Malvern Books

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

Our February selection is Elaine Dundy’s The Dud Avocado, the hilarious tale of a young American woman hell-bent on living who heads overseas to conquer Paris in the late 1950s.

One of the funniest books I’ve ever read; it should be subtitled Daisy Miller’s Revenge.
— Gore Vidal

American goes to some big city with dreams of conquest, hilarity ensues. Dundy’s 1958 novel (which had a huge fan in Groucho Marx) is pretty much the best and funniest example of that whole genre.
—Flavorwire

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on February 3rd.

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Come and celebrate our 4th birthday with this fun and friendly evening suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

Join us in celebrating the release of John Vanderslice’s historical novel, The Last Days of Oscar Wilde. With readings from John Vanderslice and Lucas Schaefer.

Oscar Wilde is struggling through his final years in Paris. His reputation is ruined. His finances are in shambles. He drinks too much. He is reduced to begging meals from strangers; he even resorts to minor fraud to raise a few more pounds to live on. The most important romantic relationship of his life, his alliance with Lord Alfred Douglas, is now but a strained, overwrought friendship marked on both sides by resentments and guilt. And yet against this backdrop of poverty, social downfall, and disappearing fortitude, Oscar Wilde survives. While his sense of self has been rent, he maintains his humor, an active joie de vivre, an affection for superstitious religiosity, and a network of devoted friends. He even manages to fall in love again. But can his close circle of devoted friends convince him to pick up his pen one more time and write?

John Vanderslice teaches in the creative writing program at the University of Central Arkansas. His stories, poems, essays, and one-act plays have appeared in scores of literary journals, including Laurel Review, Seattle Review, South Carolina Review, and Crazyhorse. His linked booked of stories Island Fog (Lavender Ink Press) was named by Library Journal as one of the Top 15 Indie Fiction Titles of 2014. His historical novel The Last Days of Oscar Wilde has just been released by Burlesque Press. 

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Emilee Araujo, an aspiring screenwriter and Creative Writing major at ACC. She has served as an editor of the Rio Review, and has been published there.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for an evening with acclaimed poet Carl Phillips. We’ll be celebrating the recent release of his new collection, Wild Is the Wind. This event is sponsored by the Michener Center for Writers.

In Wild Is the Wind, Carl Phillips reflects on love as depicted in the jazz standard for which the book is named—love at once restless, reckless, and yet desired for its potential to bring stability. In the process, he pitches estrangement against communion, examines the past as history versus the past as memory, and reflects on the past’s capacity both to teach and to mislead us—also to make us hesitate in the face of love, given the loss and damage that are, often enough, love’s fallout. How “to say no to despair”? How to take perhaps that greatest risk, the risk of believing in what offers no guarantee? These poems that, in their wedding of the philosophical, meditative, and lyric modes, mark a new stage in Phillips’s remarkable work, stand as further proof that “if Carl Phillips had not come onto the scene, we would have needed to invent him. His idiosyncratic style, his innovative method, and his unique voice are essential steps in the evolution of the craft.” —Judith Kitchen, The Georgia Review

Carl Phillips is the author of numerous books of poetry, including Wild Is the Wind (FSG, 2018). His collection The Rest of Love (FSG, 2004) won the Theodore Roethke Memorial Foundation Poetry Prize and the Thom Gunn Award for Gay Male Poetry, and was a finalist for the National Book Award. His other books include Rock Harbor (FSG, 2002); The Tether (FSG, 2001), winner of the Kingsley Tufts Poetry Award; and Pastoral (Graywolf Press, 2000), winner of the Lambda Literary Award. Carl Phillips is a visiting poet at the Michener Center for a one week residency this semester.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is The Black Unicorn by Audre Lorde.

The Black Unicorn is a collection of poems by a woman who, Adrienne Rich writes, “for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet.”

Rich continues: “Refusing to be circumscribed by any simple identity, Audre Lorde writes as a Black woman, a mother, a daughter, a Lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity. Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader’s eye.”

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Stefan Zweig’s The Post-Office Girl, a masterful analysis of what happens to human feeling in a completely commodified world.

Christine toils in a provincial post office in post–World War I Austria, a country gripped by unemployment. Out of the blue, a telegram arrives from Christine’s rich American aunt inviting her to a resort in the Swiss Alps. Christine is immediately swept up into a world of inconceivable wealth and unleashed desire. She feels herself utterly transformed: nothing is impossible. But then, abruptly, her aunt cuts her loose. Christine returns to the post office, where yes, nothing will ever be the same…

In The Post-Office Girl Stefan Zweig explores the details of everyday life in language that pierces both brain and heart … The story is poignant, painful, and must be one of fiction’s darkest indictments of how poverty destroys hope, enjoyment, beauty, brightness and laughter, and how money, no matter how falsely, provides ease and delight.
—The Spectator

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free afternoon suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is David Thornberry.

David Thornberry is a painter and poet, alternating between the two art forms. He continues to make, publish and show art, both literary and visual, in the Austin area. His 30th chapbook, Too Soon, is scheduled to be published in March.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world.

This month’s guest is scientist and author Juli Berwald.

Marine invertebrates stole Juli Berwald’s heart on her first snorkel in the Red Sea during college. Hoping to study the ocean forever, she spent seven years building mathematical algorithms to interpret satellite imagery of the ocean, receiving her Ph.D. in ocean science. Her husband stole her heart next, and she drifted away from the ocean to Austin, Texas to be with him. Landlocked, she wrote textbooks and popular science articles for National Geographic, the New York Times, Nature, and Redbook before the story of jellyfish led her back to the sea. Her science memoir, Spineless: The Science of Jellyfish and the Art of Growing a Backbone, is “a heartfelt plea for humans to fulfill their responsibilities toward nature” (The New Yorker).

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Silk Poems by Jen Bervin.

Silk Poems takes silk as subject and form, exploring its cultural, scientific, and linguistic complexities. In conjunction with Tufts University’s Silk Lab’s cutting-edge research on liquified silk, Jen Bervin wrote a poem composed in a six-character chain that corresponds to the DNA structure of silk; modeled on the way a silkworm applies filament to its cocoon. This poem, written from the perspective of the silkworm, explores the cultural, scientific, and linguistic complexities of silk written inside the body.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of new books from Charles Alexander and Saba Syed Razvi. With readings from Charles, Saba, and Kyle Schlesinger (left to right, below).

Charles Alexander writes poems, publishes books, makes books, teaches poetry and other literary works. He has published 6 full books of poems and 13 chapbooks. He has been engaged for some two decades on the work Pushing Water, whose first volume was published by Cuneiform Press. The second volume, titled AT the Edge OF the Sea: Pushing Water II, has just been released by Singing Horse Press in San Diego. Alexander directs Chax Press, and has been a director and principle in many poetry community-building endeavors, including POG, Inc., in Tucson, Arizona, and currently as the co-curator of the University of Houston-Victoria Center for the Arts and the director of the MFA Creative Writing Program at the University of Houston-Victoria. He is most closely identified with Tucson, Arizona, where he and Chax Press spent approximately 30 years and to where he will return in Summer 2018. A collection of his essays on poetry and books will be published in 2019. He co-creates a variety of works and projects with his partner, the visual artist Cynthia Miller.

