her work has recently appeared or is forthcoming in Ploughshares, Gulf Coast, Tupelo Quarterly, Missouri Review, Poetry International, Indiana Review, Boulevard, and other publications. She teaches creative writing at the University of Central Missouri, where she directs Pleiades Press and edits Pleiades magazine.

Roger Reeves is the author of the poetry collection King Me (Copper Canyon) and recipient of honors and support from the National Endowment for the Arts, the Poetry Foundation, Bread Loaf, the Provincetown Fine Arts Work Center, and Cave Canem. His poems have appeared in journals such as Poetry, Ploughshares, American Poetry Review, Boston Review, and Tin House. Kim Addonizio selected “Kletic of Walt Whitman” for the Best New Poets 2009 anthology. He earned his MFA from the Michener Center in 2010 and his PhD in English from UT’s Dept of English, and he previously taught at University of Illinois/Chicago.

Kathryn Nuernberger’s Rue is a book of about prairies. A book about rural America. A book about the science and folklore surrounding plants historically used for birth control. It is a book about an affair, a breakdown, and also it is about love. Rue is a book about everything that might be possible between us once we have decided to tell the truth of our lives. Poems from this collection have appeared widely in journals including 32 Poems, Cincinnati Review, Copper Nickel, Crazyhorse, Field, The Florida Review, Gulf Coast, Indiana Review, Poetry International, West Branch, Willow Springs, Poetry Daily, and Verse Daily.

Kathryn Nuernberger is the author of two previous poetry collections, The End of Pink and Rag & Bone. She has also written a collection of lyric essays, Brief Interviews with the Romantic Past. A recipient of fellowships from the NEA, H. J. Andrews Research Forest, American Antiquarian Society and the Bakken Museum of Electricity in Life, she teaches Creative Writing at the University of Minnesota.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Tommy Mouton.

Tommy Mouton is a Southern writer and a writing coach. A former John Steinbeck Fellow (2013-2014), his work appears in Auburn Avenue, Reed, and Callaloo. A dynamic dramatic reader, his work has been featured in venues hosted by KKUP 91.5 “Out of Our Minds” Poetry Radio, Sacramento Stories on Stage, LitQuake, Center for Literary Arts, Poetry Center San José, and a host of others. Born in Lake Charles, Louisiana, raised in the unincorporated community of Moss Bluff (the principal setting of his memoir-in-progress and the inspiration for much of this work), Tommy recently, as of July 2018, relocated to Austin from San José, CA—with his wife and three children. He currently teaches creative writing and composition at Huston-Tillotson University. This is his first Austin reading invitation.

Join us for a reading from Timothy Donnelly, whose third poetry collection, The Problem of the Many, was recently published by Wave Books. Timothy will be joined by Leanna Petronella and Logan Fry.

Timothy Donnelly’s most recent books are The Problem of the Many and the 2012 Kingsley Tufts Poetry Award-winning The Cloud Corporation, both published by Wave Books. A Guggenheim Fellow, he teaches poetry at Columbia University and lives in Brooklyn with his family.

Leanna Petronella’s debut poetry collection, The Imaginary Age, won the 2018 Pleiades Press Editors Prize. Her poetry appears in Beloit Poetry Journal, Third Coast, Birmingham Poetry Review, CutBank, Quarterly West, ElevenEleven, and other publications. Her fiction appears in Drunken Boat, and her nonfiction appears in Brevity. She holds a PhD in English and Creative Writing from the University of Missouri and an MFA from the Michener Center for Writers at the University of Texas. She lives in Austin. (Photo credit: Kelly Zhu.)

Logan Fry is the author of Harpo Before the Opus—selected by Srikanth Reddy as winner of Omnidawn’s 2018 1st/2nd Book Prize. He is founding editor of Flag + Void, and his poetry has appeared in venues including Fence, Prelude, New American Writing, West Branch, Denver Quarterly, Boston Review, and the Best American Experimental Writing anthology. He lives in Austin and teaches at Texas State University.

Join us for another installment of Novel Night, a monthly celebration of all things prose! Here’s how it works: published authors will read from their books and there’ll be an audience Q & A. Also worth noting: we’re offering 20% OFF ALL FICTION TITLES during Novel Night (from 6pm till closing).

This month’s Novel Night authors are Judi Taylor Cantor and Marc Hess.

Judi Taylor Cantor will be reading from Rich White Trash, the saga of an enormous―and sometimes crazy―Catholic family living in Austin, Texas. Marc Hess will read from Gillespie County Fair.

Rich White Trash gives you mystery, love, death, and a heapin’ cup full of Texas. Land, oil, cattle, drugs, sex, religion, rebellion, gun running, politics, and patriotism collide with dreams and dysfunction in this wild, quarter-century ride. The Landry family’s 700-acre ranch in the hill country outside Austin was a goldmine the family could always rely on, and patriarch VF Landry believed it would keep his eight children tethered to their roots. But between verbal and physical abuse at the hands of their beautiful mother, their father’s obsession with Texas politics, and their own occasional knock-down, blowout fights, the eight Landry kids were determined to live life on their own terms―even if that meant trouble. In this sprawling chronicle, secrets are revealed. Apocryphal treasures are found. Fortunes are made and taken away. And in the end, the land wins.

Author Judi Taylor Cantor is a native of Austin, Texas (she grew up in Travis Heights), and a 1976 cum laude graduate of the University of Texas in Austin. With a background in journalism and copy writing, she is currently the Director of Planned Giving for the Harvard T.H. Chan School of Public Health in Boston. Judi works with donors to shape their legacy, and writes newsletters, brochures, and ads for Harvard Public Health magazine, as well as articles for professional journals. Parents to three grown sons and grandparents to 11 grandchildren, she and her husband live in Massachusetts. She misses Texas sunsets and the tympanic sound of rain on a dusty road. Rich White Trash is her first novel.

The Gillespie County Fair, the oldest fair in Texas, looms insistently over the shoulder of Marc Hess’s new novel. As rampant land development and tourist money begin to transform the old German farming community of Fredericksburg, two intermarried pioneer families lock in a life-and-death struggle over the sale of their homestead. Their vicious feud in an otherwise harmonious and bucolic community leads to the demise of two pioneer families and culminates in the triumph of one hard-headed young girl. This book delves into the clash of new wealth and ingrained poverty as rural Texas grapples with a changing world. In a short period of time, the town of Fredericksburg has morphed from a rock-rimmed farming community into the chic tourist destination that it is today. While the town itself has blossomed, this is the story about a family that destroys itself.

Marc Hess has lived in Fredericksburg long enough to see this rock-rimmed German farming community morph into the chic tourist destination that it is today. Steeped in a career of magazine publishing and travel writing, Marc has served on the Board of Directors of the Writers’ League of Texas.

The I Scream Social you know and love, but virtual! This month, we’re so honored to feature nicole v basta, Cindy Huyser, and Neysa King!

A little bit about I Scream Social: we’ve been around since June 2015, featuring women and nonbinary writers and slinging free ice cream in the Austin, TX area. We have two anthologies linked at the bottom of this event page—the most recent, published last month and featuring the work of 34 women and nonbinary writers!

Using Zoom, we’ll be able to host a virtual I Scream Social reading, where the structure and community guidelines will be the same. New things include: new open mic sign-up process, pajamas are totally acceptable, and bring your own ice cream, duh! We’ll be posting the meeting ID and password Friday morning on Facebook.

7:05 pm :: We’ll kick off I Scream Social with a tiny hello from your loving hosts—Annar Veröld and Schandra Madha!

7:15pm :: Then we’ll dive into our open mic! [open mic sign-up will be limited to 8 folks and sign up information will be posted on Facebook and on our Instagram]

7:45pm :: featured readers nicole v basta, Cindy Huyser, and Neysa King!

Things to note about the Zoom reading: all guests will be muted, except for Hosts and readers when they are designated to read/perform.

〰️〰️〰️〰️〰️〰️FEATURED READER BIOS〰️〰️〰️〰️〰️〰️〰

〰️ nicole v basta’s chapbook V was chosen by Rigoberto González as the winner of The New School’s Annual Contest. Recent poems appear or are forthcoming in Birdfeast, Tinderbox, The Shallow Ends, Ninth Letter, Nat. Brut etc. nicole is also a maker of collages, a teaching artist, an Assistant Poetry Editor at Anomaly, and a three time artist-in-residence at Art Farm Nebraska. She grew up in Wilkes-Barre Pennsylvania and had her second upbringing in Ithaca and Brooklyn, New York. Her favorite flavor of ice cream is vanilla peanut butter!

〰️ “P” is for passion, power plants and programming, pedaling along paths, photography and poetry. All 26 letters of the alphabet are a glorious playground, and Cindy loves playing there. Cindy Huyser’s favorite flavor of ice cream is mint chocolate chip!

〰️ Neysa King is a poet, essayist and creator of the online community Dissertation to Dirt, essays about young farmers and the local food economy. Her essays and poetry have been published in the Huffington Post, Slippery Elm Literary Journal, Chaleur Magazine, the San Antonio Review and others. She is the recipient of the San Antonio Writers Guild Prize in Poetry and the 2019 Princemere Prize in Poetry. Her favorite flavor of ice cream is mint chocolate chip!

〰️〰️〰️〰️〰️〰️OUR ANTHOLOGIES〰️〰️〰️〰️〰️〰️

Shop the bundle [Volume 1 & 2 and a handmade pin by Tsz Kam]
Volume 1
Volume 2

Malvern Books is proud to present an evening (via Zoom; details to come) with Cotton Mather guitarist and prize-winning poet Harold Whit Williams, who will be reading from his new book and performing songs from his new solo album, both titled My Heavens.

Worth noting: All royalties from the download or stream of My Heavens goes to Color of Change.

Williams returns to form on this, his fifth poetry collection. The very idea of a paradise—beyond sky or upon earth or within each moment—is poked and prodded with both sharp cynicism and wide-eyed wonder alike. Addressing grief, the day in/day out depictions are deeply distilled, the lines sober yet also playful, loose and languid. Nostalgia without sentimentality. Dreamlike visions without surrealism. These poems settle down across the kitchen table from a reader for a little give and take, a little what’s it all about? “The transubstantiation, the utter mystery,” Williams writes, “I swallow it all/And expect nothing in return.”

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Join us in celebrating the launch of David Meischen’s Anyone’s Son: Poems. (This event will take place via Zoom; details to come.)

From the rural South Texas of the nineteen fifties to a desert mesa in New Mexico many years later, Anyone’s Son illuminates the moments of a life animated by the author’s yearning, at its root sexual, for the company of another man. In five sections, each one corresponding to a stage in the life delineated here, the author offers scenes from his childhood on a small farm, as well as moments of conflicted adolescence. He explores unmitigated sexual pleasure, sometimes fraught with anguish and shame. He remembers scenes from marriage and fatherhood, from the wreckage and rebuilding that came at midlife. And finally, glimpses from a second marriage, this time unconflicted, to a man, to the right man. At its heart, Anyone’s Son poses an implicit question: What is identity?

David Meischen has been honored by a Pushcart Prize for “How to Shoot at Someone Who Outdrew You,” a chapter of his memoir, originally published in The Gettysburg Review and available in Pushcart Prize XLII. With three decades of poetry publication credits, David is dedicated to the narrative form. In the summer of 2020, Storylandia, Issue 34, will be entirely his work—The Distance Between Here and Elsewhere: Three Stories. Recipient of the 2017 Kay Cattarulla Award for Best Short Story from the Texas Institute of Letters, David has fiction, nonfiction, or poetry in The Common, Copper Nickel, The Evansville Review, Salamander, Southern Poetry Review, The Southern Review, Valparaiso Fiction Review, and elsewhere. He has served as a juror for the Kimmel Harding Nelson Center for the Arts, and in the fall of 2018, he completed a writing residency at Jentel Arts. Co-founder and Managing Editor of Dos Gatos Press, David lives in Albuquerque, New Mexico, with his husband—also his co-publisher and co-editor—Scott Wiggerman.

