Malvern Books

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the launch of Harold Whit Williams’ new poetry collection, Red Clay Journal. Harold will be joined by poet and firefighter Tim Krcmarik.

Harold Whit Williams is guitarist for the critically acclaimed rock band Cotton Mather. He is a 2018 Pushcart Prize Nominee, and also recipient of the 2014 Mississippi Review Poetry Prize. His collection, Backmasking, was winner of the 2013 Robert Phillips Poetry Chapbook Prize from Texas Review Press, and his latest, Red Clay Journal, is available from FutureCycle Press.  

Tim Krcmarik is a 12-year veteran of the Austin Fire Department and is a Lieutenant on Engine 1 downtown. His first book, The False Lark, was published by Diabolical Genius Press in 2013 and a pamphlet, The Heights, appeared in 2008 as part of the Lost Horse Press New Poets/ Short Books series. He is a recipient of the Paul Engle Fellowship from the University of Iowa and a graduate of the Iowa Writers’ Workshop. He lives in Austin with his wife and son.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

fields magazine and the New Writers Project present an evening with Kaveh Akbar, author of Calling a Wolf a Wolf. This program was made possible in part with a grant from Humanities Texas, the state affiliate of the National Endowment for the Humanities.

Kaveh Akbar’s poems appear recently in The New Yorker, Poetry, the New York Times, The Nation, and elsewhere. His first book, Calling a Wolf a Wolf, is just out with Alice James in the US and Penguin in the UK. He is also the author of the chapbook Portrait of the Alcoholic. The recipient of a Pushcart Prize, a Ruth Lilly and Dorothy Sargent Fellowship from the Poetry Foundation, and the Lucille Medwick Memorial Award from the Poetry Society of America, Kaveh was born in Tehran, Iran, and teaches in the MFA program at Purdue University and in the low-residency MFA programs at Randolph College.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Spring and All by William Carlos Williams.

Voted by the New York Times as one of the greatest poems of the twentieth century, Spring and All is a manifesto of the imagination—a hybrid of alternating sections of prose and free verse that crystalizes in dramatic, energetic, and beautifully cryptic statements of how language recreates the world. Spring and All contains some of Williams’s best known poetry, including Section I, which opens, “By the road to the contagious hospital” (now commonly known by the title “Spring and All”), and Section XXII, where Williams penned his most famous poem, “The Red Wheelbarrow.” 

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Loren Stell’s new poetry collection, Topknot Analysis. With readings from Loren and also David Meischen, who will read from his memoir in progress, Crossing the Nueces: Reflections on a Divided Life, as well as poems that resonate with the memoir. He will share excerpts from his Pushcart winning chapter, as well as from a chapter published in Fashionably Late: Gay, Bi, and Trans Men Who Came Out Later in Life.

Topknot Analysis represents the layered, complex—sometimes frighteningly beautiful, or beautifully frightening—conflicts between our inner and outer worlds. The person we were, are becoming, will be, reflected in discordant and melodic poems that both sooth and agitate. A book of poems you might find in the libraries of existentialist, Buddhist or Baptist seekers, lovers and preachers. 

Son of Texas, Loren Stell, in Austin for five years, reads poems about his life-long, ex-pat life on the East coast. Leaving Charlotte, North Carolina for Harlem was Loren’s first step in a Jack Kerouac-styled journey that led to post-graduate degrees in theology, psychology, film and poetry from Columbia University and Sarah Lawrence College. As a journalist and filmmaker, Loren chronicled events and people from the outside. After decades as a psychoanalyst, he’s viewed life from the inside out. Writing poems about our mysterious, labyrinthine world served as a compass and reverie.

David Meischen has been honored by a Pushcart Prize for his autobiographical essay, “How to Shoot at Someone Who Outdrew You,” originally published in The Gettysburg Review and available in Pushcart Prize XLII. Recipient of the 2017 Kay Cattarulla Award for Best Short Story from the Texas Institute of Letters, Meischen has fiction, nonfiction, or poetry in Borderlands: Texas Poetry Review, Copper Nickel, The Evansville Review, Salamander, Southern Poetry Review, The Southern Review, Valparaiso Fiction Review, and elsewhere. Co-founder and Managing Editor of Dos Gatos Press, he lives in Albuquerque, NM, with his husband—also his co-publisher and co-editor—Scott Wiggerman.

Join us in celebrating the release of the Spring 2018 edition of Austin Community College’s journal, The Rio Review, which showcases poetry, prose, and artworks by students. During the event, students featured in this issue will share their fiction, nonfiction, and poetry with us.

Come celebrate the release of chapbooks generated through a partnership between writers in the St. Edward’s University Poetry II class and graphic designers-in-residence from the Risograph Lab. Authors Quentin Arch, Awbrey Collins, Davey De La Garza, Miguel Escoto, Allyson Garcia, Sam Griffith, Betsy McKinney, Gavin Quinn, and Sophie Velasquez will read from their work. Designers Brandy Shigemoto and Edith Valle will be on hand to talk about the collaboration process with faculty mentors Sasha West and Jimmy Luu.

Join us in celebrating the launch of a new issue of Echo Literary Magazine.

Echo Literary Magazine is a publication of the University of Texas at Austin’s Liberal Arts Honors Program. It showcases the work of UT undergraduates from all majors and programs. Echo accepts submissions of poetry, prose, and visual art, including photography.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Eve Babitz’s Eve’s Hollywood, an album of vivid snapshots of Southern California’s haute bohemians.

Los Angeles-born glamour girl, bohemian, artist, muse, sensualist, wit and pioneering foodie Eve Babitz … reads like Nora Ephron by way of Joan Didion, albeit with more lust and drugs and tequila … Reading Babitz is like being out on the warm open road at sundown, with what she called, in another book, ‘4/60 air conditioning’—that is, going 60 miles per hour with all four windows down. You can feel the wind in your hair. —Dwight Garner, The New York Times

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join Hothouse Literary Journal for a reading from its spring publication. There will be copies of the free journal to pick up, a reading from some of the published writers, light refreshments, and conversation. Bring your friends! All are welcome.

Hothouse Literary Journal is the official journal for the UT English Department. They publish poetry, nonfiction, and fiction stories from multiple genres every year.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

This all-women reading features writers from the Revolution Writing Workshop led by Abe Louise Young. Join us for poetry and prose about mothering, queer and straight parenting, being mothered and unmothered, sex, Mother Earth, and more! Readers include: Angeliska Polachek, Jamie Harris, Erin Flynn, Rebecca Whitehurst, Robin Bradford, Marcela Contreras, and Kandice Farmer.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Good Bones by Maggie Smith.

Smith’s poem “Good Bones” was called “Official Poem of 2016” by Public Radio International. In the collection of the same name, Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they’ve just opened, knowing nothing of the characters or plot. These poems stare down darkness while cultivating and sustaining possibility and addressing a larger world.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the recent release of Amanda Johnston’s debut poetry collection, Another Way to Say Enter. Amanda will be joined by Lisa L. Moore.