Saba Syed Razvi is the author of In the Crocodile Gardens (Agape Editions), heliophobia (Finishing Line Press), Limerence & Lux (Chax Press), Of the Divining and the Dead (Finishing Line Press), and Beside the Muezzin’s Call & Beyond the Harem’s Veil (Finishing Line Press). Her poems have appeared in journals such as The Offending Adam, Diner, TheTHE Poetry Blog’s Infoxicated Corner, The Homestead Review, NonBinary Review, 10×3 plus, 13th Warrior Review, The Arbor Vitae Review, and Arsenic Lobster, and others, as well as in anthologies such as Voices of Resistance: Muslim Women on War Faith and Sexuality, The Loudest Voice Anthology, The Liddell Book of Poetry, Political Punch: Contemporary Poems on the Politics of Identity, The Rhysling Anthology, Dreamspinning, and Carrying the Branch: Poets in Search of Peace. Her poems have been nominated for the Elgin Award, the Bettering American Poetry Awards, The Best of the Net Award, the Rhysling Award, and have won a 2015 Independent Best American Poetry Award. She is currently an Assistant Professor of English and Creative Writing at the University of Houston in Victoria, TX, where in addition to working on scholarly research on interfaces between Science and contemporary Poetry, she is researching Sufi Poetry in translation, and writing new poems and fiction.

Kyle Schlesinger is a poet living in Austin. Some recent and forthcoming poetry books include: Sydney Omarr’s Wild Children, with the artist Flynn Maria Bergmann; Swish Void, with poet Grant Cross; and Life, with poet Ted Greenwald.

We’re thrilled to be hosting a series of readings as part of the 26th annual Austin International Poetry Festival.

See the Austin International Poetry Festival website to sign up and for the full schedule of readings.

AIPF takes place April 5-8 and includes unique Austin venues, diverse themed poetry readings, open mics, workshops, music and poetry, anthology reading, dusk to dawn, and a poetry symposium. AIPF is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Join us for an evening devoted to discussion of Claudia Rankine’s award-winning poetry collection Citizen: An American Lyric, a powerful and direct engagement with race and violence in present-day American culture. We’ll also be discussing the cultural significance of the film Black Panther, and pose questions to the audience about the world as seen through the book and the movie. With host Joe Brundidge and guests Daria Howard and Kelene Blake-Fallon.

Joe Brundidge is an author and public speaker, and has hosted a number of open mic events for almost 20 years, including Spoken & Heard at Kick Butt Coffee, an event he curates. He also served as the Director of the Austin International Poetry Festival for three years, from 2012-2015. He is currently co-host of KOOP 91.7fm’s “Writing On The Air.” His second book of poetry, Element 615, was released in 2017.

Daria Howard is a Spoken Word Artist, Youth Development Professional at Boys & Girls Clubs of the Austin Area, and a Teaching Artist with the Speak Piece Poetry Project.

Kelene Blake-Fallon is a Spoken Word Artist, Health and Wellness Consultant, and Adjunct Professor in the Adult Degree Program at Huston-Tillotson University.

Claudia Rankine’s Citizen: An American Lyric,  published by Graywolf Press in 2014, is the first work of poetry to become a New York Times bestseller for multiple weeks on the paperback nonfiction list. It won the National Book Critics Circle Award in poetry, and was also a finalist for the award in criticism, the first time in the history of those awards that a book was named a finalist in more than one category. “A classic that will be read, referred to and reflected on for generations” (Lit Hub), Citizen is a genre-bending work of art combining lyric prose with internal monologues, visual art, slogans, photographs, quotes, a screen grab from YouTube, and film scripts. It is a touchstone for talking candidly about racism. And it is a time capsule of contemporary headlines and key figures, with references to, among other things, Hurricane Katrina, the tennis champion Serena Williams, the 2006 World Cup, and the fatal shooting of Florida resident Trayvon Martin. Through a series of vignettes, the book recounts everyday moments of racism “of a kind that accumulate until they become a poisonous scourge: being skipped in line at the pharmacy by a white man, because he has failed to notice you in front of him; being told approvingly, as a schoolchild, that your features are like those of a white person; being furiously accosted by a trauma therapist who does not believe that the patient she is expecting could look like you” (The New Yorker). “I started working on Citizen as a way of talking about invisible racism—moments that you experience and that happen really fast,” Rankine told The New Yorker.

Jamaican-born author Claudia Rankine is the author of five collections of poetry, two plays, and numerous video collaborations. She is the editor of several poetry anthologies, serves as a Chancellor of the Academy of American Poets, and was named a MacArthur Foundation Fellow in 2016. Also in 2016, following ten years of teaching at Pomona College in Claremont, California, she was named the Frederick Iseman Professor of Poetry at Yale University.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Invention of Morel by Adolfo Bioy Casares (1914–1999). Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of The Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.

A masterfully paced and intellectually daring plot. Like the best science fiction, of which this is an exemplar, Bioy’s themes have become ever more relevant to a society beholden to image. It is this keenness of thought and expression that buttresses Borges’s claim of the novella’s perfection. —The Times

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the launch of the novel Collision Theory by Adrian Todd Zuniga. With readings from Adrian and Jason Neulander.

Collision Theory is Adrian Todd Zuniga’s memorably heartfelt and headlong debut novel. Its suddenness, its unexpectedness, its humor, and its humanity make for an unforgettable, surprising, and emotional read.

Adrian Todd Zuniga (below left) is a creator and host of Literary Death Match, and is the founding editor of Opium Magazine, which is a reading series that occurs regularly in New York City, San Francisco, and London, and has launched in 54 cities worldwide including Beijing, Edinburgh, Chicago, and Paris. Zuniga is also a Pushcart Prize-nominated writer for his short fiction and an award-winning journalist.

Jason Neulander (below right) is an award-winning theatre artist, filmmaker, and producer based in Austin, Texas. He founded and was the artistic director of Austin’s premiere producer of new plays Salvage Vanguard Theater from 1994 to 2008. His transmedia sci-fi multiverse THE INTERGALACTIC NEMESIS, which he wrote, directed, and produced, premiered in 2010 and has taken the form of graphic novels, a YouTube series, podcasts, audio dramas, novels, and a live theatrical tour. It was adapted for television by PBS. His feature film debut Fugitive Dreams shoots in 2018. “A seemingly inexhaustible ability to surprise. And thrill. And horrify. And amuse. And intrigue.” —The Austin Chronicle

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free afternoon suitable for performers of all ages and abilities.

Our April open mic will be an official City Read for the Austin International Poetry Festival! AIPF takes place April 5-8 and includes unique Austin venues, diverse themed poetry readings, open mics, workshops, music and poetry, anthology reading, dusk to dawn, and a poetry symposium. AIPF is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

Join us for a reading with Anna Maria Hong and Roger Reeves. We’ll be celebrating the release of Hong’s first poetry collection, Age of Glass, which won the Cleveland State University Poetry Center’s First Book Poetry Competition, and also her novella, H & G, which won the A Room of Her Own Foundation’s inaugural Clarissa Dalloway Prize and has been just published by Sidebrow Books.

