Concordia

Malvern Books recently spent some time in Concord, Massachusetts, and I can highly recommend it as a vacation spot for lit-nerds (and also grape aficionados).

First up, you should plant your feet firmly on the North Bridge, site of the first proper battle of the Revolutionary War, and recite the opening lines of Ralph Waldo Emerson’s “Concord Hymn”:

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.

From the bridge it’s a very short walk to The Old Manse, which was built by Emerson’s grandfather in 1770. As a young boy, Emerson’s father was able to observe those first few shots of the revolution from an upstairs window, which must have made for quite an exciting morning.

The Old Manse

In 1834, Ralph Waldo Emerson (1803-1882) moved to the Manse, and he wrote the draft of his famous essay “Nature” there, which puts forth the foundations of transcendentalism. Emerson married the following year and bought a house nearby, which he named, oddly, Bush. He lived there for the rest of his life.

Nathaniel HawthorneIn 1842, newlyweds Nathaniel Hawthorne (1804-1864) and his wife Sophia rented the Manse for $100 a year. Since brushed chrome toasters and Le Creuset cookware had not yet been invented, their pal Thoreau planted a vegetable garden for them as a wedding gift. Nathaniel and Sophia were batty about each other, and on a tour of the Manse you’ll see the poems they wrote for each other etched into the Manse’s windowpanes with Sophia’s diamond ring. You’ll also meet Longfellow, Hawthorne’s spooky stuffed owl, which he would hide around the house to frighten his wife. Alas, after three happy years at the Manse (during which Hawthorne wrote a tribute to the house called Mosses from an Old Manse), the Hawthorne’s were evicted for not paying rent.

And speaking of Mr. Thoreau: yes, his famous pond is not far away. Henry David Thoreau (1817-1862) did his deliberate living at Walden from July 1845 to September 1847, on land owned by Emerson (and you thought the Austin literary world was incestuous!). Emerson agreed to let Thoreau conduct his “experiment in simplicity” and build a house on the land, in exchange for Thoreau clearing the woods. Thoreau’s one-room cabin is no longer intact (there’s a replica near the car park, and Concord Museum has the cabin’s bed, chair, and desk on display), but the foundations are still there, on the northern shore of the pond. If you’re a raging hippie you can visit the site, say a prayer to the gods of self-reliance, and add another rock tribute to this pile of rocks:

Walden

If you’re a cynic, you can sneer at the railway tracks that run behind the cabin (they were there in Thoreau’s day, too), and point out that Emerson and also Thoreau’s parents lived a mere twenty-minute walk away. (To be fair to Thoreau, he does make it clear in Walden that he was not living out in the wopwops.) After his time in the woods, Thoreau moved in with the Emersons at Bush.

Louisa May AlcottThe next two stops on your whirlwind tour should be the Concord homes of Louisa May Alcott (1832-1888) and her family. When Alcott was a child, she lived briefly at Fruitlands, near Harvard, an agrarian commune founded by her somewhat hapless father, who admired his friend Emerson’s back-to-nature philosophies. Sadly, Fruitlands lasted only seven months—none of the resident transcendentalists turned out to have much of a knack for farming—and the family returned to Concord. In 1845, with the help of a loan from Emerson, they bought a home they called The Hillside; many of the incidents in Little Women are based on Alcott’s childhood there. However, Louisa May’s father was unable to support his family, and in 1852 they were forced to sell the home to Hawthorne, who renamed it The Wayside (Hawthorne had moved up in the world; The Scarlet Letter had been published in 1850, and was an immediate best seller).

The Alcotts moved to Boston for a few years, before returning to Concord in 1858 to purchase the adjacent Orchard House, where Louisa May Alcott wrote Little Women in her room on a tiny half-moon desk built for her by her father.

Orchard House

The book was an instant commercial and critical success, and Louisa May Alcott was able to make good on at least two of the three promises she recorded in her diary at age fifteen: “I’ll be rich and famous and happy before I die, see if I won’t!” She died of a stroke at age fifty-five, and is buried in Concord’s Sleepy Hollow Cemetery, on a hillside near Emerson, Hawthorne, and Thoreau.

If you need a rest after all this literary sightseeing, you can check in at the terribly old (1716) and supposedly haunted Colonial Inn, where Thoreau lived from 1835 to 1837 while he attended Harvard. Have a stiff drink in the wood-paneled bar, and reflect on how Concord’s mid-nineteenth-century literary scene seems a lot like today’s literary scene: it’s a tiny, tiny world where everyone knows everyone else, and for every jammy bastard who strikes it rich—you go, Louisa May!—there are a hundred impoverished scribblers who have no choice but to gift their newlywed friends a bunch of shitty vegetables.

