Welcome to Malvern Books!
Malvern Books is now closed. Malvern Books was a bookstore and community space in Austin, Texas. We specialized in visionary literature and poetry from independent publishers, with a focus on lesser-known and emerging voices.
An Update from the Manager of Malvern Books
Dear Friends,
We’ve had a wonderful time sharing our favorite books with you over the past nine years, and it’s been an honor to celebrate the work of so many brilliant writers through our readings and events.
Malvern Books is the realization of Joe Bratcher’s vision—Joe dreamt of a bookstore that would carry the books he loved, mostly poetry and fiction from small, independent presses. He wanted to promote writers and translators of books from other countries, while also championing the work of local writers.
When Joe first talked to me about opening Malvern Books, I must admit I was skeptical. I didn’t think we’d find an audience. It was 2012 and everyone was saying that bookstores were dead, Kindle and online shopping were the future. I anticipated many quiet sales days, with Joe and I just sitting there, looking at each other. He told me if that’s how it ended up, well, at least we’d have a chance to chat—and since we always seemed to laugh a lot when we talked, it sounded like a good way to spend some time. And so from then on, whenever we’d have a really slow sales day, with just a few people coming in, we’d look at each other and say, “We’re living the dream!” and we’d laugh.
But back to opening… in early 2013, with the help of our amazing architect, contractor, and interior designer, we created the space that Joe had in mind. We started posting on social media thanks to Tracey, our wonderful digital media manager and first Malvern hire. And we were so grateful to the many enthusiastic writers and readers who expressed their excitement at the imminent arrival of Malvern Books. From the very beginning it felt like we were building a community.
We opened our doors in October 2013, and we were shocked by how many people came by. You showed up and you loved what we had to offer! You constantly surprised and humbled us with your kind words and helpful suggestions. People from out of town would visit the store because a local friend had told them they had to come by, and we received much appreciated shout-outs from the Austin Chronicle and numerous other newspapers and journals.
And then 2020 hit—but even with the pandemic, we had loyal customers who came by for curbside pick ups, signed up for individual shopping appointments, and participated in our Zoom book clubs and events. If we didn’t say it enough, THANK YOU!
All along the way, we were lucky enough to have truly wonderful staff members who loved the books we carried and who helped us build the store we have now. Their work has been invaluable and we could not have done this without them.
On July 28th of this year, we lost Joe. I can’t tell you how hard it has been to try and carry on in this space without him. Our little Malvern world has not been the same since, and, as much as we love this store and our amazing customers, Malvern Books simply cannot continue without our Joe.
Malvern Books will be closing on December 31st, 2022. It has been a wonderful nine years and we thank each and every one of our cherished customers, friends, staff, and suppliers for helping us along the way.
As we move forward, we’ll be sharing our plans with you for sales and specials. For now, we just wanted to let you know this was coming. We hope you all continue to seek out works in translation and books published by small presses—there is so much great stuff out there—and that you continue to support our local independent bookstores, like our dear friends at BookWoman, among others. But, most importantly, we hope to see you in the store sometime soon, to say goodbye and to thank you, both for being the readers that you are and because you have come with us on this incredibly fulfilling journey in Joe’s world.
With heartfelt thanks and wishing you all the best,
Becky Garcia,
Manager, Malvern Books
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is On Lost Sheep by Japanese Modernist poet Shiro Murano (1901-1975), translated by Goro Takano.
In order to survive at all as a poet Murano had to cross the treacherous boundary of pre and postwar cultural ideologies —the latter just as guilty in its omissions as the earlier era was in its excess. Hence Murano’s realism is of necessity a tragic one. He believed that the poet writes from the night of the world in the face of the forgetting of Being. The task of the poet was to break free of this night. Murano summed up his poetics as a yearning for authentic Being. Goro Takano’s translations pass through this difficult terrain with painstaking care, reflecting the precision of the original while at the same time not shying away from allowing the strain of such a task to show through—a strain which we both know is more than merely a linguistic one. —Eric Selland
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Antonio di Benedetto’s Zama. First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentinean and Spanish-language literature. Written in a style that is both precise and sumptuous, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay.
Available in English for the first time, this 1956 classic of Argentine literature presents a riveting portrait of a mind deteriorating as the 18th century draws to a close … The final images of the novel are haunting and unforgettable. This extraordinary novel, whose English translation has been so long in coming, is a once and future classic.
—Publishers Weekly, starred review
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Shatter the Bell in My Ear: Selected Poems of Christine Lavant, translated by David Chorlton.
Born in Austria in 1915, Christine Thonhauser (Lavant) was the ninth child of a miner, Georg, and his wife, Anna, and grew up in poverty. While the poetry she was later to write contained the language of spirituality, the pain she described in it came from actual conditions which she suffered: scrofula and tuberculosis of the lungs. Being disadvantaged in health also meant she could not complete her education as intended. Unable to do hard physical work, she earned a living with knitting and weaving until she gained a reputation as a writer. Writing sometimes in rhyme, sometimes in free verse, Lavant employed directness in her language.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is The Mad and the Bad by Jean-Patrick Manchette, a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.
Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate.
The Mad and the Bad is so dark it redefines noir: bleak and pointed, yes, but also infused with an understanding that what passes between us is not only compromised but more often faithless, less a matter of commitment or connection than a kind of unrelenting animal need. —David L. Ulin, Los Angeles Times
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Some Animal by Ely Shipley.
Aligned with queer theories of temporality, fragments of memoir rub against the language of psychiatric and medical regimes at the site of a body that does not conform to a gender binary. Some Animal draws out dream-like and supernatural resonances between the literature of pathology and experiences of gender dysphoria.