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Join us for a night of poetry and conversation with two leading lights in the poetic new guard, Jabari Asim and Deborah D.E.E.P. Mouton. Asim has long engaged conversations and issues regarding race in America; his book of essays We Can’t Breathe: Black Lives, White Lies, and the Art of Survival was a finalist for the PEN/Diamonstein-Spielvogel Award. He will be reading from his debut collection of poetry Stop and Frisk: American Poems and will be in conversation with Deborah D.E.E.P. Mouton, former Poet Laureate of Houston, an arts activist and educator. She will be reading from her collection, Newsworthy: Poems. It is sure to be a dynamic event with provocative and defiant poetry as well as insightful conversation about what it means to be POC in 2020’s America. This event will take place via Zoom; details below.

Jabari Asim is the recipient of a Guggenheim Fellowship in Creative Arts and the author of seven books for adults—including We Can’t Breathe: On Black Lives, White Lies, and the Art of Survival—and ten books for children. His poems are included in several anthologies, including Furious Flower: African American Poetry from the Black Arts Movement to the Present; Beyond the Frontier: African American Poetry for the 21st Century; and Role Call: A Generational Anthology of Social & Political Black Literature & Art. After more than a decade at the St. Louis Post-Dispatch and The Washington Post, he now directs the MFA program at Emerson College.

Deborah D.E.E.P. Mouton is an internationally-recognized performance poet and the first African-American Poet Laureate of Houston. Formerly ranked #2 Female Performance Poet in the World, she is executive director of VIP Arts, a non-profit dedicated to promoting literacy and the arts in underserved populations. Her genre-bending poetry has engendered unconventional collaborations with groups as disparate as the Rockets and the Houston Ballet. Her work has been featured on NPR, the BBC, and the TEDx circuit. An opera for which she wrote the libretto premieres at the Houston Grand Opera in the spring of 2020.

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Join us via Zoom to celebrate the launch of Ute Carson’s Gypsy Spirit, a lifelong collection of published short stories, flash stories, essays, commentaries, and memoir.

Gypsy Spirit is an extraordinary mix of memoir, history, photography, and poetry—I have never seen anything like it. The book revolves around family, living and dead, rendered in rich and sensuous detail. We meet Carson’s German grandparents and parents who are living, dying, and suffering during and after World War II. We meet her husband, children and grandchildren as they are growing up and thriving in contemporary Texas. It is hard to describe the richness, passion, history, suffering and love in Gypsy Spirit. Readers will have to discover for themselves.
—Thomas R. Cole, author of No Color is My Kind

A writer from youth and an M.A. graduate in comparative literature from the University of Rochester, German-born Ute Carson published her first prose piece in 1977. Colt Tailing, a 2004 novel, was a finalist for the Peter Taylor Book Award. Carson’s story “The Fall” won Outrider Press’s Grand Prize and appeared in its short story and poetry anthology A Walk through My Garden, 2007. Her second novel In Transit was published in 2008. Her poems have appeared in numerous journals and magazines in the US and abroad. Carson’s poetry was featured on the televised Spoken Word Showcase 2009, 2010, 2011, Channel Austin. A poetry collection Just a Few Feathers was published in 2011. The poem “A Tangled Nest of Moments” placed second in the Eleventh International Poetry Competition 2012. Her chapbook Folding Washing was published in 2013 and her collection of poems My Gift to Life was nominated for the 2015 Pushcart Award Prize. Save the Last Kiss, a novella, was published in 2016. Her poetry collection Reflections was out in 2018. She received the Ovidiu-Bektore Literary Award 2018 from the Anticus Mulicultural Association in Constanta, Romania. In 2018 she was nominated a second time for the Pushcart Award Prize by the PlainView Press. Gypsy Spirit was published in 2020.

Ute Carson resides in Austin, Texas with her husband. They have three daughters, six grandchildren, a horse and a clowder of cats.

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Join us in celebrating the launch of the summer 2020 issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review. This event will take place via Zoom and feature the winner of their debut chapbook contest, Gary V. Powell (below), reading from his winning collection, Super Blood Wolf Moon. The event will also include readings by over thirty poets and writers from The Ocotillo Review.

We will have copies of the journal available at the store; call us at 512-322-2097 to arrange curbside pick up. 

The Ocotillo Review features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

Gary V. Powell’s fiction can be read in many literary journals including the Thomas Wolfe Review, Carvezine, Fiction Southeast, Atticus Review, Smokelong Quarterly, Best New Writing 2015, and Pisgah Review. His first novel, Lucky Bastard, was published by Main Street Rag Publishing (2012). Two collections of previously-published short stories, Beyond Redemption and Getting Even and Other Stories, were released in 2015 and 2019, respectively. His poetry has appeared at One Minute Magazine and Live Nude Poems.

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Join us in celebrating the launch of Ross Wilcox’s debut short story collection, Golden Gate Jumper Survivors Society: Stories. Ross will be joined by Josh Denslow, author of Not Everyone Is Special, and their publisher, Leland Cheuk, founder of 7.13 Books.

This event will take place via Zoom—details below. Golden Gate Jumper Survivors Society: Stories can be purchased via our online store here, or call us on 512-322-2097 to arrange curbside pick up.

A battle of wills emerges when one of the suicide survivors in the Golden Gate Jumper Survivors Society turns the meetings into a yoga class. A small town is gripped by a lawn ornamentation craze. A woman dresses up as Paul Bunyan to rob banks to pay her ailing mother’s exorbitant nursing home bills. A married couple decides to 3-D print a son… and his entire childhood. Golden Gate Jumper Survivors Society is a funny and poignant story collection about everyday people confronting everyday challenges with escalating absurdity. Reminiscent of the work of Aimee Bender, Ross Wilcox’s stories will make you view the mundane in an entirely new way.

Ross Wilcox is from Elk Point, South Dakota. He teaches at the University of North Texas. His stories have appeared in numerous literary journals. He lives in Fort Worth with his wife and two elderly cats (17 and 13!). Currently, he’s at work on a novel.

Josh Denslow is the author of the collection Not Everyone Is Special (7.13 Books). Recent stories have appeared in Catapult, Vol.1 Brooklyn, Hobart, and Pithead Chapel. In addition to exploring dungeons in the Legend of Zelda with his three boys, he plays the drums in the band Borrisokane.

A MacDowell and Hawthornden Castle Fellow, Leland Cheuk is an award-winning author of three books, most recently the novel NO GOOD VERY BAD ASIAN. His work has appeared or is forthcoming in NPR, The Washington Post, San Francisco Chronicle, and Salon. He founded the indie press 7.13 Books.

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Join us in celebrating the recent release of Liliana Valenzuela’s Codex of Love: Bendita ternura. Liliana will be joined by poets jo reyes-boitel and Edward Vidaurre.

This event will take place via Zoom; please see details below. The book can be purchased via our online store here, or call us on 512-322-2097 to arrange curbside pick up.

Codex of Love: Bendita ternura is a migration of spirit. Liliana Valenzuela takes us by the hand and shows us where she comes from, where she’s been, and where she is through a collection that at times reads like a song and other times like a prayer. Valenzuela’s voice whispers to us and gives us pleasure. She is kind in her sensuality and transcendent in matters of the heart. The five sections in the collection are as visual as they are thought-provoking, through a metaphorical journey that’s tender and urgent. A well thought and well written poetic entrée for the starving reader.

jo reyes-boitel is a poet, essayist, and playwright. Somehow born in Minnesota, her family calls Texas, Florida, Mexico, and Cuba home. jo’s most recent work is “she wears bells,” a hybrid operetta rooted in the story of Coyolxauhqui, which imagines her after her dismemberment and exile on the moon. The piece combines music, spoken word, voice, and choreography. It will be performed in October by theater students at Palo Alto Community College in San Antonio, TX. jo’s first book, Michael + Josephine, was published by FlowerSong Press in 2019. jo is now at work on their second book and a chapbook and maybe a novella.

Edward Vidaurre is the author of seven collections of poetry. He is the 2018-2019 City of McAllen, Texas Poet Laureate, a four-time Pushcart-nominated poet, and publisher of FlowerSong Press. His writings have appeared or are forthcoming in The New York Times, The Texas Observer, Grist, Poet Lore, The Acentos Review, Poetrybay, Voices de la Luna, as well as other journals and anthologies. Vidaurre is from Boyle Heights, California and now resides in McAllen, Texas with his wife and daughter.

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Join us in celebrating the launch of Scott Semegran’s eighth book, The Benevolent Lords of Sometimes Island. With readings from Scott and special guest Charlotte Gullick. This event will take place via Zoom; please see details below.

The summer of 1986. Central Texas. William and his friends should be having a blast. Instead, they are hounded by the Thousand Oaks Gang and their merciless leader, Bloody Billy. William found Billy’s backpack. And because of what it contains, Billy desperately wants it back, and he’ll do anything to get it. William hatches a plan for his friends to sneak away and hide in an abandoned lake house, except they become stranded on the lake’s desolate island without food or water. Will their time on the island devolve into chaos? Will the friends survive and be rescued?

The Benevolent Lords of Sometimes Island is Lord of the Flies meets The Body by Stephen King, the inspiration for the classic movie Stand By Me.

A gripping suspense story with adventure and danger, tinged with humorous banter between the four friends, the middle schoolers face certain death without adults to protect them from the unrelenting natural elements, as well as the wild creatures that lurk in the wilderness around the lake. With a backpack filled with money and marijuana they stole from the merciless gang leader, it’s only a matter of time before the high schoolers come looking for them, too.

From award-winning writer Scott Semegran, The Benevolent Lords of Sometimes Island is Semegran’s response to William Golding’s 1954 novel Lord of the Flies, which was Golding’s response to The Coral Island by R. M. Ballantyne, an adventure novel from 1858. All three novels tackle the premise of boys stranded on an island, with Semegran’s novel taking a decidedly modern view of a group of friends in Central Texas during the summer of 1986 working to survive in a situation filled with danger and desperation with only each other to rely on.

Scott Semegran is an award-winning writer of eight books. BlueInk Review described him best as “a gifted writer, with a wry sense of humor.” His previous novel, To Squeeze a Prairie Dog: An American Novel, was the 2019 Readers’ Favorite International Book Award Winner: Silver Medal for Fiction – Humor/Comedy, the 2019 Texas Author Project Winner for Adult Fiction, and the 2020 IBPA Benjamin Franklin Award Gold Medal Winner for Humor. His book Sammie & Budgie was the first place winner for Fiction in the 2018 Texas Authors Book Awards. His book BOYS was the 2018 IndieReader Discovery Awards winner for Short Stories. He lives in Austin, Texas with his wife, four kids, two cats, and a dog. He graduated from the University of Texas at Austin with a degree in English.

Charlotte Gullick is the Chair of the Creative Writing Department at Austin Community College, and she holds a MA in Creative Writing from UC Davis and a MFA in Creative Nonfiction from the Institute of American Indian Arts. Her first novel, By Way of Water, was chosen by Jayne Anne Phillips as Grand Prize Winner of the Santa Fe Writers Project. Her other awards include a Colorado Council on the Arts Fellowship for Poetry and a Christopher Isherwood Fellowship in Fiction a MacDowell Colony Residency, a Ragdale Residency, as well as the Evergreen State College 2012 Teacher Excellence Award. Her writing has appeared in The Rumpus, Brevity, Pithead Chapel, Hippocampus,and the LA Review.