Bloody Good

Today Adam introduces us to a bloody brilliant Brooklyn band…

Type O NegativeType O Negative was a gothic metal band formed after the dissolution of the hardcore band Carnivore in 1987. Peter Steele, who played bass and was the lead vocalist, formed the band in Brooklyn, New York. The band would go platinum in 1993 and eventually go gold in 1996. Few could deny front man Peter Steele’s talent as both a songwriter and a musician. Many eager fans waited in anticipation for the release of his next band’s debut after Carnivore broke up, and in 1991 the wait finally ended with the release of the album Slow, Deep and Hard.

The album contained seven songs but because of their long durations, it still clocked in at an hour’s length. Fans noticed a more solid use of tempos and slow rhythms in contradiction to Peter Steele’s former band, which was known for its rapid speed and intensity. There was a notable difference in the lyrics as well. While Carnivore’s lyrics consisted of highly controversial subject matter, which ranged from hatred of Catholics to the advocacy of violent sexual assault and everything in between, Type O Negative’s lyrics were almost entirely about romance and relationship troubles. These lyrics still displayed the same gritty, nihilistic tone that Peter Steele was known for. The song “Unsuccessfully Coping with the Natural Beauty of Infidelity” contained such charming passages as “You had cock on your mind and cum on your breath / You inserted that diaphragm before you left… / I know you’re fucking someone else.”

The band released Bloody Kisses in 1993, which would go platinum. Upon its release, however, fans were in a state of shock. Peter Steele’s hard-core influenced screaming was no longer to be heard, and was replaced by a smooth baritone vocal. This low baritone style of singing would soon become one of Steele’s new trademarks in music. It was with this album that Type O Negative was able to reinvent itself as a goth metal band. The band followed in 1996 with the album October Rust, which featured classic songs such as “Love You to Death,” “My Girlfriend’s Girlfriend,” and a cover of Neil Young’s “Cinnamon Girl.”

Type O Negative would go on to release three more albums before the tragic death of Peter Steele. All that was released in regards to the cause of his death was that it was due to heart failure. Although he is no longer with us, the music world will never forget the undeniable talents and musical masterpieces brought forth by Peter Steele during his time on this earth.

Poetry, F

And now for the fourth installment in Malvern Books’ arbitrary and occasional Poetry Month A-Z series…

F is for Frame, Janet

Janet FrameJanet Frame (1924-2004) is New Zealand’s most acclaimed author. She wrote eleven novels and four short story collections (I recommend her novels Owls Do Cry and Living in the Maniototo, and also Prizes: The Selected Stories of Janet Frame), and was a nominee for the Nobel Prize in Literature. And she’s also pretty well known for being the big ol’ ginger weirdo in Jane Campion’s film, An Angel at My Table, an adaptation of Frame’s autobiographical trilogy of the same name. (Frame’s personal history makes for harrowing reading/viewing: she was wrongly diagnosed with schizophrenia, received over two-hundred electroshock treatments, and was days away from a scheduled lobotomy when news came through that her first published short story collection had won a major literary prize.)

But Frame-the-poet gets less attention, though poetry was very dear to her. She referred to it as “the highest form of literature,” and in a 1979 interview she said, “Poetry is my first love.” However, Frame’s belief that a poem must be perfect—“you can have no dead wood in a poem”—made it difficult for her to ever declare a verse finished, and she published just one poetry collection in her lifetime (The Pocket Mirror, 1967). After her death, her niece, Pamela Gordon, and two fellow poets, Denis Harold and Bill Manhire, released The Goose Bath, a selection of over a hundred of Frame’s unpublished poems (the title comes from the old garden fountain in which she kept her not-quite-finished work). Frame might not have considered her poetry entirely “real” or “successful,” but the work in The Goose Bath is beautiful nonetheless, full of rich imagery, a sense of mischief, a novelist’s inventiveness (we are addressed by a brain tumor, the Guggenheim, a piano), and a profound love of the natural world (birds and cats abound).

I Take Into My Arms More Than I Can Bear To Hold

I take into my arms more than I can bear to hold
I am toppled by the world
a creation of ladders, pianos, stairs cut into the rock
a devouring world of teeth where even the common snail
eats the heart out of a forest
as you and I do, who are human, at night

yet still I take into my arms more than I can bear to hold

* * *

from “Tenant”

No, he didn’t bath. He never turned the radio up loud.
He came from somewhere the back of beyond
where they sit under lemon trees, and ask
riddles of giant vermilion cattle with white faces.

One thing in his life—there was a tortoise.
Like a crude brooch worn across his heart, it sat
brown and flat and quiet—except
it sparkled when he spoke to it.

Thursday Three #2

Today’s happy threesome is themed for your convenience, and that theme is the weekend’s nationwide bookish events.

