Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This meeting will take place virtually via Zoom. If you’d like to join in the online chat, PLEASE RSVP becky@malvernbooks.com with “NYRB Classics book club” in the subject line. The book can be purchased via our online store or at Malvern Books. We offer a 10% discount in-store on all current book club titles.
March’s selection is The Silentiary by Antonio di Benedetto, translated from the Spanish by Esther Allen.
The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choosing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape.
The Silentiary, along with Zama and The Suicides, is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication “To the victims of expectation” in Zama. Together they constitute, in Juan José Saer’s words, “one of the culminating moments of twentieth-century narrative fiction in Spanish.”
The NYRB Classics series started in 1999 with the publication of Richard Hughes’s A High Wind in Jamaica and now has over 500 titles in print. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, and Chekhov; fiction by contemporary masters such as Magda Szabó, Tove Jansson, William Gaddis, and Uwe Johnson; tales of crime and punishment by Dorothy B. Hughes and Kenneth Fearing, among others; masterpieces of narrative history, literary criticism, poetry, travel writing, biography, and memoirs from such writers as Eve Babitz, Patrick Leigh Fermor, Elizabeth Hardwick, and Charles Simic; and unclassifiable classics on the order of J. R. Ackerley’s My Dog Tulip and Robert Burton’s The Anatomy of Melancholy.
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