“This remarkable, brilliant and brave poetry by Ely Shipley is an emblem for our time when US-lawmakers are making LGBTQ bodies outlaw in many states, their Christian extremism telling an entire generation they are subhuman. Float out of body with these poems then come hurtling down to land on our feet together and demand safety, equity, and a place at the table for all people. I love this book!” —CA Conrad
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Talk by Linda Rosenkrantz, a hilariously irreverent testament to dialogue. Talk is the result of conversations between three ambitious and artistic 30-somethings, recorded by Linda Rosenkrantz and transformed into a novel whose form and content put it well ahead of its time. Controversial upon its first publication in 1968, Talk remains fresh, lascivious, and laugh-out-loud funny nearly fifty years later.
Are New Yorkers the best talkers in the world? We’ve become familiar now with this style of talk—smart, witty, ironic, tangential, obsessing over trivia—through sitcoms like Friends; but Rosenkratz was among the first to realise that it’s an art-form in its own right. —Brandon Robshaw, The Independent
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Indictus by Natalie Eilbert.
Natalie Eilbert’s Indictus summons what cannot be said while finding a way to articulate, with ferocity and exuberance and a clear and brutal vision, the violence of misogynistic systems and cultures and the ways in which they devour and destroy their inhabitants. It’s not just that this book doesn’t waste words. It goes further than that. Each sound, line, breath is charged with an energy that is explosive. Indictus lays all its cards on the table so there are no doubts about just how high the stakes here are: “I didn’t mean to assemble my whole career on lies, so now I blast holes in the men.” Yet in this world of broken bodies, Eilbert’s tenacity, her sheer drive to get to the end of a thought, to get the words onto the page, conveys a demand: to be honest, to resist, to live. —Daniel Borzutzky
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Join us for a meet and greet with author Lacey Schmidt, hosted by the Sapphic Reading Group. Everyone is welcome!
By day, Dr. Lacey Schmidt is a “corporate” suit. She runs her own company, Minerva Work Solutions, and serves as the Executive Director for Faculty Development at the University of Houston. When she sheds her daytime persona, Lacey morphs into other roles: poet, artist, adventurer, and novelist. In the latter instance, she has published three LesFic romances with Affinity Rainbow Publications: A Walk Away, Catch to Release, and Playing With Matches. In addition, a drama/thriller, A Badge Washed Up, will be available Summer 2019. Lacey has also penned several short stories. Two romances, Love’s Luck and Peaches and Honey, are in anthologies published by Affinity. Lacey’s latest short story is a sci-fi adventure entitled A Lone Star. It’s part of The Lone Star Collection, an anthology which benefits LesFic literary events. Lacey is married and lives in Houston. She and Laura have several furry children: Oberon, the tabby terrorist, and his sidekick, Sabina, plus two couch-loving canines, Misha and Nakita. Playtime for Lacey involves doing barrel rolls in a T-38, swimming with barracudas in the Caribbean, and flying NASA’s shuttle simulator.
The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Kenneth Fearing’s Clark Gifford’s Body, a paranoid tour de force of political noir.
Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions of the politicians, generals, businessmen, waiters, journalists, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Pei Pei the Monkey King by Wawa.
Pei Pei the Monkey King, Wawa’s first book, is a playful book about painful subjects in contemporary Hong Kong, namely the Umbrella Revolution of 2014, the Fishball Revolution of 2016 and an on-going epidemic of suicides among young people. The author, who has recently moved to Honolulu, knows internal and external exile. The translator, Henry Wei Leung, has written a clear and perceptive introduction to the language and politics of Hong Kong. He also addresses the difficulties in translating Chinese poetry into English, noting that even people who speak ‘Chinese’ can often not understand each other. The book ends with an interview between poet and translator that elucidates the book’s private concerns.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is The Juniper Tree by Barbara Comyns, an enthralling and macabre fairy tale.
Through her reimagining of the wicked stepmother figure, Comyns speculates convincingly as to how damage escalates despite all conscious attempts to limit itself. —Helen Oyeyemi
Comyns’s world is weird and wonderful … there’s also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius. —The Observer
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
Join us for a meet and greet with authors Jaycie Morrison and Barbara Ann Wright, hosted by the Sapphic Reading Group. Everyone is welcome!
Jaycie Morrison is a second generation native Dallasite who is also in love with Colorado and now splits her time between the two. She lives with her wife of over two decades and their spoiled dog. As a youngster, Jaycie and her friends entertained themselves making up and acting out stories featuring characters from popular TV shows or favorite bands. As a voracious reader, she always wondered what it would be like to write a book. Once she started, it was almost impossible to stop. Jaycie’s debut novel, Basic Training of the Heart, (Bold Strokes Books, fall, 2016) and its sequel, Heart’s Orders (2017), are the first two in a series that combine her love of the written word and her fascination with history. “Weather or Not,” in The Lone Star Collection, is her first short story.
Barbara Ann Wright pens fantasy and science fiction novels and short stories when not adding to her enormous book collection or ranting on her blog. She says that her writing career can be boiled down to two points: when her mother bought her a typewriter in the sixth grade, and when she took second place in the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy Writing in 2004. One gave her the means to write and the other gave her the confidence to keep going. Believing in oneself, in her opinion, is the most important thing a person can do. Barbara’s short fiction has appeared twice in Crossed Genres Magazine and once made Tangent Online’s recommended reading list. She’s published ten novels with Bold Strokes Books. Her first novel, The Pyramid Waltz, was one of Tor.com’s “Reviewer’s Choice” books. It was also a “Foreword Review Book of the Year” award finalist, as well as a GCLS Goldie finalist. In addition, The Pyramid Waltz won the 2013 Rainbow Award for Best Lesbian Fantasy and made Book Riot’s “100 Must-Read Sci-Fi Fantasy Novels By Female Authors.” Barbara has been the recipient of four other Rainbow Awards, and her novel, Coils, was a finalist in the 2017 Lambda Awards. Her latest novel is The Tattered Lands. Barbara lives in the Austin area with a small army of pets, and she’s not afraid to sic them on her critics.