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Join us in celebrating the Austin launch of Catherine A. Hamilton’s debut novel, Victoria’s War. This novel gives voice to the courageous Polish women who were kidnapped into real-life Nazi slave labor operations during WWII. Inspired by true stories, this lost chapter of history won’t soon be forgotten again.

This event will take place via Zoom; details below. The book can be purchased via our online store here, or call us on 512-322-2097 to arrange curbside pick up.

POLAND, 1939: Nineteen-year-old Victoria Darski is eager to move away to college: her bags are packed and her train ticket is in hand. But instead of boarding a train to the University of Warsaw, she finds her world turned upside down when World War II breaks out. Victoria’s father is sent to a raging battlefront, and the Darski women must face the cruelty of the invaders without him. When Victoria decides to go to a resistance meeting with her best friend, Sylvia, they are captured by human traffickers targeting Polish teenagers. Sylvia is sent to work in a brothel, and Victoria is transported by cattle car to Berlin, where she is auctioned off as a slave.

GERMANY, 1941: Twenty-year-old Etta Tod is at Mercy Hospital about to undergo involuntary sterilization because of the Fuhrer’s mandate to eliminate hereditary deafness. Etta, an artist, silently critiques the propaganda poster on the waiting room wall while her mother tries to convince her she should be glad to get rid of her monthlies. Etta is the daughter of the German shopkeeper who buys Victoria at auction in Berlin.

The stories of Victoria and Etta intertwine in the bakery’s attic where Victoria is held—the same place where Etta has hidden her anti-Nazi paintings. The two women form a quick and enduring bond. But when they’re caught stealing bread from the bakery and smuggling it to a nearby work camp, everything changes.

A native Oregonian of Polish descent, Catherine A. Hamilton was born in the small town of Sweet Home, Oregon. After finishing high school, she moved to Portland where she graduated from Lewis and Clark College in 1984 with a Master’s degree in psychology. She spent 12 years as a psychotherapist, publishing dozens of articles in her field. She presented papers at the American Psychiatric Association’s Annual Meeting in New York City, and one article was featured in the NYT the following day. After joining a writing group and trying her hand at fiction, her stories, articles, and poems were published in magazines and newspapers—including the Sarasota Herald-Tribune, the Oregonian, the Catholic Sentinel, and the Polish American Journal. She closed her private practice and started writing fiction full-time. A local talk-news show interviewed Catherine on radio and television about a piece she wrote for Brainstorm Magazine, and she was also interviewed for TV after the death of Pope John Paul II. She had met the pope in his private library while on pilgrimage in Rome, and had presented him with some of her work. She also has a chapter in the book Forgotten Survivors (University Press of Kansas, 2004).

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Join us as we virtually celebrate the winner of the Fall 2020 Host Publications Chapbook Prize, What Remains by Claudia Delfina Cardona.

What Remains is a collection of poems propelled by impulse, desire and an ancestral sense of longing. These poems are experiential; they exist within the dark and splendid catacombs of the body, in dusty moonlit Texas nights, and invite us into their own glittery mythos of what it means to be a young woman falling in and out of love in San Antonio.

This collection begins with a portrait of a Brown girl growing up in San Antonio: a girl whose “tongue [is] burnt from gas station coffee,” and who wears “a name dipped in gold.” She invites us to “lay [our] head / on [her] chest and listen,” to stir “your margarita / with a chamoy-coated straw”, and to play “a guessing game of gunshot / or firework.” We settle into the rich and storied landscape of San Antonio just in time to be lunged into a dimension of lust, loving, and longing, “toward someplace too dark for us to see—”, only to return to what remains.

Claudia Delfina Cardona is a poet born and raised in San Antonio, Texas. She received her B.A. from St. Mary’s University and her MFA in Creative Writing from Texas State University. In 2013, she co-founded Chifladazine alongside Laura Valdez, a zine that highlights creative work by Latinas and Latinxs. In 2019, she co-founded Infrarrealista Review, a literary journal for all types of Texan writers, with Linda Rivas Vázquez. Cardona loves music and films as much as she loves poetry. She is an aspiring DJ and cultural critic.

The Zoom link will be provided on this page a few days before the event. Please note: all guests will be muted during the event.

Join us for a Zoom reading featuring authors from independent press Four Way Books. Readers include Charlie Clark (The Newest Employee of the Museum of Ruin), Brian Komei Dempster (Seize), and Susan Buttenwieser (We Were Lucky with the Rain).

Charlie Clark’s poetry has appeared in New England Review, Ploughshares, Threepenny Review, and other journals. The Newest Employee of the Museum of Ruin (Four Way Books, 2020) is his debut collection. He studied poetry at the University of Maryland. He has received scholarships from the Bread Loaf Writers’ Conference and was a 2019 NEA fellow in poetry. He lives in Austin, TX.

Brian Komei Dempster’s most recent book of poetry is Seize (Four Way Books 2020). His debut book of poetry, Topaz (Four Way Books, 2013), received the 15 Bytes 2014 Book Award in Poetry. His poems have been published widely in journals such as New England Review, North American Review, Ploughshares, and TriQuarterly, along with various anthologies, including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (Norton, 2008) and Asian American Poetry: The Next Generation (University of Illinois, 2004). He is a professor of rhetoric and language at the University of San Francisco, where he serves as Director of Administration for the Master of Arts in Asia Pacific Studies program.

Susan Buttenwieser’s writing has appeared in numerous publications. We Were Lucky with the Rain (Four Way Books 2020) is her first book. She teaches creative writing in New York City public schools and to incarcerated women.

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by W. Joe Hoppe. This event will take place via Zoom; details below.

This month’s featured reader is Nicky Drayden.

Nicky Drayden is a Systems Analyst who dabbles in prose when she’s not buried in code. She resides in Austin, Texas where being weird is highly encouraged, if not required. Her award-winning novel The Prey of Gods is set in a futuristic South Africa brimming with demigods, robots, and hallucinogenic hijinks, and with her new novel Escaping Exodus, she’ll be taking her weirdness off-world to a civilization living inside the gut of a moon-sized space beast.

Nicky’s novel can be purchased via our online store (https://bookshop.org/books/escaping-exodus/9780062867735), or call us on 512-322-2097 to arrange curbside pick up.

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Join us for a reading to celebrate the launch of the latest issue of Borderlands: Texas Poetry Review. Copies will be available for purchase at the store.

To watch this reading, please go to the Youtube live event on our YouTube channel: www.youtube.com/channel/UCclZdTQQCBXU1-PN9dBPR6g. If you have problems accessing the event, email becky@malvernbooks.com.

The issue’s keynote poet is Octavio Quintanilla.

Octavio Quintanilla is the author of the poetry collection, If I Go Missing (Slough Press, 2014), and served as the 2018-2020 Poet Laureate of San Antonio, TX. His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Poetry Northwest, Salamander, Texas Highways, RHINO, The Rumpus, Alaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art & Literature, and elsewhere. His visual poems have been exhibited in several galleries, including Presa House Gallery, Equinox Gallery, and at the Southwest School of Art in San Antonio, TX. He holds a PhD from the University of North Texas and teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas.

Borderlands is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Join us for a reading from Rachel Genn, whose second novel, What You Could Have Won, will be released by And Other Stories in early November.

This event will take place via Zoom; see details below. The novel can be purchased via our online store, or call us on 512-322-2097 to arrange curbside pick up.

“A captivating portrait of regret, addiction, and the will to survive.” —Publishers Weekly

Fame is the only thing worth having. Love is temporary brain damage. Or so thinks Henry Sinclair, a failing psychiatrist, whose career-breaking discovery has been pinched by a supervisor smelling of nipple grease and hot-dog brine. An emotional miser and manipulator par excellence, desperate for the recognition he’s certain his genius deserves, Henry claws his way into the limelight by transforming his girlfriend—a singer-in-ascendance, beloved for her cathartically raw performances—into a drug experiment. As he systematically works to reinforce feelings of worthlessness while at the same time feeding off Astrid’s fame, and as Astrid collapses deeper into dependence, what emerges is a two-sided toxic relationship: the bullying instincts of a man shrunk by an industry where bullying is currency, and the peculiar strength of a star more comfortable offloading her talent than owning her brilliance.

Pinging between their apartment in New York (where they watch endless episodes of The Sopranos), a nudist campsite in Greece (where the tantalizingly handsome Gigi thwacks octopuses into the sand), and a celebrity rehab facility in Paris (founded by the cassock-wearing and sex-scandal plagued ‘artist’ Hypno Ray), What You Could Have Won is a relationship born of regrettable events, and a novel about female resilience in the face of social control.

Rachel Genn is a neuroscientist, artist and writer who has written two novels: The Cure (2011) and What You Could Have Won (2020). She was a Leverhulme Artist-in-Residence (2016), creating The National Facility for the Regulation of Regret, which spanned installation art, VR and film (2016-17). She has written for Granta, 3:AM Magazine, and Hotel, and is working on Hurtling, a hybrid collection of essays about the neuroscience, art and abjection of artistic reverie. She’s also working on a binaural experience exploring paranoia, and a collection of non-fiction about fighting and addiction to regret. Genn works at the Manchester Writing School and the School of Digital Arts, both at Manchester Metropolitan University, and lives in Sheffield.

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom; details below.

This month’s featured reader is ire’ne lara silva.

ire’ne lara silva is the author of three poetry collections, furia (Mouthfeel Press, 2010) Blood Sugar Canto (Saddle Road Press, 2016), and CUICACALLI/House of Song (Saddle Road Press, 2019), an e-chapbook, Enduring Azucares, (Sibling Rivalry Press, 2015), as well as a short story collection, flesh to bone (Aunt Lute Books, 2013) which won the Premio Aztlán. She and poet Dan Vera are also the co-editors of Imaniman: Poets Writing in the Anzaldúan Borderlands, (Aunt Lute Books, 2017), a collection of poetry and essays. ire’ne is the recipient of a 2017 NALAC Fund for the Arts Grant, the final recipient of the Alfredo Cisneros del Moral Award, the Fiction Finalist for AROHO’s 2013 Gift of Freedom Award, and the 2008 recipient of the Gloria Anzaldúa Milagro Award. ire’ne is currently working on her first novel, Naci.

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Join us in celebrating the release of Reading Quirks, a witty and light-hearted ode to the immense pleasure of reading and its resulting byproduct: neurosis. This event will feature author Andrés de la Casa Huertas.

This event will take place via Zoom; see details below. The book can be purchased via our online store, or call us on 512-322-2097 to arrange curbside pick up or make an appointment to visit the store.

Who hasn’t peeked over the shoulder of the person reading next to them on the subway, curious about the book in their hands? Who doesn’t secretly love skipping the party to stay home and read? Who hasn’t daydreamed of catching the eye of a future significant other as you discover from across the room that you’re reading the same book? If you’re a reader, you know you’ve been there, and probably in so many other weird places as well, right? That’s what happens with readers, they have these strange traits, these particular ways, that separate them from the rest. Reading Quirks explores, in 72 lighthearted four-frame cartoons, all these weird things readers do, from the existential dilemma of picking your next read to the frustrations of watching an overzealous dog-earer in action. The series was written and created by a bookstore in Dallas, The Wild Detectives, originally as a social media campaign―a way to connect with other readers over a shared understanding of what it means to be crazy about books. Laura Pacheco’s adorable illustrations introduce a cast of endearing characters, whose flaws and obsessions range from disarming good nature to mischievous playfulness.