First up, if you’re in Houston on Saturday you really should stop by the sixth annual Houston Indie Book Festival. According to the press release, “the event serves as a spotlight on the writers, artists, journals, presses, independent bookstores, and organizations that are committed to preserving and promoting the arts and humanities within Houston, Austin, Louisiana, and the entire Gulf Coast region.” There’ll be a ton of literary journals and indie press books for sale, plus live music and OMG FOOD TRUCKS. And best of all, we’ll be there, wearing our Host Publications hat (similar to this), to take part in a panel discussion with Grey Gecko Press, JoSara MeDia, and Write Bloody Publishing. We’ll be chatting about what makes small presses so special (and so challenging), and there’ll be a Q & A afterwards, so please do stop by the tent on the eastern lawn of the Menil building at 1.30pm to heckle us fondly.

The Last BookstoreNext, let’s check out The Last Bookstore in downtown LA, for the Los Angeles Times Festival of Books After Party, starting at 7pm on Saturday. The event is open to the public, and alcohol will be served, which means you can get a little tipsy and make awkward small talk with the good people from Granta and Bookforum. You should also explore the bookstore itself, which is an amazing, cathedral-like space; it was recently listed as one of the twenty most beautiful bookstores in the world.

Finally, after a good night’s sleep, let’s pomade our outlandish mustaches and head east for the Brooklyn Zine Fest, which will be held on Sunday from 11am to 6pm at Public Assembly in Williamsburg. More than eighty zine creators (zineators? ziners?) will be displaying their wares, including artist Chris Piascik, whose Typostruction zine features a combination of cool typography, whimiscal illustrations, and… cats.

Chris Piascik

Home Sweet Home

My dears, the lease has been signed—and all 3,487 pages lovingly initialed—which means Malvern Books has officially found a home.

Lease signed613 W. 29th Street, to be exact. It’s a great location, not far from UT Austin, and with wonderful neighbors (why, hello there, Vulcan Video, “voted best video store in Austin by the Austin Chronicle for the past millionty years”). The site itself used to be home to a branch of Dreamers, an Austin chain that specializes in meeting all of your, ahem, adult needs. We trust that we, too, can meet your adult needs, assuming your need is for AWESOME BOOKS.

We’ve met with an architect, and we will shortly begin turning this…

Before

… into a beautiful and welcoming bookstore and community space (fear not, that grotty carpet will be dying a horrible death). Stay tuned for regular how-to-build-a-bookstore updates and plenty more before and after pictures. And don’t forget to let us know what you’d like to see between these four walls!

Sounds from the Stone Age

Today Adam introduces us to some rock Queens from California…

Queens of the Stone AgeQueens of the Stone Age is a highly talented rock band formed in Palm Desert, California, in 1996. Queens of the Stone Age was formed following the 1995 demise of the massively influential stoner rock band Kyuss. The group’s founder, Josh Homme, briefly played guitar in a band called Screaming Trees, before deciding to form a new band of his own. Their first release was a two-track EP entitled Gamma Ray, released in January ’96. On their first full-length, self-titled album, Homme played guitar and bass, but shortly after, former Kyuss bass player Nick Oliveri joined the group.

The band’s original line up consisted of Josh Homme on guitar/vocals, Nick Oliveri on bass, and Alfredo Hernandez on drums. Throughout their career, the band would undergo a series of line up changes and as of today, the only member who was in Queens of the Stone Age since their formation is Josh Homme. When the band released their first self-titled album, listeners were thoroughly surprised to hear the significant difference between their new sound and that of the former stoner rock band, Kyuss. Queens of the Stone Age delivered more of a progressive, alternative rock sound that somewhat put off listeners at first. However, it was a sound that slowly became accepted. Their next album, Rated R, pushed the envelope even further and incorporated a pop sound along with a high-energy gusto. Queens of the Stone Age were able to take this sound and manufacture it into an extremely original music style that would soon become their trademark. Their sound was so unique that it became extremely difficult to classify them as belonging to a single genre of music. Throughout their career, the band has been described as hard rock, alternative rock, art rock, psychedelic rock, desert rock, heavy metal, alternative metal, and stoner rock.

After the release of Rated R, Queens of the Stone Age would release their third album, which is their most prominent one to date. This album was entitled Songs for the Deaf. Their frequent touring for their previous albums generated support for the band, which only grew once former Nirvana drummer/ Foo Fighters front man Dave Grohl joined the band on drums in late 2001. He would soon leave the band, however, and would be replaced by former Danzig drummer Joey Castillo. The guitarist of alternative rock band A Perfect Circle, Troy Van Leeuwen, also joined on guitar for this release. Songs for the Deaf was a critically acclaimed and commercial success, reaching gold status in 2003, with record sales of over 900,00 copies. The album consists of classic songs such as “No One Knows,” “First It Giveth,” and “Go with the Flow.”