The Sapphic Reading Group of Austin, Texas, celebrates and promotes works of fiction by women that authentically express the historical, cultural, political, and interpersonal experiences of lesbians. The group serves as a forum for lovers of lesbian fiction to discuss good reads, exchange books, and share news concerning the LesFic literary community. We welcome readers, authors, editors, and publishers of lesbian fiction.
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Ending Up by Kingsley Amis.
Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.
“Ending Up is a sardonic little masterpiece which, with incredible economy and stylistic restraint, shows what old age is really like, and also—far, far better than any other writer I know—what contemporary England is like.”
—Anthony Burgess
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador. Please visit Austin Book Club for more information.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is The Happy End / All Welcome by Mónica de la Torre.
The Happy End / All Welcome is set in a job fair inspired by the Nature Theater of Oklahoma from Kafka’s unfinished novel Amerika: the largest theater company in the world is recruiting all kinds of employees. De la Torre builds, fastens, cuts, pastes, performs, and extrudes a variety of poems to suit this most serious situation comedy: poems as job interviews, poems as postings, poems as questionnaires, reports, speeches, lyrical rants… At its heart, this playful bricolage explores the norms of the workplace and its notions of competence, while tackling office design, performativity, and skilled vs. deskilled creative labor.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Join us for a reading from The Lumberjack’s Dove—and a shadow puppet crankie show—with visiting writer GennaRose Nethercott, and with special guest Sean Petrie.
In the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a lumberjack who cuts his hand off with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—considering the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.” Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points-of-view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.
GennaRose Nethercott’s book The Lumberjack’s Dove was selected by Louise Glück as a winner of the National Poetry Series for 2017. She is also the lyricist behind the narrative song collection Modern Ballads, and is a Mass Cultural Council Artist Fellow. Her work has appeared widely in journals and anthologies including BOMB, The Massachusetts Review, The Offing, and PANK, and she has been a writer-in-residence at the Shakespeare & Company bookstore, Art Farm Nebraska, and The Vermont Studio Center, among others. A born Vermonter, she tours nationally and internationally composing poems-to-order for strangers on a 1952 Hermes Rocket typewriter.
Sean Petrie is a founding member of “Typewriter Rodeo,” whose poetry book came out earlier this year. He has 6 short books coming out in 2019 as part of Fountas & Pinnell’s “Leveled Books” series. He also teaches legal writing at UT, and thinks Buffy is the best show ever.
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Basic Black with Pearls by Helen Weinzweig.
Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.
“Celebrated in Canada as a feminist classic, Weinzweig’s searing 1980 novel captures a woman’s awakening to her lover’s exploitation….Weinzweig’s prose style is sharp, particularly her dialogue: strange and surprising, it knocks every character interaction askew.”
—Publishers Weekly
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Autobiography of Death by Kim Hyesoon.
The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates death—how we die and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Anna Seghers’s Transit, an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight.
On its own, this story is an important untold story of the refugee situation in Second World War-era Europe, but in its own grappling with its allegorical nature, Segher transforms the book into a masterpiece. Seghers balances these two impulses in telling her story with an existential, theological layer. The situation of these refugees mimics the course of the human soul. —Vol 1.Brooklyn
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Indecency by Justin Phillip Reed.
Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful—the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
You’re invited to join us for another Austin edition of the Why There Are Words reading series! The theme of this month’s reading is “Walk on the Wild Side,” and the readers are Tomás Q. Morín, Carrie Fountain, Sarah Bird, and Eliza Gilkyson (left to right, below).
Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.
Tomás Q. Morín is the author of Patient Zero and A Larger Country. He translated Pablo Neruda’s The Heights of Macchu Picchu and with Mari L’Esperance co-edited Coming Close: Forty Essays on Philip Levine. He is at work on a memoir about fathers. He teaches at Drew University and in the low residency MFA program of Vermont College of Fine Arts.
Carrie Fountain’s poems have appeared in Tin House, Poetry, and The New Yorker, among others. Her debut collection, Burn Lake, was a National Poetry Series winner and was published in 2010 by Penguin. Her second collection, Instant Winner, was published by Penguin in 2014. Fountain’s debut novel, I’m Not Missing, was published in July, 2018 by Flatiron Books (Macmillan). Born and raised in Mesilla, New Mexico, Fountain received her MFA as a fellow at the James A. Michener Center for Writers at the University of Texas. Currently writer-in-residence at St. Edward’s University and Visiting Professor at the Michener Center, she is the host of NPR’s This Is Just to Say, a radio show and podcast where she has intimate conversations with America’s most influential poets. Fountain lives in Austin with her husband, playwright and novelist Kirk Lynn, and their two children.
Sarah Bird is the author of nine novels and one book of non-fiction. Her latest novel, Above the East China Sea, was long-listed for the Dublin International Literary Award; was an ALEX Award nominee; winner of the 2016 Texas Philosophical Society Literary Award; a Chicago Tribune Editor’s Choice; a Seattle Times Best Book of the Year; a Tucson Book Festival Great Books for Book Club selection; and a Marie Claire Best Summer Reads. Sarah has been an NPR Moth Radio Hour storyteller, and a writer for Oprah’s Magazine and the NY Times Sunday Magazine. During her ten-year screenwriting career, Sarah was hired to write for Paramount, CBS, Warner Bros, National Geographic, ABC, TNT, as well as several independent producers. Her latest novel, Daughter of a Daughter of a Queen, inspired by the true story of Cathy/Cathay Williams, the only woman to serve with the fabled Buffalo Soldiers and the first woman to enlist in the peacetime U.S. Army, has been selected to be a lead Fall 2018 title.