Reading Quirks is a work of nonfiction. You have in your hands an anthropological study of a strange and far-ranging human tribe, a tribe that gets from the reading of books the kind of happiness that other people derive from wrestling alligators. —Ben Fountain, author of Billy Lynn’s Long Halftime Walk and Beautiful Country Burn Again

Authors Andrés de la Casa Huertas and Javier García del Moral are Spanish expats and longtime friends who run The Wild Detectives as creative and executive directors, respectively. They combine these efforts with their day jobs in advertising the former, and civil engineering the latter. Reading Quirks is their first publication.

Laura Pacheco is an awarded Spanish illustrator and cartoonist. She’s the author of several graphic novels in Spain, such as Señor Pacheco: agente secreto (¡Caramba!, 2013) and Problemas del primer mundo (Lumen, 2014). Along with her sister, the author Carmen Pacheco, they’ve also published Una semana en familia (¡Caramba!, 2011), Troll Corporation (¡Caramba!, 2018) and Divas de diván (¡Caramba!, 2018).

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom; details below.

This month’s featured reader is Richard Santos.

Richard Z. Santos is a writer and teacher in Austin. His debut novel, Trust Me, was published in March 2020. He is a Board Member of The National Book Critics Circle and served as one of the 2019 Nonfiction Judges for The Kirkus Prize. Recent work can be found in Texas Monthly, Awst Press, Kirkus Reviews, CrimeReads, and many more. In a previous career he worked for some of the nation’s top political campaigns, consulting firms, and labor unions.

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Join the celebration as poets from across Texas read about the diverse culture, iconography, and geography of our home state. Come share the holiday spirit via Zoom!

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Join us in celebrating the launch of Boyd Taylor’s The Pronghorn Conspiracy, book five of the Donnie Ray Cuinn Series. This event will take place via Zoom; details below.

In the final book of the Donnie Ray Cuinn series, Donnie finds himself embroiled in a foreign plot against the President of the United States and uncovers a terrorist plan to steal a powerful secret from a nearby nuclear weapons plant. For reasons unknown to Donnie, the terrorists will deal only with him, so he is brought in to work alongside the FBI, Secret Service, and Vice President in an attempt to thwart the intricate scheme. Already at a breaking point in his life, Donnie must do what he can to negotiate the safety of the President, save the communities within range of the nuclear facility, and rescue all those he cares about.

As the crisis unfolds and Donnie struggles to understand why a terrorist leader claims to know him, he finds his relationships in imminent danger. He has to figure out how to move on from the guilt and demons of his past or risk losing his wife, his friends, and himself.

In this action thriller, Boyd Taylor delivers a gripping story filled with political discord and ambition, suspense, and unexpected twists. The Pronghorn Conspiracy is Donnie Ray Cuinn’s last chance to right the wrongs before him and see if he can make it back from the point of no return.

Boyd Taylor is a graduate of the University of Texas and the UT Law School. He is the author of four other novels—Hero, The Antelope Play, The Monkey House, and Necessities—and lives in Austin, Texas, with his wife.

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Join us via Zoom to celebrate the launch of Aaron Fagan’s third poetry collection A Better Place is Hard to Find, featuring Aaron, Nick Flynn, and other guests.

A Better Place is Hard to Find can be purchased from the store—call 512-322-2097 for curbside pick up—or via our bookshop.org site.

Revealing the profusion of life “Where silence / And all possible / Outcomes bathe // In simultaneity,” the poems in Aaron Fagan’s astonishing third collection, A Better Place Is Hard to Find, carefully tune their lines, breaks, and turns of phrase to the acoustics of the author’s lived experience. A master of giving shape to thought, Fagan’s absorbing poems about love, relationships, philosophy, and his personal history reveal the intimate function poetry can hold in the course of examining one’s life.

“Aaron Fagan’s A Better Place Is Hard to Find contains some of the finest poems I’ve read in years. At once fluid, blistering, and visionary, Fagan’s poems are marvels that I admire for their beauty, their craft, and their fearlessness in the search for truth. What a poet!” —Rowan Ricardo Phillips

Aaron Fagan was born in Rochester, New York, in 1973 and educated at Hampshire College and Syracuse University. His poems have appeared in: Granta, Harper’s, Poem-A-Day, and The Yale Review. His third poetry collection, A Better Place Is Hard to Find, was published this past fall by The Song Cave.

Nick Flynn is a writer, playwright, and poet. His most recent books are This Is the Night Our House Will Catch Fire (2020), a hybrid memoir, and Stay: threads, collaborations, and conversations (2020), which documents twenty-five years of his collaborations with artists, filmmakers, and composers. His acclaimed 2004 memoir, Another Bullshit Night in Suck City, was made into a film starring Robert DeNiro in 2012. He is also the author of five collections of poetry, including most recently I Will Destroy You (2019). Flynn’s poems, essays, and nonfiction have appeared in the New Yorker and the Paris Review, and on NPR’s This American Life. His film credits include “field poet” and artistic collaborator for the film Darwin’s Nightmare, which was nominated for an Academy Award for best feature documentary in 2006. He has been awarded fellowships from the Guggenheim Foundation and the Library of Congress, and currently teaches creative writing at the University of Houston.

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom; details below.

This month’s featured reader is Jacob Grovey.

Join us for a reading with four authors from independent press Four Way Books: Angela Narciso Torres (What Happens Is Neither); Reginald Gibbons (Renditions); Kevin Prufer (The Art of Fiction); and Rodney Terich Leonard (Sweetgum & Lightning).

This event will take place via Zoom; details to come.

Angela Narciso Torres is the author of Blood Orange (Willow Books Literature Award for Poetry, 2013), To the Bone (Sundress Publications, 2020), and What Happens Is Neither (Four Way Books, 2021). Recent work appears in Poetry, Missouri Review, and Quarterly West. A graduate of Warren Wilson MFA Program for Writers and Harvard Graduate School of Education, Angela has received fellowships from Bread Loaf Writers’ Conference, Illinois Arts Council, and Ragdale Foundation. She won the 2019 Yeats Poetry Prize (W.B. Yeats Society of New York) and was named one of NewCityLit’s Lit 50: Who Really Books in Chicago in 2016. Born in Brooklyn and raised in Manila, she serves as a senior and reviews editor for RHINO Poetry. She lives in Southern California.

Reginald Gibbons has published eleven books of poems. He was born and raised in Houston; for decades has taught creative writing at Northwestern University and the Warren Wilson MFA. He has won four prizes from the Texas Institute of Letters—for novel, short story, poetry book, and book of translations.

Kevin Prufer is the author of eight books of poetry and the editor of numerous anthologies, the most recent of which are The Art of Fiction, How He Loved Them, and, Churches, all from Four Way Books. He’s also co-editor of New European Poets (Graywolf Press, 2008), Literary Publishing in the 21st Century (Milkweed Editions, 2016), and Into English: Poems, Translations, Commentaries (Graywolf Press). Prufer is Editor-at-Large of Pleiades: Literature in Context, Co-Curator of the Unsung Masters Series, and Professor in the Creative Writing Program at the University of Houston and the low-residency MFA at Lesley University. Among Prufer’s awards and honors are four Pushcart prizes and multiple Best American Poetry selections, numerous awards from the Poetry Society of America, the Prairie Schooner/Strousse Award, two William Rockhill Nelson awards, and fellowships from the National Endowment for the Arts and the Lannan Foundation. His most recent book was long-listed for the 2019 Pulitzer Prize and received the Julie Suk Award for best poetry book from the American literary press.

Rodney Terich Leonard was born in Nixburg, Alabama. An Air Force veteran who served during the Gulf War, his society profiles and poems have appeared in Southern Humanities Review, Red River Review, The Huffington Post, BOMB Magazine, The Cortland Review, Indolent Books-What Rough Beast, Four Way Review, the New York Times, The Amsterdam News, The Village Voice, For Colored Boys… (anthology edited by Keith Boykin), and other publications. Sweetgum & Lightning is his debut collection of poetry. He holds degrees from The New School, NYU Tisch School of the Arts and Teachers College Columbia University. A Callaloo poetry fellow, he received an MFA in Poetry from Columbia University and currently lives in Manhattan.

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom; details below.

This month’s featured reader is W. Joe Hoppe.

W. Joe Hoppe’s poems have appeared in Analecta, Borderlands, Cider Press Review, Di*Verse*Cities, Nerve Cowboy, Utter, and The Blanton Museum of Art’s Poetry Project. His poems have been anthologized in Stand Up Poetry, How to be This Man, gumballpoetry.com, and Beatest State in the Union. He has hosted numerous poetry events at Austin’s Malvern Books, including interviews of local poets, a reading and discussion of Emily Dickinson, a communal performance of Allen Ginsberg’s Howl celebrating its 60th anniversary, and an annual memorial reading for the late, great Austin poet Albert Huffstickler. Hoppe is an Associate Professor in English and Creative Writing at Austin Community College in Austin, Texas.

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Join us for a Zoom reading to celebrate the recent launch of Brian Phillip Whalen’s SEMIOTIC LOVE [STORIES]. Featuring Brian, plus special guests Amy Long and Richard Z. Santos.

SEMIOTIC LOVE [STORIES] draws upon symbols and objects to explore the loss of relationships. In these pages, Brian Phillip Whalen reaches deep into the throat of anxiety with a graceful hand and understated humor as he confronts mothers and best friends dying slow or sudden deaths, disappointing vacations, and vanishing sisters. While loss of all kinds permeates these compact stories, it is the tenderness and longing that attaches itself to the reader and propels them to turn the page. This book reminds us that for better or for worse, we’re all a little rougher with the people we love the most.

Brian Phillip Whalen’s work can be found in The Southern Review, Creative Nonfiction, Copper Nickel, the Flash Nonfiction Food anthology, and elsewhere. Brian holds a PhD from the State University of New York at Albany and is the recipient of a Vermont Studio Center residency. He lives with his wife and daughter in Tuscaloosa where he teaches creative and first-year writing at The University of Alabama. This is his first book.

Amy Long is the author of Codependence (2019), chosen by Brian Blanchfield as the winner of Cleveland State University Poetry Center’s 2018 Essay Collection Competition. She is a contributing editor to the drug history blog Points and runs the Instagram account @taylorswift_as_books. Her work has appeared in Diagram, Hayden’s Ferry Review, Ninth Letter, and elsewhere, including as a Notable essay in Best American Essays 2019.

Richard Z. Santos is a writer and teacher in Austin. His debut novel, Trust Me, was published in March 2020. He is a Board Member of The National Book Critics Circle and served as one of the 2019 Nonfiction Judges for The Kirkus Prize. Recent work can be found in Texas Monthly, Awst Press, Kirkus Reviews, CrimeReads, and many more. In a previous career he worked for some of the nation’s top political campaigns, consulting firms, and labor unions.

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Join us for a special online event to celebrate the launch of the winner of the Spring 2021 Host Publications Chapbook Prize, lily someson’s mistaken for loud comets.

Copies of the book are available for purchase at the store, or online via bookshop.org.

* * * To view this event live on Feb 27th at 7pm, please visit our YouTube channel. * * *

Join us via Zoom to celebrate the launch of Harold Whit Williams’ first book of short stories, Mel Bay’s Book of the Dead.

Copies of the book are available for purchase at the store, or online via bookshop.org.

Harold Whit Williams is a prize-winning poet and longtime guitarist for the indie rock band Cotton Mather. He is the recipient of the 2020 FutureCycle Poetry Book Prize, the Mississippi Review Poetry Prize, and the Robert Phillips Poetry Chapbook Prize. The author of five books of poetry, Williams lives in Austin, Texas where he records lo-fi music as Daily Worker and catalogs the KUT Collection for the University of Texas Libraries.

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Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom.

