Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This meeting will take place virtually via Zoom. If you’d like to join in the online chat, PLEASE RSVP becky@malvernbooks.com with “NYRB Classics book club” in the subject line. The book can be purchased via our online store or at Malvern Books. We offer a 10% discount in-store on all current book club titles.
July’s selection is The Stone Face by William Gardner Smith.
“A courageous novel … The Stone Face represents the maturing of a voice determined to confound preconceived notions about patriotism, Blackness and sanctuary, and accordingly the story takes no prisoners, so to speak.” —James Hannaham, New York Times
As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.
The NYRB Classics series started in 1999 with the publication of Richard Hughes’s A High Wind in Jamaica and now has over 500 titles in print. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, and Chekhov; fiction by contemporary masters such as Magda Szabó, Tove Jansson, William Gaddis, and Uwe Johnson; tales of crime and punishment by Dorothy B. Hughes and Kenneth Fearing, among others; masterpieces of narrative history, literary criticism, poetry, travel writing, biography, and memoirs from such writers as Eve Babitz, Patrick Leigh Fermor, Elizabeth Hardwick, and Charles Simic; and unclassifiable classics on the order of J. R. Ackerley’s My Dog Tulip and Robert Burton’s The Anatomy of Melancholy.
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