Eliza Gilkyson is a twice Grammy-nominated (2006/2015) singer songwriter and activist who is one of the most respected musicians in Folk, Roots and Americana circles. Her songs have been covered by Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash and have appeared in films, PBS specials and on prime-time TV. A member of the Austin Music Hall of Fame, and a recent inductee into the Austin Songwriter Hall of Fame, she has won countless Folk Alliance and Austin Music awards, including 2014’s Songwriter of the Year. Eliza’s music has always offered a vivid reflection of the times we live in, full of joys and sorrows, each song a window into a life of struggle and triumph in a world she feels is “poised on the edge of moral, economic and environmental bankruptcy.” Her new CD released in summer 2018 from Red House Records, is titled Secularia.
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is The Captain’s Daughter by Alexander Pushkin, translated by Robert Chandler and Elizabeth Chandler.
Alexander Pushkin’s short novel is set during the reign of Catherine the Great, when the Cossacks rose up in rebellion against the Russian empress. Presented as the memoir of Pyotr Grinyov, a nobleman, The Captain’s Daughter tells how, as a feckless youth and fledgling officer, Grinyov was sent from St. Petersburg to serve in faraway southern Russia. At once a fairy tale and a thrilling historical novel, this singularly Russian work of the imagination is also a timeless, universal, and very winning story of how love and duty can summon pluck and luck to confront calamity.
The Captain’s Daughter is one of the stories in which Pushkin created Russian prose…. It is true poet’s prose, absolutely clear, objective, unpretentious and penetrating.
—The Spectator
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
You’re invited to join us for another Austin edition of the Why There Are Words reading series! This month’s theme is “Alchemy” and the readers are Joe Nick Patoski, Hugh Fitzsimons III, Bronte Treat, Elizabeth Harris, Dena Afrasiabi, and Gurf Morlix.
Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.
A staff writer for Texas Monthly magazine for eighteen years, and a reporter for the Austin American-Statesman, Joe Nick Patoski (top row, left) has authored and co-authored biographies of Willie Nelson, Stevie Ray Vaughan, Selena, and the Dallas Cowboys, directed a film on the Texas musician Doug Sahm, and collaborated on books about the Texas Mountains, the Texas Coast, and Big Bend National Park. His tenth book is Austin to ATX: The Hippies, Pickers, Slackers & Geeks Who Transformed the Capital of Texas.
Hugh Fitzsimons III (top row, middle) is a third-generation rancher from Dimmit County, Texas, and a director of the Wintergarden Groundwater Conservation District. He is currently expanding into the cultivation of environmentally beneficial restorative plants and crops. His first book, the memoir A Rock Between Two Rivers, was published in 2018 by Trinity University Press.
Bronte Treat (top row, right) is a writer based in Austin, Texas. Her work has appeared in Sorin Oak Review, Peach Fuzz Magazine, and Women of Venus. She studied Rhetoric and Writing at St. Edward’s University, where she was an editor of Arete Academic Journal. Her work is concerned with family history and identity.
Elizabeth Harris’s novel, Mayhem: Three Lives of a Woman, winner of the Gival Press Novel Award and an Austin Chronicle Top Read of 2015, was a finalist for the Texas Institute of Letters Jesse Jones Award for Best Work of Fiction. Her first collection of stories, The Ant Generator, was winner of the University of Iowa Press John Simmons Prize. Harris (bottom row, left) taught fiction writing and modern literature for a number of years at the University of Texas at Austin. She is a member of the Texas Institute of Letters. She and her husband divide their time between the Texas coast and Austin.
Dena Afrasiabi (bottom row, middle) is an editor and fiction writer whose work has appeared or is forthcoming in Michigan Quarterly Review, The Toast, and Fiction Southeast, among other publications. Her writing has received fellowship support from the Millay Colony, the Helene Wurlitzer Foundation, the Kimmel Harding Nelson Center for the Arts as well as the National Endowment for the Arts. She’s currently at work on a novel.
Gurf Morlix (bottom row, right) won mainstream recognition during his time as Lucinda Williams’ guitar player, musical director and producer. After they had a falling out over the band’s musical direction, Morlix moved on and became a freelance producer. Since then, he’s helmed projects by a diverse set of country and Americana artists including Robert Earl Keen, Ray Wylie Hubbard, Slaid Cleaves and Mary Gauthier, as well as his own records. His new recording is Impossible Blue 2019.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Angel by Elizabeth Taylor.
Perhaps every novelist harbors a monster at heart, an irrepressible and utterly irresponsible fantasist, not to mention a born and ingenious liar, without which all her art would go for naught. Angel, at any rate, is the story of such a monster. Angelica Deverell lives above her diligent, drab mother’s grocery shop in a dreary turn-of-the-century English neighborhood, but spends her days dreaming of handsome Paradise House, where her aunt is enthroned as a maid. But in Angel’s imagination, she is the mistress of the house, a realm of lavish opulence, of evening gowns and peacocks. Then she begins to write popular novels, and this fantasy becomes her life. And now that she has tasted success, Angel has no intention of letting anyone stand in her way—except, perhaps, herself.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
Join us for an evening with Austin Community College Performance Poet and Community Engagement Specialist Taria Person.
Taria Person “The Realest Person,” author of Rainbow Elephant, and playwright of the stageplay Hangers, performs poetry about conflict resolution through self-awareness, and acknowledging, respecting, and accepting each other’s differences.
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Of Death. Minimal Odes by Hilda Hilst, translated by Laura Cesarco Eglin.
If life is no more than a prolonged flirtation with death, then Hilda Hilst’s Of Death. Minimal Odes is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration—the corporeal flesh fusing with death’s own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst’s odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst’s significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark Of Death. Minimal Odes as uniquely Hilstian.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is The Seven Madmen by Roberto Arlt.