In Amanda Johnston’s debut collection, Another Way to Say Enter, readers are offered glimpses of scenes as if peering through windows and doors. Bright and sharp, precise in their Imagism, Johnston’s poems distill moments to their essence, challenge notions of what it means to fully examine a life day by day, room by room. These poems are both visceral and spiritual, reminding the reader that entry, departure, and the inevitable return is a journey that must be felt, not just imagined. —Teneice Durrant, Argus House Press

Amanda Johnston earned a Master of Fine Arts in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter (Argus House Press). Her poetry and interviews have appeared in numerous online and print publications, among them Callaloo, Poetry, Kinfolks Quarterly, Muzzle, Pluck! and the anthologies Small Batch, di-ver-city and The Ringing Ear: Black Poets Lean South. The recipient of multiple Artist Enrichment grants from the Kentucky Foundation for Women and the Christina Sergeyevna Award from the Austin International Poetry Festival, she is a member of the Affrilachian Poets and a Cave Canem graduate fellow. Johnston is a Stonecoast MFA faculty member, a cofounder of Black Poets Speak Out, and founding executive director of Torch Literary Arts.

Lisa L. Moore is an Alberta-born writer who has lived in Austin, Texas for almost thirty years. She’s the author of the chapbook 24 Hours of Men (Dancing Girl, 2018). Her poems have appeared recently in Nimrod International Journal, The Fourth River, and Borderlands Texas Poetry Review. Her poetry and critical writing have been recognized with the Art/Lines Juried Poetry Prize and the Lambda Literary Foundation Book Award. The author or editor of five books of literary criticism, she teaches English and Women’s and Gender Studies at The University of Texas at Austin.

Join us for a reading from members of Donna M. Johnson’s literary nonfiction workshop. Readers include Jay Byrd, Carrie Kenny, Jennifer Patterson, Marcie Bruscato Poss, Beth Remsburg, Nettie Reynolds, Rosaia Shepard, Steph Steele, Robin Storey, and Mahani Zubedy.

Join us in celebrating the launch of Take To The Territory, Jim Trainer’s fourth collection of poetry and prose through Yellow Lark Press. With readings from Jim, Ignacio Carvajal, and Christine Schiele.

Singer-songwriter, journalist, and curator of Going For The Throat, a weekly publication of cynicism, outrage, correspondence and romance, Jim Trainer publishes one collection of poetry and prose every year through Yellow Lark Press. Please visit his website for Take To The Territory, his latest collection, and for music, film, and appearances.

Photo credit: Adam Glick Photography

Ignacio “Brown Thought” Carvajal is from Costa Rica. He’s a PhD student of Latin American Literature at UT Austin. He’s a member of the Latino Writers Collective of Kansas City and the Taller Literario Don Chico in San José, Costa Rica. His work has appeared in the anthologies @Primera Página: Poetry from the Latino Heartland and The Wandering Song: Central American Writing in the United States.

Christine Schiele is a writer, storyteller and, at times, a performance artist. Under various names, she has brought her passion for the bizarre to stages at FronteraFest, Testify, Bedpost Confessions, LAFF! (Ladies Are Funny Festival), The Living Room: Storytime for Grownups, Kink Ball and Weird! True Hollywood Tales (RIP). Christine also performs as a mentalist with the magic act Turning Tricks with The Darlings.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Iza’s Ballad by Magda Szabó, a striking story of the relationship between a mother and a daughter who come from two different worlds and have different ideas of what it means to lead a good life.

Magda Szabo’s work casts an indirect light upon the dimness that exists between our public and private selves, a place wherein our betrayals—both personal and political—flicker uneasily over the walls . . . Iza’s Ballad should solidify Szabo’s standing as a master novelist amongst her English-language readers.
—Dustin Illingworth, LitHub

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the recent release of Rachel Z. Arndt’s essay collection, Beyond Measure.

With mordant humor and penetrating intellect, Rachel Z. Arndt casts her gaze beyond event-driven narratives to the machinery underlying them: judo competitions measured in weigh-ins and wait times; the significance of the elliptical’s stationary churn; the standardized height of kitchen countertops; the rote scripts of dating apps; the stupefying sameness of the daily commute. “How much can data tell us?” Arndt asks, challenging us to consider the simultaneous comfort and absurdity of our exhaustively quantified—yet never entirely quantifiable—lives.

Rachel Z. Arndt received MFAs in nonfiction and poetry from the University of Iowa, where she was an Iowa Arts Fellow and nonfiction editor of the Iowa Review. Her writing has appeared in Popular Mechanics, Quartz, Pank, and Fast Company, among others. She is currently the assistant editor of the McSweeney’s Poetry Series and a reporter. She lives in Chicago.

Join us for an evening with Elizabeth Threadgill, Melissa Cundieff and Roger Jones. Elizabeth Threadgill is celebrating the launch of her chapbook Tangled in the Light (Finishing Line Press), and Melissa Cundieff is celebrating the launch of her book Darling Nova (Autumn House Press).

Elizabeth Threadgill holds an MFA in Poetry and a PhD in Developmental Education-Literacy, both from Texas State University. She grew up in Marfa, Texas, and now lives in upstate New York with her husband, poet James Henry Knippen. She is an Assistant Professor of English at Utica College. Tangled in the Light marks Elizabeth’s poetry debut and is representative of landscape and life in rural Texas.

Melissa Cundieff is the author of Darling Nova, selected by Alberto Ríos for the 2017 Autumn House Press Full-Length Poetry Prize. She holds an MFA from Vanderbilt, and her poems have appeared in such places as Best of the Net, Ninth Letter, Crab Orchard Review, Mid-American Review, TriQuarterly, and Four Way Review. Originally from Texas, she lives in Saint Paul, MN with her two children.

Roger Jones has a BA and MA from Sam Houston State University and a PhD in English from Oklahoma State University. He has taught at SHSU, Oklahoma State and Lamar University in Beaumont, and since 1987, has taught at Texas State University in San Marcos, where he has served since 1998 on the MFA Creative Writing poetry faculty. He has published poems in various journals since the 1970s. The Texas Review Press published his chapbook Remembering New London in 1981, and his full collections Strata (1993) and Are We There Yet? (2008). In 2015, Finishing Line Press published his chapbook Familial, and his collection of Japanese haibun poems Goodbye was published as an electronic chapbook in 2017 by the Snapshot Press in the UK.

Please join us for a celebratory reading by the writers of S. Kirk Walsh’s nine-month fiction workshop (Sept-June). Short excerpts from novels and short stories will be read.

Participating writers include Cristina Adams, Erin Augustine, Nicole Beckley, Deborah de Freitas, Matt Holmes, Lisa Jackson, Jack Kaulfus, Alejandro Puyana, Victoria Rossi, Ramona Reeves, Siobhan Welch, and Stefani Zellmer. This talented group of writers features published fiction and nonfiction writers, book critics, and MFA graduates. For the past nine months, they have participated in an intensive fiction workshop, drafting and revising novels and short stories throughout the year. Please join us in celebrating their inspiring work and distinctive voices with this end-of-the-workshop reading. Refreshments and sweets will be served.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the launch of award-winning author Roger Thompson’s new book, No Word for Wilderness: Italy’s Grizzlies and the Race to Save the Rarest Bears on Earth (Ashland Creek Press).

In Italian, there is no word for wilderness. Yet in the mountains of Italy, brown bears not only exist, they are fighting to survive amid encroaching development, local and international politics, and the mafia. This meticulously researched and eye-opening book tells the incredible stories of two special populations of bears in Italy—one the last vestige of a former time that persists against all odds, the other a great experiment in re-wilding that, if successful, promises to change how we see not only Italy but all of Europe. The stories of these bears take readers on a spectacular journey across Italy, where we come face-to-face not only with these fascinating species but with embattled park directors, heroic environmentalists, innovative scientists, and a public that is coming to terms with the importance of Italy’s rich natural history. Award-winning author Roger Thompson has traveled throughout Italy documenting the history and current crises of these bears, and the result is an engaging and in-depth examination that resonates across all endangered species and offers invaluable insights into the ever-evolving relationships between human and non-human animals in a rapidly changing world.