Anna Maria Hong’s first poetry collection, Age of Glass, won the Cleveland State University Poetry Center’s 2017 First Book Poetry Competition and will be published in April 2018. Her novella, H & G, won the A Room of Her Own Foundation’s inaugural Clarissa Dalloway Prize and will be published by Sidebrow Books in May 2018. Her second poetry collection, Fablesque, won Tupelo Press’s Berkshire Prize and is forthcoming in 2019. A former Bunting Fellow at the Radcliffe Institute for Advanced Study, she has published poetry and fiction in over 50 journals and anthologies including The Nation, The Iowa Review, Poetry, Ecotone, POOL, Fence, Harvard Review, The Volta, Verse Daily, Fire on Her Tongue: An Anthology of Contemporary Women’s Poetry and The Best American Poetry. She will join the Literature faculty at Bennington College in July 2018.

Roger Reeves is the author of the poetry collection King Me (Copper Canyon) and recipient of honors and support from the National Endowment for the Arts, the Poetry Foundation, Bread Loaf, the Provincetown Fine Arts Work Center, and Cave Canem. His poems have appeared in journals such as Poetry, Ploughshares, American Poetry Review, Boston Review, and Tin House. Kim Addonizio selected “Kletic of Walt Whitman” for the Best New Poets 2009 anthology. He earned his MFA from the Michener Center in 2010 and his PhD in English from UT’s Dept of English, and he previously taught at University of Illinois/Chicago.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Ken Fontenot, a poet and novelist who lives in Austin. He is author of four books of poetry, including In a Kingdom of Birds, which was names best book of poetry by the Texas Institute of Letters, and All My Animals and Stars, which won the Austin Book Award; and a novel, For Mr. Raindrinker.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the launch of Harold Whit Williams’ new poetry collection, Red Clay Journal. Harold will be joined by poet and firefighter Tim Krcmarik.

Harold Whit Williams is guitarist for the critically acclaimed rock band Cotton Mather. He is a 2018 Pushcart Prize Nominee, and also recipient of the 2014 Mississippi Review Poetry Prize. His collection, Backmasking, was winner of the 2013 Robert Phillips Poetry Chapbook Prize from Texas Review Press, and his latest, Red Clay Journal, is available from FutureCycle Press.  

Tim Krcmarik is a 12-year veteran of the Austin Fire Department and is a Lieutenant on Engine 1 downtown. His first book, The False Lark, was published by Diabolical Genius Press in 2013 and a pamphlet, The Heights, appeared in 2008 as part of the Lost Horse Press New Poets/ Short Books series. He is a recipient of the Paul Engle Fellowship from the University of Iowa and a graduate of the Iowa Writers’ Workshop. He lives in Austin with his wife and son.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

fields magazine and the New Writers Project present an evening with Kaveh Akbar, author of Calling a Wolf a Wolf. This program was made possible in part with a grant from Humanities Texas, the state affiliate of the National Endowment for the Humanities.

Kaveh Akbar’s poems appear recently in The New Yorker, Poetry, the New York Times, The Nation, and elsewhere. His first book, Calling a Wolf a Wolf, is just out with Alice James in the US and Penguin in the UK. He is also the author of the chapbook Portrait of the Alcoholic. The recipient of a Pushcart Prize, a Ruth Lilly and Dorothy Sargent Fellowship from the Poetry Foundation, and the Lucille Medwick Memorial Award from the Poetry Society of America, Kaveh was born in Tehran, Iran, and teaches in the MFA program at Purdue University and in the low-residency MFA programs at Randolph College.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Spring and All by William Carlos Williams.

Voted by the New York Times as one of the greatest poems of the twentieth century, Spring and All is a manifesto of the imagination—a hybrid of alternating sections of prose and free verse that crystalizes in dramatic, energetic, and beautifully cryptic statements of how language recreates the world. Spring and All contains some of Williams’s best known poetry, including Section I, which opens, “By the road to the contagious hospital” (now commonly known by the title “Spring and All”), and Section XXII, where Williams penned his most famous poem, “The Red Wheelbarrow.” 

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Loren Stell’s new poetry collection, Topknot Analysis. With readings from Loren and also David Meischen, who will read from his memoir in progress, Crossing the Nueces: Reflections on a Divided Life, as well as poems that resonate with the memoir. He will share excerpts from his Pushcart winning chapter, as well as from a chapter published in Fashionably Late: Gay, Bi, and Trans Men Who Came Out Later in Life.

Topknot Analysis represents the layered, complex—sometimes frighteningly beautiful, or beautifully frightening—conflicts between our inner and outer worlds. The person we were, are becoming, will be, reflected in discordant and melodic poems that both sooth and agitate. A book of poems you might find in the libraries of existentialist, Buddhist or Baptist seekers, lovers and preachers. 

Son of Texas, Loren Stell, in Austin for five years, reads poems about his life-long, ex-pat life on the East coast. Leaving Charlotte, North Carolina for Harlem was Loren’s first step in a Jack Kerouac-styled journey that led to post-graduate degrees in theology, psychology, film and poetry from Columbia University and Sarah Lawrence College. As a journalist and filmmaker, Loren chronicled events and people from the outside. After decades as a psychoanalyst, he’s viewed life from the inside out. Writing poems about our mysterious, labyrinthine world served as a compass and reverie.

David Meischen has been honored by a Pushcart Prize for his autobiographical essay, “How to Shoot at Someone Who Outdrew You,” originally published in The Gettysburg Review and available in Pushcart Prize XLII. Recipient of the 2017 Kay Cattarulla Award for Best Short Story from the Texas Institute of Letters, Meischen has fiction, nonfiction, or poetry in Borderlands: Texas Poetry Review, Copper Nickel, The Evansville Review, Salamander, Southern Poetry Review, The Southern Review, Valparaiso Fiction Review, and elsewhere. Co-founder and Managing Editor of Dos Gatos Press, he lives in Albuquerque, NM, with his husband—also his co-publisher and co-editor—Scott Wiggerman.

Join us in celebrating the release of the Spring 2018 edition of Austin Community College’s journal, The Rio Review, which showcases poetry, prose, and artworks by students. During the event, students featured in this issue will share their fiction, nonfiction, and poetry with us.

Come celebrate the release of chapbooks generated through a partnership between writers in the St. Edward’s University Poetry II class and graphic designers-in-residence from the Risograph Lab. Authors Quentin Arch, Awbrey Collins, Davey De La Garza, Miguel Escoto, Allyson Garcia, Sam Griffith, Betsy McKinney, Gavin Quinn, and Sophie Velasquez will read from their work. Designers Brandy Shigemoto and Edith Valle will be on hand to talk about the collaboration process with faculty mentors Sasha West and Jimmy Luu.

Join us in celebrating the launch of a new issue of Echo Literary Magazine.

Echo Literary Magazine is a publication of the University of Texas at Austin’s Liberal Arts Honors Program. It showcases the work of UT undergraduates from all majors and programs. Echo accepts submissions of poetry, prose, and visual art, including photography.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Eve Babitz’s Eve’s Hollywood, an album of vivid snapshots of Southern California’s haute bohemians.

Los Angeles-born glamour girl, bohemian, artist, muse, sensualist, wit and pioneering foodie Eve Babitz … reads like Nora Ephron by way of Joan Didion, albeit with more lust and drugs and tequila … Reading Babitz is like being out on the warm open road at sundown, with what she called, in another book, ‘4/60 air conditioning’—that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair. —Dwight Garner, The New York Times

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join Hothouse Literary Journal for a reading from its spring publication. There will be copies of the free journal to pick up, a reading from some of the published writers, light refreshments, and conversation. Bring your friends! All are welcome.