A weird wonder of Argentine and modern literature and a crucial work for Julio Cortázar, The Seven Madmen begins when its hapless and hopeless hero, Erdosain, is dismissed from his job as a bill collector for embezzlement. Then his wife leaves him and things only go downhill after that. Brutal, uncouth, and brilliantly colored, The Seven Madmen takes its bearings from Dostoyevsky while looking forward to Thomas Pynchon and Marvel Comics.
“So firmly rooted was Arlt in the explosive urban society and political culture of his time that his book is able to illuminate what was actually to happen during the first Peronist era in the 1940s and in the country’s later descent into violence in the 1970s after Juan Peron had returned as President for the last time. It is one of the great books of the 20th century.” —The Guardian
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Barbie Chang by Victoria Chang.
In Barbie Chang, Victoria Chang explores racial prejudice, sexual privilege, and the disillusionment of love through a reimagining of Barbie – perfect in the cultural imagination yet repeatedly falling short as she pursues the American dream. By turns woeful and passionate, playful and incisive, these poems reveal a voice insisting that “even silence is not silent.”
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Penelope Mortimer’s The Pumpkin Eater, a surreal black comedy about the wages of adulthood.
A strange, fresh, gripping book. One of the the many achievements of The Pumpkin Eater is that it somehow manages to find universal truths in what was hardly an archetypal situation: Mortimer peels several layers of skin off the subjects of motherhood, marriage, and monogamy, so that what we’re asked to look at is frequently red-raw and painful without being remotely self-dramatizing. In fact, there’s a dreaminess to some of the prose that is particularly impressive, considering the tumult that the book describes. —Nick Hornby, The Believer
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
You’re invited to join us for another Austin edition of the Why There Are Words reading series! June’s theme is “Traveling Light” and the guests are Lucas Schaefer, Dalia Azim, S. Kirk Walsh, Nancy Koerbel, and Michael Fracasso (left to right, below).
Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.
Lucas Schaefer’s fiction has appeared in One Story and CRAFT. He has received a fellowship from the Vermont Studio Center, and has been a recent resident at 100W Corsicana, the Studios of Key West, and the Wellstone Center in the Redwoods. A graduate of the New Writers Project at UT-Austin, Lucas lives with his husband in Austin and is currently at work on a novel.
Dalia Azim’s writing has appeared in American Short Fiction, Aperture, Columbia: A Journal of Literature and Art, Glimmer Train (where she won their Short Story Award for New Writers), Other Voices, and Sightlines, among other places. She is manager of special projects at the Blanton Museum of Art and is working on a novel.
S. Kirk Walsh’s work has appeared—or is forthcoming—in StoryQuarterly, Guernica, Electric Literature, the New York Times Book Review, Longreads, and the Virginia Quarterly Review, among others. She lives in Austin, Texas, and is the founder of Austin Bat Cave, a writing and tutoring center for kids. Walsh has been awarded residencies at Yaddo, Ragdale, and Virginia Center for the Creative Arts. She is currently at work on a novel about Detroit, Michigan.
Nancy Koerbel’s poems have recently appeared in Redactions, One, and The Pittsburgh Poetry Review. A former recipient of a grant from the Pennsylvania Council on the Arts, she lives in Pittsburgh, Pennsylvania, where she teaches legal and business writing, works as a copyeditor for a large tech company, and coordinates the Pittsburgh branch of Why There are Words.
Michael Fracasso, musician, chef, and Austinite, is a genre-crossing artist incapable of repeating himself. His critically acclaimed work includes nine distinctive solo CDs, recorded duets with both Patty Griffin and Lucinda Williams, an epic reinterpretation of John Lennon’s “Working Class Hero,” and memorable tributes to Woody Guthrie, Mickey Newbury and Townes Van Zandt. In 2011 he was short listed for the Austin Public Library Award for literary achievement.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Lucy Negro, Redux: The Bard, a Book, and a Ballet by Caroline Randall Williams.
Part lyrical narrative, part bluesy riff, part schoolyard chant and part holy incantation, the book is an unflinching investigation of otherness and a dead-sexy exploration of the intersection of identity and desire. Above all it is a witty and audacious rejoinder to literary history and its systematic suppression of female voices. Especially black female voices.
—The New York Times
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Tatyana Tolstaya’s The Slynx, which reimagines dystopian fantasy as a wild amusement park ride.
Poised between Nabokov’s Pale Fire and Burgess’s A Clockwork Orange, The Slynx is a brilliantly inventive and shimmeringly ambiguous work of art: an account of a degraded world that is full of echoes of the sublime literature of Russia’s past; a grinning portrait of human inhumanity; a tribute to art in both its sovereignty and its helplessness; a vision of the past as the future in which the future is now.
“It is impossible to communicate adequately the richness, the exuberance, and the horrid inventiveness of The Slynx.” — John Banville, The New Republic
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Lima :: Limón by Natalie Scenters-Zapico.
In her striking second collection, Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure. Her sharp verse and intense anecdotes brand her poems into the reader; images like the Virgin Mary crying glass tears and a border fence that leaves never-healing scars intertwine as she stares down femicide and gang violence alike. Lima :: Limón is grounding and urgent, a collection that speaks out against violence and works toward healing.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is A House and Its Head, Ivy Compton-Burnett’s subversive look at the politics of family life.
A radical thinker, one of the rare modern heretics, said Mary McCarthy of Ivy Compton-Burnett, in whose austere, savage, and bitingly funny novels anything can happen and no one will ever escape. The long, endlessly surprising conversational duels at the center of Compton-Burnett’s works are confrontations between the unspoken and the unspeakable, and in them the dynamics of power and desire are dramatized as nowhere else.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Meena Alexander’s Birthplace with Buried Stones.
