Join us in celebrating the launch of Chad Bennett’s debut poetry collection, Your New Feeling Is the Artifact of a Bygone Era, selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. With readings from local poets, including Lisa Moore, Cindy St. John, Desiree Morales, Austin Rodenbiker, and Sequoia Maner.

Shirley Temple tap dancing at the Kiwanis Club, Stevie Nicks glaring at Lindsey Buckingham during a live version of “Silver Springs,” Frank Ocean lyrics staking new territory on the page: this is a taste of the cultural landscape sampled in Your New Feeling is the Artifact of a Bygone Era. Chad Bennett casually combines icons of the way we live now—GIFs, smartphones, YouTube—with a classical lover’s lament. The result is certainly a deeply personal account of loss, but more critically, a dismantling of an American history of queerness. “This is our sorrow. Once it seemed theirs, but now it’s ours. They still inhabit it, yet we say it’s ours.” All at once cerebral, physical, personal, and communal, Your New Feeling Is the Artifact of a Bygone Era constructs a future worth celebrating.

Chad Bennett’s poems have appeared in Colorado Review, Denver Quarterly, Fence, Gulf Coast, jubilat, The Offing, Poetry Daily, Verse Daily, The Volta, and elsewhere. He is the author of Word of Mouth: Gossip and American Poetry, a study of twentieth century poetry and the queer art of gossip. Your New Feeling Is the Artifact of a Bygone Era, his first book of poems, was selected by Ocean Vuong for Sarabande Books’ Kathryn A. Morton Prize in Poetry. He lives in Austin, Texas, where he is an associate professor of English at the University of Texas at Austin.

Lisa L. Moore is the author of Sister Arts: The Erotics of Lesbian Landscapes, which won the Lambda Literary Award, and has published four other books of feminist and queer writing and criticism. In addition to her chapbook 24 Hours of Men, Lisa Moore’s poems have appeared in Nimrod International Journal, The Fourth River, Borderlands Texas Poetry Review, Sinister Wisdom, Lavender Review, and other periodicals. She is Archibald A. Hill Professor of English, Professor of Women’s and Gender Studies, and Director of the Program in LGBTQ Studies at The University of Texas at Austin.

Cindy St. John is the author of Dream Vacation, a collection of daybook entries and poems; I Wrote This Poem, a poetry chapbook illustrated by Michael Burkard; as well as three other chapbooks. She lives in Austin, TX.

Desiree Morales is a poet and educator in Austin, Texas. Her work has appeared in What Rough Beast, Conflict of Interest, and the forthcoming I Scream Social Anthology. She grew up in Southern California and plans to never stop talking about it.

Austin Rodenbiker’s poetry has appeared or is forthcoming in Tin House Online, Prelude, Narrative, and PRISM international. He received his MFA from the New Writers Project and he holds an MA in gender studies from the University of Texas at Austin.

Sequoia Maner is a poet and Mellon Teaching Fellow of Feminist Studies at Southwestern University. She is coeditor of the book Revisiting the Elegy in the Black Lives Matter Era (Routledge, January 2020). Her poems, essays, and reviews have been published in venues such as The Feminist Wire, Meridians, Obsidian, The Langston Hughes Review, and elsewhere. Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the Gwendolyn Brooks Poetry Prize and she is at work on a critical manuscript about the history of African American Elegy.