Hothouse Literary Journal is the official journal for the UT English Department. They publish poetry, nonfiction, and fiction stories from multiple genres every year.

VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities) invite you to a very special edition of the Lion and Pirate Unplugged Open Mic. As well as our regular Open Mic event for performers of all ages and abilities, this month we are delighted to have a special guest, Maria R. Palacios. A poet, author, spoken word performer, motivational speaker, and disability rights activist, Maria will share with us her new book, Bubbles of Ableism: A Disabled Woman’s Journey of Love & Motherhood. (For those of you considering bringing younger children to the Open Mic, please note that Maria’s work sometimes deals with more adult themes like sex and sexuality.)

Featured on numerous local radio shows and podcasts, nationally syndicated programs, and in many international publications, Maria Palacios’ impact on the rights of children, women, people with disabilities, and the Hispanic community is as immeasurable as her artistry is undeniable.

Some of Maria’s most cherished accomplishments and positions include her participation in efforts that led to the passage of the Americans with Disabilities Act of 1990; being inducted into the Hispanic Women in Leadership Hall of Fame in 1996 and receiving the Hispanic Excellence Award in 1997; being a member of the International Guild of Disabled Artists and Performers since 2009; exploring her personal connection to Frida Kahlo through live performances of her poetry at Houston’s annual Frida Fest celebration for seven straight years; participating in the Gulf Coast Poetry Tour (2009); and creating a publishing company (Atahualpa Press). Of particular passion to Maria is Sins Invalid, a performance project of artists with disabilities. With this group she has performed since 2007, co-facilitated their Tongue Rhythm Multi-Disciplinary Poetry Workshop in 2008, and is featured in the 2013 documentary, Sins Invalid: An Unashamed Claim to Beauty in the Face of Invisibility. In the artistic world, Maria is known as “The Goddess on Wheels.”

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Cyrus Cassells, whose sixth volume of poetry, The Gospel According to Wild Indigo, is out now from Southern Illinois University Press.

Cyrus Cassells is the author of The Mud Actor, winner of the 1981 National Poetry Series Competition; Soul Make a Path through Shouting, nominee for the Pulitzer Prize and winner of the William Carlos Williams Award; Beautiful Signor, winner of the Lambda Literary Award; and The Crossed-Out Swastika, finalist for the Balcones Prize for Best Poetry Book of 2012. He teaches at Texas State University in San Marcos.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world.

This month’s guest is writer Natalia Sylvester.

Natalia Sylvester is the author of the novels Chasing the Sun and Everyone Knows You Go Home, which was named a Best Book of 2018 by Real Simple. She studied Creative Writing at the University of Miami and is a faculty member of the low-res MFA program at Regis University in Denver, Colorado. Natalia’s articles have appeared in Latina Magazine, Writer’s Digest, The Austin American-Statesman, and NBCLatino.com. Born in Lima, Peru, she came to the U.S. at age four and spent time in South and Central Florida and the Rio Grande Valley in Texas before her family set roots in Miami. She now lives and works in Austin.

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

This all-women reading features writers from the Revolution Writing Workshop led by Abe Louise Young. Join us for poetry and prose about mothering, queer and straight parenting, being mothered and unmothered, sex, Mother Earth, and more! Readers include: Angeliska Polachek, Jamie Harris, Erin Flynn, Rebecca Whitehurst, Robin Bradford, Marcela Contreras, and Kandice Farmer.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Good Bones by Maggie Smith.

Smith’s poem “Good Bones” was called “Official Poem of 2016” by Public Radio International. In the collection of the same name, Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they’ve just opened, knowing nothing of the characters or plot. These poems stare down darkness while cultivating and sustaining possibility and addressing a larger world.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the recent release of Amanda Johnston’s debut poetry collection, Another Way to Say Enter. Amanda will be joined by Lisa L. Moore.

In Amanda Johnston’s debut collection, Another Way to Say Enter, readers are offered glimpses of scenes as if peering through windows and doors. Bright and sharp, precise in their Imagism, Johnston’s poems distill moments to their essence, challenge notions of what it means to fully examine a life day by day, room by room. These poems are both visceral and spiritual, reminding the reader that entry, departure, and the inevitable return is a journey that must be felt, not just imagined. —Teneice Durrant, Argus House Press

Amanda Johnston earned a Master of Fine Arts in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter (Argus House Press). Her poetry and interviews have appeared in numerous online and print publications, among them Callaloo, Poetry, Kinfolks Quarterly, Muzzle, Pluck! and the anthologies Small Batch, di-ver-city and The Ringing Ear: Black Poets Lean South. The recipient of multiple Artist Enrichment grants from the Kentucky Foundation for Women and the Christina Sergeyevna Award from the Austin International Poetry Festival, she is a member of the Affrilachian Poets and a Cave Canem graduate fellow. Johnston is a Stonecoast MFA faculty member, a cofounder of Black Poets Speak Out, and founding executive director of Torch Literary Arts.

Lisa L. Moore is an Alberta-born writer who has lived in Austin, Texas for almost thirty years. She’s the author of the chapbook 24 Hours of Men (Dancing Girl, 2018). Her poems have appeared recently in Nimrod International Journal, The Fourth River, and Borderlands Texas Poetry Review. Her poetry and critical writing have been recognized with the Art/Lines Juried Poetry Prize and the Lambda Literary Foundation Book Award. The author or editor of five books of literary criticism, she teaches English and Women’s and Gender Studies at The University of Texas at Austin.

Join us for a reading from members of Donna M. Johnson’s literary nonfiction workshop. Readers include Jay Byrd, Carrie Kenny, Jennifer Patterson, Marcie Bruscato Poss, Beth Remsburg, Nettie Reynolds, Rosaia Shepard, Steph Steele, Robin Storey, and Mahani Zubedy.

Join us in celebrating the launch of Take To The Territory, Jim Trainer’s fourth collection of poetry and prose through Yellow Lark Press. With readings from Jim, Ignacio Carvajal, and Christine Schiele.

Singer-songwriter, journalist, and curator of Going For The Throat, a weekly publication of cynicism, outrage, correspondence and romance, Jim Trainer publishes one collection of poetry and prose every year through Yellow Lark Press. Please visit his website for Take To The Territory, his latest collection, and for music, film, and appearances.

Photo credit: Adam Glick Photography

Ignacio “Brown Thought” Carvajal is from Costa Rica. He’s a PhD student of Latin American Literature at UT Austin. He’s a member of the Latino Writers Collective of Kansas City and the Taller Literario Don Chico in San José, Costa Rica. His work has appeared in the anthologies @Primera Página: Poetry from the Latino Heartland and The Wandering Song: Central American Writing in the United States.

Christine Schiele is a writer, storyteller and, at times, a performance artist. Under various names, she has brought her passion for the bizarre to stages at FronteraFest, Testify, Bedpost Confessions, LAFF! (Ladies Are Funny Festival), The Living Room: Storytime for Grownups, Kink Ball and Weird! True Hollywood Tales (RIP). Christine also performs as a mentalist with the magic act Turning Tricks with The Darlings.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Iza’s Ballad by Magda Szabó, a striking story of the relationship between a mother and a daughter who come from two different worlds and have different ideas of what it means to lead a good life.