With their intense lyricism, Meena Alexander’s poems convey the fragmented experience of the traveler, for whom home is both nowhere and everywhere. The landscapes she evokes, whether reading Bashō in the Himalayas, or walking a city street, hold echoes of otherness. Place becomes a palimpsest, composed of layer upon layer of memory, dream, and desire. There are poems of love and poems of war—we see the rippling effects of violence and dislocation, of love and its aftermath. The poems in Birthplace with Buried Stones range widely over time and place, from Alexander’s native India to New York City. We see traces of mythology, ritual, and other languages. Uniquely attuned to life in a globalized world, Alexander’s poetry is an apt guide, bringing us face to face with the power of a single moment and its capacity to evoke the unseen and unheard.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is a classic of golden age noir, In a Lonely Place by Dorothy B. Hughes.
Los Angeles in the late 1940s is a city of promise and prosperity, but not for former fighter pilot Dix Steele. To his mind nothing has come close to matching “that feeling of power and exhilaration and freedom that came with loneness in the sky.” He prowls the foggy city night—bus stops and stretches of darkened beaches and movie houses just emptying out—seeking solitary young women. His funds are running out and his frustrations are growing. Where is the good life he was promised? Why does he always get a raw deal? Then he hooks up with his old Air Corps buddy Brub, now working for the LAPD, who just happens to be on the trail of the strangler who’s been terrorizing the women of the city for months…
“A tour de force laying open the mind and motives of a killer with extraordinary empathy. The structure is flawless, and the scenes of postwar LA have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to.” —Sara Paretsky
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
You’re invited to join us for another Austin edition of the Why There Are Words reading series! This month’s theme is “Silver Linings” and the guests are Kathryn Schwille, Kristen Staby Rembold, Mark Solomon, Marian Szczepanski, and musical duo Joanna Howerton and Michael Cross.
Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.
Kathryn Schwille (top left) is the author of the novel What Luck, This Life, set in East Texas around the time of the Columbia shuttle disaster. It was selected by the Atlanta Journal-Constitution as one of the best southern books of 2018. Her short stories have appeared in New Letters, Memorious, Crazyhorse, Literary Hub, and other journals, and have been cited twice for Special Mention in the Pushcart Prize. She lives in North Carolina and teaches at Charlotte Center for Literary Arts.
Kristen Staby Rembold’s (top center) most recent book is Music Lesson, poetry, published in 2019 by Future Cycle Press. She is also the author of two poetry chapbooks, Leaf and Tendril and Coming into This World, and a novel, Felicity, winner of Mid-List First Fiction Series Award. Her poems have appeared in many periodicals including Crab Orchard Review, Green Mountains Review, Literary Mama, Smartish Pace, and New Ohio Review. She has taught poetry and fiction writing at WriterHouse in Charlottesville, Virginia, and is former co-editor of IRIS: A Journal About Women. She holds degrees from Northwestern University and the Warren Wilson MFA Program for Writers.
Mark Solomon (top right) has lived in NYC since 1941. Since 1973 his poems have appeared in Broadway Boogie, TriQuarterly, Hanging Loose, BOMB, The Marlboro Review, The Beloit Poetry Journal, and Southern Poetry Review. A chapbook, Her Whom I Summoned, and My True Body, his first full-length collection, are available through Havel.Havulim@gmail.com
Marian Szczepanski (bottom left) is the author of the historical novel Playing St. Barbara (High Hill Press, 2013), which Huffington Post called “a stunning debut novel that shimmers with unforgettable characters while casting necessary light on a dark chapter in American history.” She has won awards for short fiction and magazine writing and holds an MFA in fiction from the Program for Writers at Warren Wilson College. She is a faculty member at Houston’s Writespace creative writing center and has also taught for the Texas Writers League (Austin), Gemini Ink (San Antonio), Village Writing School (Eureka Springs and Rogers, AR), University of Pittsburgh’s Writers Café, and St. Francis University (Loretto, PA). She divides her time between Houston and Hood River, Oregon.
Joanna Howerton grew up in a musical family in the beautiful hills of Kentucky. In the Blues, she found her true voice and style and honed her vocal skills and played with various R&B and jazz ensembles in New Orleans and Austin. Her partnership and duo with Michael Cross has been transformative, inspiring the creation of a sound that bridges their past and current influences.
Michael Cross, a talented vocalist, lyricist, composer and seasoned recording artist, has toured nationally and internationally. Recording projects include TX Blues Voices, and his own album Blues Lovin’ Man. Michael’s latest collaboration with Joanna Howerton has inspired new material and their duo is steadily building an enthusiastic following.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Ghost Of by Diana Khoi Nguyen.
Ghost Of elegizes a brother lost via suicide, is a mourning song for the idea of family, a family haunted by ghosts of war, trauma, and history. Nguyen’s debut is not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: remnants of memory, physical voids, and her family captured around an empty space. Through lyric meditation, Nguyen seeks to bridge the realms of the living with the dead, the past with the present. These poems are checkpoints at the border of a mind, with arms outstretched in bold tenderness.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Pitch Dark by Renata Adler.
Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Magical Negro by Morgan Parker.
Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics―of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present―timeless black melancholies and triumphs.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Mawrdew Czgowchwz by James McCourt, an enchanting send-up of the world of opera.
Diva Mawrdew Czgowchwz (pronounced “Mardu Gorgeous”) bursts like the most brilliant of comets onto the international opera scene, only to confront the deadly malice and black magic of her rivals. Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt’s entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
Join us for a night with spoken word artists Joaquín Zihuatanejo and Taria Person.