This month’s featured reader is Jedah Mayberry.

Jedah Mayberry was raised in southeastern CT, the backdrop for his fiction debut. The Unheralded King of Preston Plains Middle won Grand Prize in Red City Review’s 2015 Book Awards and was named 1st in Multi-Cultural Fiction for 2014 by the Texas Association of Authors. In 2018, he completed a Hurston-Wright Foundation Workshop in Fiction, used in part to revise the manuscript that resulted in a second book, Sun Is Sky, due from Jacaranda Books. His work has appeared at Linden Avenue, Brittle Paper, Black Elephant, Akashic Fri-SciFi Series, Solstice Magazine, Permission to Write, and A Gathering Together among others. Jedah resides with his wife and daughters in Austin, TX.

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Join us in celebrating the launch of Hoa Nguyen’s new poetry collection, A Thousand Times You Lose Your Treasure. Hoa will be joined by Roberto Tejada, author of the poetry collections Full Foreground (Arizona, 2012), Exposition Park (Wesleyan, 2010), and Mirrors for Gold (Krupskaya, 2006). This event will take place via Zoom.

This book can be purchased from our store (call us on 512-322-2097 for curbside pick up or to make an appointment to visit) or online via our BookShop site.

Multilayered, plaintive, and provocative, the poems in A Thousand Times You Lose Your Treasure are alive with archive and inhabit histories. By turns lyrical and unsettling, Hoa Nguyen’s poetry sings of language and loss; dialogues with time, myth and place; and communes with past and future ghosts.

Hoa Nguyen is the author of several books of poetry including Red Juice: Poems 1998-2008 and Violet Energy Ingots. With the poet Dale Smith, she published the small press magazine and book imprint Skanky Possum from Austin Texas, her home of fourteen years. Her latest from Wave Books, A Thousand Times You Lose Your Treasure, is a poetic narrative of historical, personal, and cultural pressures pre- and post-“Fall-of-Saigon” and includes a verse biography of the poet’s mother who once was a member of an all-women motorcycle circus troupe. Born in Vinh Long and raised and educated in the US, Hoa has lived in Toronto since 2011.

Roberto Tejada is the author of poetry collections Full Foreground (Arizona, 2012), Exposition Park (Wesleyan, 2010), Mirrors for Gold (Krupskaya, 2006), selected poems in Spanish translation, Todo en el ahora (Libros Magenta, 2015), and a Latinx poetics of the Americas, Still Nowhere in an Empty Vastness (Noemi, 2019). He founded and co-edited the journal Mandorla: New Writing from the Americas, a multilingual annual of poetry and translation (1991-2014). He is also the author of art histories that include National Camera: Photography and Mexico’s Image Environment (Minnesota, 2009), Celia Alvarez Muñoz (Minnesota, 2009), and Allora & Calzadilla: Specters of Noon (Yale, 2020) He is the Hugh Roy and Lillie Cranz Cullen Distinguished Professor in Creative Writing and Art History at the University of Houston.

Please RSVP to becky@malvernbooks.com for Zoom info. You can also watch this reading live on our YouTube channel.

Join us in celebrating the launch of Kathleen Peirce’s new collection, Lion’s Paw (Miami University Press). This event will take place via Zoom, and Kathleen will be joined by poet Joanna Klink, author of The Nightfields.

Lion’s Paw and The Nightfields can be purchased via our online store or call us on 512-322-2097 for curbside pick up or to make an appointment to visit.

In this gratifyingly dense and philosophically ambitious sixth collection, Peirce considers the relationship between perception and the lyric imagination. “When from the wet point on a spiral,/ dreams approach, most nights increase themselves/ like wings, like a tumbler of perfume in flames,” Peirce muses in language as lyrical as it is rife with dramatic tension. One of her many poetic gifts is her ability to offer a sense of urgency while depicting inner experience: “The viewer disregards the view,/ looks neither at the window nor through, but forward/ across the table where the right hand draws a face in profile, whose?, and the left/ is a weight on the sheet.” The syntax and juxtaposition of Peirce’s lines reveal the complexities of self-reflection, and the inexact, self-doubting nature of thought. Elsewhere, she remarks, “Some things are prettier than the day, and some/ will force lightheadedness onto thinking about them.” This is an impressive addition to Peirce’s distinguished body of work. —Publishers Weekly, starred review

Kathleen Peirce’s Lion’s Paw (Miami University Press 2021) is her sixth collection of poems. She’s also the author of Vault (New Michigan Press 2017), The Ardors (Ausable/Copper Canyon 2004), The Oval Hour (University of Iowa Press 1999), Divided Touch, Divided Color (Windhover Press 1995), and Mercy (University of Pittsburgh Press 1991). She’s the recipient of a Whiting Award, and fellowships from The National Foundation for the Arts and the Guggenheim Foundation. She teaches poetry in the MFA program at Texas State University.

Joanna Klink is the author of five books of poetry, most recently The Nightfields, which was published by Penguin last July. She has received awards and fellowships from the American Academy of Arts and Letters, the Trust of Amy Lowell, and the John Simon Guggenheim Memorial Foundation. She teaches at the Michener Center for Writers in Austin. The New York Times calls The Nightfields “a remarkable volume,” and it was named one of five “Best Poetry Collections of 2020” by the Washington Post.

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You can also watch this event live on our YouTube channel: www.youtube.com/channel/UCclZdTQQCBXU1-PN9dBPR6g.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This event will take place via Zoom.

This month’s featured reader is Jacob Grovey.

Jacob writes:

I write to speak for those who feel voiceless. The characters created within the pages of my books represent all of us; they are unique, they are flawed, they are scared and ambitious, they are resilient in spite of being hurt, they are sufficient, even when they feel inadequate. We are more alike than we sometimes want to believe, and through my writing, I hope we are able to be unified in love, instead of being divided by hatred. The name on the books may be mine, but these are our​ stories. I am a husband, entrepreneur, motivational speaker, and a writer. I believe we may have great talents individually, but together, we can do great things!

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Join us via Zoom to celebrate the launch of Julie Poole’s Bright Specimen (Deep Vellum). With readings from Julie and guest Taisia Kitaiskaia.

With the loving eye of an amateur botanist, poet Julie Poole has distilled nature to its finest, tender points. Through poems spread delicately across the page, interspersed with images of the pressed flowers themselves, Poole’s poetry gives voice to a meditative expression of flora. Each poem creates an individual cataloged world through which to explore the body, sexuality, strength, and a devout refusal to admit the separation between humans and nature. Inspired by the Billie L. Turner Plant Resources Center at The University of Texas at Austin, the largest herbaria in the Southwestern United States, Bright Specimen weaves together a written index through the harmony of botanical wonder.

Julie Poole was born and raised in the Pacific Northwest. Her first book of poems, Bright Specimen, was inspired by the Billie L. Turner Plant Resources Center at The University of Texas at Austin. She has received scholarships and fellowship support from the James A. Michener Center, the Helene Wurlitzer Foundation, 100 West, and Yaddo. In 2017, she was a finalist for the Keene Prize for Literature. She lives in Austin with her growing collection of found butterflies.

Taisia Kitaiskaia is a Russian-American poet and writer. She is the author of The Nightgown and Other Poems; Literary Witches, a collaboration with artist Katy Horan; a divination deck, The Literary Witches Oracle; and two books of advice from the Slavic folklore witch Baba Yaga, Ask Baba Yaga: Otherworldly Advice for Everyday Troubles and its follow-up, Poetic Remedies for Troubled Times: From Ask Baba Yaga. Her work has been published in A Public Space, Gulf Coast, Los Angeles Review of Books, Fence, Guernica, and elsewhere and her work has been nominated three times for a Pushcart Prize. She lives in Austin, TX.

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Join us via Zoom to celebrate the launch of Jason Marc Harris’ novella Master of Rods and Strings. With readings from Jason and guest Lowell Mick White.

Jason Marc Harris graduated with a Ph.D. in English Literature from the University of Washington, and an MFA in fiction from Bowling Green State University, where he served as Fiction Editor of Mid-American Review. Creative work in journals such as Apex and Abyss, Arroyo Literary Review, Bull, Cheap Pop, EveryDay Fiction, Marvels and Tales, Masque and Spectacle, Midwestern Gothic, The Offbeat, Psychopomp Magazine, The Saturday Evening Post, and Writing Texas. His novella Master of Rods and Strings (Vernacular Books) is available by print and Kindle on July 6th, 2021. He teaches creative writing, folklore, and literature at Texas A&M University in College Station, Texas.

Lowell Mick White is the author of six books: novels Normal School, Professed, Burnt House, and That Demon Life, and story collections Long Time Ago Good and The Messes We Make of Our Lives. A winner of the Dobie-Paisano Fellowship and a member of the Texas Institute of Letters, White teaches at Texas A&M University.

Zoom information:

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick.

This month’s featured reader is Eva Shelton, winner of The Insider Prize for Incarcerated Writers in Texas awarded by American Short Fiction.

Eva Shelton is 43 years old and was born and raised in Graham, Texas. In the third grade she started writing stories and poems for school and for fun. At the age of 25 she found herself headed to prison. She would spend the next eighteen years of her life surrounded by razor wire and amputated from societal norms. To pass the time she worked and she wrote. Her writing was her emotional release. She created worlds she could live in and her friends existed in ink on lines. She was released from prison on March 9th of this year and she finally took a deep, gasping breath of relief. She has had to learn to live in a world of technology and overwhelming choices as if she were Rip Van Winkle rising from slumber. The Insider Prize by American Short Fiction is her first monetary award for her writing.

Zoom Info:
https://austincc.zoom.us/j/91931157006?pwd=N3FTbDFROEpSZTNEaDQxTXJyalNGQT09

Join us in celebrating the US launch for Marian Schwartz’s translation of Nina Berberova’s The Last and the First, from Pushkin Press. Marian will be joined by Philip Boehm, who will be reading from his 2021 translation of Ulrich Alexander Boschwitz’s The Passenger.

AATIA’s Literary Special Interest Group (LitSIG), in coordination with Malvern Books, has planned this exciting program for this year’s celebration of International Translation Day.

On a crisp September morning, trouble comes to the Gorbatovs’ farm. Having fled revolution and civil war in Russia, the family has worked tirelessly to establish themselves as crop farmers in Provence, their hopes of returning home a distant dream. While young Ilya Stepanovich is committed to this new way of life, his step-brother Vasya looks only to the past. With the arrival of a letter from Paris, a plot to lure Vasya back to Russia begins in earnest, and Ilya must set out for the capital to try to preserve his family’s fragile stability.

The first novel by the celebrated Russian writer Nina Berberova, The Last and the First is an elegant and devastating portrayal of the internal struggles of a generation of émigrés. Appearing for the first time in English in a stunning translation by the prize-winning Marian Schwartz, it shows Berberova in full command of her gifts as a writer of masterful poise and psychological insight.

Marian Schwartz translates Russian classic and contemporary fiction and nonfiction. She is the recipient of numerous honors, including two NEA translation fellowships. Her latest published translation is Nina Berberova’s first novel, The Last and the First. Currently she is working on untranslated works by Aleksandr Solzhenitsyn.

Philip Boehm has translated more than thirty books and plays by German and Polish writers, including Herta Müller, Franz Kafka and Hanna Krall. For these translations he has received numerous awards including NEA and Guggenheim fellowships, and most recently the Helen and Kurt Wolff Translators Prize. He also works as a theater director and playwright: works for the stage include Alma en venta, Mixtitlan, and Return of the Bedbug. Mr. Boehm is the founding Artistic Director of the Upstream Theater in St. Louis, recipient of the 2021 Missouri Arts Award.