Roger Thompson is an award-winning nonfiction writer and director of the Program in Writing and Rhetoric at Stony Brook University. His work and features have appeared in the New York Times, theatlantic.com, Ozy, Quartz, Raw Vision, and others, and he is senior editor for a fine art photography magazine based in Brooklyn.

It’s Bloomsday! Named for Leopold Bloom, the protagonist of James Joyce’s Ulysses, Bloomsday is observed around the world on June 16th, as this is the date during which the events of Ulysses are relived (16th June, 1904). Join us for a celebration of the life of James Joyce, with short readings from Ulysses (sign up in store on the day if you’d like to read!) and suitably Irish snacks.

Join us in celebrating the recent release of visiting author Mark Haskell Smith’s novel Blown. With host Jill Alexander Essbaum.

Biting satire and criminal mischief abound in Mark Haskell Smith’s new novel Blown, which follows a Wall Street trader who disappears—with millions in stolen cash—and the madcap team of investigators on his trail in the Cayman Islands in this hot, hilarious case of offshore banking gone awry. Wickedly funny, ribald, and sharp-eyed, Blown starts as a simple case of embezzlement and explodes into a fatal high-stakes gamble for money and the pursuit of happiness.

Mark Haskell Smith is the author of five novels, most recently Raw: A Love Story, and the nonfiction book Heart of Dankness: Underground Botanists, Outlaw Farmers, and the Race for the Cannabis Cup. His work has appeared in the Los Angeles Times, Los Angeles Review of Books, and Vulture. He lives in Los Angeles.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is On Lost Sheep by Japanese Modernist poet Shiro Murano (1901-1975), translated by Goro Takano.

In order to survive at all as a poet Murano had to cross the treacherous boundary of pre and postwar cultural ideologies —the latter just as guilty in its omissions as the earlier era was in its excess. Hence Murano’s realism is of necessity a tragic one. He believed that the poet writes from the night of the world in the face of the forgetting of Being. The task of the poet was to break free of this night. Murano summed up his poetics as a yearning for authentic Being. Goro Takano’s translations pass through this difficult terrain with painstaking care, reflecting the precision of the original while at the same time not shying away from allowing the strain of such a task to show through—a strain which we both know is more than merely a linguistic one. —Eric Selland

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of the third issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities. Numerous poets and writers will read excerpts of their work from this edition.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Antonio di Benedetto’s Zama. First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentinean and Spanish-language literature. Written in a style that is both precise and sumptuous, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay.

Available in English for the first time, this 1956 classic of Argentine literature presents a riveting portrait of a mind deteriorating as the 18th century draws to a close … The final images of the novel are haunting and unforgettable. This extraordinary novel, whose English translation has been so long in coming, is a once and future classic.
—Publishers Weekly, starred review

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Keith R. Rees’ new novel, One Night in Bangkok.

Miles Devereaux, an ordinary, working class, family man, is thrust sixty years into the dazzling futuristic world of 2065 Bangkok, and into a life-and-death game of chess where the players and pieces’ fates depend on each player’s acumen. Requiring Miles to match wits and physical skills with an array of opponents while faced with solving the mystery of his time travel and how to return to his own time, One Night in Bangkok is a riveting adventure set in what might very well be our own future.

Keith R. Rees has been writing professionally for over 20 years. One Night in Bangkok, a science fiction work, is the first installment in what is projected to become The One Night Trilogy. He has always been a fan of science fiction, particularly stories that involve time travel, and writes stories that have both realistic and human sides to them.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Shatter the Bell in My Ear: Selected Poems of Christine Lavant, translated by David Chorlton.

Born in Austria in 1915, Christine Thonhauser (Lavant) was the ninth child of a miner, Georg, and his wife, Anna, and grew up in poverty. While the poetry she was later to write contained the language of spirituality, the pain she described in it came from actual conditions which she suffered: scrofula and tuberculosis of the lungs. Being disadvantaged in health also meant she could not complete her education as intended. Unable to do hard physical work, she earned a living with knitting and weaving until she gained a reputation as a writer. Writing sometimes in rhyme, sometimes in free verse, Lavant employed directness in her language.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Mad and the Bad by Jean-Patrick Manchette, a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate.

The Mad and the Bad is so dark it redefines noir: bleak and pointed, yes, but also infused with an understanding that what passes between us is not only compromised but more often faithless, less a matter of commitment or connection than a kind of unrelenting animal need. —David L. Ulin, Los Angeles Times

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Some Animal by Ely Shipley.

Aligned with queer theories of temporality, fragments of memoir rub against the language of psychiatric and medical regimes at the site of a body that does not conform to a gender binary. Some Animal draws out dream-like and supernatural resonances between the literature of pathology and experiences of gender dysphoria.

 

“This remarkable, brilliant and brave poetry by Ely Shipley is an emblem for our time when US-lawmakers are making LGBTQ bodies outlaw in many states, their Christian extremism telling an entire generation they are subhuman. Float out of body with these poems then come hurtling down to land on our feet together and demand safety, equity, and a place at the table for all people. I love this book!” —CA Conrad

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the recent launch of Laurie Filipelli’s new poetry collection, Girl Paper Stone. With musical guest flutist Marcela DeFaria Casaubon and a post-reading conversation led by author and composer Jan Bozarth.

In her luminous book, Filipelli remakes the constellations of a modern life. Her poems re-draw the lines between the parts of the world, helping us to see there are no divisions between planting a plumbago and watching the passage of hateful legislation, no space between grief for a lost father and the wonder of what he’s told the speaker: “the whale’s veins are so wide we could swim/ to her heart.” By looking so tenderly and incisively at the actual experience of a life, Filipelli makes us see our own differently. —Sasha West

Laurie Filipelli is the author of Elseplace (Brooklyn Arts Press, 2013) and Girl Paper Stone (Black Lawrence Press, 2018). Her essays and poems have appeared at apt magazine, The Rumpus, Salamander, Superstition Review and elsewhere. She is the recipient of a Yaddo fellowship and lives in Austin where she provides coaching and editing services through her business, Mighty Writing.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Talk by Linda Rosenkrantz, a hilariously irreverent testament to dialogue. Talk is the result of conversations between three ambitious and artistic 30-somethings, recorded by Linda Rosenkrantz and transformed into a novel whose form and content put it well ahead of its time. Controversial upon its first publication in 1968, Talk remains fresh, lascivious, and laugh-out-loud funny nearly fifty years later.

Are New Yorkers the best talkers in the world? We’ve become familiar now with this style of talk—smart, witty, ironic, tangential, obsessing over trivia—through sitcoms like Friends; but Rosenkratz was among the first to realise that it’s an art-form in its own right. —Brandon Robshaw, The Independent

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the recent release of Hazem Fahmy’s debut chapbook, Red//Jild//Prayer, winner of the 2017 Diode Editions Contest. Hazem will be joined by Jasmine C. Bell, Jordan Cooley, and Mark Cugini.

Hazem Fahmy is a Pushcart and Best of the Net nominated poet and critic from Cairo. He is currently pursuing his MA in Middle Eastern Studies from the University of Texas at Austin. His debut chapbook, Red//Jild//Prayer, won the 2017 Diode Editions Contest. A Watering Hole Fellow, his poetry has appeared, or is forthcoming in Apogee, HEArt, Mizna, and The Offing. His performances have been featured on Button Poetry and Write About Now. He is a reader for the Shade Journal, a poetry editor for Voicemail Poems, and a contributing writer to Film Inquiry.

