Malvern Books

We’ll be open from 10am – 5pm on July 4th. We’ll be eating cake and reading from The Constitution every hour—and we’re also offering 25% off all non-fiction from our “Other” section.

Join us for a homecoming reading from Austinite Dr. Walter Moore. His book of poetry, My Lungs Are a Dive Bar, a series of deadpan/gritty/neo-beat/punkish poems about rural Indiana and urban Washington (some Texas, too) was published by EMP Books in the Spring of 2019. Walter will be joined by Owen Egerton.

“Hilarious, painful, and outrageous—often in the same phrase. Drawing from overheard fist fights, willfully eschewed observations, and half-a-lifetime of wrong turns turned right, Walter Moore crafts nail-sharp poems and prose explosions with a kind of screaming, laughing brilliance that is not be missed. These pages will slap your eyes until everything you see shines.” —Owen Egerton

Dr. Walter Moore or “Walt” was born in Singapore and has lived in about twenty cities/towns around the world: from Jakarta, Indonesia; Houston and Austin, Texas; Oklahoma City; Brooklyn, New York, and Carmel, California, to Providence, Rhode Island; Seattle, Washington, and Perth, Australia, among other places. In a former life, he worked as a life guard, line cook, restaurant server, law clerk, and tennis teaching professional. More recently, he’s written reading passages for an education textbook company, worked as a journalist for a few newspapers, and published poems in various journals. His scholarly research interests include 20th-Century American Literature and Film and, specifically, how selected literary and cinematic texts “speak to” the narratives of gentrification in U.S. cities. Walt is also currently working on a novel about a drifter who returns to his hometown of Houston, Texas. Dr. Moore has taught courses in academic writing, creative writing, literature, and film in places as varied as Southwestern University, the University of Rhode Island, and the University of Washington Tacoma. 2018-2019 marks his second year of teaching at Oregon State University and his fifteenth year of teaching at the college level overall. He holds a BA in English from DePauw University, an MFA in Creative Writing from Texas State University, and a Ph.D. in American Studies (English) from Purdue University. His other joys include playing soccer and tennis, watching movies, seeing live music, and hanging out in the Pacific Northwest with his partner Erica and his 100-pound dog/beast Lloyd.

Owen Egerton, original Austin polymath, is one of the founders of the Alamo Drafthouse’s Master Pancake Theatre, has acted in several films, emcees the Fantastic Debates at the Fantastic Fest, and hosts public radio’s The Write Up. He’s written four books of fiction (the novel Hollow being the most recent) and directed three films. Mercy Black, his most recent film, was just released by Netflix.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Tatyana Tolstaya’s The Slynx, which reimagines dystopian fantasy as a wild amusement park ride.

Poised between Nabokov’s Pale Fire and Burgess’s A Clockwork Orange, The Slynx is a brilliantly inventive and shimmeringly ambiguous work of art: an account of a degraded world that is full of echoes of the sublime literature of Russia’s past; a grinning portrait of human inhumanity; a tribute to art in both its sovereignty and its helplessness; a vision of the past as the future in which the future is now.

“It is impossible to communicate adequately the richness, the exuberance, and the horrid inventiveness of The Slynx.” — John Banville, The New Republic

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of the 2019 summer issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Donna Dechen Birdwell’s new novel, Not Knowing, on July 20th, the 50th anniversary of the Apollo 11 moon walk—an event that is of some significance in this book!

Donna Dechen Birdwell is an anthropologist whose latest novel takes place in two locales she knows and loves—Belize and Texas. Stepping away from the dystopian future she created in Recall Chronicles, she writes in Not Knowing about two wings of our human quest for knowledge—archaeology and space exploration.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Lima :: Limón by Natalie Scenters-Zapico.

In her striking second collection, Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure. Her sharp verse and intense anecdotes brand her poems into the reader; images like the Virgin Mary crying glass tears and a border fence that leaves never-healing scars intertwine as she stares down femicide and gang violence alike. Lima :: Limón is grounding and urgent, a collection that speaks out against violence and works toward healing.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of C. S. Woolwine’s debut novel, Cyclic.

Cyclic is a new take on the integration of man and machine. Imagine being able to think of anything you desire, and instantly spawn it into existence. Imagine the good that could come from this, the wonder and excitement, the freedom of creation. Nothing is off limits! Now, imagine the bad. The purpose of this tale is to open your mind to the possibility, to explore what could be. This epic adventure is set in the distant future when society has already deemed this technology worthy. The story follows Cal, whose mediocre life can be best described as wanting. He’s thrown into a world he never knew existed when he discovers certain traits which make him particularly skilled with this technology. He must rebuild himself after tragedy, learn to master cyclic, and fight for what he believes in… even when it’s only him who believes it.

C. S. Woolwine, also known as “HaxDogma,” was born in the little border town of Yuma, Arizona. Growing up he lived in Pasadena, Maryland where he found his passion for technology. After high school, he decided to pursue cyber security and found his calling for Information Technology. Right after college, he moved down to Austin, TX with his girlfriend, now wife, and started climbing the corporate ladder. His quick rise in the IT field, and his YouTube channel dedicated to analytical discussion, gave him the confidence to continue pursuing a dream he’s had since he was a boy, writing. Inspired to create a better world for his wife and furry children, Mr. Woolwine finished the story he has been trying to tell his entire life… Cyclic.

Join us in celebrating the launch of Ron Seybold’s Stealing Home, a memoir about fatherhood, baseball, and an epic road trip with a Little Leaguer.

An epic road trip with my tween set me on a path to uncover perfection in fatherhood—and how my father’s suicide didn’t doom me to recreate his mistakes. Stealing Home is the story of an 11-day, 9-game road trip I took with my Little Leaguer—and how my plans for perfection delivered things much deeper than scores, miles, and smiles. You don’t have to drive 3,147 miles to find your way to fatherhood. When I did, something magical and rare appeared at the end of the journey, inside my heart as well as on a diamond. As a divorced dad, I was trying to redeem my fatherhood with a baseball road trip with my Little League son Nicky. Our odyssey of nine games in eleven days, crossing eight states in a rented convertible, was supposed to salvage my life as an unsure father. Custody Dad fatherhood demoted me to the second team. I was certain of that. One sign of salvation came unbidden in an unscheduled tenth ballgame. The adventures and revelations of the road led to a deeper reckoning of how my father had failed enough at his fatherhood to take his own life. Thousands of miles and dozens of innings delivered a discovery: a drive toward perfect fatherhood has a destination that cannot be found on any map.

Ron Seybold directs the Writer’s Workshop in Austin, a place for workshopping, books and weekly creativity groups. His debut novel is Viral Times, futuristic thriller about a pandemic that changes the way the world heals and loves. A two-time finalist in the Writer’s League of Texas manuscript contests for memoir and historical fiction, he’s reported over the radio, acted in Austin melodramas, and walks his standard poodle Tess Harding less often than she’d like. A teaching volunteer at the Austin Bat Cave literacy program in schools, he coaches writers, edits books, and plays a part in helping authors from inspiration to publication.

Join us for a reading and exhibit to celebrate the launch of the latest issue of Borderlands: Texas Poetry Review.

The keynote poet is Alex Lemon, author of Another Last Day (Milkweed Editions, 2019). Saúl Hernández will be an additional poetry reader. The featured artist for this issue is James Surls, who contributed his artwork to the cover of Borderlands‘ Issue #1 in 1992! An engaging visual series by Surls is showcased in Issue 50 and several pieces will be presented at Malvern Books by Ruby Surls, James’ daughter. Frances Thompson from the UMLAUF Sculpture Garden & Museum will discuss Surls’s current exhibit there. Liz Garton Scanlon, early Borderlands editor, will provide remarks on the history of the journal. Terry Sherrell, account liaison for Borderlands since the premier issue, will discuss her experiences designing and printing the journal.

Bring friends – join the celebration! The event is free of charge and open to everyone. Copies will be available for purchase on-site.

Keynote poet Alex Lemon’s Another Last Day was just published by Milkweed Editions. He is the author of two memoirs—Feverland: A Memoir in Shards and Happy: A Memoir—and four poetry collections: The Wish Book, Fancy Beasts, Hallelujah Blackout and Mosquito. His writing has appeared in Borderlands, Esquire, American Poetry Review, The Huffington Post, Ploughshares, Best American Poetry, Tin House, Kenyon Review, Gulf Coast, AGNI, New England Review, The Southern Review, Grist, and jubilat, among numerous other publications. Among his awards are a 2005 Fellowship in Poetry from the NEA, a Jerome Foundation Fellowship, and a 2006 Minnesota Arts Board Grant. He is an editor at large for Saturnalia Books, the Poetry Editor of descant and he sits on the advisory board of The Southern Review and TCU Press. He lives in Fort Worth with his amazing family and teaches at TCU.