Magda Szabo’s work casts an indirect light upon the dimness that exists between our public and private selves, a place wherein our betrayals—both personal and political—flicker uneasily over the walls . . . Iza’s Ballad should solidify Szabo’s standing as a master novelist amongst her English-language readers.
—Dustin Illingworth, LitHub

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the recent release of Rachel Z. Arndt’s essay collection, Beyond Measure.

With mordant humor and penetrating intellect, Rachel Z. Arndt casts her gaze beyond event-driven narratives to the machinery underlying them: judo competitions measured in weigh-ins and wait times; the significance of the elliptical’s stationary churn; the standardized height of kitchen countertops; the rote scripts of dating apps; the stupefying sameness of the daily commute. “How much can data tell us?” Arndt asks, challenging us to consider the simultaneous comfort and absurdity of our exhaustively quantified—yet never entirely quantifiable—lives.

Rachel Z. Arndt received MFAs in nonfiction and poetry from the University of Iowa, where she was an Iowa Arts Fellow and nonfiction editor of the Iowa Review. Her writing has appeared in Popular Mechanics, Quartz, Pank, and Fast Company, among others. She is currently the assistant editor of the McSweeney’s Poetry Series and a reporter. She lives in Chicago.

Join us for an evening with Elizabeth Threadgill, Melissa Cundieff and Roger Jones. Elizabeth Threadgill is celebrating the launch of her chapbook Tangled in the Light (Finishing Line Press), and Melissa Cundieff is celebrating the launch of her book Darling Nova (Autumn House Press).

Elizabeth Threadgill holds an MFA in Poetry and a PhD in Developmental Education-Literacy, both from Texas State University. She grew up in Marfa, Texas, and now lives in upstate New York with her husband, poet James Henry Knippen. She is an Assistant Professor of English at Utica College. Tangled in the Light marks Elizabeth’s poetry debut and is representative of landscape and life in rural Texas.

Melissa Cundieff is the author of Darling Nova, selected by Alberto Ríos for the 2017 Autumn House Press Full-Length Poetry Prize. She holds an MFA from Vanderbilt, and her poems have appeared in such places as Best of the Net, Ninth Letter, Crab Orchard Review, Mid-American Review, TriQuarterly, and Four Way Review. Originally from Texas, she lives in Saint Paul, MN with her two children.

Roger Jones has a BA and MA from Sam Houston State University and a PhD in English from Oklahoma State University. He has taught at SHSU, Oklahoma State and Lamar University in Beaumont, and since 1987, has taught at Texas State University in San Marcos, where he has served since 1998 on the MFA Creative Writing poetry faculty. He has published poems in various journals since the 1970s. The Texas Review Press published his chapbook Remembering New London in 1981, and his full collections Strata (1993) and Are We There Yet? (2008). In 2015, Finishing Line Press published his chapbook Familial, and his collection of Japanese haibun poems Goodbye was published as an electronic chapbook in 2017 by the Snapshot Press in the UK.

Please join us for a celebratory reading by the writers of S. Kirk Walsh’s nine-month fiction workshop (Sept-June). Short excerpts from novels and short stories will be read.

Participating writers include Cristina Adams, Erin Augustine, Nicole Beckley, Deborah de Freitas, Matt Holmes, Lisa Jackson, Jack Kaulfus, Alejandro Puyana, Victoria Rossi, Ramona Reeves, Siobhan Welch, and Stefani Zellmer. This talented group of writers features published fiction and nonfiction writers, book critics, and MFA graduates. For the past nine months, they have participated in an intensive fiction workshop, drafting and revising novels and short stories throughout the year. Please join us in celebrating their inspiring work and distinctive voices with this end-of-the-workshop reading. Refreshments and sweets will be served.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free evening suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

Join us in celebrating the launch of award-winning author Roger Thompson’s new book, No Word for Wilderness: Italy’s Grizzlies and the Race to Save the Rarest Bears on Earth (Ashland Creek Press).

In Italian, there is no word for wilderness. Yet in the mountains of Italy, brown bears not only exist, they are fighting to survive amid encroaching development, local and international politics, and the mafia. This meticulously researched and eye-opening book tells the incredible stories of two special populations of bears in Italy—one the last vestige of a former time that persists against all odds, the other a great experiment in re-wilding that, if successful, promises to change how we see not only Italy but all of Europe. The stories of these bears take readers on a spectacular journey across Italy, where we come face-to-face not only with these fascinating species but with embattled park directors, heroic environmentalists, innovative scientists, and a public that is coming to terms with the importance of Italy’s rich natural history. Award-winning author Roger Thompson has traveled throughout Italy documenting the history and current crises of these bears, and the result is an engaging and in-depth examination that resonates across all endangered species and offers invaluable insights into the ever-evolving relationships between human and non-human animals in a rapidly changing world.

Roger Thompson is an award-winning nonfiction writer and director of the Program in Writing and Rhetoric at Stony Brook University. His work and features have appeared in the New York Times, theatlantic.com, Ozy, Quartz, Raw Vision, and others, and he is senior editor for a fine art photography magazine based in Brooklyn.

It’s Bloomsday! Named for Leopold Bloom, the protagonist of James Joyce’s Ulysses, Bloomsday is observed around the world on June 16th, as this is the date during which the events of Ulysses are relived (16th June, 1904). Join us for a celebration of the life of James Joyce, with short readings from Ulysses (sign up in store on the day if you’d like to read!) and suitably Irish snacks.

Join us in celebrating the recent release of visiting author Mark Haskell Smith’s novel Blown. With host Jill Alexander Essbaum.

Biting satire and criminal mischief abound in Mark Haskell Smith’s new novel Blown, which follows a Wall Street trader who disappears—with millions in stolen cash—and the madcap team of investigators on his trail in the Cayman Islands in this hot, hilarious case of offshore banking gone awry. Wickedly funny, ribald, and sharp-eyed, Blown starts as a simple case of embezzlement and explodes into a fatal high-stakes gamble for money and the pursuit of happiness.

Mark Haskell Smith is the author of five novels, most recently Raw: A Love Story, and the nonfiction book Heart of Dankness: Underground Botanists, Outlaw Farmers, and the Race for the Cannabis Cup. His work has appeared in the Los Angeles Times, Los Angeles Review of Books, and Vulture. He lives in Los Angeles.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is On Lost Sheep by Japanese Modernist poet Shiro Murano (1901-1975), translated by Goro Takano.

In order to survive at all as a poet Murano had to cross the treacherous boundary of pre and postwar cultural ideologies —the latter just as guilty in its omissions as the earlier era was in its excess. Hence Murano’s realism is of necessity a tragic one. He believed that the poet writes from the night of the world in the face of the forgetting of Being. The task of the poet was to break free of this night. Murano summed up his poetics as a yearning for authentic Being. Goro Takano’s translations pass through this difficult terrain with painstaking care, reflecting the precision of the original while at the same time not shying away from allowing the strain of such a task to show through—a strain which we both know is more than merely a linguistic one. —Eric Selland

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of the third issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities. Numerous poets and writers will read excerpts of their work from this edition.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Antonio di Benedetto’s Zama. First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentinean and Spanish-language literature. Written in a style that is both precise and sumptuous, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay.

Available in English for the first time, this 1956 classic of Argentine literature presents a riveting portrait of a mind deteriorating as the 18th century draws to a close … The final images of the novel are haunting and unforgettable. This extraordinary novel, whose English translation has been so long in coming, is a once and future classic.
—Publishers Weekly, starred review

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free evening suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world.

