Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

*** Due to COVID-19, this meeting will most likely take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “NYRB Classics book club” in the subject line. ***

This month’s selection is Frans Gunnar Bengtsson’s The Long Ships. Please note: we’ll discuss parts 1 and 2 in June (approx. 240 pages) and parts 3 and 4 in July (approx. 250 pages). This book can be purchased online via our BookShop site: bookshop.org/a/2325/9781590173466.

Frans Gunnar Bengtsson’s The Long Ships resurrects the fantastic world of the tenth century AD when the Vikings roamed and rampaged from the northern fastnesses of Scandinavia down to the Mediterranean. Bengtsson’s hero, Red Orm—canny, courageous, and above all lucky—is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he is initiated into the pleasures of the senses and fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies . . . Packed with pitched battles and blood feuds and told throughout with wit and high spirits, Bengtsson’s book is a splendid adventure that features one of the most unexpectedly winning heroes in modern fiction.

The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.