Joaquín Zihuatanejo is a brilliant poet. His testimonials and songs and explorations are multilingual, structurally adventurous. The wide range of forms and dictions makes visible his ravenous curiosity and intellect. His language, rippling with the loss of a father and racial and cultural tensions, resists one-dimensional answers. His nouns and verbs wonder, croon, weep, question, and roar. The deep attention to language and to the shaping of language infuses the work with a riveting self-awareness of the self—in this case, a Mexican American man unafraid to remember, to love. Beautifully crafted and richly imagined, Arsonist is a remarkable debut. —Eduardo C. Corral, author of Slow Lightning
Joaquín Zihuatanejo received his MFA in creative writing with a concentration in Poetry from the Institute of American Indian Arts in Santa Fe, New Mexico. His work has been featured in Prairie Schooner, Sonora Review, and Huizache, among other journals and anthologies. His poetry has been featured on HBO, NBC, and on NPR in Historias and The National Teacher’s Initiative. He was the winner of the Anhinga-Robert Dana Prize for Poetry. His book, Arsonist, was published by Anhinga Press in September of 2018, and was short-listed as a Finalist for both the Writers’ League of Texas Best Book Poetry Prize and the International Latino Book Award Best Book Poetry Prize. Joaquín has two passions in his life, his wife Aída and poetry, always in that order.
Taria Person is an alumna of the University of Tennessee in Knoxville, where she received a dual B.A. in English Creative Writing: Poetry, and Interdisciplinary Studies: Africana Studies. She is the author of Rainbow Elephant and At the Summit, and her work has appeared in numerous anthologies, including: O’ Woman a Tapestry of Loving You, and Voices of Warriors: Poems of Hope & Healing. Taria Person won first place at the regional Big Ears: Spoken Word Expo/The 5th Woman Poetry Slam (2017), the Regional Southern Fried Hip-Hop Slam (2013), and Knoxville Poetry Slam (2012). Also, she has been an actress and Production Stage Manager for The Carpetbag Theatre Inc., during its original series of stage productions that have been funded by The Roy Cockrum Foundation, in celebration of (CBT’s) 50th Anniversary. Recently, Person has been commissioned to write a book of poetry by the Emily Hall Tremaine Foundation; won an Artistic Professional Development grant from Alternate Roots for her original stage play, Hangers; and became a member of the 5th Woman Touring Collective.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Conflict Resolution for Holy Beings by Joy Harjo.
In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a “magician and a master” (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Skylark by Dezső Kosztolányi.
“This novel is a masterpiece. From the opening sentences, he is drawing on nuance and subtle detail; comedy and pathos. Every gesture speaks volumes…..for all the humour and the easy comedy this lively study of small life is as profound as a prayer, as subtle as a lament.” —The Irish Times
It is 1900, give or take a few years. The Vajkays live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.
Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, attending the theater. And this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark. Then, Skylark is back…
Is there a world beyond the daily grind and life’s creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the ordinary. To that extent, Skylark is nothing less than a magical book.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
You’re invited to join us for another Austin edition of the Why There Are Words reading series! This month’s theme is Reconciliation and our guests are Sandra Sidi, Carrie Fountain, Josh Denslow, and The Flyin’ A’s (left to right, below).
Founded in 2010 by Peg Alford Pursell, Why There Are Words is an award-winning literary reading series that takes place every second Thursday in the San Francisco Bay Area, and beginning in 2017, will take place at 5 more national locations: New York City, Los Angeles, Pittsburgh, Portland, and Austin. Each reading event presents a range of writers, including those who have published books and those who haven’t. All writers share the criterion of excellence. The guiding idea behind the series is that good work is timeless and needs to be heard regardless of marketing or commercial concerns. If you’re interested in reading or would like more information, please contact Alison: wtawaustin@gmail.com.
Sandra Sidi writes fiction and nonfiction. She was a military analyst in Baghdad in 2007 and 2008. She is an MFA Candidate at Texas State University San Marcos, and holds a Master’s Degree in Political Science from Yale University. Her first piece, “Get A Weapon,” was published in The Atlantic and is forthcoming in Contemporary Creative Nonfiction: An Anthology by Kendall Hunt Publishing. She is working on a novel about Israeli soldiers.
Carrie Fountain is a poet and novelist, and serves as the 2019 Texas Poet Laureate. She is the author of two poetry collections, Instant Winner and Burn Lake, winner of the 2009 National Poetry Series Award, and the YA novel I’m Not Missing. Her first children’s book, The Poem Forest (Candlewick Press, 2020) tells the story of American poet W.S. Merwin and the palm forest he grew from scratch on the island of Maui. Her poems have appeared in Tin House, Poetry, and The New Yorker, among many others. She is the host of KUT’s This Is Just to Say, a radio show and podcast where she has intimate conversations on the writing life with other poets and writers. Fountain is writer-in-residence at St. Edward’s University, and lives in Austin, TX.
Josh Denslow’s short stories have appeared in print and online in such fine places as Barrelhouse, Third Coast, Cutbank, Wigleaf, and Black Clock, among many others. NOT EVERYONE IS SPECIAL, his debut short story collection, will be published in 2019 by 7.13 Books. Along with his wife and his brother-in-law, he plays drums in the band Borrisokane. KUTX called us “synth-punk gloom-wonders” and the band was hailed by the Austin Chronicle as one of the Best New Local Acts of 2013. They are currently recording thier first full-length album.
The Flyin’ A’s perform Americana with a Texas Kick. This husband and wife duo hails from Austin, Texas. You can hear their Texas roots in all they do. The high energy duo is famous for their top-notch songwriting, breathtaking harmonies, and exceptional live performance. Their latest album You Drive Me Crazy was selected to be on the 2017 first round Grammy Ballot and has taken them on tour around the US, UK, and the EU, and now they are headed to NZ for the first time. From Stuart Adamson’s outstanding lead guitar work and gritty vocals to Hilary Claire Adamson’s powerhouse vocal gymnastics and lilting harmonies, it is no wonder this duo is quickly gaining momentum both at home and abroad. They combine the best of Texas country, southern blues, folk and gospel to create an original sound that is all their own.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is muted blood by mónica teresa ortiz.