Saúl Hernández is a queer writer from San Antonio, TX. He was raised by undocumented parents and as a Jehovah Witness. He has a MFA in Creative Writing from The University of Texas at El Paso. He’s the former Director for Barrio Writers at Borderlands. He’s a semi-finalists for the 2018 Francine Ringold Award for New Writers, Nimrod Literary Journal. His work has appeared/is forthcoming in Cosmonauts Avenue, Borderlands: Texas Poetry Review, The Normal School, and Rio Grande Review.

Borderlands is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Join us for an evening with translator Sam Bett, who will be introducing and reading from his new book, a translation of Yukio Mishima’s novel Star. Sam will be joined by a number of poets, including Sarah Matthis, Rainey Frasier, Taylor Davis, Dion K. James, and Stephanie Davison, who will read poems that address the novel’s themes of celebrity, the camera, and “being seen.”

All eyes are on Rikio. And he likes it, mostly. His fans cheer, screaming and yelling to attract his attention—they would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells “action”; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions. Being a star, constantly performing, being watched and scrutinized as if under a microscope, is often a drag. But so is life. Written shortly after Yukio Mishima himself had acted in the film Afraid to Die, this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams. With exquisite, vivid prose, Star begs the question: is there any escape from how we are seen by others?

SAM BETT studied Japanese at UMass-Amherst and Kwansei Gakuin University. Awarded Grand Prize in the 2016 JLPP International Translation Competition, he has translated fiction by Yoko Ogawa, Yukio Mishima, and NISIOISIN. With David Boyd, he is co-translating the novels of Mieko Kawakami for Europa Editions.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is A House and Its Head, Ivy Compton-Burnett’s subversive look at the politics of family life.

A radical thinker, one of the rare modern heretics, said Mary McCarthy of Ivy Compton-Burnett, in whose austere, savage, and bitingly funny novels anything can happen and no one will ever escape. The long, endlessly surprising conversational duels at the center of Compton-Burnett’s works are confrontations between the unspoken and the unspeakable, and in them the dynamics of power and desire are dramatized as nowhere else. 

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the recent release of Suyi Davies Okungbowa’s David Mogo, Godhunter, a powerful and atmospheric urban fantasy novel set in Lagos. Suyi will be joined by Austin writer Jack Kaulfus.

The gods have fallen to earth in their thousands, and chaos reigns. Though broken and leaderless, the city endures. David Mogo, demigod and godhunter, has one task: capture two of the most powerful gods in the city and deliver them to the wizard gangster Lukmon Ajala. No problem, right?

Suyi Davies Okungbowa is a Nigerian SFF author of the recent godpunk novel, David Mogo, Godhunter. His shorter works have appeared in Lightspeed, Tor.com., Strange Horizons, Fireside, and other periodicals and anthologies. He lives in Lagos, Nigeria and Tucson, Arizona, where he teaches undergraduate creative writing while completing his MFA.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of John Casey’s RAW THΦUGHTS, a visceral, mindful, and compelling fusion of poetics and black and white film photography. John will be joined by Jack Bresette-Mills, author of the bilingual poetry collection Touching Death / Tocando la Muerte (with artwork by Jennifer Klimsza).

In RAW THΦUGHTS, John Casey unfolds a compelling and viscerally honest exploration of mindfulness and spirituality through a symbiotic fusion of poetic and photographic art. A singular and provocative approach, Casey combines literary and visual abstraction into emotive and cognitive catalysts for introspection. Each successive poem-photo pairing—each ‘raw thought’—builds on an underlying philosophy that compels us to assess and adjust what and how we think, with the aim of improving our lives—and by extension, the lives of those around us.

Jack Bresette-Mills, the author of Reasoning with an Optimist and Sensitive Beekeeping, lives happily with his dear wife, Barbara, in Austin, Texas.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating Women in Translation Month, with readings and discussion from award-winning poet and acclaimed Spanish translator Liliana Valenzuela, and Marian Schwartz, who translates Russian classic and contemporary fiction, history, biography, criticism, and fine art. Liliana will read from Puro Amor by Sandra Cisneros, and Marian will read from The Man Who Couldn’t Die: The Tale of an Authentic Human Being by Olga Slavnikova.

Also worth noting: On the day of this event, we’re offering 25% off all books in translation that are written or translated by women.

Liliana Valenzuela is the acclaimed Spanish language translator of works by Sandra Cisneros, Julia Alvarez, Denise Chávez, and many other writers. As a poet, she is the author of Codex of Journeys: Bendito Camino and is an inaugural fellow of CantoMundo. An adopted tejana, Valenzuela was born and raised in Mexico City and now lives and works in Austin, Texas. 

Marian Schwartz has translated many books of Russian contemporary and classic fiction, including Tolstoy’s Anna Karenina, and is the principal translator of Nina Berberova. In 2018, Archipelago Books published her translation of Leonid Yuzefovich’s Horsemen of the Sands.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Meena Alexander’s Birthplace with Buried Stones.

With their intense lyricism, Meena Alexander’s poems convey the fragmented experience of the traveler, for whom home is both nowhere and everywhere. The landscapes she evokes, whether reading Bashō in the Himalayas, or walking a city street, hold echoes of otherness. Place becomes a palimpsest, composed of layer upon layer of memory, dream, and desire. There are poems of love and poems of war—we see the rippling effects of violence and dislocation, of love and its aftermath. The poems in Birthplace with Buried Stones range widely over time and place, from Alexander’s native India to New York City. We see traces of mythology, ritual, and other languages. Uniquely attuned to life in a globalized world, Alexander’s poetry is an apt guide, bringing us face to face with the power of a single moment and its capacity to evoke the unseen and unheard.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the upcoming launch of visiting poet Sarah Herrin’s chapbook, The Oceanography of Her (Papeachu Press). Sarah will be joined by Christia Madacsi Hoffman.

Sarah Herrin is a poet based in Seattle, Washington. Raised in the Deep South, she escaped to the Pacific Northwest in 2012. She achieved a BFA at the Savannah College of Art and Design, where she studied Sequential Art and Creative Writing. Her work is inspired by world travel, her bisexual identity, mental health, heartbreak and healing, the ocean, and above all—love. She is a gemologist, runner/triathlete, cat mom, wife, and Bowie lover. Sarah is the author of One Thousand Questions (And No Good Answers) and the chapbook The Oceanography of Her, to be released October 2019.

Christia Madacsi Hoffman grew up along the banks of the Mystic River in Mystic, Connecticut. Through her Austin-based company, CenterLight Media, Hoffman works as a marketing and editorial writer, graphic designer, and actor. Her early career adventures included antique furniture restoration and leading treks in the high Himalaya. With an accessible and insightful poetic voice, Hoffman’s poetry explores the universal themes of place, beauty, youth, and family. Her personal reflections reveal the depth in our everyday experiences and the significance of our intentions.

Join us for a reading from final year students in The Michener Center for Writers and the New Writers Project M.F.A. programs in creative writing at UT Austin. Readers include Shaina Frazier, Loan Tran, Darby Jardeleza, Max Seifert, and Desiree Evans (left to right, below).

Shaina Frazier was born in Sacramento, CA but was raised in H-Town. She earned her BFA from the University of Houston in 2015 and is currently a fiction MFA candidate in the New Writers Project at UT Austin. She is currently writing about race and talking nooses and magic and martyrdom.

Loan Tran lives in Austin, TX and likes to browse around bookstores and the produce section of supermarkets. She is in the New Writers Project and writes poems.

Darby Jardeleza is currently in her second year at the New Writers Project. She is from Bluffton, South Carolina, though she most recently moved to Austin from Atlanta, Georgia. She is at work on her first novel thanks to the help and support of the NWP and Michener community.

Max Seifert writes poetry. You can find it in The Adroit Journal, b[OINK] Zine, Gulf Coast, and Tupelo Quarterly. He lives over by Eastwoods Neighborhood Park.

Desiree Evans is a writer, activist, and scholar hailing from south Louisiana. She is currently an MFA Fiction Fellow at the Michener Center for Writers at The University of Texas at Austin. Her writing has received fellowships and support from the Voices of Our Nations Arts Foundation (VONA), the Callaloo Creative Writing Workshop, Kimbilio Fiction, and the Hurston/Wright Foundation.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is a classic of golden age noir, In a Lonely Place by Dorothy B. Hughes.