Zoom Info:
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Meeting ID: 844 6092 3645
Passcode: 384198

This event can also be viewed live on our YouTube channel.

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick.

This month’s featured reader is Stephanie Macias.

Stephanie Macias is a writer, artist, and musician living in Austin, TX. She is currently an MFA candidate in the New Writers Project at the The University of Texas at Austin. She is at work on a novel and a collection of short stories.

Zoom Info:
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Meeting ID: 868 8731 8364
Passcode: 914142

Join us for a special online event to celebrate the launch of the winner of the Fall 2021 Host Publications Chapbook Prize, Sequoia Maner’s Little Girl Blue: Poems. Enjoy readings by Sequoia Maner and more. Full line up will be announced soon.

A handful of signed copies are available for curbside pick-up at the store. Unable to pick up at Malvern? Head over to Host Publications!

No need to register, this event will be live streaming at 7pm (central) through the Malvern Books YouTube page here: tinyurl.com/LGB-Launch.

Little Girl Blue: Poems is a collection of elegiac poems that conjures a tapestry of Black voices from history, the victims and the heroes who have helped us see ourselves and the world more truthfully. In these poems, we are not only called to witness injustice, but to hold space for what blooms from it: a confrontation full of exile and longing, an unshakable sense of joy that defies even death.

Sequoia Maner is an Assistant Professor of African American Literature at Spelman College. She is a co-editor of the critical-creative book Revisiting the Elegy in the Black Lives Matter Era (Routledge, 2020) and at work on a forthcoming book regarding Kendrick Lamar’s album To Pimp a Butterfly for the 33 1/3 series (Bloomsbury). Her writing has been published in Auburn Avenue, The Feminist Wire, Meridians, Obsidian, The Langston Hughes Review, and other venues.

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick.

This month’s featured reader is Kendra Christel.

Kendra Christel is a writer, actress, and singer from Austin, Texas. She considers herself a Jill of all trades. She began performing at the age of 3 as part of the Joyce Willett Dance Company. She began writing at age 8, winning a college scholarship in an essay contest, and began singing in her church’s adult choir at age 11. An alumna of Texas State University with a B.A. in Mass Communications and Journalism, Kendra served as an E-Board member of the only Black theater group on campus, Ebony Players. Kendra is also an alumna of the University of Georgia, having earned her M.F.A. in Screenwriting. As a Screenwriter, Kendra has placed as a semi-finalist in the Final Draft Big Break screenwriting competition 2020, the Oscar’s Nicholl Fellowship 2021, and the 2nd round of the 2021 Austin Film Festival. Her novel, Abela, was a featured reading at the Diverse Literary Voices of Austin 2019 conference. As an actress and singer, she was also named Broadway World Austin’s Performer of the Decade and Vocalist of the Decade for her role as Deloris Van Cartier in Sister Act. The newest member of the St. Stone family, she enjoys performing drag as a friend of the Royal Court of Austin to help raise money for HIV/AIDS awareness. She currently resides in the Atlanta area.

Zoom Info:
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Meeting ID: 826 8003 2230
Passcode: 171138

Join us via Zoom for a reading with Awst Press, featuring authors Donald Quist, Andrew Yoon, and Esteban Rodríguez.

Donald Quist will be reading from a new book of essays, To Those Bounded. Andrew Yoon’s poetry collection We Are Invited to Climb, part of Awst’s “pocket book” collection, came out in September. And local author Esteban Rodriguez recently published a debut essay collection called Before the Earth Devours Us.

Donald Quist is author of Harbors, a Foreword INDIES Bronze Winner and International Book Awards Finalist. He has a linked story collection, For Other Ghosts. His writing has appeared in AGNI, North American Review, Michigan Quarterly Review, The Rumpus, and was Notable in Best American Essays 2018. He is creator of the online nonfiction series PAST TEN. Donald has received fellowships from Sundress Academy for the Arts, Kimbilio Fiction, and served as a Gus T. Ridgel fellow for the English PhD program at University of Missouri. He is Director of the MFA in Writing at Vermont College of Fine Arts.

Andrew Yoon is a New York-based Korean-American artist involved in music, poetry, and computers. Lately he is writing poems that change, making music with paint and dance, live-coding sounds, and leading the Melodica Drone and Bach Orchestra. He is the founder of the arts journal and small press Nothing to Say. As a free culture advocate everything he makes is under copyleft licenses, including this collection.

Esteban Rodríguez is the author of five poetry collections, most recently The Valley (Sundress Publications 2021), and the essay collection Before the Earth Devours Us (Split/Lip Press 2021). He is the Interviews Editor for the EcoTheo Review, Senior Book Reviews Editor for Tupelo Quarterly, and Associate Poetry Editor for AGNI. He currently lives in central Texas.

Zoom Information:
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Meeting ID: 822 8835 4224
Passcode: 186776

Join us via Zoom to celebrate the launch of Leticia Urieta’s Las Criaturas. With readings from Leticia Urieta and Sueitko Zamorano-Chavez.

Las Criaturas is a hybrid collection that blends poetic and speculative narrative forms to tell stories of untold women. The poems and short stories play with traditional storytelling forms and tales to ruminate on the monstrous, unruly, vulnerable, strength and beauty in the feminine and seek to reclaim people’s power in powerless situations. The book is broken into three sections to show the multifaceted nature of the word “criatura.” In the story, “The Monster” a child in a migrant detention center is haunted by a monster made of her own fear. In “La Mujer Alacran,” a woman who is sexually assaulted transforms into a literal “scorpion woman” in order to protect herself. In “The Inbetween Mother,” a daughter attempts to reunite her selkie mother with her true form.

Leticia Urieta (she/her/hers) is a Tejana writer from Austin, TX. She is a teaching artist in the greater Austin community and a freelance writer. She is a graduate of Agnes Scott College and holds an MFA in Fiction writing from Texas State University. Her work appears or is forthcoming in Cleaver, Chicon Street Poets, Lumina, The Offing, Kweli Journal, Medium, Electric Lit and others. Her chapbook, The Monster, is out now from LibroMobile Press and her hybrid collection, Las Criaturas, is forthcoming from FlowerSong Press.

Zoom Info:
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Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick.

This month’s featured reader is Maurice Chammah.

Maurice Chammah is a writer and journalist, and the author of Let the Lord Sort Them: The Rise and Fall of the Death Penalty, which was published earlier this year. He works for The Marshall Project, a non-profit news outlet that covers the U.S. criminal justice system, where he was on a team that won the 2021 Pulitzer Prize for National Reporting. He helps organize The Insider Prize, a contest for incarcerated writers, sponsored by the magazine American Short Fiction. He lives in Austin, Texas.

Zoom Info:
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For over twenty years, the Austin reading for the Texas Poetry Calendar has been the culmination of the fall calendar readings for Texas’ most iconic poets. Join the celebration as poets from across Texas read about the diverse culture, iconography, and geography of our home state. Come share the holiday spirit via Zoom!

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Join us via Zoom to celebrate the launch of two poetry collections from John Sibley Williams: The Drowning House, winner of The Elixir Press Poetry Award, and Scale Model of a Country at Dawn, winner of The Cider Press Review Book Award. With guests Chloe Martinez and Esteban Rodriguez.

“In The Drowning House, John Sibley Williams grapples with ghosts, the predators outside and in, those closer than our own hearts. In American landscapes haunted by nooses and wolves, burning crosses and floods, Williams holds a light before his path. These are keen-edged poems, kneeling before us, asking forgiveness for what our ancestors have done and have had to live through. He offers himself as a sacrifice for our sins: ‘here, love, is the tree of my body // to learn to climb. Far from here. From me. To touch / whatever’s still up there, beautifully above us.'” —Philip Metres

“With an impressive mastery of sound matched only by his alchemical imagery, Williams guides readers along mythic highways, above oceans, and towards the reimagining of a bridge no one remembers. To conjure is a recurring theme in this impressive collection—as if language holds the power to reconfigure a past, a mother, a child. And perhaps it can. Williams’ words are that convincing. Recasting home as conch shell, as ghost house, and as fire, we learn that we are held together by the tensile strength of our own narrative. I’ve circled and underlined lines on nearly every poem in Scale Model of a Country at Dawn. This is a book you’ll want to read, and then turn to the first poem to enter again. Even if no one is safe from the wolves in our hearts, John Sibley Williams helps us live within these contradictions.” —Susan Rich

John Sibley Williams is the author of four award-winning poetry collections: The Drowning House, Scale Model of a Country at Dawn, As One Fire Consumes Another, and Skin Memory. A twenty-six-time Pushcart nominee and winner of various awards, John serves as editor of The Inflectionist Review and founder of Caesura Poetry Workshop.

Chloe Martinez is a poet and a scholar of South Asian religions. She is the author of the collection Ten Thousand Selves (The Word Works) and the chapbook Corner Shrine (Backbone Press). Her poems appear in Ploughshares, Prairie Schooner, The Common, Shenandoah and elsewhere. She works at Claremont McKenna College.

Esteban Rodríguez is the author of five poetry collections, most recently The Valley (Sundress Publications 2021), and the essay collection Before the Earth Devours Us (Split/Lip Press 2021). He is the Interviews Editor for the EcoTheo Review, Senior Book Reviews Editor for Tupelo Quarterly, and Associate Poetry Editor for AGNI. He currently lives in central Texas.

Zoom Information:
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Meeting ID: 876 7501 4021
Passcode: 817232

Join us in celebrating Kallisto Gaia Press’ joint release of two new chapbooks: How to Identify Yourself with a Wound by Austin poet KB, winner of the 2021 Saguaro Poetry Prize; and a new collection, Motherboard, from a Saguaro Poetry Prize finalist, Vermont poet Renee Rossi.

“The poems in How to Identify Yourself with a Wound pull no punches. Raw honesty paired with concise language inhabit and fully embody a life shaped by the intersection of race, class, sexuality, and gender. This is my favorite kind of poetry, necessary and urgent, revealing and saving and healing and re-creating both poet and reader.” —ire’ne lara silva, judge, 2021 Saguaro Poetry Prize

KB is a Black queer nonbinary miracle. They are the author of HOW TO IDENTIFY YOURSELF WITH A WOUND (Kallisto Gaia Press, 2022) and Freedom House (Deep Vellum, 2023). KB is a 2021 PEN America Emerging Voices fellow and has words published in Cincinnati Review, ANMLY, and elsewhere.

“Motherboard possesses a compelling voice that moves you from awe at the abundant beauty of the natural world and transcendent life moments to a strange fear of how vulnerable our happinesses are, how changeable the world is. And yet, the poet’s voice is sure and strong, negotiating the changing terrain of our lives.” —ire’ne lara silva, judge, 2021 Saguaro Poetry Prize

Renée Rossi has published the full-length poetry collection, TRIAGE, and two chapbooks: THIRD Worlds and STILL LIFE, winner of the Gertrude Press Poetry Prize. A native of Detroit, she currently divides her time between the Northeast Kingdom of Vermont and other places that she finds compelling.

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Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This month’s featured reader is Dalia Azim.

Dalia Azim was born in Canada and raised in the United States. Her work has appeared in American Short Fiction, Aperture, Columbia: A Journal of Literature and Art, Glimmer Train (where she received their Short Story Award for New Writers), Other Voices, and The Washington Post, among other places. Her first book, Country of Origin, will be published by A Strange Object/Deep Vellum in March 2022. Dalia is the manager of special projects at the Blanton Museum of Art in Austin, Texas; she previously worked as a researcher at the Dedalus Foundation and as a curatorial assistant at the Museum of Modern Art, both in New York City. She graduated with a dual degree in art and literature from Stanford University and grew up in Colorado.