Jasmine C. Bell (above left) is a poet and artist in Austin, Texas and currently attends the University of Texas in pursuit of her Master’s degree in Social Work. Jasmine has competed as part of the UT Spitshine CUPSI team from 2015-2017 and coached the team in 2018. She is Co-President of the only poetry organization on UT’s campus (Spitshine Poetry) where she leads workshops and organizes open mics. She was a 2017 Write Bloody Contest finalist and has been published or is forthcoming in Button Poetry, Write About Now, Vinyl, Bird’s Thumb, Kweli Journal, Nat. Brut, Monstering Magazine, and Apricity Magazine. She spends her time writing, studying, drawing, singing, and eating.

Jordan Cooley (above middle) is a writer and self taught artist in Austin, TX. She has work in or forth coming from Paper Darts, FIVE:2:ONE Press, Pressure Gauge Press, and others. When she isn’t writing, she’s doodling. She slings drinks for money, which is another way to say she loves to meet people and make things that those people enjoy.

Mark Cugini (They/Them/Theirs; above right) is a genderqueer poet, editor, and event curator from Staten Island, NY. They are the author of I’m Just Happy To Be Here (Ink Press, 2014) and have been published in Pen America, The Lifted Brow, Hyperallergic, Barrelhouse, and Noö. The founding editor of Big Lucks, they recently organized Whale Prom: An Alternative AWP Bookfair. They also really like whales.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Indictus by Natalie Eilbert.

Natalie Eilbert’s Indictus summons what cannot be said while finding a way to articulate, with ferocity and exuberance and a clear and brutal vision, the violence of misogynistic systems and cultures and the ways in which they devour and destroy their inhabitants. It’s not just that this book doesn’t waste words. It goes further than that. Each sound, line, breath is charged with an energy that is explosive. Indictus lays all its cards on the table so there are no doubts about just how high the stakes here are: “I didn’t mean to assemble my whole career on lies, so now I blast holes in the men.” Yet in this world of broken bodies, Eilbert’s tenacity, her sheer drive to get to the end of a thought, to get the words onto the page, conveys a demand: to be honest, to resist, to live. —Daniel Borzutzky

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for a meet and greet with author Lacey Schmidt, hosted by the Sapphic Reading Group. Everyone is welcome!

By day, Dr. Lacey Schmidt is a “corporate” suit. She runs her own company, Minerva Work Solutions, and serves as the Executive Director for Faculty Development at the University of Houston. When she sheds her daytime persona, Lacey morphs into other roles: poet, artist, adventurer, and novelist. In the latter instance, she has published three LesFic romances with Affinity Rainbow Publications: A Walk Away, Catch to Release, and Playing With Matches. In addition, a drama/thriller, A Badge Washed Up, will be available Summer 2019. Lacey has also penned several short stories. Two romances, Love’s Luck and Peaches and Honey, are in anthologies published by Affinity. Lacey’s latest short story is a sci-fi adventure entitled A Lone Star. It’s part of The Lone Star Collection, an anthology which benefits LesFic literary events. Lacey is married and lives in Houston. She and Laura have several furry children: Oberon, the tabby terrorist, and his sidekick, Sabina, plus two couch-loving canines, Misha and Nakita. Playtime for Lacey involves doing barrel rolls in a T-38, swimming with barracudas in the Caribbean, and flying NASA’s shuttle simulator.

The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.

Join us in celebrating International Translation Day with a reading featuring renowned translators Marian Schwartz and Philip Boehm. Marian will be reading from her translation of Russian author Leonid Yuzefovich’s Horsemen of the Sands, and Philip will read from his translation of Polish author Hannah Krall’s Chasing the King of Hearts, which won the Soeurette Diehl Fraser award for translation given by the Texas Institute of Letters.

Also worth noting: all our books in translation will be 20% OFF on September 30th, International Translation Day!

Join us in celebrating the launch of a new book of poetry, Five Friends on Sunday Afternoons. With readings from David Jewell, John Lee, Bill Jeffers, John McElhenney, and Lyman Grant (left to right, below).

David Jewell is a poet, storyteller, author, actor and stream of consciousness visionary imagineer who chronicles the 21st century mind and its many idiosyncrasies. He and his writing have appeared in two Richard Linklater movies, Before Sunrise and Waking Life, and he’s shared shows with Laurie Anderson and Leon Redbone. His books are time bombs already detonating in another generation and hIs bio says he was “born in blank and lives in and.”

John Lee is the national best-selling author of The Flying Boy: Healing the Wounded Man and 20 other titles. He has taught Literature, Humanities, American Studies and Religious Studies at The University of Alabama, The University of Texas, Austin Community College, and Northeast Alabama Community College. While Lee is an internationally-recognized pioneer in The Men’s and Recovery Movements, thanks to his 22-year friendship and collaboration with the poet Robert Bly (audio On The Mountain of Tears and Laughter, poems by Robert Bly and John Lee), Lee has become a recognized poet in his own right giving readings in bookstores, online and at The Library of Congress. Lee has been published in several magazines and authored three chapbooks—Sleeping in Public, Too Much Talk and Too Little, and The Dragon’s Letters.

Bill Jeffers Has been writing words and reading them out loud in and around Austin for more than 40 years.

John McElhenney is an internationally recognized single-parent author and coach. His blog WholeParent.org has been syndicated widely and gets 15,000 reads a month. John lives in Austin, Texas with his two kids. Writer, coach, musician, tennis player, dad.

Lyman Grant teaches at Austin Community College as a adjunct online professor of English, Creative Writing, and Humanities. He also tutors and teaches at Eastern Mennonite University in Harrisonburg, Virginia. He is the author and editor of several books, including five volumes of poetry, the most recent being Old Men on Tuesday Mornings (Alamo Bay Press).

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Kenneth Fearing’s Clark Gifford’s Body, a paranoid tour de force of political noir.

Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions of the politicians, generals, businessmen, waiters, journalists, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the launch of Yuki Tanaka’s poetry collection Séance in Daylight, winner of the 2018 Frost Place Chapbook Competition. Featuring readings from Yuki, as well as Rachel Heng and Shangyang Fang.

Séance in Daylight is about desire, transformation, and dreams; it is also about intricate, yet light-footed sessions with the dead. The ever-present undertow of the poet’s sharp observations keeps these lush, yet lapidary lyrics from slipping into solipsism or sentimentality. ‘Back home, my body thin and healthy / cooling my feet on a crystal ball like a psychic out of business,’ says one speaker, returning from an imagined visitation. These poems remind us that at times, life’s very existence feels unbearably inexplicable, beautiful, perverse, moody, and touching. Yuki Tanaka connects these feelings with a spiritual intensity and a sweet wit. His images startle, ‘A bare white arm / disinfected. Plump, sizzling,’ and they pierce into our inwardness, ‘This pile of wood wished to be a stairway / but couldn’t. Will you pretend to climb it. —Sandra Lim

Yuki Tanaka is an MFA student at the Michener Center for Writers at the University of Texas-Austin. His poems have appeared or are forthcoming in American Poetry Review, Best New Poets, Kenyon Review, Poetry, and elsewhere. His chapbook Séance in Daylight was the winner of the 2018 Frost Place Chapbook Competition.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

Shangyang Fang grew up in Chengdu, China. He majored in Civil Engineering as an undergrad. After knowing there is a higher employment rate in the field of poetry, he decided to pursue an MFA. He writes both in English and Chinese. Sometimes he writes poems first in Chinese to structure their skeletons, then translate them into English to add flesh and blood. He is now a poetry fellow at the Michener Center for Writers.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the recent launch of Rachel Heng’s debut novel, Suicide Club: A Novel About Living. Featuring a reading from Rachel, as well as a Q & A hosted by Carrie Fountain.