Los Angeles in the late 1940s is a city of promise and prosperity, but not for former fighter pilot Dix Steele.  To his mind nothing has come close to matching “that feeling of power and exhilaration and freedom that came with loneness in the sky.” He prowls the foggy city night—bus stops and stretches of darkened beaches and movie houses just emptying out—seeking solitary young women. His funds are running out and his frustrations are growing. Where is the good life he was promised? Why does he always get a raw deal? Then he hooks up with his old Air Corps buddy Brub, now working for the LAPD, who just happens to be on the trail of the strangler who’s been terrorizing the women of the city for months…

“A tour de force laying open the mind and motives of a killer with extraordinary empathy. The structure is flawless, and the scenes of postwar LA have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to.” —Sara Paretsky

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the collection America, We Call Your Name: Poems of Resistance and Resilience. With co-editor Murray Silverstein, as well as Miriam Bird Greenberg, Jesús I. Valles, and Abe Louise Young.

Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised call for submissions, seeking unpublished poems that would “respond to the cultural, moral, and political rifts that now divide our country: poems of resistance and resilience, witness and vision, that embody what it means to be a citizen in a time when our democracy is threatened.” In a matter of weeks, the press received over two thousand poems. The work came from across the country, from red states and blue states, high schools and nursing homes, big cities and small towns. At the same time, the poet-members of the press were asked to nominate poems. These poems could be old or new, published or not, the poets living or dead—anything from anywhere that spoke to this moment in the voice of poetry. In this way, the editors gathered another three hundred poems, ranging from Virgil and Dante to Claudia Rankine and Mai Der Vang, from Milton to Merwin, from Bai Juyi to last Thursday’s just-posted Poem-a-Day. America, We Call Your Name is a blend of poems from these two sources, each of its nine sections a kind of town-hall meeting where citizen-poets gather to raise their voices, now raucous, now muted, now lyric, now plain: voices responding with dissent and consoling with praise, perspective, vision, and hope.

Murray Silverstein is Sr. Editor of America, We Call Your Name: Poems of Resistance and Resilience (2018), and The Place That Inhabits Us: Poems of the San Francisco Bay Watershed (2010), both from Sixteen Rivers Press. He is the author of two books of poetry, Master of Leaves (2014) and Any Old Wolf (2007). Any Old Wolf received the 2007 Independent Publisher medal for poetry. He is a retired architect and co-author of four books about architecture, including A Pattern Language (Oxford University Press) and Patterns of Home (The Taunton Press). His poems have appeared in RATTLE, Brooklyn Review, Spillway, California Quarterly, Poetry East, West Marin Review, RUNES, Nimrod, Connecticut Review, Zyzzyva, Fourteen Hills, Pembroke Magazine, Elysian Fields, and other journals. Silverstein lives in Oakland, California.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Esteban Rodríguez’s debut poetry collection, Dusk & Dust, which explores the lives of the generations who have made their homes along the US-Mexico border, in a landscape too often neglected and forgotten. Rodríguez will be joined by Leanna Petronella, Saul Hernandez, and Gabino Iglesias.

Esteban Rodríguez is the author of Dusk & Dust (Hub City Press) and the micro-chapbook  Soledad (Ghost City Press, 2019). His poetry has appeared or is forthcoming in Arts & Letters, The Gettysburg Review, New England Review, Puerto del Sol, Shenandoah, TriQuarterly, The Rumpus, and elsewhere. His reviews have appeared in PANK and American Book Review. He lives with his family and teaches in Austin, Texas.

Leanna Petronella’s debut collection, The Imaginary Age, won the 2018 Pleiades Press Editors Prize. Her poetry appears in Beloit Poetry Journal, Third Coast, Birmingham Poetry Review, Quarterly West, and other publications. She holds a PhD in English and Creative Writing from the University of Missouri and an MFA from the Michener Center for Writers at the University of Texas. She lives in Austin.

Saúl Hernández is a queer writer from San Antonio, TX. He was raised by undocumented parents and as a Jehovah Witness. He has a MFA in Creative Writing from The University of Texas at El Paso. He’s the former Director for Barrio Writers at Borderlands. He’s a semi-finalists for the 2018 Francine Ringold Award for New Writers, Nimrod Literary Journal. His work has appeared/is forthcoming in Cosmonauts Avenue, Borderlands: Texas Poetry Review, The Normal School, and Rio Grande Review.

Gabino Iglesias is a writer, journalist, professor, and book critic living in Austin. He is the author of Coyote Songs and Zero Saints. His words have appeared in venues like the New York Times, The Rumpus, The Los Angeles Times, and others. He is the book reviews editor for PANK Magazine and a columnist for LitReactor and CLASH Media.

Join us in celebrating the release of L.B. Deyo’s The God-Damned Fool. the second publication of Austin-based publishing company Persistence of Vision.

Join us for a reading with Texas State University faculty members. Featured readers include Steve Wilson, Kathleen Peirce, Roger Jones, John Blair, and Cecily Parks.

Steve Wilson’s poetry has appeared in journals and anthologies nationwide, as well as in four collections, the most recent titled Lose to Find. His new collection, The Reaches, is due out in November.

Kathleen Peirce is the author of Vault, The Ardors, The Oval Hour, Divided Touch/Divided Color, and Mercy. Among her awards are The Iowa Prize, a Whiting Award, The William Carlos Williams Award, and The AWP Prize. A fellow with The Guggenheim Foundation and The National Endowment for the Arts, she’s been teaching at Texas State University since 1993.

John Blair has published six books, most recently Playful Song Called Beautiful (University of Iowa Press, 2016), and is the recipient of multiple literary awards, including The Drue Heinz Literature Prize and the Iowa Poetry Prize. He directs the undergraduate creative writing program at Texas State University.

Cecily Parks is the author of the poetry collections Field Folly Snow and O’Nights, and editor of the anthology The Echoing Green: Poems of Fields, Meadows, and Grasses. She teaches at Texas State University.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Ghost Of by Diana Khoi Nguyen.

Ghost Of elegizes a brother lost via suicide, is a mourning song for the idea of family, a family haunted by ghosts of war, trauma, and history. Nguyen’s debut is not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: remnants of memory, physical voids, and her family captured around an empty space. Through lyric meditation, Nguyen seeks to bridge the realms of the living with the dead, the past with the present. These poems are checkpoints at the border of a mind, with arms outstretched in bold tenderness.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join author Amber Elby to celebrate the release of her third novel, Trouble Fires Burn, a fantasy adventure based on the plays of William Shakespeare. Amber and special guest author Carol Beth Anderson will read excerpts from their novels and answer audience questions. Signed books available for purchase. Family friendly. All ages welcome!

Amber Elby crafts a world that invokes the best of Terry Pratchett, Ursula K. Le Guin, and Neil Gaiman, all rooted in the mythology of Shakespeare. The Netherfeld series is a must read for lovers of magic, the inexplicable, and especially the timeless wonder conjured by the plays of William Shakespeare.
—Montgomery Sutton, Shakespearean Actor, Director, and Playwright 

Amber Elby is the author of three novels based on Shakespeare’s plays: Cauldron’s Bubble, Double Double Toil, and Trouble Fires Burn. In the last millennium, she was born in Grand Ledge, Michigan but spent much of her childhood in the United Kingdom. She began writing when she was three years old and created miniature books by asking her family how to spell every… single… word. Several years later, she saw her first Shakespearean comedy, Much Ado About Nothing, in London. Many years later, she studied Creative Writing at Michigan State University’s Honors College before earning her Master of Fine Arts degree in Screenwriting at the University of Texas at Austin. She enjoys watching Shakespearean performances with her husband and two daughters and divides her time between teaching at Austin Community College, traveling, and getting lost in imaginary worlds.

Carol Beth Anderson is a native of Arizona and now lives in Leander, TX. She has a husband, two kids, a miniature schnauzer, and more fish than anyone knows what to do with. Besides writing, she loves baking sourdough bread, knitting, and eating cookies-and-cream ice cream.

Join us in celebrating International Translation Day. Jennifer Rose Davis will discuss her new translation of Edmond Rostand’s Cyrano De Bergerac (which she is currently directing for a limited Austin run as a co-production between The Archive Theater and The Austin Scottish Rite Theater). Also featuring the presentation of the award of the Harvie Jordan fedora to AATIA Member of the Year. Also worth noting: we’re offering 20% OFF all books in translation all day on Sunday, September 29th!

Jennifer Rose Davis is a writer, director, actress, singer, musician, costumer, mask maker, artist, graphic designer, and all-around Renaissance woman who serves as the Managing Director for The Archive Theater. Her theatrical credits include Music Director, Costumer, and Set Designer for Der Bestrafte Brudermord with The Hidden Room. She was also Associate Costumer The Hidden Room’s The History of King Lear by Nahum Tate, for which she won an Austin Critic’s Table award. Jennifer designed costumes and danced Butoh for Still Now with Shrewd Productions. She created Tudor era costumes for Austin Shakespeare’s staged readings of Shakespeare’s Henry VIII and Hillary Mantle’s Wolf Hall, and Elizabethan costumes for The Merry Wives of Windsor co-produced by Austin Scottish Rite Theater and Weird Sisters. Her latest consuming project was creating costumes for the Zilker Summer Musical, The Little Mermaid.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Pitch Dark by Renata Adler.

Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the launch of Stephanie Goehring’s chapbook, from The Water [Inaudible] (Host Publications)—and Malvern’s sixth birthday!

Host Publications is honored to award Stephanie Goehring’s chapbook from The Water [Inaudible] as the recipient of the Fall 2019 Host Publications Chapbook Prize. Our chapbook prize embodies our values as a small, community-oriented press by elevating the voices of women writers. The prize awards publication, $1000, 25 copies of the published chapbook, a book launch at Malvern Books, and national distribution with energetic publicity and promotion.

Stephanie Goehring is the author of several poetry chapbooks. She earned an MFA from the Iowa Writers’ Workshop and works at Malvern Books in Austin, TX.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Please join us in celebrating the launch of Alisar Eido’s new novel, Wake of War. With readings from Alisar, and special guests Brennan Utley and Kendall Smith.

Alisar Eido’s third novel, Wake of War, is the final book of The Soulfire Series. Her work spans multiple genres including science fiction, psychological thrillers, dark fantasy, and realistic fiction. The author’s inspiration stems from her many experiences with strange coincidences and unexplainable events, as well as battles with mental illness. She currently resides in Austin, Texas, with her pens and pencils.

Brennan Utley is an emerging author based in Austin who blends realist, fabulist, science fiction, and satirical traditions into his unique and often darkly funny stories and novels. He is currently working late into the night on a handful of projects and teaches English in Bastrop, Texas.

Kendall Smith is a budding author born and raised in Austin, Texas. In the past, she’s been a ballerina, self-proclaimed chef, an avid gamer and an amateur podcast host. As a writer, she focuses on immersing her audience in realms where diverse experience leads to profound conflicts, the weak are stronger than they seem, the scenery is opulently feral, and fantasies are limitless.

Join us in celebrating the launch of poet Logan Fry’s new collection, Harpo Before the Opus. Logan will be joined by poet Caroline Gormley.

The poems begin where language fails, where speech becomes disembodied, and syntax skids to a stop that dissolves into gesture. Where its form reaches an end, formlessness offers a space ripe with possibility. Here we find Harpo, reaching into the frustrated endpoint of language to find a method for its resurrection. Fry sees that language becomes a tool for alienation and uses the poems in Harpo Before the Opus to excavate paths back to tenderness. These are poems from the edge, pulling language out from its failure and into a fervent interrogation of its possibilities. What was once a tool of capitalistic alienation now serves as material for building connections.

In spiraling explorations of rhetoric, these poems allow language to break from its prescribed structures, and instead, it becomes a gestural embrace of feeling and being. Fry utilizes a Marxist lens to scrutinize and reinvent the use of language. In Fry’s hands, language is rendered a visceral and sensual material, forming poems that are both deeply felt philosophical inquiries and wildly playful exercises of wit.

Logan Fry is the author of Harpo Before the Opus—selected by Srikanth Reddy as winner of Omnidawn’s 2018 1st/2nd Book Prize. He is founding editor of Flag + Void, and his poetry has appeared in venues including Fence, Prelude, New American Writing, West Branch, Denver Quarterly, Boston Review, and the Best American Experimental Writing anthology. He lives in Austin and teaches at Texas State University.

Caroline Gormley is an editor of Flag + Void. She attended Pratt Institute and Brooklyn College and currently works for an in-house creative agency. She has come out of poetry retirement for this very special reading with her husband, Logan.

Join us in celebrating the recent release of Vincent Cooper’s poetry collection Zarzamora. Vincent will be joined by Claudia Delfina Cardona and Laura Villareal.

Vincent Cooper is Chicano poet from Los Angeles, Ca. He is the author of Where the Reckless Ones Come to Die and Zarzamora—Poetry of Survival. His poetry can be found in Big Bridge Magazine, Huizache #6 and 8, AMP, Voices De La Luna, The Acentos Review, Riversedge Journal and Abstract Magazine. He currently resides in the westside of San Antonio.

Claudia Delfina Cardona is a tejana poet proudly born and raised in San Antonio. She received her MFA in Poetry at Texas State University this past spring. She is also the Editor-in-Chief and Co-Founder of Chifladazine, an online and print publication that is dedicated to showcasing the creative work of Latinas and Latinxs. Her work can be found in Cosmonauts Avenue, Tinderbox Journal, and Apogee Journal.

Laura Villareal earned her MFA from Rutgers University-Newark. She is the author of The Cartography of Sleep. Her writing has appeared or is forthcoming in Palette Poetry, Black Warrior Review, Waxwing, and elsewhere. She has received scholarships from Key West Literary Seminar and The Highlights Foundation.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Magical Negro by Morgan Parker.

Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics―of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present―timeless black melancholies and triumphs.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Christopher Carmona’s new novel El Rinche: The Ghost Ranger of the Rio Grande. With readings from Christopher and his brother, author Juan P. Carmona.

El Rinche is a reimagining and flip of the script of an American popular culture icon. This novel tells the story a light-skinned Mexican American named Ascencion “Chonnie” Ruiz de Plata. He disguises himself as the ghost of a Texas Ranger on the South Texas border of Mexico now known as The Rio Grande Valley between 1905-1921. Together with his partner, the Native American Tal’dos, a Japanese ninja master, and the most successful U.S. Marshall of all time, Bass Reeves (the real lone ranger), Chonnie takes on the superhero persona of “El Rinche” to fight the villainous Texas Rangers and save the local peoples of the area.

Christopher Carmona is the author of The Road to Llorona Park, which won the 2016 NACCS Tejas Best Fiction Award and was listed as one of the top 8 Latinx books in 2016 by NBCNews. He was the inaugural writer-in-residence for the Langdon Review Writers Residency Program in 2015. He has three books of poetry: 140 Twitter Poems, I Have Always Been Here and beat. He co-edited The Beatest State In The Union: An Anthology of Beat Texas Writings with Chuck Taylor and Rob Johnson and Outrage: A Protest Anthology about Injustice in a Post 9/11 World with Rossy Evelin Lima. He has also co-written Nuev@s Voces Poeticas: A Dialogue about New Chican@ Poetics. Currently, he is working on 280: Poems from the Twitterverse and a series of YA novellas entitled El Rinche: The Ghost Ranger of the Rio Grande. The first book in this series is out now and is a 2019 Texas Institute of Letters Best Young Adult Book Finalist. He teaches at the University of Texas Rio Grande Valley Brownsville in Mexican American Studies and Creative Writing.

A September morning in 1989 changed the city of Alton’s history forever. At 7:34 a.m., a Dr. Pepper truck collided with Mission School Bus no. 6. After the bus and its occupants plunged into a water-filled caliche pit, 21 students lost their lives. Thirty years later, a new book reveals the impact of the Alton Bus Crash. The resulting aftermath was a small South Texas community flooded with reporters and lawyers. The heavily scrutinized legal battle divided the city, but it did ultimately produce changes in school bus safety that continue to save lives today. Juan P. Carmona navigates the complicated legacy of the tragic accident and its aftermath.

Juan P. Carmona is a Social Studies teacher at Donna High School and a Dual-Enrollment History Instructor through South Texas College. He graduated with honors from the American Military University with a Master’s degree in American History and was the recipient of the 2018 James F. Veninga Outstanding Teaching Humanities Award by Humanities Texas. His primary field of research is the history of South Texas borderlands.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Mawrdew Czgowchwz by James McCourt, an enchanting send-up of the world of opera.

Diva Mawrdew Czgowchwz (pronounced “Mardu Gorgeous”) bursts like the most brilliant of comets onto the international opera scene, only to confront the deadly malice and black magic of her rivals. Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt’s entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the release of Jessica Reisman’s first short story collection, The Arcana of Maps.

The Arcana of Maps should be at the top of everyone’s must-read lists. Jessica Reisman’s unique lyrical voice powers some of the finest short fiction of this (and really any) century.”—Richard Klaw, editor of Rayguns Over Texas and The Apes of Wrath

This first collection of Jessica Reisman’s stories roves the liminal spaces between now and not-quite-now, dream and waking, futures far flung and fantastic. Here are tales of adventure and transformation, clockwork detectives and polar bears, a wild sea on a space station, alien salvage and revenants. Featuring 16 previously published works and one unique to the collection, these stories open obscure doors into fantastic otherwheres and whens, conjuring worlds with deft and evocative lyricism.

Jessica Reisman‘s stories have appeared in numerous magazines and anthologies. Her far future science fiction adventure novel Substrate Phantoms came out from Resurrection House Books in 2017. She grew up on the east coast of the U.S., was a teenager on the west coast, and now lives in Austin, Texas. She’s been a writer, animal lover, reader, and movie aficionado since she was a wee child.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the recent launch of John Domini’s fourth novel, The Color Inside a Melon. With readings from John and special guest Lowell Mick White.

