Welcome to Malvern Books’ Club: Reading Classics from New York Review Books, hosted this month by Malvern’s Stephen K. Everyone is invited to join us for what we’re sure will be a series of irreverent and insightful conversations.

This meeting will take place virtually via Zoom. If you’d like to join in the online chat, PLEASE RSVP tracey@malvernbooks.com with “NYRB Classics book club” in the subject line. The book can be purchased via our online store or at Malvern Books. We offer a 10% discount in-store on all current book club titles.

October’s selection is Season of Migration to the North by Tayeb Salih, translated from the Arabic by Denys Johnson-Davies.

After years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood–the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led to a terrible public reckoning and his return to his native land.

But what is the meaning of Mustafa’s shocking confession? Mustafa disappears without explanation, leaving the young man–whom he has asked to look after his wife–in an unsettled and violent no-man’s-land between Europe and Africa, tradition and innovation, holiness and defilement, and man and woman, from which no one will escape unaltered or unharmed.

Season of Migration to the North is a rich and sensual work of deep honesty and incandescent lyricism. In 2001 it was selected by a panel of Arab writers and critics as the most important Arab novel of the twentieth century.

The NYRB Classics series started in 1999 with the publication of Richard Hughes’s A High Wind in Jamaica and now has over 500 titles in print. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, and Chekhov; fiction by contemporary masters such as Magda Szabó, Tove Jansson, William Gaddis, and Uwe Johnson; tales of crime and punishment by Dorothy B. Hughes and Kenneth Fearing, among others; masterpieces of narrative history, literary criticism, poetry, travel writing, biography, and memoirs from such writers as Eve Babitz, Patrick Leigh Fermor, Elizabeth Hardwick, and Charles Simic; and unclassifiable classics on the order of J. R. Ackerley’s My Dog Tulip and Robert Burton’s The Anatomy of Melancholy.

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