Every month seems to bring some new health study promising an authoritative guide on how to get stronger, feel better, or live longer. Every month, we are left more confused than when we started. In Suicide Club: A Novel About Living, Heng’s characters live in a dystopian reality where immortality is possible, conforming to a shadowy health ministry is the new careerism, and no one seems to be happy. Along the lines of Emily St. John Mandel’s Station Eleven, Suicide Club takes place in a science fiction reality that feels more real than we would like to admit.

Rachel Heng’s debut novel, Suicide Club, will be translated in nine languages worldwide and has been featured as a most anticipated summer read by ELLE, Gizmodo, Bitch Media, The Rumpus, NYLON and The Irish Times. Her short fiction has received a Pushcart Prize Special Mention and Prairie Schooner‘s Jane Geske Award, and has been published in Glimmer Train, The Offing, Prairie Schooner and elsewhere. Rachel is currently a fellow at the Michener Center for Writers, UT Austin.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us for an evening with visiting poet Valerie Wallace, who will be reading from her collection House of McQueen, released in March of this year. Valerie will be joined by Simone Muench and Katy Chrisler.

Selected by Vievee Francis for the Four Way Books Intro Prize, Valerie Wallace’s House of McQueen is a glittering debut by an assured new voice. Inhabiting the life and work of Alexander McQueen, Wallace builds a fantastical world using both original language and excerpts drawn from interviews, supermodels, Shakespeare, and more. At turns fierce and vulnerable, here is a collection that leaps from runway to fairytale to street with wild, brilliant grace.

Wallace conducts a literary seance in her transcendent debut, serving as a scholar of and medium for the late iconic fashion designer Alexander McQueen (1969–2010). Devising her poems using an extensive array of sources, Wallace manages to encapsulate the “monstrous and magical” visions that defined McQueen’s oeuvre. —Publishers Weekly, starred review

Valerie Wallace is the author of House of McQueen (Four Way Books, 2018) and the chapbook The Dictators’ Guide to Good Housekeeping (dancing girl press, 2011). Her work was chosen by Margaret Atwood for the 2012 Atty Award, and she has received an Illinois Arts Council Literary Award and the San Miguel de Allende Writers Conference Award in Poetry. Her work has been supported by various grants and fellowships. She earned her MFA from the School of the Art Institute of Chicago. She is Associate Director, Communications for the project Virtue, Happiness, & the Meaning of Life at the University of Chicago and teaches at Harold Washington College, the Newberry Library, and offers private workshops.

Simone Muench is the author of several books including Wolf Centos (Sarabande, 2014). Her recent, Suture, is a book of sonnets written with Dean Rader (Black Lawrence, 2017). She and Dean also edited They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (BLP, 2018). She is the recipient of an NEA Fellowship and the Meier Foundation for the Arts Achievement Award, and is professor of English at Lewis University where she teaches creative writing and film studies. She serves as a poetry editor for Tupelo Quarterly, the chief faculty advisor for Jet Fuel Review, and the organizer (with Beth McDermott) of the Danny’s Sunday Series.

Katy Chrisler received her MFA from the Iowa Writers’ Workshop and has held residencies with Land Arts of the American West and 100 West Corsicana. Recent work of hers has appeared in Tin House, Conflict of Interest, The Volta, The Seattle Review and Black Warrior Review. She currently lives and works in Austin, Texas.

BREAK FREE … and share words with us. Join us for an evening of enlightenment when Louisiana poets Bessie Senette and Clare L. Martin and Austin poet Robert Okaji share their work.

Louisiana native Bessie Senette has published her first book, Cutting the Clouds, a Bayou Mystic’s Poems, Musings, and Imaginings. Currently, she is finalizing Louisiana Pines, a chapbook manuscript. Senette is an author, healer, public speaker, and ordained interfaith minister. In September of 2018, she served as Artistic Director and featured performer of a multi-disciplined arts event celebrating the Sufi poet Rumi. Senette lives in Lafayette, Louisiana with her husband of 35 years. She has two sons, two daughters-in-law, four grand-pups and one cantankerous grand-cat.

The author of five chapbook collections, two micro-chapbooks and a mini-digital chapbook, Robert Okaji writes in his backyard shack in Texas. He once won a goat-catching contest, and his work has appeared or is forthcoming in Slippery Elm, Vox Populi, Panoply, Hamilton Stone Review, The New Reader and elsewhere.

Join us for an afternoon with authors A. R. Ashworth, K. P. Gresham, andHelen Currie Foster. All three will be sharing excerpts from recent novels.

A. R. Ashworth earned a degree in history and worked for over twenty years in high tech. Along the way he developed a lasting love for London, dark British-style mysteries and Scandinavian noir. Souls of Men, the first novel of the Elaine Hope series, was released in April 2017. Two Faced, the second Elaine Hope novel, was released in July 2018.

K.P. Gresham, author of the Pastor Matt Hayden Mystery series and Three Days at Wrigley Field, moved to Texas as quick as she could. Born Chicagoan, K.P. and her husband moved to Texas, fell in love with not shoveling snow and are 30+ year Lone Star State residents. She finds that her dual country citizenship, the Midwest and Texas, provide deep fodder for her award-winning novels. Her varied careers as a media librarian and technical director, middle school literature teacher and theatre playwright and director add humor and truth to her stories. A graduate of Houston’s Rice University Novels Writing Colloquium, K.P. now resides in Austin, Texas, where life with her tolerant but supportive husband and narcissistic Chihuahua is acceptably weird.

Helen Currie Foster writes the Alice MacDonald Greer Mystery series. She earned a BA from Wellesley College, an MA from the University of Texas, and a JD from the University of Michigan. Having grown up in Texas surrounded by books and storytelling, Foster taught high school English and covered politics and wrote features (prize-winning) for a weekly newspaper. After practicing law for more than thirty years as an environmental lawyer, she found the character Alice and her stories had suddenly appeared in her life. Married with two children, Foster lives north of Dripping Springs, Texas, supervised by three burros. She’s deeply curious about human history and how, uninvited, the past keeps crashing the party. Foster works in Austin and is active with Hays County Master Naturalists and Austin Shakespeare. She currently serves as president of the local Heart of Texas chapter of the national organization Sisters in Crime. Foster enjoys meeting with readers in book groups and libraries in Colorado, New Mexico and Texas.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Pei Pei the Monkey King by Wawa.

Pei Pei the Monkey King, Wawa’s first book, is a playful book about painful subjects in contemporary Hong Kong, namely the Umbrella Revolution of 2014, the Fishball Revolution of 2016 and an on-going epidemic of suicides among young people. The author, who has recently moved to Honolulu, knows internal and external exile. The translator, Henry Wei Leung, has written a clear and perceptive introduction to the language and politics of Hong Kong. He also addresses the difficulties in translating Chinese poetry into English, noting that even people who speak ‘Chinese’ can often not understand each other. The book ends with an interview between poet and translator that elucidates the book’s private concerns.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us in celebrating the launch of Alisar Eido’s new novel, Night Bound. With readings from Alisar, as well as Victoria Champion and Brennan Utley.