Zoom Info:
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Join us via Zoom to celebrate the Austin launch of E.C. Belli’s second collection, A Sleep That Is Not Our Sleep (Anhinga Press), winner of the 2020 Philip Levine Prize for Poetry. With readings from E.C. Belli, Sam Ross, Safiya Sinclair, and Diana Khoi Nguyen.

“When Sappho was asked to define beauty, she answered ‘Some people say it’s a herd of black horses in the grass, some people say it’s a fleet of warships leaving the harbor. I say beauty is whatever you love.’ Reading E.C. Belli’s sensational A Sleep That is Not Our Sleep, I kept thinking of that bit of Sappho, thinking of Belli’s remarkable affinity for rendering with precision and acuity what is beloved, what is lovable, and what is unloved but worthy of it. One page reads, in its entirety, ‘little clavicle bone, you grew // things grow well in me.’ The verse odes the beauty of a bone, yes, but also the beauty of a self capable of growing and sustaining what it’s made. In this collection, stones whisper in the night, eyes mend into dials. The poem ‘Hues’ is worth the sticker price alone. To say it simply: Belli has written a singular collection, one I’ll be learning from for years.” —Kaveh Akbar, author of Pilgrim Bell

E.C. Belli is a bilingual poet and translator. Her second book, A Sleep That Is Not Our Sleep, was selected by Cathy Park Hong to be winner of the 2020 Philip Levine Prize for Poetry (Anhinga Press, 2022). Her debut collection of poems, Objects of Hunger, is winner of the Crab Orchard Poetry Series First Book Award (Southern Illinois University Press, 2019). Her translation of I, Little Asylum, a short novel by Emmanuelle Guattari, was released by Semiotext(e) for the 2014 Whitney Biennial, and The Nothing Bird, her translation of some selected poems by Pierre Peuchmaurd, appeared with Oberlin College Press (2013). She is the recipient of a 2010 Paul & Daisy Soros Fellowship for New Americans and her work has appeared in Poem-A-Day, Verse Daily, AGNI, and FIELD. Work in French has appeared in Europe: revue littéraire mensuelle and PO&SIE (France), among others. She is the author of the chapbook plein jeu.

Sam Ross is the author of Company, winner of the Four Way Book Levis Prize in Poetry and the 2020 Thom Gunn Award for Gay Poetry. His work has appeared in the New Republic, Tin House, Boston Review, Denver Quarterly, and other publications, and he has received support from Columbia University School of the Arts, the Bread Loaf Writers Conference, and the Fine Arts Work Center in Provincetown. He is also a painter.

Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of Cannibal, winner of a Whiting Writers’ Award, the American Academy of Arts and Letters’ Metcalf Award in Literature, and the Prairie Schooner Book Prize in Poetry. Cannibal was selected as one of the American Library Association’s Notable Books of the Year, and was a finalist for the PEN Center USA Literary Award and the Seamus Heaney First Book Award in the UK. Sinclair’s other honors include a Pushcart Prize, fellowships from the Poetry Foundation, the Civitella Rainieri Foundation, the Elizabeth George Foundation, the Bread Loaf Writers’ Conference, and the Fine Arts Work Center in Provincetown. She is currently an Associate Professor of Creative Writing at Arizona State University. Her memoir, How to Say Babylon, is forthcoming in 2023 from Simon & Schuster.

A poet and multimedia artist, Diana Khoi Nguyen is the author of Ghost Of (Omnidawn 2018) and recipient of a 2021 fellowship from the National Endowment for the Arts. In addition to winning the 92Y Discovery Poetry Contest, 2019 Kate Tufts Discovery Award, and Colorado Book Award, she was also a finalist for the National Book Award and L.A. Times Book Prize. A Kundiman fellow, she is core faculty in the Randolph College Low-Residency MFA and an Assistant Professor at the University of Pittsburgh. This spring 2022, she is an artist-in-residence at Brown University.

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Join us via Zoom to celebrate the launch of Maria Wells’ Images in the Clouds: Reading the Sky.

“These poems have personal integrity and are both deeply felt and clearly voiced, always welcome in any art.” —Kurt Heinzelman, Professor Emeritus of Poetry and Poetics, The University of Texas at Austin

A combination of sixty poems and ten color illustrations, Images in the Clouds carries the reader forward and back in time, to inner and outer worlds. Taken from Wells’ treasure trunk of a life of adventure and world travel, some verses share memories of places and people, while some delight with pure fantasy and imagination.

A Fulbright Scholar and Doctoral graduate from the University of Pisa, Maria Xenia Wells Zevelechi spent her career at the University of Texas at Austin. After retiring from academia, she embraced poetry. Inspired by a friend’s painting, her first poem was “Memories in Silver,” written in Paris, at a meeting of Poets and Writers. A member of the Austin Poetry Society, she gives readings in Austin, Paris, and Greece. Her civic and cultural participation has included an active role in the Sierra Club, President of the Board of Director of Salon Concerts, member of the Fundraiser and Scholarship Committee for Zonta International Association of Business and Professional Women, and member of the Leadership Circle of Austin PBS. With two daughters, five grandchildren, and the memory of a loving husband, she lives in Austin, Texas.

Zoom Information:

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Meeting ID: 886 5800 6464
Passcode: 341837

Join us via Zoom to celebrate the release of Tomás Q. Morín’s new memoir, Let Me Count the Ways. Laura Marris, translator of the new edition of Camus’ The Plague—the first new translation of The Plague to be published in the United States in more than seventy years—will join as well.

Tomás Q. Morín is the author most recently of the poetry collection Machete and the memoir Let Me Count the Ways. He is coeditor, with Mari L’Esperance, of the anthology Coming Close: Forty Essays on Philip Levine and translator of The Heights of Macchu Picchu by Pablo Neruda. His work has appeared in the New York Times, The Nation, Poetry, Slate, and Boston Review.

Laura Marris is a writer and translator. Her work has appeared in the New York Times, The Yale Review, The Believer, The Point, and elsewhere. Her recent translations include Albert Camus’s The Plague, Geraldine Schwarz’s Those Who Forget, and To Live Is to Resist, a biography of Antonio Gramsci. With Alice Kaplan, she is the co-author of States of Plague: Reading Albert Camus in a Pandemic (forthcoming in fall 2022). She is currently at work on her first solo-authored book, The Age of Loneliness, which will be published by Graywolf in 2024.

Zoom Info:
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Meeting ID: 899 4412 5202
Passcode: 587107

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This month’s featured reader is Adam Soto.

Adam Soto is the author of the novel This Weightless World. He earned his MFA from the Iowa Writers’ Workshop and currently lives with his wife in Austin, Texas, where he is a teacher and the web editor of American Short Fiction. His second book, a collection of ghost stories entitled Concerning Those Who Have Fallen Asleep, will be released this fall.

Zoom Info:

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Meeting ID: 879 6988 5873
Passcode: 648283

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by Charlotte Gullick. This month’s featured reader is Scott Semegran.

Scott Semegran is an award-winning writer of eight books. BlueInk Review described him best as “a gifted writer, with a wry sense of humor.” His latest novel, The Benevolent Lords of Sometimes Island, is about four middle school friends who sneak away to an abandoned lake house to evade the wrath of high school bullies, only to become stranded on the lake’s desolate island. It won First Place in the 2021 Writer’s Digest Self-Published Book Awards for Middle-Grade/Young Adult Fiction. He lives in Austin, Texas with his wife, four kids, two cats, and a dog. He graduated from the University of Texas at Austin with a degree in English.

Zoom Info:

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Meeting ID: 869 1031 6763
Passcode: 360355

Join us via Zoom for a conversation between Fernando A. Flores, author of the recently released short story collection Valleyesque, and Edward Carey.

“These are marvelously unpredictable stories, anchored by Fernando A. Flores’s deadpan prose and his surefooted navigation of those overlapping territories, the real and the fantastic, where so much of the best contemporary fiction now lives.” —Kelly Link, author of Get in Trouble

The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frédéric Chopin stumbles through Ciudad Juárez in the aftermath of his mother’s death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas.

Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life—and beyond.

Fernando A. Flores was born in Reynosa, Tamaulipas, Mexico, and grew up in South Texas. He is the author of the collection Death to the Bullshit Artists of South Texas and the novel Tears of the Trufflepig, which was long-listed for the Center for Fiction First Novel Prize and named a best book of 2019 by Tor.com. His fiction has appeared in the Los Angeles Review of Books Quarterly, American Short Fiction, Ploughshares, Frieze, Porter House Review, and elsewhere. He lives in Austin, Texas.

Edward Carey is a writer and illustrator who was born in Norfolk, England. He is the author of the novels Observatory Mansions and Alva and Irva: the Twins Who Saved a City, and of the YA Iremonger Trilogy, which have all been translated into many different languages and all of which he illustrated. His novel Little has been published in 20 countries; his most recent novel is The Swallowed Man, which is set inside the belly of an enormous sea beast. He has taught creative writing and fairy tales on numerous occasions at the Writers Workshop at the University of Iowa, and at the Michener Center, and the English Department at the University of Texas at Austin. He currently lives in Austin, Texas.

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Join us via Zoom to celebrate the launch of Laura Villareal’s new poetry collection, Girl’s Guide to Leaving. With guests Ana Portnoy Brimmer, T.K. Lê, and Alfredo Aguilar.

Tumbleweeds and wandering cacti litter the page, coyotes croon at the prose. In poems haunted by specters of intimate partner violence, Girl’s Guide to Leaving considers what it means to escape the love that trapped you and find a temporary home in the barely cooled ashes of a wildfire.

Laura Villareal is the author of Girl’s Guide to Leaving (University of Wisconsin Press, 2022) and the chapbook The Cartography of Sleep (Nostrovia!, 2018). She has received fellowships from the Stadler Center for Poetry & Literary Arts and National Book Critics Circle. Her writing has appeared in Guernica, AGNI, American Poetry Review, and elsewhere.

Ana Portnoy Brimmer (pictured left) is a poet and organizer from Puerto Rico. She holds a BA and an MA from the University of Puerto Rico, and is an alumna of the MFA program in Creative Writing at Rutgers University-Newark. To Love An Island, her debut poetry collection, was originally the winner of YesYes Books’ 2019 Vinyl 45 Chapbook Contest. She is currently working on the Spanish edition, forthcoming from La Impresora. Ana is the winner of the 92Y Discovery Poetry Contest 2020, and was named one of Poets & Writers 2021 Debut Poets. She is the daughter of Mexican-Jewish immigrants, resides in Puerto Rico and lives for dance parties and revolution.

T.K. Lê (she/her; pictured middle) is a multi-genre writer who grew up in Westminster, CA. She received her M.A. from UCLA in Asian American Studies, is an alum of the VONA Voices summer writing workshop, and was a 2019 PEN America Emerging Voices fellow. Her writing has appeared in Strange Horizons, Uncanny Magazine, and in the W.W. Norton anthology, Inheriting the War. She serves as a board member for Viet Rainbow of Orange County, a grassroots organization that primarily works with LGBTQ+ Vietnamese Americans and their loved ones. She loves the outdoors and even more than that, she loves cats.

Alfredo Aguilar (pictured right) is the author of On This Side of the Desert, selected by Natalie Diaz for the Stan and Tom Wick Poetry Prize, and the chapbook What Happens On Earth. He is a recipient of 92Y’s Discovery Poetry Contest and has been awarded fellowships from MacDowell, the Bread Loaf Writer’s Conference, and the Frost Place. His work has appeared in The Paris Review, Waxwing, Poetry Northwest, and elsewhere. Born and raised in North County San Diego, he currently resides in Central Texas where he is a fellow at the Michener Center for Writers.