The Color Inside a Melon appeared this summer. Blurbs came from Salman Rushdie and Marlon James, and the Washington Post praised the book as “sage” and spry,” The Millions as “stunning” and “poetic.” Set in Naples, Italy, the novel completes a loose trilogy. Domini also has three books of stories, the latest MOVIEOLA!, which The Millions called “a new shriek for a new century.” His criticism has appeared in the New York Times and elsewhere, and is collected in The Sea-God’s Herb. His awards include an NEA Fellowship and an Iowa Major Artist Grant.

Lowell Mick White is the author of six books: novels Normal School and Professed and Burnt House and That Demon Life, and story collections Long Time Ago Good and The Messes We Make of Our Lives. A winner of the Dobie-Paisano Fellowship and a member of the Texas Institute of Letters, White teaches at Texas A&M University.

Join us in celebrating the launch of Esteban Rodríguez‘s new poetry collection, Crash Course. With readings from Esteban and special guest ire’ne lara silva.

Esteban Rodríguez is the author of the collections Dusk & Dust (Hub City Press 2019), Crash Course (Saddle Road Press 2019), In Bloom (SFASU Press 2020), and (Dis)placement (Skull + Wind Press 2020). His poetry has appeared in Boulevard, The Rumpus, Shenandoah, TriQuarterly, and elsewhere. He is the Interviews Editor for the EcoTheo Review, an Assistant Poetry Editor for AGNI, and a regular reviews contributor for PANK and Heavy Feather Review. He lives with his family in Austin, Texas.

ire’ne lara silva is the author of three poetry collections, furia (Mouthfeel Press, 2010) Blood Sugar Canto (Saddle Road Press, 2016), and CUICACALLI/House of Song (Saddle Road Press, 2019), an e-chapbook, Enduring Azucares, (Sibling Rivalry Press, 2015), as well as a short story collection, flesh to bone (Aunt Lute Books, 2013) which won the Premio Aztlán. She and poet Dan Vera are also the co-editors of Imaniman: Poets Writing in the Anzaldúan Borderlands, (Aunt Lute Books, 2017), a collection of poetry and essays. ire’ne is the recipient of a 2017 NALAC Fund for the Arts Grant, the final recipient of the Alfredo Cisneros del Moral Award, the Fiction Finalist for AROHO’s 2013 Gift of Freedom Award, and the 2008 recipient of the Gloria Anzaldúa Milagro Award. ire’ne is currently working on her first novel, Naci.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Conflict Resolution for Holy Beings by Joy Harjo.

In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a “magician and a master” (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Roberto Ontiveros’ debut story collection, The Fight for Space.

In his debut collection, The Fight for Space, Roberto Ontiveros explores the modes of art and obsession with eleven stories that run from fabulist comedy to surrealist noir. The tales—focusing on the inner lives of adult caregivers, delivery drivers, and painters—trace how the ubiquity of media (the world of sitcoms, talk radio, and superhero comics) comes to flood the working class with a dream-like dread. In this book, a budding con artist tries to sell a house that does not belong to her, an anti-social memoirist pens the fates of his friends, and a comic book-obsessed warehouse employee follows a man who wears a gas mask. Atmospheric and erotic, the stories in The Fight for Space recall the literary mysteries of James M. Cain by way of Twin Peaks.

Roberto Ontiveros is a fiction writer, artist, literary critic and journalist. Some of his work has appeared the Threepenny Review, the Santa Monica Review, the Believer Magazine, and Huizache. He is working on a novel and a collection of interlinking stories. He is the proud father of Maximo Spinoza Ontiveros.

The Rio Review Release party is a fun-filled gathering where students, writers, and creative minds alike come together to celebrate the publication of the newest anthology of ACC’s Student Literary and Arts Journal, The Rio Review!

The Rio Review is a student-run journal that showcases a collection of poetry, prose, and artwork submitted and published by talented ACC students every Fall and Spring semester.

This soirée is not only a party to celebrate the newest edition of The Rio Review, but it is also a perfect opportunity to meet and network with other writers and artists in the area while enjoying refreshments, artwork, and student readings!

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Skylark by Dezső Kosztolányi.

“This novel is a masterpiece. From the opening sentences, he is drawing on nuance and subtle detail; comedy and pathos. Every gesture speaks volumes…..for all the humour and the easy comedy this lively study of small life is as profound as a prayer, as subtle as a lament.” —The Irish Times

It is 1900, give or take a few years. The Vajkays live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.

Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, attending the theater. And this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark. Then, Skylark is back…

Is there a world beyond the daily grind and life’s creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the ordinary. To that extent, Skylark is nothing less than a magical book.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us for a poetry reading to celebrate the late, great poet laureate of Hyde Park, Albert Huffstickler. With M.C. Sylvia Manning.

Albert Huffstickler (December 17, 1927 – February 25, 2002) was born in Laredo, Texas, but he lived in Austin in his later years, and became a local literary legend. You could usually find him in a café in Hyde Park, decked out in suspenders, smoking, drinking coffee, and working on a poem. (Rumor has it he wrote a poem a day, and his impressive publication record—four full-length collections, plus hundreds of poems published in chapbooks and journals—lends veracity to the story.) He was a two-time winner of the Austin Book Awards, and in 1989 the state legislature formally honored him for his contribution to Texas poetry. In May 2013 a new Hyde Park green space at the corner of 38th and Duval Streets was named Huffstickler Green in his honor. Huff was a friend and inspiration to many, and everyone who knew him talks of his kindness, his honesty, and his passionate support for local literature. Austin Community College English professor W. Joe Hoppe describes his friend and mentor as “a great encourager of poetry.”

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is muted blood by mónica teresa ortiz.

To read mónica teresa ortiz’s muted blood, we unwrap our depleted ear, we open space and breath for our unruly ones, we write letters into the future and underneath the surface with our dearly beloved poet ghosts. This is a poetry which defies demarcated boundaries, which demands deep listening and honoring of the dead, which celebrates our small sweet bursts of joy. —Ching-In Chen

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Life and Opinions of Zacharias Lichter by Matei Calinescu, translated by Adriana Calinescu and Breon Mitchell.

This Romanian classic, originally published under the brutally dictatorial Ceauşescu regime, whose censors initially let it pass because they couldn’t make head or tail of it, is as delicious and telling an assault on the modern world order as ever.

“A literary jewel of eccentricity seen as an ethical provocation, which created an unforgettable shock at a time when the mental stereotype imposed by the dictatorship was dimly trying to find the first slits for a breakthrough….The writer summons, in an artistic undertaking that is ever vigorous and vibrant, the fundamental questions of existence, the ephemeral and the transcendent stimulating each other in a dynamic exchange of energy, with original and seductive accords of lasting resonance.” —Norman Manea

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

We’d like to invite you to join our brand-new Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

Our very first book will be Christopher Brown’s Rule of Capture, the first volume in an explosive legal thriller series set in the dystopian world of Brown’s Tropic of Kansas.

“Christopher Brown looks to be cornering the market on future dystopias… Rule of Capture is not just sci-fi, it’s also a legal thriller. Its author is himself a lawyer, just like John Grisham, and he has a grip on detail that full-time sci-fi authors can’t match.”—The Wall Street Journal

“A legal thriller set in a bureaucratic dystopia as grim as anything imagined by J.G. Ballard or William Gibson.”—Texas Monthly

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on Sunday, January 12th, at 1pm.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the release of Wendy Barker’s seventh full-length collection of poems, GLOSS. With readings from Wendy, as well as special guests Van G. Garrett and Michael Anania.

Posing haunting questions about the background of Barker’s British mother, GLOSS  includes poems in a variety of forms that meditate on a Chinese scroll and on inherited pieces of silver. Other poems “gloss” family memories to reveal underlying meanings of inherited stories, as the book builds to reveal disturbing facts long hidden.

Wendy Barker’s sixth collection of poetry, One Blackbird at a Time, received the John Ciardi Prize for Poetry (BkMk Press, 2015). Her fifth chapbook is Shimmer (Glass Lyre Press, 2019). An anthology of poems about the 1960s, Far Out: Poems of the ’60s, co-edited with Dave Parsons, was released by Wings Press in 2016. Other books include a selection of poems with accompanying essays, Poems’ Progress (Absey & Co., 2002), and a selection of translations, Rabindranath Tagore: Final Poems, co-translated with Saranindranath Tagore, Braziller, 2001. Her poems have appeared in numerous journals and anthologies, including The Southern Review, Nimrod, New Letters, Poetry, Prairie Schooner, and Plume,as well as The Best American Poetry 2013. She is the author of Lunacy of Light: Emily Dickinson and the Experience of Metaphor (Southern Illinois University Press, 1987), as well as co-editor (with Sandra M. Gilbert) of The House is Made of Poetry: The Art of Ruth Stone (Southern Illinois University Press, 1996). Recipient of NEA and Rockefeller fellowships among other awards, she is the Pearl LeWinn Endowed Chair and Poet-in-Residence at the University of Texas at San Antonio, where she has taught since 1982. Wendy is married to the critic, biographer, essayist, and poet Steven G. Kellman.