Alisar Eido is an Austin author whose work spans multiple genres from psychological thrillers to dark fantasy. Her new release, Night Bound, is book two of three in The Soulfire Series. The author’s inspiration stems from her many experiences with strange coincidences and unexplainable events.

Brennan Utley is an emerging author based in Austin who blends realist, fabulist, science fiction, and satirical traditions into his unique and often darkly funny stories and aspiring novels. He is currently working late into the night on a handful of new projects and teaches in Bastrop, Texas.

Victoria Champion is an author of dark fiction, horror, and dark fantasy. She met Alisar while in a Creative Writing class while pursuing her Creative Writing degree. She has published multiple short stories and a novel, Zombie Flood: Disaster of the Dead.

Join Bat City Review and Malvern Books for SILKEN SAD UNCERTAIN: A Haunted Reading & Open Mic! Featuring Daniel Eduardo Ruiz, Michelle Dominique Burk, KING MTN, Sarah Matthes, and others. Bring your spookiest poems and ghost stories for an all-ages open mic.

Costumes highly encouraged.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Juniper Tree by Barbara Comyns, an enthralling and macabre fairy tale.

Through her reimagining of the wicked stepmother figure, Comyns speculates convincingly as to how damage escalates despite all conscious attempts to limit itself. —Helen Oyeyemi

Comyns’s world is weird and wonderful … there’s also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius. —The Observer

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join us in celebrating the launch of the English translation of local Iranian poet Roja Chamankar’s poetry collection, Dying in a Mother Tongue, translated by Blake Atwood (UT Press).

Born in Borazjan in southern Iran in 1981, Roja Chamankar is a poet and filmmaker with an academic background in Dramatic Literature and Cinematography. She has published nine books of poetry in Iran, co-written three books for children, and translated two collection of poems from French into Persian. Her works have been translated into several other languages and have won a number of national and international awards, including the Greek Nikos Gatsos prize in 2016. Roja has participated in numerous poetry readings and festivals in Iran, France, Sweden, Austria, Malta, and the United States. A collection of her poems titled Dying in A Mother Tongue, translated by Blake Atwood, will be published in November 2018 by the University of Texas Press. She is currently residing in Austin, Texas.

Blake Atwood is an assistant professor in the Department of Middle Eastern Studies at the University of Texas at Austin. He is the author of Reform Cinema in Iran: Film and Political Change in the Islamic Republic.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

Join us in celebrating the launch of Sara Bawany’s (W)holehearted: A collection of poetry and prose. Hosted by CAIR-Austin.

Sara Bawany is a social worker, a writer, and a poet with a passion for bringing to light some of the most taboo issues in the South Asian community. A graduate of The University of Texas at Austin, Sara received her Master’s degree in Social Work and her Bachelor’s degrees in Biology and Islamic Studies. She currently serves as a social worker at the Muslim Community Center for Human Services, providing free mental health counseling and mental health education to the community. She has been writing since she was very young and she recently published her first poetry book. Some of the themes you can find in her work include femininity, spirituality, social justice issues, identity, mental health, and domestic violence. When she is not writing or working, you can find her baking cookies, traveling somewhere new, or cuddling with her two pet rabbits.

Join us for a meet and greet with authors Jaycie Morrison and Barbara Ann Wright, hosted by the Sapphic Reading Group. Everyone is welcome!

Jaycie Morrison is a second generation native Dallasite who is also in love with Colorado and now splits her time between the two. She lives with her wife of over two decades and their spoiled dog. As a youngster, Jaycie and her friends entertained themselves making up and acting out stories featuring characters from popular TV shows or favorite bands. As a voracious reader, she always wondered what it would be like to write a book. Once she started, it was almost impossible to stop. Jaycie’s debut novel, Basic Training of the Heart, (Bold Strokes Books, fall, 2016) and its sequel, Heart’s Orders (2017), are the first two in a series that combine her love of the written word and her fascination with history. “Weather or Not,” in The Lone Star Collection, is her first short story.

Barbara Ann Wright pens fantasy and science fiction novels and short stories when not adding to her enormous book collection or ranting on her blog. She says that her writing career can be boiled down to two points: when her mother bought her a typewriter in the sixth grade, and when she took second place in the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy Writing in 2004. One gave her the means to write and the other gave her the confidence to keep going. Believing in oneself, in her opinion, is the most important thing a person can do. Barbara’s short fiction has appeared twice in Crossed Genres Magazine and once made Tangent Online’s recommended reading list. She’s published ten novels with Bold Strokes Books. Her first novel, The Pyramid Waltz, was one of Tor.com’s “Reviewer’s Choice” books. It was also a “Foreword Review Book of the Year” award finalist, as well as a GCLS Goldie finalist. In addition, The Pyramid Waltz won the 2013 Rainbow Award for Best Lesbian Fantasy and made Book Riot’s “100 Must-Read Sci-Fi Fantasy Novels By Female Authors.” Barbara has been the recipient of four other Rainbow Awards, and her novel, Coils, was a finalist in the 2017 Lambda Awards. Her latest novel is The Tattered Lands. Barbara lives in the Austin area with a small army of pets, and she’s not afraid to sic them on her critics.

The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.

Join us in celebrating the launch of Texas State University MFA professor Steve Wilson’s new poetry collection. With readings and book signings from Steve and fellow Finishing Line Press and MFA poetry graduate Prudence Arceneaux.

Steve Wilson’s poems have appeared in journals and anthologies nationwide. He is the author of four collections of poetry, and editor of The Anatomy of Water: A Sampling of Contemporary American Prose Poetry. He teaches in the MFA program at Texas State University.

C. Prudence Arceneaux, a native Texan, is a poet who has taught English and Creative Writing at Austin Community College, in Austin, TX, since 1998. She earned a BA in English/ Creative Writing from the University of New Mexico, but even before finishing the degree realized “there’s no place like home.” Upon her return to Texas, she began work on an MFA in Creative Writing, which she received from the University-formerly-known-as-Southwest-Texas-State in 1998. Her work has appeared in various journals, including Limestone, New Texas, Clark Street Review, and Inkwell. Her chapbook, Dirt, was published by Finishing Line Press in 2017.

Join us for a celebration hosted by Pterodáctilo, the bilingual journal and blog run by graduate students in UT Austin’s department of Spanish and Portuguese. This bilingual event will feature poetry readings… and tamales!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Ending Up by Kingsley Amis.

Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

“Ending Up is a sardonic little masterpiece which, with incredible economy and stylistic restraint, shows what old age is really like, and also—far, far better than any other writer I know—what contemporary England is like.”

—Anthony Burgess

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

Join us in celebrating the Austin launch of Isabella Ides’ White Monkey Chronicles.

A rogue order of nuns are raising an undocumented deity on the down-low in this contemporary fable. Expect a plague of Cardinals. A feminist insurgency. And divine monkeyshines.

Born under the Hollywood Sign, Isabella was abducted by life, packed in a suitcase and dropped off in Texas. She launched as a poet in Austin, then a playwright in Dallas. Now with the launch of White Monkey Chronicles, she is relishing her latest reincarnation as a novelist.

Join us in celebrating the release of the Fall 2018 edition of Austin Community College’s journal, The Rio Review. Students featured in this issue will share their fiction, nonfiction, and poetry with us.

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.

Join over 25 nationally recognized Texas poets as they read their work from the 2019 Texas Poetry Calendar and celebrate the 21st Edition of this iconic journal / planner / calendar.