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Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted this month by Ursula Pike.

This month’s featured reader is Crisosto Apache.

Crisosto Apache is originally from Mescalero, New Mexico (US), on the Mescalero Apache Reservation, and currently lives in the Denver metro area in Colorado, with their spouse. They are Mescalero Apache, Chiricahua Apache, and Diné (Navajo) of the Salt Clan born for the Towering House Clan, and is Assistant Professor of English at the Rocky Mountain College of Art + Design. They hold an MFA from the Institute of American Indian Arts in Santa Fe, New Mexico. Crisosto’s debut collection is GENESIS (Lost Alphabet, 2018). Crisosto’s second forthcoming collection is Ghostword, out by Gnashing Teeth Publication mid-2022. Some of the poems in this collection have appeared in The Rumpus, Loch Raven Review, Poetry Foundation’s POETRY Magazine, ANMLY Magazine, Digging Through The Fat, and McGraw Hill Publishing.

Zoom Info:

Join us via Zoom to celebrate the launch of Rob Stanton’s new poetry collection, Journeys. With readings from Rob, as well as guests Cathy Eisenhower, Ken Jacobs, and Ashley Smith Keyfitz.

“Through translation, through omission, through compression and the minimalist precision of ‘canny wee things,’ Rob Stanton creates a marvelous texture of voices and references which offers us a glimpse of the just-barely-thereness of a world thought into being by language.” —Stephen Collis

“Stanton is a collagist of tone and function … gathering up our linguistic detritus and redeploying it as something beguiling and beautiful.” —Jon Stone 

Born, raised and educated in the UK, Rob Stanton has lived and taught in Austin, Texas for a decade now. He is the author of The Method (Penned in the Margins, 2011) as well as Journeys (Knives Forks and Spoons, 2022), plus the chapbooks Trip- (Knives Forks and Spoons, 2013) and, in collaboration with Colin Winborn, Takes, Cuts (Knives Forks and Spoons, 2017).

Ashley Smith Keyfitz us the author of the chapbooks Water Shed, Come Such Frequency, Pigeon of Tears, and the full-length collection Park of Unwired Asking, as well as other small books and ephemera. She lives in Austin.

Join Zoom meeting:

https://us02web.zoom.us/j/81304139368?pwd=MVd6R0FIa0xwNzNsdEZSZHdmQU1nUT09

Meeting ID: 813 0413 9368
Passcode: 850781

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by A.R. Rogers.

This month’s featured reader is Bianca Alyssa Pérez.

Bianca Alyssa Pérez was born and raised in Mission, Texas, a small southern town bordering Mexico. She holds her MFA in Poetry from Texas State University, where she also teaches. She is the 2022-2023 Clark House Writer-In-Residence. Her chapbook, Gemini Gospel, is forthcoming March 2023 from Host Publications.

Zoom Info:

Join us for a conversation between Rita Zoey Chin and Cecily Sailer. They’ll be discussing Rita Zoey Chin’s new novel, The Strange Inheritance of Leah Fern (Melville House Publishing). This event will take place via Zoom.

Author photo: C.E. Courtney

The Strange Inheritance of Leah Fern is an enchanting novel about the transcendent power of the imagination, the magic at the threshold of past and present, and the will it takes to love. When 6-year-old empath Leah Fern—once “The Youngest and Very Best Fortune Teller in the World”—is abandoned by her beautiful magician mother, she is consumed with longing for her mother’s return… until something bizarre happens: on her 21st birthday, Leah receives an inheritance from someone she doesn’t even know, and finds herself launched on a journey of magical discovery. It’s a voyage that will spiral across the United States, Canada, into the Arctic Circle and beyond—and help her make her own life whole by piecing together the mystery surrounding her mother’s disappearance.

Rita Zoey Chin is the author of the widely praised memoir, Let the Tornado Come. She holds an MFA from the University of Maryland and is the recipient of a Katherine Anne Porter Prize, an Academy of American Poets Award, and a Bread Loaf scholarship. She has taught at Towson University and at Grub Street in Boston. Her work has appeared in Guernica, Tin House, and Marie Claire. The Strange Inheritance of Leah Fern is her first novel.

Zoom Information:

https://us02web.zoom.us/j/82104328050?pwd=SGpIK3lBY3VMY20wejAycDYrVVB4UT09

Meeting ID: 821 0432 8050
Passcode: 150762

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by A.R. Rogers.

This month’s featured reader is Chaitali Sen.

Chaitali Sen is the author of the novel The Pathless Sky (Europa Editions 2015) and the short story collection A New Race of Men from Heaven, which won the Mary McCarthy Prize for Short Fiction and will be published by Sarabande Books in January 2023. Her stories and essays have appeared in Boulevard, Ecotone (receiving a special mention in the 2019 Best American Short Stories Anthology), Shenandoah, New England Review, New Ohio Review, Colorado Review, Electric Literature, LitHub, Los Angeles Review of Books, Catapult, and many other publications. Kirkus Reviews called The Pathless Sky “a searingly vivid portrayal of the depths of human emotions-from the first glow of young love to the deeper strength of middle-aged commitment. A poignant and sophisticated work couched in lyrical, effervescent prose.” It was a finalist for the Texas Institute of Letters Award for Best First Fiction, and included on Idra Novey’s Buzzfeed list “10 Books That Challenge Our Political Landscape by Inventing New Ones,” Library Journal’s “Top Fall Indie Fiction,” and Mic.com’s “25 Essential Reads to Make Women’s History Last Longer than a Month.”

A graduate of the Hunter College MFA in Fiction, she is the founder of the interview series Borderless: Conversations on Art, Action, and Justice. She has been a frequent panelist, presenter, and instructor for Writers League of Texas, Grub Street’s Muse & Marketplace Conference, Texas Book Festival, and The Asian American Writers Workshop, and was a featured writer at the New Voices Festival at Ithaca College in 2017 and the first annual Tasveer South Asian Literary Festival in Seattle in 2019.

Zoom Info:

We’ll be at the Texas Book Festival today, 10am – 5pm, booth #415. The festival is held in and around the State Capitol in downtown Austin. The Festival Weekend is FREE and open to the public, featuring nearly 300 authors of the year’s best books across all ages and genres. Hope to see you there!

We’ll be at the Texas Book Festival today, 11am – 5pm, booth #415. The festival is held in and around the State Capitol in downtown Austin. The Festival Weekend is FREE and open to the public, featuring nearly 300 authors of the year’s best books across all ages and genres. Hope to see you there!

Join us for a special online event to celebrate the launch of the winner of the Fall 2022 Host Publications Chapbook Prize, Sophia Stid’s But for I Am a Woman.

The lineup is still being finalized—check back soon!

No need to register, this event will be live streaming at 7pm (central) through Malvern Books’ YouTube page.

In But for I Am a Woman, Sophia Stid’s work explores the intersection of personal autonomy and deep spiritual connection through the writings and life of Julian of Norwich (ca. 1342 – 1416), a mystic who was the first woman known to write a book in the English language, “a woman who had herself / declared dead / so she could write.” Through this companionship, Stid creates a reliquary of language, poems as physical containers for the sacred, gathered like loose rosary beads from the floorboards. It is through the physical body that these poems eloquently chisel a space for reconciliation and grief-healing, bathing “in water, words, and other lives.”

These are poems that seek the liberation of Self, and of womankind, through fluid contemplation as the speaker moves through her own process of grief-healing. She discovers with Julian that “when the book of the world opens, it is not / as we thought,” that it is through brokenness, blood, and tears—through the body—that the spirit is found, and ignited.

Sophia Stid is a poet from California. She was the 2019 – 2022 Ecotone Postgraduate Fellow at UNC Wilmington and a recent graduate of the MFA program at Vanderbilt University and Georgetown University, where she studied poetry and theology. She is the winner of the 2021 Barthelme Prize in Short Prose from Gulf Coast and has received fellowships from the Bucknell Seminar for Younger Poets and Sewanee Writers’ Conference. Recent poems and essays can be found or are forthcoming in Best New Poets, Poetry Daily, and Kenyon Review, among others.

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by A.R. Rogers.

This month’s featured reader is Raul Garza.

Raul Garza is a Latinx playwright who has drawn acclaim for telling stories that resound with authenticity and sense of place. He boldly explores the intersection of popular culture and cultural identity, and incorporates music, spirituality, and the power of nostalgia into works that span time and location. When not writing, Raul vibes on kundalini yoga, devours pop culture, and travels beyond his means.

Zoom Info:

Everyone is welcome to join us via Zoom for the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by A.R. Rogers.

This month’s featured reader is Natalie Lima.

Natalie Lima is a Cuban-Puerto Rican writer from Las Vegas, NV and Hialeah, FL. Her essays and fiction have been published in Longreads, Guernica, Brevity, The Offing, Catapult, Sex and the Single Woman (Harper Perennial, 2022), Body Language (Catapult, 2022), and elsewhere. Her writing has been honored in Best Small Fictions (2020), and noted twice in Best American Essays (2019 and 2020). She has received fellowships from PEN America Emerging Voices, Letras Boricus/the Mellon Foundation, Bread Loaf, Tin House, the VONA/Voices Workshop, the Virginia G. Piper Center for Creative Writing, and a residency from Hedgebrook. Natalie teaches creative writing at Butler University as Assistant Professor in the Department of English. She is currently working on a memoir and an essay collection.

Zoom Info:

Join us via Zoom for a conversation between authors Martha Anne Toll and Devi Laskar. We’ll be celebrating the release of Martha Anne Toll’s new novel, Three Muses, and Devi Laskar also has a recent release, Circa.

Three Muses is a love story that enthralls; a tale of Holocaust survival venturing through memory, trauma, and identity, while raising the curtain on the unforgiving discipline of ballet. In post-WWII New York, John Curtin suffers lasting damage from having been forced to sing for the concentration camp kommandant who murdered his family. John trains to be a psychiatrist, struggling to wrest his life from his terror of music and his past. Katya Symanova climbs the arduous path to Prima Ballerina of the New York State Ballet, becoming enmeshed in an abusive relationship with her choreographer, who makes Katya a star but controls her life. When John receives a ticket to attend a ballet featuring Katya Symanova, a spell is cast. As John and Katya follow circuitous paths to one another, fear and promise rise in equal measure. Three muses—Song, Discipline, and Memory—weave their way through love and loss, heartbreak and triumph to leave readers of this prize-winning debut breathless.

Martha Anne Toll writes fiction, essays, and book reviews, and reads anything that’s not nailed down. Her debut novel, Three Muses, won the Petrichor Prize for Finely Crafted Fiction. Toll brings a long career in social justice to her work covering BIPOC and women writers. She is a book reviewer and author interviewer at NPR Books, the Washington Post, Pointe Magazine, The Millions, and elsewhere. She also publishes short fiction and essays in a wide variety of outlets. Toll has recently joined the Board of Directors of the PEN/Faulkner Foundation.

Devi S. Laskar is the author of The Atlas of Reds and Blues, winner of the 7th annual Crook’s Corner Book Prize (2020) for best debut novel set in the South; winner of the 2020 Asian/Pacific American Award for Literature; and finalist for the Northern California Book awards. Her second novel, Circa was published May 3, 2022 by Mariner Books. Her third novel, Midnight, At The War will be published by Mariner in early 2024. She holds degrees from Columbia University, University of Illinois and UNC-CH. A native of Chapel Hill, N.C., she now lives in California with her family.

Join Zoom meeting:

https://us02web.zoom.us/j/83949015855?pwd=UWtFbURLWnZFQ2lBc1FBN2pGMktjZz09

Meeting ID: 839 4901 5855
Passcode: 373231

This event can also be viewed live on our YouTube channel.