Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted (on most occasions) by Malvern’s own curmudgeon-in-chief, Dr. Joe. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.
This meeting will take place virtually via Zoom. If you’d like to join in the online chat, PLEASE RSVP becky@malvernbooks.com with “NYRB Classics book club” in the subject line. The book can be purchased via our online store or at Malvern Books. We offer a 10% discount in-store on all current book club titles.
August’s selection is That Awful Mess on the Via Merulana by Carlo Emilio Gadda, translated from the Italian by William Weaver.
In a large apartment house in central Rome, two crimes are committed within a matter of days: a burglary, in which a good deal of money and precious jewels are taken, and a murder, as a young woman whose husband is out of town is found with her throat cut. Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love.
Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death.
The NYRB Classics series started in 1999 with the publication of Richard Hughes’s A High Wind in Jamaica and now has over 500 titles in print. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, and Chekhov; fiction by contemporary masters such as Magda Szabó, Tove Jansson, William Gaddis, and Uwe Johnson; tales of crime and punishment by Dorothy B. Hughes and Kenneth Fearing, among others; masterpieces of narrative history, literary criticism, poetry, travel writing, biography, and memoirs from such writers as Eve Babitz, Patrick Leigh Fermor, Elizabeth Hardwick, and Charles Simic; and unclassifiable classics on the order of J. R. Ackerley’s My Dog Tulip and Robert Burton’s The Anatomy of Melancholy.
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