Featured poets include Christine Boldt, Hugh Burke, Sandra Cobb, Diana Conces, Chip Dameron, Charles Darnell, Terry Dawson, Nancy Fierstien, Christine Gilbert, Amy Greenspan, Barbara Gregg, Laura Guli, Betsy Joseph, Carie Juettner, Lauren Kinzie, Kimberley Lambright, Jim LaVilla-Havelin, Wade Martin, Robert Okaji, Frank Pool, Tina Posner, Margi McCreless Roe, Carol Coffee Reposa, Shubh Schiesser, Mary Louise Shack, Rie Sheridan Rose, Jan Spence, Dee Susong, Claire Vogel-Camargo, Christine Wenk-Harrison, Allyson Whipple, Steve Wilson, with 2019 Calendar editor, Cindy Huyser and Kallisto Gaia Press managing editor, Tony Burnett.

This event is supported in part by the city of Austin Economic Development Department Cultural Arts Division.

Join us in celebrating the launch of Vanessa Couto Johnson’s first full-length poetry collection, Pungent dins concentric (Tolsun Books).

Pungent dins concentric . . . is bounteous and exhilarating, even as it aces the heavy lifting of the book’s real and often startling wisdom. In the delectable world of these poems, “the properties of bellies are what lead us” in a “life, not fare, but air-letting. We all lung for.” With lightning quick “voracity veracity velocity” this book invites us to “laugh until full, until body itself is a world.” “Elegant in the mathematical sense,” wry but confident pronouncements amount to a love song to the pleasure and puzzlement of sentient sensuality, onomatopoetically delivering the very delight and savor these “polylingual spoon nutrients, crave and carve and cave of / deepening morphemes” describe.
—Susan Lewis

Propelled by extraordinary imaginative force, the poems of Vanessa Couto Johnson’s dazzling pungent dins concentric unfold in a sequence of evocations, each one summoning into view a moment of bustle in a specific but overloaded social space. The works are built of sentences, swirling syntactic image structures that seem to be the outcome of critical attention to the strangeness of the world around us. Linguistic wit and sassy irreverence partially veil Johnson’s dismay, but they cannot veil the poet’s ebullient joie de vivre.
—Lyn Hejinian

Vanessa Couto Johnson has written a tantalizing book, full of quick moves, wild associations, and linguistic flair. In pungent dins concentric, our world of dailiness is in considerable disarray: language calls out differences: seams don’t quite match and words lose their constancy (“I said celibate, not celebrate,” “no wrestling matte today.”) With meaning unstuck and liberty to disconnect or form new connections, the poems arrive at new truths, moments of hilarity and insight.
—Maxine Chernoff

Vanessa Couto Johnson’s first full-length book is pungent dins concentric (Tolsun Books, 2018). “Try the yen relish,” a sixteen-page prose poem sequence, was released in a first BoxSet from Oxidant | Engine in March 2018. Her chapbooks are speech rinse, winner of Slope Editions’ 2016 Chapbook Contest; rotoscoping collage in Cork City (dancing girl press, 2016); and Life of Francis, winner of Gambling the Aisle’s 2014 Chapbook Contest. Softblow, Thrush, Field, Blackbird, Cheat River Review, Cream City Review, and other journals and anthologies have featured her poetry. Most recently, four constraint-based erasure poems appeared in Surrealists and Outsiders 2018: I Wagered Deep On the Run of Six Rats to See Which Would Catch the First Fire (Thrice Publishing). A Brazilian born in Texas (dual citizen) and two-time Pushcart Prize nominee, she is currently a Lecturer at Texas State University, where she earned her MFA.

Join us for an afternoon with Dorothy Ellis Barnett, who will read from her poetry and short stories.

Dorothy Ellis Barnett landed in Austin, Texas after a hardscrabble childhood growing up on the riverbeds, campgrounds and roads of the Southwest. While at The University of Texas she obtained a B.A. in Anthropology, an M.A. in English and was awarded a James A. Michener Fellowship. Together with her Fellows, she founded Borderlands: Texas Poetry Review, then went on to launch The Rio Review and Poetry at Round Top, leaving over 50 literary journals in print along the literary highway. These publications have promoted, encouraged, and inspired countless writers and artists. Dorothy subsequently earned her M.F.A. from Pacific Lutheran University. She is now Professor Emerita at Austin Community College where she founded and created the Creative Writing Department. She is a former Board Member of the Writers’ League of Texas and is currently on the organizational committee for Poetry at Round Top held at Festival Hill each Spring. While her path has left a legacy for the literary community that includes her own publications, it pales in comparison to her role as wife, mother, grandmother and friend.

Join us in celebrating the launch of Love&Wages, Jim Trainer’s fifth full-length collection of poetry and prose through Yellow Lark Press. With host Dave Julian and featured readers Nathan Hamilton, Christia Madacsi Hoffman, and Nicole Brissette.

Jim Trainer (above) publishes one collection of poetry and prose every year through Yellow Lark Press. Love&Wages is his 5th. He’s also a singer-songwriter, journalist and curator of Going For The Throat—a weekly publication of cynicism, outrage, correspondence and romance. Please visit his website for Love&Wages, his latest collection, and for music, film, and appearances. (Photo credit: Adam Glick Photography.)

Host Dave Julian, aka The Poetic Butcher was born and raised in the Big N.O. (Old New Orleans, Louisiana). He moved to Lexington, Kentucky a few days after Hurricane Katrina to live with his mother and stepfather. This formerly was his home aside from some occasional adventures, perhaps most notably his time in The Land of the Rising Sun, Japan. Now he resides in Austin, Texas.

Featured reader Nathan Hamilton (below, left) is a multidisciplinary artist based in Austin, Texas. As a singer/songwriter he has been performing professionally for more than 20 years. During that time he has released six albums on his own and two as a member of the Good Medicine Band (aka Sharecroppers). He was a winner of the 2000 Kerrville New Folk Award and a Top 5 Finalist in the 2008 Independent Music Awards. Nathan has toured internationally and in 2012 was selected as one of the official City of Austin Music Ambassadors to Oita, Japan as part of the Sister Cities Program. Nathan is a studied visual artist as well and has shown work in both group and solo shows. He employs a raw and loose-handed aesthetic along with a recycling sensibility. Using old doors, boards, dirt, rope, sticks, house paint, stones and other salvaged materials, Nathan turns these crudely textural elements into assemblages and paintings that take on a rough-hewn and contemplative elegance.

Featured reader Christia Madacsi Hoffman (below, center) grew up along the banks of the Mystic River in Mystic, Connecticut. Through her Austin-based company, CenterLight Media, Hoffman works as a marketing and editorial writer, graphic designer, and actor. Her early career adventures included antique furniture restoration and leading treks in the high Himalaya. With an accessible and insightful poetic voice, Hoffman’s poetry explores the universal themes of place, beauty, youth, and family. Her personal reflections reveal the depth in our everyday experiences and the significance of our intentions.

Featured reader Nicole Brissette (below, right) has a BFA in English. Her writing can be found in Austin Artmosphere Artists, Art World, and at Sybiljournal.com.

Join us for a poetry reading and birthday cake to celebrate the late, great poet laureate of Hyde Park, Albert Huffstickler.

