Staff Picks: Necessary Silences & An Uncanny Monologue

Stephanie recommends 100 Chinese Silences by Timothy Yu:

Yu uses poems by Collins, Oliver, Pound and more to skewer the original texts (and their creators) for their racist representations. “Often I run out of ideas / for poems,” Yu writes in a riff on a Dan Gerber poem, “but then I remember I am an American / and so can end my poem with something Chinese / and call it original, like that / ancient American railroad / built miraculously by silent hands, / helping me drive my golden spike home.”


Fernando recommends Amulet by Roberto Bolaño:

What can I tell you that you don’t already know? Perhaps it’s too easy to recommend a book by Bolaño, but this is the first novel by him I ever read. I bought it on a whim around 2007ish, after having witnessed his corner of the shelf at the local bookstore get a little bigger year after year. Finally I said, Who is this guy?, and picked one up. I will say now, after ten years of distance, that nothing could have prepared me at that time for Amulet.

This is a story about immigrants, about the government doing the unthinkable, and about resistance. At the time a novel like this was not easy to come by, especially one that was contemporary. It is narrated throughout the course of twelve days by an older Uruguayan woman as she hides in a bathroom stall while the army invades the university in Mexico City. She calls herself the mother of all poets and passionately recounts her life, passions, fantasies, and fears.

Maybe since 2007 Bolaño’s popularity has gotten out of control, but I try not to think about this when I consider one of his books as a work of literature. Though his longer, imperfect novels are certainly works of art in their own right, I really enjoy the impact and immediacy of shorter ones like Amulet.

By the end everything is devastating and holy, in a way only the rapture can be. Even if you’re in a crowded room as you finish it, you’ll feel completely alone, in the best way.

Staff Picks: Translation Games, Anti-Poetry, and D’Agata

Schandra recommends Lost Wax by Jonathan Stalling:

Each pair of pages contains an original poem written in English by the author, followed by a Chinese translation followed by another English translation performed by a workshop of eight translators. The result is one great love poem to translation through a cross-section of the act. Deliberately ekphrastic, the subject matter (visual art) illustrates the ways in which translated poetry behaves like lithography or sculpture casting, whose nature is not to create exact copies but to play a telephone game of mutation in which beauty comes from surprise.


Taylor recommends After-Dinner Declarations by Nicanor Parra:

Chilean “anti-poet” and Cervantes Prize winner Nicanor Parra provides an entertaining and enlightening perspective on the modern world. In a language steeped in colloquialisms, Parra’s declarations employ a diverse range of discourses—from puns and allusions to diatribes and eulogies—in order to expose the hypocrisy of human institutions and offer a quipping challenge to those who remain satisfied with the status quo, addressing perennial motifs such as ecology, human rights and responsibilities, and the limits of scientific knowledge.


Stephanie recommends John D’Agata’s American Essay trilogy:

D’Agata is a crucial force in American prose, known for his career-long efforts to define nonfiction. He runs the University of Iowa’s Nonfiction Writing Program, which counts young dynamic writers like Kerry Howley (Thrown), Jennifer Percy (Demon Camp), Lucas Mann (Lord Fear), and Lina María Ferreira Cabeza-Vanegas (Don’t Come Back) among its recent grads. He’s the author of numerous books and the perennial subject of angry think-pieces due to his relationship with the concept of fact and its role(s) in nonfiction. Here’s a fact: D’Agata’s introductions to the essays in this trilogy are beautiful and also contain factual errors I can’t understand the purpose of or apologize for. Here’s another fact: These anthologies are wonderfully curated courses in the essay, our greatest and most misunderstood literary form.

Book Talk: Schandra Introduces Clarice Lispector’s The Passion According to G.H.

Since her death in 1977, Clarice Lispector has earned recognition as Brazil’s greatest modern writer. And Benjamin Moser, editor of her anthology The Complete Stories, is often quoted as saying she’s the most important Jewish writer in the world since Kafka. Perhaps the most Kafkaesque of Lispector’s nine novels—yes, it involves a cockroach—is the mystical The Passion According to G.H., first published in 1964 as A Paixão Segundo G.H., and released in a superb translation by Idra Novey by New Directions in 2012. To learn more about this existential masterpiece, have a listen to Malvernian Schandra’s Book Talk below (and be sure to attend our monthly Novel Night reading series for more Book Talks!)

NYRB Classics Spotlight: Varieties of Exile

Malvern staff member Fernando is a New York Review Books Classics enthusiast, and he has an excellent recommendation for y’all…

Varieties of Exile by Mavis Gallant

Perhaps overshadowed by her contemporary Alice Munro—another female, Canadian writer of short stories—Mavis Gallant’s work deserves a wider readership. To date, NYRB Classics has released four collections of her work, all filled with nuance and comic moments of deep humanity. I’ve never read anything written quite the way her stories unfold, how encounters with peripheral people in our lives also shape us. Varieties of Exile is a good introduction, although I would say Paris Stories (which collects the work she wrote while living in that city) is a good place, too.

Also recommended, the short story collection You’ll Enjoy It When You Get There by Elizabeth Taylor. (Not that Elizabeth Taylor!)

NYRB Classics Spotlight: The Case of Comrade Tulayev

Malvern staff member Fernando is a New York Review Books Classics enthusiast, and he has a splendid recommendation for y’all…

The Case of Comrade Tulayev by Victor Serge

Sometimes the dirty politics of your time catch up to your immediate reality. Just ask Russian anarchist writer Victor Serge (1890 – 1947). He lived in Paris as a young man, then in 1919 traveled Russia supporting the Bolshevik revolution. In 1933, after a few imprisonments, he was deported and settled in France, where he began his career as a novelist. This is his last novel, which stirs together the themes Serge explored his entire life, revolving around the Soviet Great Terror of the early 20th Century. Perfect for fans of political thrillers. In the same vein, check out Fortunes of War: The Balkan Trilogy by Olivia Manning, also available through NYRB Classics.

NYRB Classics Spotlight: Butcher’s Crossing

Malvern staff member Fernando is a New York Review Books Classics enthusiast, and he has an excellent recommendation for y’all…

Butcher’s Crossing by John Williams

There’s something like a quiet magic in the art of the “meaning of life” western, as opposed to a violent, shoot-em-up kind of western. This book is perhaps the kind of western Herman Melville would have written—it retains elements of realism yet elevates moments into the realm of the epic:

But whatever he spoke he knew would be but another name for the wildness that he sought. It was a freedom and a goodness, a hope and a vigor that he perceived to underlie all the familiar things of his life, which were not free or good or hopeful or vigorous. What he sought was the source and preserver of his world, a world which seemed to turn ever in fear away from its source, rather than search it out, as the prairie grass around him sent down its fibered roots into the rich dark dampness, the Wildness, and thereby renewed itself, year after year.

To aficionados of the genre, this book is considered the greatest western written in the late twentieth century, along with Warlock by Oakley Hall. They make a good pair, really—Hall’s Warlock is the shoot-em-up kind of western, and can also be found in the NYRB Classics catalog. They’re both must-haves for fans of the western genre.