Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
*** Due to COVID-19, this meeting will take place virtually via Zoom. If you’d like to join in the online chat, please email becky@malvernbooks.com with “NYRB Classics book club” in the subject line. ***
This month’s selection is Malicroix by Henri Bosco, translated from the French by Joyce Zonana. This book can be purchased from our store (call us for curbside pick up!) or online via our BookShop site: bookshop.org/a/2325/9781681374109.
Henri Bosco, like his contemporary Jean Giono, is one of the regional masters of modern French literature, a writer who dwells above all on the grandeur, beauty, and ferocious unpredictability of the natural world. Malicroix, set in the early nineteenth century, is widely considered to be Bosco’s greatest book. Here he invests a classic coming-of-age story with a wild, mythic glamour.
A nice young man, of stolidly unimaginative, good bourgeois stock, is surprised to inherit a house on an island in the Rhône, in the famously desolate and untamed region of the Camargue. The terms of his great-uncle’s will are even more surprising: the young man must take up solitary residence in the house for a full three months before he will be permitted to take possession of it. With only a taciturn shepherd and his dog for occasional company, he finds himself surrounded by the huge and turbulent river (always threatening to flood the island and surrounding countryside) and the wind, battering at his all-too-fragile house, shrieking from on high. And there is another condition of the will, a challenging task he must perform, even as others scheme to make his house their own. Only under threat can the young man come to terms with both his strange inheritance and himself.
The NYRB Classics series started in 1999 with the publication of A High Wind in Jamaica and by the end of this year over 400 titles will be in print—so we have plenty of excellent reading material to choose from. The series includes nineteenth-century and experimental novels, reportage and belles lettres, established classics and cult favorites, and literature high, low, unsuspected, and unheard of. Literature in translation also constitutes a major part of the NYRB Classics series, including new translations of canonical figures such as Euripides, Aeschylus, Dante, Balzac, Nietzsche, and Chekhov, as well as fresh translations of Stefan Zweig, Robert Walser, Alberto Moravia, and Curzio Malaparte, among others.
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