Van G. Garrett is the winner of the 2017 Best Book of African American Poetry for his book, 49: Wings and Prayers, as announced by the Texas Association of Authors. Garrett is the author of Songs in Blue Negritude (poetry), The Iron Legs in the Trees (fiction), 49: Wings and Prayers (poetry), LENNOX IN TWELVE (poetry), HOG (poetry), ZURI: Love Songs (poetry), and Water Bodies (fall 2019).

Michael Anania is a poet, essayist, and fiction writer. His published work includes twelve collections of poetry, among them Selected Poems (1994), In Natural Light (1999), Heat Lines (2006), and Nightsongs and Clamors (2018). His work is widely anthologized and has been translated into Italian, German, French, Spanish and Czech. He has also published a novel, The Red Menace, and a collection of essays, In Plain Sight. He has received a number of awards and fellowships, including the Charles Angoff Award and the Aniello Lauri Award for poems in this collection. Anania was poetry editor of Audit, a quarterly, founder and co-editor of Audit/Poetry, poetry and literary editor of The Swallow Press, poetry editor of Partisan Review and a contributing editor to Tri-Quarterly, and has served as an advisory editor to a number of other magazines and presses. He is Professor Emeritus of English at the University of Illinois at Chicago and a member of the faculty in writing at Northwestern University. He also taught at SUNY at Buffalo and the University of Chicago. He lives in Austin, Texas, and on Lake Michigan.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Scorpionic Sun by Mohammed Khaïr-Eddine, translated by Conor Bracke.

Mohammed Khaïr-Eddine (1941–1995) was an Amazigh Moroccan poet and writer. In the 1960s, he established the Poésie Toute movement and co-founded the avant-garde journal Souffles.

“Mohammed Khaïr-Eddine’s poems speak from 1969 to the present with urgency, through an explosively anachronistic act of translation by Conor Bracken. As Khaïr-Eddine writes in ‘Black Nausea,’ the poems ‘offer to the future this weird / fruit / which speaks in the mouths / of the thousands of innocents dead / in our black blood.’ The distortive energies of Khaïr-Eddine’s ‘linguistic guerilla war’ agitate for a politically convulsive poetry that dares to be strange, spastic and abjectly sublime. This is a return of a political surrealism when its convulsive bloom is most needed.” —Johannes Göransson

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for a reading to celebrate the launch of the latest issue of Borderlands: Texas Poetry Review. Bring friends—join the celebration! The event is free of charge and open to everyone. Copies will be available for purchase on-site.

Borderlands is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Join us in celebrating the launch of Kiran Bhat’s new novel, we of the forsaken world…

In a distant corner of the globe, a man journeys to the birthplace of his mother, a tourist town destroyed by an industrial spill. In a nameless remote tribe, the chief’s second son is born, creating a scramble for succession as their jungles are being destroyed by loggers. In one of the world’s sprawling metropolises, a homeless one-armed woman sets out to take revenge upon the men who trafficked her. And, in a small village of shanty shacks connected only by a mud-and- concrete road, a milkmaid watches the girls she calls friends destroy her reputation.

In we of the forsaken world… Kiran Bhat tells the stories of four worlds falling apart, through the structure of four linguistic chains, comprised of the accounts of four people witnessing the decline of these worlds, in four acts. Like modern communication networks, these 16 stories connect along subtle lines, dispersing at the moments where another story is about to take place. Each story is a parable of its own, into the mind of a distinct human being. These are the tales of not just sixteen strangers, but many different lives, who live on this planet, at every second, everywhere.

Kiran Bhat is a global citizen formed in a suburb of Atlanta, Georgia, to parents from Southern Karnataka, in India. An avid world traveler, polyglot, and digital nomad, he has currently traveled to over 130 countries, lived in 18 different places, and speaks 12 languages. His list of homes is vast, but he considers Mumbai the only place of the moment worth settling down in. He currently lives in Melbourne.

Join us in celebrating the launch of Chad Bennett’s debut poetry collection, Your New Feeling Is the Artifact of a Bygone Era, selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. With readings from local poets, including Lisa Moore, Cindy St. John, Desiree Morales, Austin Rodenbiker, and Sequoia Maner.

Shirley Temple tap dancing at the Kiwanis Club, Stevie Nicks glaring at Lindsey Buckingham during a live version of “Silver Springs,” Frank Ocean lyrics staking new territory on the page: this is a taste of the cultural landscape sampled in Your New Feeling is the Artifact of a Bygone Era. Chad Bennett casually combines icons of the way we live now—GIFs, smartphones, YouTube—with a classical lover’s lament. The result is certainly a deeply personal account of loss, but more critically, a dismantling of an American history of queerness. “This is our sorrow. Once it seemed theirs, but now it’s ours. They still inhabit it, yet we say it’s ours.” All at once cerebral, physical, personal, and communal, Your New Feeling Is the Artifact of a Bygone Era constructs a future worth celebrating.

Chad Bennett’s poems have appeared in Colorado Review, Denver Quarterly, Fence, Gulf Coast, jubilat, The Offing, Poetry Daily, Verse Daily, The Volta, and elsewhere. He is the author of Word of Mouth: Gossip and American Poetry, a study of twentieth century poetry and the queer art of gossip. Your New Feeling Is the Artifact of a Bygone Era, his first book of poems, was selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. He lives in Austin, Texas, where he is an associate professor of English at the University of Texas at Austin.

Lisa L. Moore is the author of Sister Arts: The Erotics of Lesbian Landscapes, which won the Lambda Literary Award, and has published four other books of feminist and queer writing and criticism. In addition to her chapbook 24 Hours of Men, Lisa Moore’s poems have appeared in Nimrod International Journal, The Fourth River, Borderlands Texas Poetry Review, Sinister Wisdom, Lavender Review, and other periodicals. She is Archibald A. Hill Professor of English, Professor of Women’s and Gender Studies, and Director of the Program in LGBTQ Studies at The University of Texas at Austin.

Cindy St. John is the author of Dream Vacation, a collection of daybook entries and poems; I Wrote This Poem, a poetry chapbook illustrated by Michael Burkard; as well as three other chapbooks. She lives in Austin, TX.

Desiree Morales is a poet and educator in Austin, Texas. Her work has appeared in What Rough Beast, Conflict of Interest, and the forthcoming I Scream Social Anthology. She grew up in Southern California and plans to never stop talking about it.

Austin Rodenbiker’s poetry has appeared or is forthcoming in Tin House Online, Prelude, Narrative, and PRISM international. He received his MFA from the New Writers Project and he holds an MA in gender studies from the University of Texas at Austin.

Sequoia Maner is a poet and Mellon Teaching Fellow of Feminist Studies at Southwestern University. She is coeditor of the book Revisiting the Elegy in the Black Lives Matter Era (Routledge, January 2020). Her poems, essays, and reviews have been published in venues such as The Feminist Wire, Meridians, Obsidian, The Langston Hughes Review, and elsewhere. Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the Gwendolyn Brooks Poetry Prize and she is at work on a critical manuscript about the history of African American Elegy.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Red Shift by Alan Garner.

In second-century Britain, Macey and a gang of fellow deserters from the Roman army hunt and are hunted by deadly local tribes. Fifteen centuries later, during the English Civil War, Thomas Rowley hides from the ruthless troops who have encircled his village. And in contemporary Britain, Tom, a precocious, love-struck, mentally unstable teenager, struggles to cope with the imminent departure for London of his girlfriend, Jan.

Three separate stories, three utterly different lives, distant in time and yet strangely linked to a single place, the mysterious, looming outcrop known as Mow Cop, and a single object, the blunt head of a stone axe: all these come together in Alan Garner’s extraordinary Red Shift, a pyrotechnical and deeply moving elaboration on themes of chance and fate, time and eternity, visionary awakening and destructive madness.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

This month’s title is Dread Journey by Dorothy B. Hughes.

Dread Journey is a taut thriller that exemplifies Dorothy B. Hughes’s greatest strengths as a writer—namely, her sharpened prose and mastery of psychological suspense. While its fine-tuned plot is just as exciting as it was in 1945, when the novel was first published, and its portrayal of Hollywood’s less savory elements remains all-too-relevant today, the book’s characters and setting provide pure Golden Age fare, sure to please any devotee of classic mystery novels.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on Sunday, February 9th.

