Join us for an evening with Octavio Solis, who will be reading from his acclaimed memoir,  Retablos: Stories from a Life Lived Along the Border.

Recommended by the New York Times and NBC News, and called one of 2018’s Best Books by Buzzfeed, Retablos: Stories from a Life Lived Along the Border is a memoir about growing up brown at the U.S./Mexico border.

Living in a home just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, growing up among those who live there, and those passing through on their way North. From the first terrible self-awareness of racism to inspired afternoons playing air trumpet with Herb Alpert, from an innocent game of hide-and-seek to the discovery of a Mexican girl hiding in the cotton fields, Solis reflects on the moments of trauma and transformation that shaped him into a man.

Octavio Solis does with words and imagery, lyricism and details, humor and heartbreak what the master craftsmen and women of the traditional retablos do with wood and paint, achieving the same results: these short luminous retablos are magical and enticing. Unpretentiously and with an unerring accuracy of tone and rhythm, Solis slowly builds what amounts to a storybook cathedral. We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions—and he is a master at it. His is a large, capacious, and inclusive imagination. Just as the traditional retablos are objects of beauty ultimately meant as devotional pieces, Solis’s Retablos will make devotees of his readers.
—Julia Alvarez, author of How the García Girls Lost Their Accents

Author of more than twenty plays, Octavio Solis is considered one of the most prominent Latino playwrights in America. His works have been produced in theatres across the country, including the Center Group Theatre and the Mark Taper Forum in Los Angeles, South Coast Repertory, the Magic Theatre and the California Shakespeare Theatre in the San Francisco Bay Area, Yale Repertory Theatre, Oregon Shakespeare Festival, Dallas Theater Center, and other venues nationwide. Among his many awards and grants, Solis has received an NEA Playwriting Fellowship, the Kennedy Center’s Roger L. Stevens award, the TCG/NEA Theatre Artists in Residence Grant, the National Latino Playwriting Award, and the PEN Center USA Award for Drama. His fiction and short plays have appeared in the Louisville Review, Zyzzyva,  Eleven Eleven, Catamaran, Chicago Quarterly Review, Arroyo Literary Review and Huizache.  This is his first book. He is based near Ashland, Oregon.

Author photo: Anne Hamersky