To read mónica teresa ortiz’s muted blood, we unwrap our depleted ear, we open space and breath for our unruly ones, we write letters into the future and underneath the surface with our dearly beloved poet ghosts. This is a poetry which defies demarcated boundaries, which demands deep listening and honoring of the dead, which celebrates our small sweet bursts of joy. —Ching-In Chen
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is The Life and Opinions of Zacharias Lichter by Matei Calinescu, translated by Adriana Calinescu and Breon Mitchell.
This Romanian classic, originally published under the brutally dictatorial Ceauşescu regime, whose censors initially let it pass because they couldn’t make head or tail of it, is as delicious and telling an assault on the modern world order as ever.
“A literary jewel of eccentricity seen as an ethical provocation, which created an unforgettable shock at a time when the mental stereotype imposed by the dictatorship was dimly trying to find the first slits for a breakthrough….The writer summons, in an artistic undertaking that is ever vigorous and vibrant, the fundamental questions of existence, the ephemeral and the transcendent stimulating each other in a dynamic exchange of energy, with original and seductive accords of lasting resonance.” —Norman Manea
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
We’d like to invite you to join our brand-new Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.
Our very first book will be Christopher Brown’s Rule of Capture, the first volume in an explosive legal thriller series set in the dystopian world of Brown’s Tropic of Kansas.
“Christopher Brown looks to be cornering the market on future dystopias… Rule of Capture is not just sci-fi, it’s also a legal thriller. Its author is himself a lawyer, just like John Grisham, and he has a grip on detail that full-time sci-fi authors can’t match.”—The Wall Street Journal
“A legal thriller set in a bureaucratic dystopia as grim as anything imagined by J.G. Ballard or William Gibson.”—Texas Monthly
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on Sunday, January 12th, at 1pm.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Julie Poole, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Scorpionic Sun by Mohammed Khaïr-Eddine, translated by Conor Bracke.
Mohammed Khaïr-Eddine (1941–1995) was an Amazigh Moroccan poet and writer. In the 1960s, he established the Poésie Toute movement and co-founded the avant-garde journal Souffles.
“Mohammed Khaïr-Eddine’s poems speak from 1969 to the present with urgency, through an explosively anachronistic act of translation by Conor Bracken. As Khaïr-Eddine writes in ‘Black Nausea,’ the poems ‘offer to the future this weird / fruit / which speaks in the mouths / of the thousands of innocents dead / in our black blood.’ The distortive energies of Khaïr-Eddine’s ‘linguistic guerilla war’ agitate for a politically convulsive poetry that dares to be strange, spastic and abjectly sublime. This is a return of a political surrealism when its convulsive bloom is most needed.” —Johannes Göransson
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!
Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This month’s selection is Red Shift by Alan Garner.
In second-century Britain, Macey and a gang of fellow deserters from the Roman army hunt and are hunted by deadly local tribes. Fifteen centuries later, during the English Civil War, Thomas Rowley hides from the ruthless troops who have encircled his village. And in contemporary Britain, Tom, a precocious, love-struck, mentally unstable teenager, struggles to cope with the imminent departure for London of his girlfriend, Jan.
Three separate stories, three utterly different lives, distant in time and yet strangely linked to a single place, the mysterious, looming outcrop known as Mow Cop, and a single object, the blunt head of a stone axe: all these come together in Alan Garner’s extraordinary Red Shift, a pyrotechnical and deeply moving elaboration on themes of chance and fate, time and eternity, visionary awakening and destructive madness.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you to discuss a NYRB classic!
“We read all types, we take all types. Aim to keep things light and fun.” Hosted by Jon Meador.
We’d like to invite you to join our Suspense & Speculation Book Club, a group for those of you interested in reading and discussing our mystery, suspense, and sci-fi/fantasy titles.
This month’s title is Dread Journey by Dorothy B. Hughes.
Dread Journey is a taut thriller that exemplifies Dorothy B. Hughes’s greatest strengths as a writer—namely, her sharpened prose and mastery of psychological suspense. While its fine-tuned plot is just as exciting as it was in 1945, when the novel was first published, and its portrayal of Hollywood’s less savory elements remains all-too-relevant today, the book’s characters and setting provide pure Golden Age fare, sure to please any devotee of classic mystery novels.
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or specific passage to discuss with the group. We’ll look forward to seeing you on Sunday, February 9th.
The Finnegans Wake Reading Group of Austin is a monthly get-together to dive into the depths of James Joyce’s greatest, weirdest, and most notorious masterpiece.
The process is to take turns reading aloud from the text, which allows its musicality to flow forth. Then we all discuss our interpretations and the many meanings and themes contained within the selection we’ve read.
We’ll read 2 or 3 pages of the book, depending on how many people are there and how much time we spend discussing the content.
This event is FREE and open to everyone. NO PRIOR KNOWLEDGE of Joyce or Finnegans Wake is required, just have an open mind—and be prepared to read aloud in front of strangers.
For more information, please visit the reading group’s website.
A representation of the book’s structure by Bauhaus artist Laszlo Moholy-Nagy.
We’d like to invite you to join Malvern’s Line/Break Poetry Book Club! Hosted by Malvernian Claire Bowman, this is a reading group for those of you interested in exploring works from our expansive poetry section.
This month’s selection is Advantages of Being Evergreen by Oliver Baez Bendorf.
Equal part prayer and potion and survival guide, Oliver Baez Bendorf’s remarkable Advantages of Being Evergreen is an essential book for our time and for all time… Baez Bendorf is making a future grammar for the moment all of our vessels are free and held. I am living for the world these poems anticipate… This is a book of the earth’s abiding wonder. And the body’s unbreakable ability to bloom. —Gabrielle Calvocoressi
How it works:
Stop by Malvern Books to sign up and you’ll receive a 10% discount off the title! Read the book and then come to the meeting prepared with either a question or a specific poem to discuss with the group. We’ll look forward to seeing you at this meeting of our Line/Break Poetry Book Club!