Join us for something rather special: Austin Community College’s Creative Writing Department will be introducing us to the two winners of their 2018 Balcones Prize. Shena McAuliffe will read from The Good Echo (2018 Balcones Fiction Prize) and Margaree Little will read from her collection Rest (2018 Balcones Poetry Prize).

Shena McAuliffe’s debut novel, The Good Echo (Black Lawrence Press, 2018), won the Big Moose Prize and the Balcones Fiction Prize. Her essay collection, Glass, Light, Electricity, winner of the Permafrost Prize in nonfiction, is forthcoming from the University of Alaska Press in February 2020. She holds an MFA from Washington University in St. Louis and a Ph.D. in Literature and Creative Writing from the University of Utah. She grew up in Wisconsin and Colorado, and now lives in Schenectady, New York, where she is an assistant professor of fiction at Union College.

Margaree Little is the author of REST (Four Way Books, 2018), winner of the 2018 Balcones Poetry Prize and the 2019 Audre Lorde Award. She holds a BA in English Literature from Brown University and an MFA in Poetry from Warren Wilson College. Her poems and criticism have appeared in American Poetry Review, Kenyon Review Online, New England Review, and The Southern Review, among other journals; her translations from the Russian have appeared in Asymptote and The Brooklyn Rail and are forthcoming in APR. Little is the recipient of fellowships and awards including a Rona Jaffe Foundation Writers Award, a Bread Loaf Bakeless Camargo/ France Fellowship, a Kenyon Review Fellowship, and an Ohio Individual Excellence Award. She lives in Tucson and teaches at Pima Community College.

Sponsored by the ACC Creative Writing  Department. This event is free and open to the public.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Claire Bowman, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Advantages of Being Evergreen by Oliver Baez Bendorf.

Equal part prayer and potion and survival guide, Oliver Baez Bendorf’s remarkable Advantages of Being Evergreen is an essential book for our time and for all time… Baez Bendorf is making a future grammar for the moment all of our vessels are free and held. I am living for the world these poems anticipate… This is a book of the earth’s abiding wonder. And the body’s unbreakable ability to bloom. —Gabrielle Calvocoressi

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of the 2020 winter issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

This event will also be celebrating the winner of the 2019 Julia Darling Memorial Poetry Prize.  John Blair is the 2019 winner for his poem, “The Shape of things To Come.” John and judge Natalia Treviño will be in attendance. Other featured readers include Wendy Goodman (Kingston, MD), Shelli Cornelison, Diana Conces, Ed O’Casey, Devin Guthrie, John Milkereit, Benjamin Nash, Margie McCreles Roe, Steve Wilson, and Sean Winn. Members of the Kallisto Gaia Press editorial staff and board of directors will be available for a Q&A after the event. Light fare will be served.

The South Austin Writers Workshop is a creative writing group of dedicated writers. Along with their current instructor, Shannon Perri, they meet monthly to read, write, and share their work amongst each other. Now, they’re excited to share some of their work with family, friends, and the local literary community. Join us for a reading of their wonderful writing!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is A King Alone by Jean Giono, translated from the French by Alyson Waters.

A King Alone is set in a remote Alpine village that is cut off from the world by rugged mountains and by long months when the ground is covered with snow and the heavens with cloud. One such winter, villagers begin mysteriously to disappear. Soon the village is paralyzed by terror, which gives way to relief and eager anticipation when the outsider Langlois arrives to investigate. What he discovers, however, will leave no one reassured, and his reappearance in the village a few years later, now assigned the task of guarding it from wolves, awakens those troubling memories. A man of few words, a regal manner, and military efficiency, Langlois baffles and fascinates the villagers, whose different responses to him shape Jean Giono’s increasingly charged narrative. This novel about a tiny community at the dangerous edge of things and a man of law who is a man alone could be described as a metaphysical Western. It unfolds with the uncanny inevitability and disturbing intensity of a dream.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the launch of Julie Howd’s chapbook, Threshold (Host Publications).

Host Publications is honored to award Julie Howd’s chapbook Threshold as the recipient of the Spring 2020 Host Publications Chapbook Prize. Our chapbook prize embodies our values as a small, community-oriented press by elevating the voices of women writers. The prize awards publication, $1000, 25 copies of the published chapbook, a book launch at Malvern Books, and national distribution with energetic publicity and promotion.

Julie Howd is a poet from Massachusetts. Her first chapbook, Talking from the Knees Up, was published by dancing girl press in 2018. She holds an MFA from the University of Texas at Austin, where she received the 2015 Roy Crane Award for Outstanding Achievement in the Creative Arts. Her work can be found in Deluge, The Spectacle, Sixth Finch, and elsewhere. She lives in Amherst, MA.

Join us in celebrating the launch of Sarah Harris Wallman’s story collection Senseless Women, winner of the 2019 Juniper Prize for Fiction. With readings from Sarah and guests Ashleigh Pedersen and Jaime DeBlanc-Knowles.

Exploring the darker side of optimism, Sarah Harris Wallman’s debut collection shows women attempting to build durable havens from reality, struggling to keep relationships intact, and reinventing themselves. A lonely music teacher at a Nashville Christian academy awaits the miracle of love; a Jane Doe recalls the affair that sustained—and ended—her; a new mother brings life into the world during a bleak election party; young girls are exploited by a nightclub owner in death, as in life. Alone or in weird sisterhood, some of these women are senseless because they refuse to feel, others because they’ve been deprived of stimuli and attention. As these twelve stories prove, there’s no sensible way to fall in love, raise children, or escape (even dead girls have to go on stage and sing for their supper). This is Senseless Women.

Sarah Harris Wallman grew up in Nashville, TN, though she has also lived in Arkansas, New York City, and Glastonbury, UK (that’s where King Arthur was buried). She has an MFA from the University of Pittsburgh and currently teaches in the MFA program at Albertus Magnus college in New Haven, CT. Her stories have received awards from the Tucson Festival of Books and Prada.

Ashleigh Pedersen’s fiction has been featured in New Stories from the South, The Kenyon Review, The Iowa Review, Design Observer, The Silent History, A Strange Object, and the New York Public Library’s Library Simplified app. Her story “Small and Heavy World” was a finalist for both Best American Short Stories and a Pushcart Prize. She holds an MFA in Creative Writing from the University of Pittsburgh, where she was the recipient of a full scholarship and teaching fellowship as well as the Turow-Kinder Award. She just completed her first novel and can occasionally be spotted in Austin theater and film projects.

Jaime deBlanc-Knowles holds an M.A. in creative writing from the University of Texas at Austin. Her work has been published in Post Road and Meridian, and she has been the recipient of a MacDowell Fellowship and a Lighthouse Works Fellowship. She currently teaches creative writing workshops through UT Informal Classes, the Writing Barn, and Fresh Ink.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

This month’s title is Rachel Ingalls’s Mrs. Caliban.

In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research…

Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on Sunday, March 8th.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

*** Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com. The book can be purchased via our online store here. ***

This month’s title is Omon Ra by Victor Pelevin.

Victor Pelevin’s novel Omon Ra has been widely praised for its poetry and its wickedness, a novel in line with the great works of Gogol and Bulgakov: “full of the ridiculous and the sublime,” says The Observer. Omon is chosen to be trained in the Soviet space program, the fulfillment of his lifelong dream. However, he enrolls only to encounter the terrifying absurdity of Soviet protocol and its backward technology: a bicycle-powered moonwalker; the outrageous Colonel Urgachin (“a kind of Soviet Dr. Strangelove”—New York Times); and a one-way assignment to the moon. The New Yorker proclaimed: “Omon’s adventure is like a rocket firing off its various stages — each incident is more jolting and propulsively absurd than the one before.”

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

*** Due to COVID-19, this meeting will most likely take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com. ***

This month’s selection is The Alternation, Kingsley Amis’s virtuoso foray into virtual history. This book can be purchased online via our BookShop site: https://bookshop.org/a/2325/9781590176177.

In Kingsley Amis’s virtuoso foray into virtual history it is 1976 but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice. In the audience is a select group of experts whose job is to determine whether that faultless voice should be preserved by performing a certain operation. Art, after all, is worth any sacrifice.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “suspense book club” in the subject line. The book can be purchased via our online store here.

This month’s title is All My Friends Are Superheroes by Andrew Kaufman.

“One of the saddest, funniest, strangest, and most romantic books. . . . Brilliant!” —The Bookseller

“All Tom’s friends really are superheroes. Tom even married a superhero, the Perfectionist. But at their wedding, Perf is hypnotized by her ex-boyfriend, Hypno, to believe Tom is invisible. Nothing he does can make her see him. Six months later, the Perfectionist is sure Tom has abandoned her, so she’s moving away. With no idea Tom’s beside her, she boards a plane. Tom has until they land to make her see him…”

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Claire Bowman, this is a reading group for those of you interested in exploring works from our expansive poetry section.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “poetry book club” in the subject line. The book can be purchased via our online store here.