This month’s guest is novelist, poet, and essayist Anis Shivani.

Anis Shivani is the Pushcart Prize-winning author of several books of fiction, poetry, and criticism each, including, most recently, Karachi Raj: A Novel, Soraya: Sonnets, Literary Writing in the 21^st Century: Conversations, and the forthcoming A History of the Cat in Nine Chapters or Less. His work appears in many leading literary journals. 

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Keith R. Rees’ new novel, One Night in Bangkok.

Miles Devereaux, an ordinary, working class, family man, is thrust sixty years into the dazzling futuristic world of 2065 Bangkok, and into a life-and-death game of chess where the players and pieces’ fates depend on each player’s acumen. Requiring Miles to match wits and physical skills with an array of opponents while faced with solving the mystery of his time travel and how to return to his own time, One Night in Bangkok is a riveting adventure set in what might very well be our own future.

Keith R. Rees has been writing professionally for over 20 years. One Night in Bangkok, a science fiction work, is the first installment in what is projected to become The One Night Trilogy. He has always been a fan of science fiction, particularly stories that involve time travel, and writes stories that have both realistic and human sides to them.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Shatter the Bell in My Ear: Selected Poems of Christine Lavant, translated by David Chorlton.

Born in Austria in 1915, Christine Thonhauser (Lavant) was the ninth child of a miner, Georg, and his wife, Anna, and grew up in poverty. While the poetry she was later to write contained the language of spirituality, the pain she described in it came from actual conditions which she suffered: scrofula and tuberculosis of the lungs. Being disadvantaged in health also meant she could not complete her education as intended. Unable to do hard physical work, she earned a living with knitting and weaving until she gained a reputation as a writer. Writing sometimes in rhyme, sometimes in free verse, Lavant employed directness in her language.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Mad and the Bad by Jean-Patrick Manchette, a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate.

The Mad and the Bad is so dark it redefines noir: bleak and pointed, yes, but also infused with an understanding that what passes between us is not only compromised but more often faithless, less a matter of commitment or connection than a kind of unrelenting animal need. —David L. Ulin, Los Angeles Times

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians.

This special edition of the Lion & the Pirate also features a reading from poet Mel Finefrock, who will be sharing her collection, Patchwork Poetry, and other poems. The Open Mic will be at 1pm, followed by Mel’s reading at 2pm.

Everyone is welcome to join us for this fun and friendly free afternoon suitable for performers of all ages and abilities. Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Some Animal by Ely Shipley.

Aligned with queer theories of temporality, fragments of memoir rub against the language of psychiatric and medical regimes at the site of a body that does not conform to a gender binary. Some Animal draws out dream-like and supernatural resonances between the literature of pathology and experiences of gender dysphoria.

 

“This remarkable, brilliant and brave poetry by Ely Shipley is an emblem for our time when US-lawmakers are making LGBTQ bodies outlaw in many states, their Christian extremism telling an entire generation they are subhuman. Float out of body with these poems then come hurtling down to land on our feet together and demand safety, equity, and a place at the table for all people. I love this book!” —CA Conrad

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the recent launch of Laurie Filipelli’s new poetry collection, Girl Paper Stone. With musical guest flutist Marcela DeFaria Casaubon and a post-reading conversation led by author and composer Jan Bozarth.

In her luminous book, Filipelli remakes the constellations of a modern life. Her poems re-draw the lines between the parts of the world, helping us to see there are no divisions between planting a plumbago and watching the passage of hateful legislation, no space between grief for a lost father and the wonder of what he’s told the speaker: “the whale’s veins are so wide we could swim/ to her heart.” By looking so tenderly and incisively at the actual experience of a life, Filipelli makes us see our own differently. —Sasha West

Laurie Filipelli is the author of Elseplace (Brooklyn Arts Press, 2013) and Girl Paper Stone (Black Lawrence Press, 2018). Her essays and poems have appeared at apt magazine, The Rumpus, Salamander, Superstition Review and elsewhere. She is the recipient of a Yaddo fellowship and lives in Austin where she provides coaching and editing services through her business, Mighty Writing.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Talk by Linda Rosenkrantz, a hilariously irreverent testament to dialogue. Talk is the result of conversations between three ambitious and artistic 30-somethings, recorded by Linda Rosenkrantz and transformed into a novel whose form and content put it well ahead of its time. Controversial upon its first publication in 1968, Talk remains fresh, lascivious, and laugh-out-loud funny nearly fifty years later.

Are New Yorkers the best talkers in the world? We’ve become familiar now with this style of talk—smart, witty, ironic, tangential, obsessing over trivia—through sitcoms like Friends; but Rosenkratz was among the first to realise that it’s an art-form in its own right. —Brandon Robshaw, The Independent

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the recent release of Hazem Fahmy’s debut chapbook, Red//Jild//Prayer, winner of the 2017 Diode Editions Contest. Hazem will be joined by Jasmine C. Bell, Jordan Cooley, and Mark Cugini.

Hazem Fahmy is a Pushcart and Best of the Net nominated poet and critic from Cairo. He is currently pursuing his MA in Middle Eastern Studies from the University of Texas at Austin. His debut chapbook, Red//Jild//Prayer, won the 2017 Diode Editions Contest. A Watering Hole Fellow, his poetry has appeared, or is forthcoming in Apogee, HEArt, Mizna, and The Offing. His performances have been featured on Button Poetry and Write About Now. He is a reader for the Shade Journal, a poetry editor for Voicemail Poems, and a contributing writer to Film Inquiry.

Jasmine C. Bell (above left) is a poet and artist in Austin, Texas and currently attends the University of Texas in pursuit of her Master’s degree in Social Work. Jasmine has competed as part of the UT Spitshine CUPSI team from 2015-2017 and coached the team in 2018. She is Co-President of the only poetry organization on UT’s campus (Spitshine Poetry) where she leads workshops and organizes open mics. She was a 2017 Write Bloody Contest finalist and has been published or is forthcoming in Button Poetry, Write About Now, Vinyl, Bird’s Thumb, Kweli Journal, Nat. Brut, Monstering Magazine, and Apricity Magazine. She spends her time writing, studying, drawing, singing, and eating.

Jordan Cooley (above middle) is a writer and self taught artist in Austin, TX. She has work in or forth coming from Paper Darts, FIVE:2:ONE Press, Pressure Gauge Press, and others. When she isn’t writing, she’s doodling. She slings drinks for money, which is another way to say she loves to meet people and make things that those people enjoy.

Mark Cugini (They/Them/Theirs; above right) is a genderqueer poet, editor, and event curator from Staten Island, NY. They are the author of I’m Just Happy To Be Here (Ink Press, 2014) and have been published in Pen America, The Lifted Brow, Hyperallergic, Barrelhouse, and Noö. The founding editor of Big Lucks, they recently organized Whale Prom: An Alternative AWP Bookfair. They also really like whales.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Charlotte Gullick.