Albert Huffstickler (December 17, 1927 – February 25, 2002) was born in Laredo, Texas, but he lived in Austin in his later years, and became a local literary legend. You could usually find him in a café in Hyde Park, decked out in suspenders, smoking, drinking coffee, and working on a poem. (Rumor has it he wrote a poem a day, and his impressive publication record—four full-length collections, plus hundreds of poems published in chapbooks and journals—lends veracity to the story.) He was a two-time winner of the Austin Book Awards, and in 1989 the state legislature formally honored him for his contribution to Texas poetry. In May 2013 a new Hyde Park green space at the corner of 38th and Duval Streets was named Huffstickler Green in his honor. Huff was a friend and inspiration to many, and everyone who knew him talks of his kindness, his honesty, and his passionate support for local literature. Austin Community College English professor W. Joe Hoppe describes his friend and mentor as “a great encourager of poetry.”

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is The Happy End / All Welcome by Mónica de la Torre.

The Happy End / All Welcome is set in a job fair inspired by the Nature Theater of Oklahoma from Kafka’s unfinished novel Amerika: the largest theater company in the world is recruiting all kinds of employees. De la Torre builds, fastens, cuts, pastes, performs, and extrudes a variety of poems to suit this most serious situation comedy: poems as job interviews, poems as postings, poems as questionnaires, reports, speeches, lyrical rants… At its heart, this playful bricolage explores the norms of the workplace and its notions of competence, while tackling office design, performativity, and skilled vs. deskilled creative labor.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Basic Black with Pearls by Helen Weinzweig.

Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.

 

“Celebrated in Canada as a feminist classic, Weinzweig’s searing 1980 novel captures a woman’s awakening to her lover’s exploitation….Weinzweig’s prose style is sharp, particularly her dialogue: strange and surprising, it knocks every character interaction askew.”
—Publishers Weekly

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the release of All That is Evident is Suspect, the first collection in English to offer a life-size picture of the OuLiPo in its historical and contemporary incarnations. Featuring a reading from Daniel Levin Becker (below, right).

Since its inception in Paris in 1960, the OuLiPo—ouvroir de littérature potentielle, or workshop for potential literature—has continually expanded our sense of what writing can do. It’s produced, among many other marvels, a detective novel without the letter e (and a sequel of sorts without a, i, o, u, or y); an epic poem structured by the Parisian métro system; a story in the form of a tarot reading; a poetry book in the form of a game of go; and a suite of sonnets that would take almost 200 million years to read completely.

Lovers of literature are likely familiar with the novels of the best-known Oulipians—Italo Calvino, Georges Perec, Harry Mathews, Raymond Queneau—and perhaps even the small number of texts available in English on the group, including Warren Motte’s Oulipo: A Primer of Potential Literature and Daniel Levin Becker’s Many Subtle Channels: In Praise of Potential Literature. But the actual work of the group in its full, radiant collectivity has never before been showcased in English. (“The State of Constraint,” a dossier in issue 22 of McSweeney’s Quarterly Concern, comes closest.)

Enter All That is Evident is Suspect, the first collection in any language to represent all of its members (numbering 41 as of April 2018 ). Combining fiction, poetry, essays and lectures, and never-published internal correspondence—along with the acrobatically constrained writing and complexly structured narratives that have become synonymous with oulipian practice—this volume shows a unique group of thinkers and artists at work and at play, meditating on and subverting the facts of life, love, and the group itself. It’s an unprecedentedly intimate and comprehensive glimpse at the breadth and diversity of one of world literature’s most vital, adventurous presences.

Daniel Levin Becker is an American critic, editor, and translator who joined the Oulipo in 2009. He is the author of a book about the Oulipo, Many Subtle Channels: In Praise of Potential Literature, and has translated work by Georges Perec, Éric Chevillard, Thomas Clerc, and Paul Griffiths among others.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Autobiography of Death by Kim Hyesoon.

The title section of Kim Hyesoon’s powerful new book,  Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust  deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates death—how we die and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. 

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for an evening with Tatiana Ryckman and Adeena Reitberger.

Tatiana Ryckman (left) is the author of the novella, I Don’t Think of You (Until I Do) and two chapbooks of prose. She is the editor of Awst Press and has been a writer in residence at Yaddo, Arthub, and 100W. Her work has appeared in Tin House, Lithub, Paper Darts, Barrelhouse, and other publications. Tatiana can be found on airplanes or at tatianaryckman.com.

Adeena Reitberger’s fiction and nonfiction have been published in Black Warrior Review, Mississippi Review, Cimarron Review, Nimrod International Journal, Third Coast, NANO Fiction, SmokeLong Quarterly, Sierra Nevada Review, and other magazines, and her work has been listed as notable in the Best American Series. She teaches creative writing at Austin Community College and works the editor of American Short Fiction.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is Anna Seghers’s Transit, an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight.

On its own, this story is an important untold story of the refugee situation in Second World War-era Europe, but in its own grappling with its allegorical nature, Segher transforms the book into a masterpiece. Seghers balances these two impulses in telling her story with an existential, theological layer. The situation of these refugees mimics the course of the human soul. —Vol 1.Brooklyn

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!

“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.

Join us in celebrating the launch of the fourth issue of Kallisto Gaia Press’ literary journal, The Ocotillo Review, which features over 100 pages of literary genius by award-winning writers from around the world and superb new pieces by writers from underserved communities.

Featured reader Cynthia White (above right), winner of the Julia Darling Memorial Poetry Prize, will be flying in from Santa Cruz to share her poetry! Other readers include Diana Conces, Charles Darnell, Terry Dawson, Geoffrey Hall, Bobby Horecka, and Frank Pool, among others to be announced.

Cynthia White (Santa Cruz CA) has poems appearing in Poet Lore, ZYZZYVA, New Letters and CALYX, among others. She’s been both finalist and semi-finalist for Nimrod’s Pablo Neruda Prize.

The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.

The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.

We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.

This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.

For more information, please visit the reading group’s website.

A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.

We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.

This month’s selection is Indecency by Justin Phillip Reed.

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful—the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!

Join us for something rather special: Austin Community College’s Creative Writing Department will be introducing us to the two winners of their 2017 Balcones Prize. Alessandra Lynch will read from her poetry collection, Daylily Called it a Dangerous Moment, and Brian Van Reet will read from his novel, Spoils. Sponsored by the Creative Writing Department. This event is free and open to the public.

Alessandra Lynch’s latest book is Daylily Called It a Dangerous Moment. She has received several fellowships, including residencies at Yaddo and the Macdowell Colony. Her poems have appeared in the American Poetry Review, Kenyon Review, The Massachusetts Review, Ploughshares, and other journals. Currently, she is poet-in-residence at Butler University.

Brian Van Reet is the author of Spoils, a novel that was named one of the best books of 2017 by the Guardian, Military Times, the Wall Street Journal, and others. He lives in Austin and has twice won the Texas Institute of Letters short story award.

Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This month’s selection is The Captain’s Daughter by Alexander Pushkin, translated by Robert Chandler and Elizabeth Chandler.

Alexander Pushkin’s short novel is set during the reign of Catherine the Great, when the Cossacks rose up in rebellion against the Russian empress. Presented as the memoir of Pyotr Grinyov, a nobleman, The Captain’s Daughter tells how, as a feckless youth and fledgling officer, Grinyov was sent from St. Petersburg to serve in faraway southern Russia. At once a fairy tale and a thrilling historical novel, this singularly Russian work of the imagination is also a timeless, universal, and very winning story of how love and duty can summon pluck and luck to confront calamity.

The Captain’s Daughter is one of the stories in which Pushkin created Russian prose…. It is true poet’s prose, absolutely clear, objective, unpretentious and penetrating.
—The Spectator

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.

How it works:

Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!