This month’s title is Whale and Vapor by Kim Kyung Ju.

The poems in Whale and Vapor emphasize exhaustion—physically, mentally, and as an existential condition. Kim Kyung Ju playfully turns toward the lyric in this work as a way to reconcile himself with the contemporary world by engaging in dialogue with his Korean literary ancestry. Masterfully translated by Jake Levine in close conversation with the author, this collection by one of the most popular and critically acclaimed poets to come out in South Korea in the new millennium explores the cold tunnels of today’s tired, dark times.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

*** Due to COVID-19, this meeting will most likely take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “NYRB Classics book club” in the subject line. ***

This month’s selection is Frans Gunnar Bengtsson’s The Long Ships. Please note: we’ll discuss parts 1 and 2 in June (approx. 240 pages) and parts 3 and 4 in July (approx. 250 pages). This book can be purchased online via our BookShop site: bookshop.org/a/2325/9781590173466.

Frans Gunnar Bengtsson’s The Long Ships resurrects the fantastic world of the tenth century AD when the Vikings roamed and rampaged from the northern fastnesses of Scandinavia down to the Mediterranean. Bengtsson’s hero, Red Orm—canny, courageous, and above all lucky—is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he is initiated into the pleasures of the senses and fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies . . . Packed with pitched battles and blood feuds and told throughout with wit and high spirits, Bengtsson’s book is a splendid adventure that features one of the most unexpectedly winning heroes in modern fiction.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “suspense book club” in the subject line. The book can be purchased via our online store here.

This month’s title is César Aira’s Dinner, described as “a literary zombie tale”:

One Saturday night a bankrupt bachelor in his sixties and his mother dine with a wealthy friend. They discuss their endlessly connected neighbors. They talk about a mysterious pit that opened up one day, and the old bricklayer who sometimes walked to the cemetery to cheer himself up. Anxious to show off his valuable antiques, the host shows his guests old windup toys and takes them to admire an enormous doll. Back at home, the bachelor decides to watch some late night TV before retiring. The news quickly takes a turn for the worse as, horrified, the newscaster finds herself reporting about the dead rising from their graves, leaving the cemetery, and sucking the blood of the living—all somehow, disturbingly reminiscent of the dinner party.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “poetry book club” in the subject line. The book can be purchased via our online store here.

This month’s title is A Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton.

Alfred Starr Hamilton ‘wrote to the governor of poetry / And simply signed [his] own name.’ Consider this collection assembled by two very dedicated allographers an essential expansion on said letter. People who’ve encountered Hamilton’s work previously will be glad for the chance to see familiar poems alongside many marvelous new ones. And how I envy first-time readers of this most generous and genuine American writer. —Graham Foust 

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

*** Due to COVID-19, this meeting will most likely take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “NYRB Classics book club” in the subject line. ***

This month’s selection is parts 3 and 4 of Frans Gunnar Bengtsson’s The Long Ships (we discussed parts 1 and 2 in June). This book can be purchased from our store (call us for curbside pick up!) or online via our BookShop site: bookshop.org/a/2325/9781590173466.

Frans Gunnar Bengtsson’s The Long Ships resurrects the fantastic world of the tenth century AD when the Vikings roamed and rampaged from the northern fastnesses of Scandinavia down to the Mediterranean. Bengtsson’s hero, Red Orm—canny, courageous, and above all lucky—is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he is initiated into the pleasures of the senses and fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies . . . Packed with pitched battles and blood feuds and told throughout with wit and high spirits, Bengtsson’s book is a splendid adventure that features one of the most unexpectedly winning heroes in modern fiction.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “suspense book club” in the subject line. The book can be purchased via our online store here.

This month’s title is Keith Ridgway’s Hawthorn & Child, which Zadie Smith called “an idiosyncratic and fascinating novel.”

Hawthorn and his partner, Child, are called to the scene of a mysterious shooting in North London. The only witness is unreliable, the clues are scarce, and the victim, a young man who lives nearby, swears he was shot by a ghost car. While Hawthorn battles with fatigue and strange dreams, the crime and the narrative slip from his grasp and the stories of other Londoners take over: a young pickpocket on the run from his boss; an editor in possession of a disturbing manuscript; a teenage girl who spends her days at the Tate Modern; and a madman who has been infected by former Prime Minister, Tony Blair. Haunting these disparate lives is the shadowy figure of Mishazzo, an elusive crime magnate who may be running the city, or may not exist at all.

* * *

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We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “poetry book club” in the subject line. The book can be purchased via our online store here, or call us regarding curbside pick up.

On Saturday, July 25th at 1pm we’ll be discussing A Fortune for Your Disaster by Hanif Abdurraqib.

Hanif Abdurraqib is donating 100% of the 2020 royalties from this book to theokraproject.com, a collective that seeks to address the global crisis faced by Black Trans people by bringing home-cooked, healthy, and culturally specific meals and resources to Black Trans People.

In his much-anticipated follow-up to The Crown Ain’t Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It’s a book about a mother’s death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author’s black friends wanted to listen to ‘Don’t Stop Believin’.’ It’s about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor’s dogs—to create a mirror, inside of which every angle presents a new possibility.

* * *

Join Zoom Meeting:

Click here to join.

Meeting ID: 282 978 3950
Password: 788597

One tap mobile:
+13462487799,,2829783950#,,,,0#,,788597# US (Houston)

Find your local number: https://us02web.zoom.us/u/kbigMUsjuS

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

*** Due to COVID-19, this meeting will most likely take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “NYRB Classics book club” in the subject line. ***

This month’s selection is The Bridge of Beyond by Simone Schwarz-Bart, translated from the French by Barbara Bray. This book can be purchased from our store (call us for curbside pick up!) or online via our BookShop site: bookshop.org/a/2325/9781590176801.

This is an intoxicating tale of love and wonder, mothers and daughters, spiritual values and the grim legacy of slavery on the French Antillean island of Guadeloupe. Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Time flows unevenly during the long hot blue days as the madness of the island swirls around the villages, and Telumee, raised in the shelter of wide skirts, must learn how to navigate the adversities of a peasant community, the ecstasies of love, and domestic realities while arriving at her own precious happiness. In the words of Toussine, the wise, tender grandmother who raises her, “Behind one pain there is another. Sorrow is a wave without end. But the horse mustn’t ride you, you must ride it.” A masterpiece of Caribbean literature, The Bridge of Beyond relates the triumph of a generous and hopeful spirit, while offering a gorgeously lush, imaginative depiction of the flora, landscape, and customs of Gua­deloupe. Simone Schwarz-Bart’s incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

Join Zoom Meeting:

Click here to join.

Meeting ID: 282 978 3950
Password: 788597

One tap mobile:
+13462487799,,2829783950#,,,,0#,,788597# US (Houston)

Find your local number: https://us02web.zoom.us/u/kbigMUsjuS

Join us in celebrating the launch of David Meischen’s Anyone’s Son: Poems. (This event will take place via Zoom; details to come.)

From the rural South Texas of the nineteen fifties to a desert mesa in New Mexico many years later, Anyone’s Son illuminates the moments of a life animated by the author’s yearning, at its root sexual, for the company of another man. In five sections, each one corresponding to a stage in the life delineated here, the author offers scenes from his childhood on a small farm, as well as moments of conflicted adolescence. He explores unmitigated sexual pleasure, sometimes fraught with anguish and shame. He remembers scenes from marriage and fatherhood, from the wreckage and rebuilding that came at midlife. And finally, glimpses from a second marriage, this time unconflicted, to a man, to the right man. At its heart, Anyone’s Son poses an implicit question: What is identity?

David Meischen has been honored by a Pushcart Prize for “How to Shoot at Someone Who Outdrew You,” a chapter of his memoir, originally published in The Gettysburg Review and available in Pushcart Prize XLII. With three decades of poetry publication credits, David is dedicated to the narrative form. In the summer of 2020, Storylandia, Issue 34, will be entirely his work—The Distance Between Here and Elsewhere: Three Stories. Recipient of the 2017 Kay Cattarulla Award for Best Short Story from the Texas Institute of Letters, David has fiction, nonfiction, or poetry in The Common, Copper Nickel, The Evansville Review, Salamander, Southern Poetry Review, The Southern Review, Valparaiso Fiction Review, and elsewhere. He has served as a juror for the Kimmel Harding Nelson Center for the Arts, and in the fall of 2018, he completed a writing residency at Jentel Arts. Co-founder and Managing Editor of Dos Gatos Press, David lives in Albuquerque, New Mexico, with his husband—also his co-publisher and co-editor—Scott Wiggerman.

* * *

Join Zoom Meeting:

Click here to join.

Meeting ID: 282 978 3950
Password: 788597

Find your local number: https://us02web.zoom.us/u/kbigMUsjuS