Charlotte Gullick is a novelist, essayist, editor, educator and Chair of the Creative Writing Department at Austin Community College. Charlotte’s first novel, By Way of Water, was chosen by Jayne Anne Phillips as the Grand Prize winner of the Santa Fe Writers Project Literary Awards Program, and a special author’s edition was reissued by the Santa Fe Writers Project in November of 2013. Her other awards include a Christopher Isherwood Fellowship for Fiction, a Colorado Council on the Arts Fellowship for Poetry, a MacDowell Colony Residency, a Ragdale Residency, Faculty of Year from College of the Redwoods as well as the Evergreen State College 2012 Teacher Excellence Award.  She has taught in the Travis County Correctional Complex and organized classes and literary events for Veterans in the Austin Community.  Additionally, she has presented twice at the Associated Writing Programs Annual Conference (Washington, DC and Chicago, IL) on offering writing courses for Veterans. Charlotte’s work often explores the intersection of landscape, legacy, family, and identity, and she believes deeply in the power of story to create healing and coherence. She lives in Austin, Texas with her husband and daughter.

In the interview series Borderless: Conversations on Art, Action, and Justice, emerging and established writers talk with host Chaitali Sen about the power of words and the role of art in reflecting and changing our world.

This month’s guest is Rinku Sen, author of The Accidental American and Stir It Up: Lessons on Community Organizing.

Rinku Sen is a writer and a political strategist. With over 30 years experience leading racial justice organizations in the United States, she has trained thousands of organizers, activists and agents of social change across the country. Rinku is currently Senior Strategist at Race Forward, having formerly served as Executive Director and as Publisher of their award-winning news site Colorlines. Under Sen’s leadership, Race Forward has generated some of the most impactful racial justice successes. One example is the groundbreaking 2011 Shattered Families report, which changed the immigration debate with investigative research on how record deportations of parents were leading to the placement of thousands of children in foster care, often separating them permanently and legally from their families. Sen was the architect of Drop the I-Word, a campaign for media outlets to stop referring to immigrants as “illegal,” resulting in the Associated Press, USA Today, LA Times, and many more outlets dropping the i-word, affecting millions of readers every day. Her books Stir it Up and The Accidental American theorize a model of community organizing that integrates a political analysis of race, gender, class, poverty, sexuality, and other systems. A key advisor in the philanthropy world, Rinku has worked with foundations like Novo, Open Society, Nathan Cummings and Kellogg. She is a devoted board member of numerous social justice organizations including Hedgebrook, a residency that supports visionary women writers to help achieve a just and peaceful world; the Ms. Foundation for Women, a public foundation building women’s collective power for social, economic and reproductive justice; and the Advancement Project, a multiracial civil rights organization dedicated to eliminating structural racism through high impact policy change. She also serves on the board of Maven, the largest independent media coalition in North America. A highly sought-after keynote speaker for colleges, Sen has spoken at Harvard, Brown, University of Michigan, Penn State, and was the Commencement Speaker at Antioch New England. She is a James O. Gibson Innovation Fellow at PolicyLink.

Chaitali Sen is a writer and educator based in Austin, Texas. She is the author of the novel The Pathless Sky, and numerous stories and essays which have appeared or are forthcoming in Catapult, Colorado Review, Ecotone, LitHub, Los Angeles Review of Books, New England Review, New Ohio Review, and other journals. She is the founder of the interview series Borderless: Conversations on Art, Action, and Justice.

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free evening suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Indictus by Natalie Eilbert.

Natalie Eilbert’s Indictus summons what cannot be said while finding a way to articulate, with ferocity and exuberance and a clear and brutal vision, the violence of misogynistic systems and cultures and the ways in which they devour and destroy their inhabitants. It’s not just that this book doesn’t waste words. It goes further than that. Each sound, line, breath is charged with an energy that is explosive. Indictus lays all its cards on the table so there are no doubts about just how high the stakes here are: “I didn’t mean to assemble my whole career on lies, so now I blast holes in the men.” Yet in this world of broken bodies, Eilbert’s tenacity, her sheer drive to get to the end of a thought, to get the words onto the page, conveys a demand: to be honest, to resist, to live. —Daniel Borzutzky

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for a meet and greet with author Lacey Schmidt, hosted by the Sapphic Reading Group. Everyone is welcome!

By day, Dr. Lacey Schmidt is a “corporate” suit. She runs her own company, Minerva Work Solutions, and serves as the Executive Director for Faculty Development at the University of Houston. When she sheds her daytime persona, Lacey morphs into other roles: poet, artist, adventurer, and novelist. In the latter instance, she has published three LesFic romances with Affinity Rainbow Publications: A Walk Away, Catch to Release, and Playing With Matches. In addition, a drama/thriller, A Badge Washed Up, will be available Summer 2019. Lacey has also penned several short stories. Two romances, Love’s Luck and Peaches and Honey, are in anthologies published by Affinity. Lacey’s latest short story is a sci-fi adventure entitled A Lone Star. It’s part of The Lone Star Collection, an anthology which benefits LesFic literary events. Lacey is married and lives in Houston. She and Laura have several furry children: Oberon, the tabby terrorist, and his sidekick, Sabina, plus two couch-loving canines, Misha and Nakita. Playtime for Lacey involves doing barrel rolls in a T-38, swimming with barracudas in the Caribbean, and flying NASA’s shuttle simulator.

The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.

Join us in celebrating International Translation Day with a reading featuring renowned translators Marian Schwartz and Philip Boehm. Marian will be reading from her translation of Russian author Leonid Yuzefovich’s Horsemen of the Sands, and Philip will read from his translation of Polish author Hannah Krall’s Chasing the King of Hearts, which won the Soeurette Diehl Fraser award for translation given by the Texas Institute of Letters.

Also worth noting: all our books in translation will be 20% OFF on September 30th, International Translation Day!

Join us in celebrating the launch of a new book of poetry, Five Friends on Sunday Afternoons. With readings from David Jewell, John Lee, Bill Jeffers, John McElhenney, and Lyman Grant (left to right, below).

David Jewell is a poet, storyteller, author, actor and stream of consciousness visionary imagineer who chronicles the 21st century mind and its many idiosyncrasies. He and his writing have appeared in two Richard Linklater movies, Before Sunrise and Waking Life, and he’s shared shows with Laurie Anderson and Leon Redbone. His books are time bombs already detonating in another generation and hIs bio says he was “born in blank and lives in and.”

John Lee is the national best-selling author of The Flying Boy: Healing the Wounded Man and 20 other titles. He has taught Literature, Humanities, American Studies and Religious Studies at The University of Alabama, The University of Texas, Austin Community College, and Northeast Alabama Community College. While Lee is an internationally-recognized pioneer in The Men’s and Recovery Movements, thanks to his 22-year friendship and collaboration with the poet Robert Bly (audio On The Mountain of Tears and Laughter, poems by Robert Bly and John Lee), Lee has become a recognized poet in his own right giving readings in bookstores, online and at The Library of Congress. Lee has been published in several magazines and authored three chapbooks—Sleeping in Public, Too Much Talk and Too Little, and The Dragon’s Letters.

Bill Jeffers Has been writing words and reading them out loud in and around Austin for more than 40 years.

John McElhenney is an internationally recognized single-parent author and coach. His blog WholeParent.org has been syndicated widely and gets 15,000 reads a month. John lives in Austin, Texas with his two kids. Writer, coach, musician, tennis player, dad.

Lyman Grant teaches at Austin Community College as a adjunct online professor of English, Creative Writing, and Humanities. He also tutors and teaches at Eastern Mennonite University in Harrisonburg, Virginia. He is the author and editor of several books, including five volumes of poetry, the most recent being Old Men on Tuesday Mornings (Alamo Bay Press).

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Kenneth Fearing’s Clark Gifford’s Body, a paranoid tour de force of political noir.

Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions of the politicians, generals, businessmen, waiters, journalists, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

In association with VSA Texas (The State Organization on Arts and Disability) and the Pen2Paper Creative Writing Contest (a project of the Coalition of Texans with Disabilities), we’re delighted to present an inclusive (mic-less) open mic for writers and musicians. Everyone is welcome to join us for this fun and friendly free afternoon suitable for performers of all ages and abilities.

Footage from previous Lion & Pirate open mic events can be seen here: http://bit.ly/1m7v4L8.

Everyone is welcome to attend the Austin Community College Creative Writing Department’s Literary Coffeehouse, hosted by John Herndon. An open mic follows the featured reader, so bring poems, stories, scripts, rants, raves or midnight confessions to share, or just come to listen and enjoy.

This month’s featured reader is Rachel Starnes, author of The War at Home.

At once a portrait of the devastating strains that military life puts on families and a meditation on what it means to be left behind, The War at Home is a brave portrait of a modern military family and the realities of separation, endurance, and love that overcomes.

“Rachel Starnes’s The War at Home navigates the joys, fears, compromises, and casualties that create the terrain of marriage. And if you are a military spouse, her memoir will reveal thoughts you never even knew you had. This is a wise and fearless book.” —Siobhan Fallon, author of You Know When the Men Are Gone

Featured reader Rachel Starnes is author of The War at Home, a painful and funny memoir of life as a Navy wife. She earned her MFA at California State University, Fresno, and has published essays in The Colorado Review, Front Porch Journal, and O Magazine. She lives in Georgetown.

Join us in celebrating the launch of Yuki Tanaka’s poetry collection Séance in Daylight, winner of the 2018 Frost Place Chapbook Competition. Featuring readings from Yuki, as well as Rachel Heng and Shangyang Fang.

Séance in Daylight is about desire, transformation, and dreams; it is also about intricate, yet light-footed sessions with the dead. The ever-present undertow of the poet’s sharp observations keeps these lush, yet lapidary lyrics from slipping into solipsism or sentimentality. ‘Back home, my body thin and healthy / cooling my feet on a crystal ball like a psychic out of business,’ says one speaker, returning from an imagined visitation. These poems remind us that at times, life’s very existence feels unbearably inexplicable, beautiful, perverse, moody, and touching. Yuki Tanaka connects these feelings with a spiritual intensity and a sweet wit. His images startle, ‘A bare white arm / disinfected. Plump, sizzling,’ and they pierce into our inwardness, ‘This pile of wood wished to be a stairway / but couldn’t. Will you pretend to climb it. —Sandra Lim

Yuki Tanaka is an MFA student at the Michener Center for Writers at the University of Texas-Austin. His poems have appeared or are forthcoming in American Poetry Review, Best New Poets, Kenyon Review, Poetry, and elsewhere. His chapbook Séance in Daylight was the winner of the 2018 Frost Place Chapbook Competition.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

Shangyang Fang grew up in Chengdu, China. He majored in Civil Engineering as an undergrad. After knowing there is a higher employment rate in the field of poetry, he decided to pursue an MFA. He writes both in English and Chinese. Sometimes he writes poems first in Chinese to structure their skeletons, then translate them into English to add flesh and blood. He is now a poetry fellow at the Michener Center for Writers.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the recent launch of Rachel Heng’s debut novel, Suicide Club: A Novel About Living. Featuring a reading from Rachel, as well as a Q & A hosted by Carrie Fountain.

Every month seems to bring some new health study promising an authoritative guide on how to get stronger, feel better, or live longer. Every month, we are left more confused than when we started. In Suicide Club: A Novel About Living, Heng’s characters live in a dystopian reality where immortality is possible, conforming to a shadowy health ministry is the new careerism, and no one seems to be happy. Along the lines of Emily St. John Mandel’s Station Eleven, Suicide Club takes place in a science fiction reality that feels more real than we would like to admit.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for an evening with visiting poet Valerie Wallace, who will be reading from her collection House of McQueen, released in March of this year. Valerie will be joined by Simone Muench and Katy Chrisler.

Selected by Vievee Francis for the Four Way Books Intro Prize, Valerie Wallace’s House of McQueen is a glittering debut by an assured new voice. Inhabiting the life and work of Alexander McQueen, Wallace builds a fantastical world using both original language and excerpts drawn from interviews, supermodels, Shakespeare, and more. At turns fierce and vulnerable, here is a collection that leaps from runway to fairytale to street with wild, brilliant grace.

Wallace conducts a literary seance in her transcendent debut, serving as a scholar of and medium for the late iconic fashion designer Alexander McQueen (1969–2010). Devising her poems using an extensive array of sources, Wallace manages to encapsulate the “monstrous and magical” visions that defined McQueen’s oeuvre. —Publishers Weekly, starred review

Valerie Wallace is the author of House of McQueen (Four Way Books, 2018) and the chapbook The Dictators’ Guide to Good Housekeeping (dancing girl press, 2011). Her work was chosen by Margaret Atwood for the 2012 Atty Award, and she has received an Illinois Arts Council Literary Award and the San Miguel de Allende Writers Conference Award in Poetry. Her work has been supported by various grants and fellowships. She earned her MFA from the School of the Art Institute of Chicago. She is Associate Director, Communications for the project Virtue, Happiness, & the Meaning of Life at the University of Chicago and teaches at Harold Washington College, the Newberry Library, and offers private workshops.

Simone Muench is the author of several books including Wolf Centos (Sarabande, 2014). Her recent, Suture, is a book of sonnets written with Dean Rader (Black Lawrence, 2017). She and Dean also edited They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (BLP, 2018). She is the recipient of an NEA Fellowship and the Meier Foundation for the Arts Achievement Award, and is professor of English at Lewis University where she teaches creative writing and film studies. She serves as a poetry editor for Tupelo Quarterly, the chief faculty advisor for Jet Fuel Review, and the organizer (with Beth McDermott) of the Danny’s Sunday Series.

Katy Chrisler received her MFA from the Iowa Writers’ Workshop and has held residencies with Land Arts of the American West and 100 West Corsicana. Recent work of hers has appeared in Tin House, Conflict of Interest, The Volta, The Seattle Review and Black Warrior Review. She currently lives and works in Austin, Texas.

BREAK FREE … and share words with us. Join us for an evening of enlightenment when Louisiana poets Bessie Senette and Clare L. Martin and Austin poet Robert Okaji share their work.

Louisiana native Bessie Senette has published her first book, Cutting the Clouds, a Bayou Mystic’s Poems, Musings, and Imaginings. Currently, she is finalizing Louisiana Pines, a chapbook manuscript. Senette is an author, healer, public speaker, and ordained interfaith minister. In September of 2018, she served as Artistic Director and featured performer of a multi-disciplined arts event celebrating the Sufi poet Rumi. Senette lives in Lafayette, Louisiana with her husband of 35 years. She has two sons, two daughters-in-law, four grand-pups and one cantankerous grand-cat.

The author of five chapbook collections, two micro-chapbooks and a mini-digital chapbook, Robert Okaji writes in his backyard shack in Texas. He once won a goat-catching contest, and his work has appeared or is forthcoming in Slippery Elm, Vox Populi, Panoply, Hamilton Stone Review, The New Reader and elsewhere.